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“It was one of the best days of my life.”

In July of 1993, Stuart Deitcher had an opportunity to visit Jack Kirby’s home in Thousand Oaks, California. He documented this trip on video and has graciously allowed us to archive and publish its contents. “I purchased a small Hi8 video camera specifically for this trip,” Deitcher tells us. “I was brand new to using a video camera, so please remember that I shot this for my personal memories. It was never intended for other eyes to view.”

While the quality of the video is low, it’s a historically significant look inside the Kirby home. We are pleased to present the video here in its unedited form as well as Mr. Deitcher’s memories of the trip. 

In 1992 I went to San Diego Comic-Con. I hung out with art dealers Hans KosenkraniusWill Gabriel, as well as Kirby family friend and inker Mike Thibodeaux. It was on this trip that I met [Misfits frontman and influential rock n’ roller] Glenn Danzig, who had also set up at SDCC as a comic art dealer. They all had some awesome Kirby material. Everyone was super nice and friendly. The convention hall was full of comics, original art, a handful of video game companies, and a few scantily clad ladies promoting some independent publishers. It was a terrific room and wasn’t overcrowded. 

While I was standing by Hans’ table, Jack and Roz Kirby would occasionally stroll by. Mike and Hans mentioned that the Kirbys really enjoyed interacting with their fans, even welcoming those who stopped by their house in Thousand Oaks, California. I thought that sounded like an awesome idea and discussed it with Glenn and Mike, who said that they could make a visit to the Kirby home happen. We agreed to stay in touch in order to make plans at a later time. 

After SDCC ended I headed to the San Diego airport. My flight was overbooked. The Republican National Convention was taking place in Dallas at the time and they needed the seats, so the airline asked if some passengers wanted to be bumped with a free domestic ticket for the next calendar year offered as compensation. My girlfriend and I decided to wait the extra four hours for the next flight which earned me a free flight back to San Diego. Unfortunately, that 12 month window meant I would miss the 1993 San Diego Comic-Con by about 2 weeks. 

So I came up with another plan. This was my opportunity to put my Kirby visit into action. I talked to Glenn several times over the phone (remember, this was before the days of email and text messaging). He called Mike and set up my visit with the Kirbys for July of 1993. After buying my brand new video camera, my girlfriend and I flew into San Diego, rented a car, hit a Holiday Inn, and settled in for our four day trip. 

I checked in with Glenn that evening to confirm our get together at his house. The next day I got into my Enterprise midsize rent-a-car and headed up to Los Angeles. Using a paper map (remember those?) I found Glenn’s gated house with the black Porsche parked in the front yard. He was extremely cool and friendly. His house had some really interesting things, including a full size stuffed wolf, giant M&M figures, stained glass panels and even more impressive items on display. 

Glenn showed me some amazing Kirby material. Glenn called Mike and told him that we were heading in his direction. We jumped into my car and got on the Pacific Coast Highway. The cars seemed to be filled with many attractive women. I noticed that they were checking out Glenn as we drove. The one thing I remember about that drive was thinking: “women never check me out like that.” 

A few hours later we found Mike’s apartment. Mike said goodbye to his girlfriend and we all jumped in his white van and headed to Thousand Oaks. This was turning into one of the coolest days of my life. 

After about a 90 minute ride we pulled up to the Kirby home on Sapra Street. Jack and Roz were lovely people and welcomed us with hugs. The first thing that I noticed was all of the Fourth World full color art on the living room walls, most of which I had never seen before. 

As we walked further in we went into Jack’s studio. It was wood paneled and had all kinds of cool stuff. Jack’s drawing table was a very low, simply constructed table made of brown wood that showed its age. There were cabinets with many drawers that were uneven and difficult to pull out. Many were full of well worn pencils. This had been the King’s throne for approximately the past 35 years. This was “where the magic happened.”

The house was beautiful. The patio in the back was adjacent to a large yard with a fire pit. It was at the top of a hill. You could almost see the wildfires burning miles away. Jack’s grandson was there as was their adorable dog. 

Jack took me on a tour of his “castle” and he was incredibly informative and open. He had many framed items leaning against the wall. These were items getting prepared to be sent to one of the first large comic book auctions (this was in the days before Heritage Auctions). Among these, I saw the Captain America pin-up from Avengers #10 (with Chic Stone inks). Framed and hanging on the wall in the kitchen was a large pencil drawing of the New York City neighborhood where Jack grew up – the spread from his autobiographical short story, “Street Code.”

I really wasn’t supposed to be shooting all of this video. Nevertheless Jack and Roz humored my need to memorialize my visit. I even purchased a few pieces of art from Jack. We all hugged Jack and Roz goodbye. It was great to know that Jack was happy and living in a beautiful area. He was in a home that was worthy of his stature as the King of Comics. 

We jumped into Mike’s van again. My head was spinning. We decided to stop at a Waffle House. My stomach was still in knots from the visit. I think I was able to eat something. Glenn was still getting looks from the waitresses and just about any other woman we passed. Glenn told us some “war stories” of his adventures on tour with his band. 

We got back in the van and headed back to Mike’s apartment. Mike was awesome. I couldn’t thank him enough for making this incredible day possible. Glenn and I got into my car and headed back to his house. It was dark, late, and I still had a three hour drive back to San Diego ahead of me. Glenn was fantastic. Without him this day wouldn’t have happened. I got back to the Holiday Inn at about 3 am. It was a 21 hour day and I was still wound up. I had just visited Jack “King” Kirby! If I had won an Olympic gold medal I wouldn’t have felt as incredible. It was one of the best days of my life. Thank you Mike, Glenn, and of course Jack and Roz.

