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© 2006, 2007, 2008, 2009, 2010 & 2011 Harry Mendryk. Unless otherwise marked, all images are my own restorations. Further some of the images have copyrights by Joe Simon and Jack Kirby or Joe Simon alone. I am fortunate that Joe Simon has allowed me to also include some previously unpublished material. Please do not copy from this blog without permission.Pages
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Monthly Archives: March 2006
Pocket Comics #4 (January 1942)

I want to skip for now Pocket Comics #3, and proceed to #4. This is my favorite of the Pocket Comic covers. It is a great design, particularly since the text has been relegated to smaller areas as compared to the other issues. The Spirit of ’76 is a good match for that on Pocket #1 or Pocket #2. I am sure this cover was also done by Joe Simon. A new feature is the Nazi falling after being hit. It is not the way Jack Kirby would have done it, but you can tell that was the source for Joe’s inspiration. No longer do we find oversized figures. But although the design still works, it really doesn’t make logical sense. How could the Spirit of ’76 have delivered his blow if the Nazi had been standing behind him? Or how could the Black Cat jump through the window in the middle of the room and still manage to grab the arm of the Nazi in the back of the room? But as far as I am concern comics art is not meant to try to capture an instance in time. It is meant to tell a story. Without a single line of text, this cover is complete comprehensible. All the distortions of time and space were all done to advance that aim. The logical flaws are in fact its strengths.
The original art for this cover still exists. The inking was just marvelous, but unfortunately much of its quality was lost when printing the small sized cover. So here is a scan from the art.

Pocket Comics #4 has a cover date of January 1942. This is the same month that the last Simon and Kirby Captain America came out. Coincidentally this was the last month that Harvey would publish pocket size comics. The next time Simon and Kirby work would reach the racks it would be dated April.
Posted in 2006/03, 3 Timely, Assorted, Harvey Covers, Periods, Topic, z Archive
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The Last Supper
Joe Simon relates a story that once when he was in a legal battle with Marvel over copyrights, a threat was made to kill off Captain America. Joe then proceeded to make a painting of Captain America’s last meal with help from his daughter Gail Simon and someone named Leonardo. The painting has a prominent place on his living room wall. You can see a larger version of the image here.

Posted in 2006/03, Artists, Simon, Joe, z Archive
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Artist and Model
The Jack Kirby Comics Weblog has posted a real nice My Own Romance and made the comment
I think there was some rule that said Kirby had to do at least one artist/model themed romance cover for every publisher he did romance comics for
So I checked and I am sad to say Jack did no artist/model theme cover for Harvey. I have already posted the first issue of Young Romance for Prize which does have that theme. Simon and Kirby used the theme again for Young Love #72 also published by Prize

But for a short time Joe and Jack had their own publishing company Mainline with a romance title In Love. The third issue of In Love had, surprise, surprise, an artist/model theme cover. In fact the contents was a story about a comic book artist and model. I ask Joe about it once and he commented that they always like that theme. Apparently they liked the idea so much that made a proposal for a comic book or oneshot called “Artist and Model”. Two covers were made for that proposal, one by Kirby and the other by Bill Draut. Jack’s cover was used for the In Love #3 but Draut’s was never published.


Posted in 2006/03, 6 Mainline, 7 Freelance, Featured Work, In Love, Periods, Prize, Topic, z Archive
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Kirby erasers at Marvel
I previously posted about margin notes and my use of Photoshop manipulations to reveal erased text. But these image adjustments also showed a number of erasures of penciled art. I am not talking about inked lines that did not precisely follow the pencils. That sort of thing is common in Silver Age inking. These were more serious changes to positions of feet, arms, legs or even the whole figure. It is well known that Stan would asked for changes, often by whoever was available at the office. But my impression is that these changes were done by Kirby himself. I also believe that Jack did these changes before Stan got to see the art. I say this because some of the erased pencils are errors that are so bad that I don’t believe Jack would have left them like that. This will be more obvious with the Avengers #6 page, but check the Cap in panel 5 of page 5 and panel 2 of page 21 of Strange Tales #114.


As I mentioned these erasures of penciled art are also present in Avengers #6 page 20. For this page I feel even more strongly that the erasures was done by Jack before the art was presented to Stan. I just can’t believe that Kirby would have let the art go with Cap’s left arm where it originally was in panel 3. It just seems too large an error.

Similarly Cap’s original head in panel 6 is much too seriously wrong. These are not the sort of mistakes that you ever see Kirby make.

I also subjected the art for Tales of Suspense #92 page 9 to Photoshop adjustments for high contrast. One other thing is interesting about this page and that is what is not there. What we no longer find are erasures of the corrected art. It is possible that Kirby did a better job of removing them. But I don’t think so. Why would he put the extra effort, after all he had no reason to hide it from someone someday using Photoshop on it. It is very difficult to make out the erased pencils on ST #114 and Av #6 without the aid of Photoshop.
Kirby was said to have created his composition in his head before he committed it to paper. By doing that he did not have to erase anything. Then why do we see more erasures on ST #114 and Avergers #6 then on TOS #92. Was Jack’s ability to mentally compose his page a skill he got better at over the years? I don’t think so, Kirby seem to have the same talent while working on the Simon & Kirby comics. In fact it may have been a remark by Joe that got Jack working in this manner. I’ve heard that Joe once complained about Jack erasing saying that he was erasing away money. However I have not (yet) subjected S&K art to the same Photoshop enhancement that I did with these Cap pages, so I could be wrong about not seeing erased pencils in S&K pages.
But there could be another explanation for all the corrections in ST #114 and Av #6. Perhaps these were rush jobs, either because of schedule difficulties or the amount of work Jack was doing at the time. Perhaps because he was trying to work faster, he was making more mistakes.
Posted in 2006/03, 8 Marvel, Margin Notes, Marvel Kirby, Periods, Serial Posts, z Archive
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Pocket Comics #2
In Pocket Comics #1 the title has been reduced compared to #1 so there is more room for the art. The main scene once again depicts an oversized attaching Satan, being ineffectively fought by a miniature military (in this case some of battleships) with an giant Spirit of ’76 coming to the rescue. On the left side of the cover is the Black Cat, seemingly not part of the scene with Satan, but oversized nonetheless. The Black Cat started in Pocket #1 just a month before, so her presence on the cover is too soon to be due to an unexpected popularity. Rather having depicted Satan and the Spirit of ’76, the Black Cat seemed more unique since the other features were the standard male heroes.

The similarity of design and execution of the Satan and Spirit of ’76 scene with that depicted on Pocket #1 leaves little doubt that this was also done by Joe Simon. Further the execution of the Black Cat matches the rest, so Joe did all of the cover.
Posted in 2006/03, 3 Timely, Assorted, Harvey Covers, Periods, Topic, z Archive
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