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We do not sell, trade, or otherwise transfer to outside parties your personally identifiable information. This does not include trusted third parties who assist us in operating our website, conducting our business, or servicing you, so long as those parties agree to keep this information confidential. We may also release your information when we believe release is appropriate to comply with the law, enforce our site policies, or protect ours or others rights, property, or safety. However, non-personally identifiable visitor information may be provided to other parties for marketing, advertising, or other uses.
Registration
The minimum information we need to register you is your name, email address and a password. We will ask you more questions for different services, including sales promotions. Unless we say otherwise, you have to answer all the registration questions.
We may also ask some other, voluntary questions during registration for certain services (for example, professional networks) so we can gain a clearer understanding of who you are. This also allows us to personalise services for you.
To assist us in our marketing, in addition to the data that you provide to us if you register, we may also obtain data from trusted third parties to help us understand what you might be interested in. This ‘profiling’ information is produced from a variety of sources, including publicly available data (such as the electoral roll) or from sources such as surveys and polls where you have given your permission for your data to be shared. You can choose not to have such data shared with the Guardian from these sources by logging into your account and changing the settings in the privacy section.
After you have registered, and with your permission, we may send you emails we think may interest you. Newsletters may be personalised based on what you have been reading on theguardian.com. At any time you can decide not to receive these emails and will be able to ‘unsubscribe’.
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Children’s Online Privacy Protection Act Compliance
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Updating your personal information
We offer a ‘My details’ page (also known as Dashboard), where you can update your personal information at any time, and change your marketing preferences. You can get to this page from most pages on the site – simply click on the ‘My details’ link at the top of the screen when you are signed in.
Online Privacy Policy Only
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Changes to our Privacy Policy
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Hi Harry,
Happy Holidays!! to you and Joe. Another beautiful reproduction. Could you explain what you mean by “sales copies” Were these presentations sent to potential clients? I think in your rush to get back to your project you made a small error. Eisner/Iger prepared the comic art for Wonder Comics #1 for Fox, not Marvel Comics #1, that was Funnies Inc, owned by Lloyd Jacquet.
In panel #2, note the background shading pattern, for want of another term, I’ll call it herringbone. It also shows up in panel #9. It’s not a common pattern, I have only seen it a couple times in other places. Strangely enough, it shows up on the covers of Champion Comics #8 and 9. Note Champion #8 was always credited to Simon and Kirby, but recently, the Kirby inking credit for #8 has been rejected. I have always believed that Kirby did assist on the inking of this cover, and that herringbone shading is one of my pattern matches that I have never seen by Joe Simon previously, but Jack had used it. Of course I haven’t seen all of Joe’s prior work and might have missed something.
Stan
Stan,
Thanks for the correction about Marvel Mystery/Wonder Comics, my mind was elsewhere.
The inking technique that you mentioned (what you referred to as herringbone and I call mottled) is one that Kirby rarely used at this time and did not become part of his normal inking mannerisms. I cannot check now, but I believe I have seen Joe Simon use it in his newspaper work. But again it was not a common technique for him at the time nor did he seem to adopt it later. I would be more convinced if either Joe or Jack made more use of it so its presence in the Champion covers is not, for me, convincing evidence that either Kirby or Simon contributed to the inking of the covers. There is one artist that often used this inking technique at that is Al Avison, but I do not know if Al had met Joe at this early date.
Stan,
To answer your other question. Yes the sales copies were used to show potential customers for a syndication strip. The ones I have seen were all printed on fine glossy paper. The resulting print is quite nice, much better then when the same strip appeared in either newspapers or comic books. Joe Simon still has one for the Blue Beetle drawn by Jack Kirby.
You fiend, how could you post that page and not tell us what happens next?
Does he pull the lever? Can Taylor stop him in time? I’m on the edge of my seat here.
Anon,
I wish I could tell you what happened next, this was Jack Kirby’s last Dr. Hayward strip and I have no idea if some other artist picked up the story in Jumbo Comics #4 or whether the strip was discontinued.