Lord Of Light, Science Fiction Land and Argo

Just thought I’d take the opportunity to post some bibliographic information about the Lord of Light, Science Fiction Land and Argo projects that have been getting some recent notice as the movie Argo is being released.

The documentary “Science Fiction Land” is also getting some notice. Be sure to stop by the website.

Below I’m including only items concerned with the secret CIA mission. There were also pieces of note in Jim Steranko’s Mediascene and John Morrows’ Jack Kirby Collector about Kirby’s work for Barry Geller. I may include them in the future.

“CIA 50 Trailblazers” – broadcast on CBS Evening News, 1997.

Correcting History: The CIA’s Rescue In Iran In A Bold 1980 Masquerade To Flee Iran, Diplomats Posed As A Canadian Film Crew” by Michael E. Ruane – published in the Philadelphia Inquirer, 28 September 1997

A Classic Case of Deception: CIA Goes Hollywood” by Antonio J. Mendez – published in Studies In Intelligence, Winter 1999-2000

The Little Grey Man - Erroll Morris' First Person. Still from appx. 7:00

The Little Grey Man – Erroll Morris’ First Person. Still from appx. 7:00

“The Little Grey Man” by Errol Morris – broadcast on Errol Morris’ First Person, 4 May 2000

“C.I.A. Secrets: Escape From Terror” – broadcast on Discovery Channel, 20 May 2001

Kirby, the CIA and the Lord of Light and Eyewash: About Argo” by James Romberger and Marguerite Van Cook – published in Comic Art Forum, Winter 2003. (Romberger notes that the article was written in 2002)

How the CIA Used a Fake Sci-Fi Flick to Rescue Americans from Tehran” by Joshuah Bearman – published in Wired Magazine, 24 April 2007

Where Jack Kirby lived

A while ago, I compiled a map of known Kirby addresses in the NYC area. Many thanks to Alex Jay for his detailed research.

View Jack Kirby NYC addresses in a larger map

It’s that 1977 Marvel Calendar again!

While pulling together yesterday’s entry on the Captain America original art in the Museum’s collection, I remembered that we have another interesting Kirby image from the 1977 calendar:

Yes, it’s a Jack Kirby drawing of not only Thor, the Thing, the Hulk, Captain America and Spider-man, but also Howard the Duck, Luke Cage, Conan and Dr. Strange.

I’m sure Kirby was working from a comp drawing sent to him by the Marvel office, which could have been by Marie Severin, John Romita, Sr., or someone else. My guess is that they provided him with a pretty good likeness of Howard the Duck. The published piece was inked by John Romita, Sr. Color artist unknown, although possibly Marie Severin, as well.

Just to be sure, the Captain America art mystery was solved

Back in TwoMorrows’ Fall 2008 The Jack Kirby Collector 51, the Museum’s newsletter page included a piece of Kirby art that was gifted to the Museum by Greg Theakston. Soon after that issue was published, I received an email from accomplished comic book art style identifier Nick Caputo, who told me it looked like it was inked by Frank Giacoia, and was from The Mighty Marvel Memory Album 1977 calendar. So, I acquired a copy of the calendar for the Museum. Nick also said that it looked like some of the other art on that piece was inked by John Romita, Sr., which may explain why this cut-out piece was by a different artist.

(Thanks to Richard Kolkman, caretaker of the Jack Kirby Checklist for the inspiration for this post!)

The Kirby Effect begins

In addition to all the personal blogs the Kirby Museum hosts, I’ve just fired up “The Kirby Effect“, which I’ve designated “The Journal of The Jack Kirby Museum”. I hope the The Kirby Effect will be become a rich offering of papers, articles and media presentations. Consider this post the requisite Call For Papers. I have a few things in the works for the Effect already, but they won’t last, so I look forward to hearing from you.

Unpublished Kirby-Colletta New Gods #1 Art found!

Incredible, but true!

The missing art from New Gods 1 splash

The missing art from New Gods 1 splash

I know, something of an anti-climax. My point is that Jack Kirby drew, John Costanza lettered and Vince Colletta inked the splash page to New Gods 1 without space for the publishing indicia. At least that what two photocopies in the Museum’s archives indicate. So, more than likely, one of Jack Adler’s production people at DC/National did some photostatting and some paste-up to make room.

I recently found a scan of this very splash from my personal copy of New Gods 1, which I had signed by Jack at the Miami-Con in December 1975. So, for kicks, I took that scan, added the missing art, and did a hasty coloring job.

Thanks again, to Greg Theakston!

Jack & Roz at Coney Island with Joe and more

Here’s a nice souvenir photo of Jack and Roz from Brooklyn’s Coney Island. Joe Simon is there with a date on the left, as is, I assume, Charles Brainard on the right. “The Mayflower”, heh!

I’m assuming that this letter from Charles is referring to the picture above . Could have been thirty years later!

Thanks to Greg Theakston!

Thor in Israel

Who knew that Kirby & Lee’s Thor was published in Israel?

Buki also published the X-Men, Iron Man, Superman, and many others. Read more about it in Eli Eshed’s “Hebrew Comics – A History” published on An International Catalogue of Heroes.

I’ve included a scan of the original art for that page.

Thanks to Lyle Tucker and Paul Power!