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Registration
The minimum information we need to register you is your name, email address and a password. We will ask you more questions for different services, including sales promotions. Unless we say otherwise, you have to answer all the registration questions.
We may also ask some other, voluntary questions during registration for certain services (for example, professional networks) so we can gain a clearer understanding of who you are. This also allows us to personalise services for you.
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Changes to our Privacy Policy
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Well, if you see this… I have been going through some of my older romance books for the GCD (amazing how few Harvey books they have). Interesting stuff, including some story re-editing of previously censoed books when they were reprinted which is very similar to the stuff you described of Joe’s later work. And the odd cover that seems like his work. Have you ever gone over them? For instance, Forst Love #80. Am I right to see Joe Simon there?
I look at a number of them but have not gone through them thoroughly. I pulled out First Love #80 and yes the cover and contents page is by Joe.
Generally I find the Harvey romances a bit frustrating. Harvey seemed to have a policy agains artists signing their works (except for the occassional Elias). But in the earlier stuff there are some interesting Draut and Prentice pieces.
I was less certain about the contents page. That means some of the others around the same time are by Simon as well (which I sort of suspected). There are also contents pages that are first pages of a reprinted story cut up. Mr. Simon certainly new how to cut corners. But the most fun is First Romance #48, which is a complete reprint of First Romance #36, but with the stories restored to their original form before they were butchered for the comics code back in 1955. Except for the first story, which has an altered ending (which was left intact in the 1955 version). And it has an intro page, probably by Simon as well. Another oddball story is the first one from High-School Romance #54, which seems to have had several hands working on it, including a very rough and heavy inking pass, possibly by Simon as well (or at least similar to some I have seen on the S&K books.
Many of the content pages were done by Joe but in a style imitating the artist that did the story. Joe was good at this sort of thing and often swiped from the story as well. Jack also did a few of these content pages and I used to think he was imitating the artist as well but now I believe that Jack just drew them as he always did and Joe did the inking that transformed them into the imitated style.