AVENGERS #22, 1965. A nice Wallace Wood inked cover, from when Wood was briefly the interior inker on the book over Don Heck pencils. Great image of the Enchantress there. Not a lot of major female villains from Marvel in the 1960s, but she’s probably the best of them.

In “Alamo II” Cap’s search for the missing Falcon and Leila brings him and Texas Jack Muldoon to an asylum transported to another dimension, where he finds his friends without their memories and the small human colony on an asteroid under attack from alien monsters. Brother Wonderful and the Inquisitor, leaders of the Night People, open up a portal to Earth, planning to send the monsters there, but Cap is able to trick them and return the humans to Earth and blow up the asteroid as the creatures approach.

A minor story during Kirby’s final run on Cap, but the art is really pretty, including the alien creatures who look like something out of a 1950s Marvel monsterwork.

Frank Giacoia inks the 17-page story and cover.

Published 1976

This whole story, and much more, was recently reprinted in Captain America: Bicentennial Battles.

Kirby’s only cover for the short lived super-team, it’s always nice to see another one of those overhead cityscapes by Kirby, as well as a nice drawing of Hercules, plus a very 1970s villain. Inked by Frank Giacoia.

Published 1976

In “The Fall of Asgard”, Thor is on Earth, tending to business like rounding up hijackers, while the Warriors Three and Balder are leaving the realm of the Norn Queen. Odin picks this time to go into the Odinsleep that he needs to retain his Odinpowers for another Odincycle, leaving the Odinrealm open for attack by the evil Odinson Loki, who gathers various Odinfoes like the storm giants.

The page after this, a full page of the giants on the rampage, is gorgeous, by the way. Check it out if you have this issue.

Sif is able to contact Thor on Earth and get him to return to Asgard, and he and the various defenders of the realm battle the invaders, but not before Loki is able to get the Ring Imperial from the Allfather and take Sif prisoner, making him Thor and the other bow before him.

Bill Everett inks the 20-page story, the last of his brief run (with some possible assistance from John Verpoorten, see comments). It’s kind of uneven compared to his others, although still better than most Thor inking. Some pages are great, but a few others seems stiff, maybe a bit rushed.

The cover is by Marie Severin, replacing the one Kirby did. The likely reason for the replacement is the the Kirby version (shown in TJKC #18) has Thor bowing before Loki, defeated, while the published version has him still defiant, so I guess someone decided the hero should look more heroic on the cover. Both versions do seem to use the same background of Asgard, though, and Severin does do a good Kirby (in fact, the original art boards to both versions shown in TJKC are signed by Kirby).

Published 1970

A year after the previous series, Kirby returns to the toy line inspired SUPER POWERS, which I think by this time was also part of the Super Friends cartoon, which I guess explains the Hall of Justice super-hero HQ in this issue. Anyway, Kirby doesn’t write this series, just pencils. We open just after the events of “The Hunger Dogs”, with Darkseid’s rule overturned.

He’s able to find some of his most loyal servants, DeSaad, Kalibak and Steppenwolf (actually just “animated bodies” of them that he brought back to life) and escape to the moon, where they plan the conquest of Earth, which is where our various action figures, um, I mean, heroes, come in, splitting into teams to investigate five mysterious seeds which have appeared through the world, which seem to be digging to the Earth’s core. J’onn J’onzz goes to England where he meets up with Aquaman to investigate one of the seeds. While there, they encounter DeSaad, and all of them are hurled back in time where they meet King Arthur.

Kind of a dull story, although the art does have a few points of interest, mostly a few of the scenes with Darkseid in the first half.

Greg Theakston inks the cover and 23-page story.

Published 1985

DARING MYSTERY COMICS #8, 1942. You gotta feel for Blue Diamond. Right there on the cover, but grouped in with “and others” in the blurb, which names the other guys, and even the gal in the inset. I guess he did get his revenge by having more of a career when brought back in the 1970s than the others.

Anyway, a book of the also-rans of the early Marvel line, the highlight of most of these guys careers has to be having Jack Kirby draw them on a cover just before he left Marvel the first time.

This issue has an edited reprint of “The Sleeper Strikes” from CAPTAIN AMERICA #102 [1968]. One change made is right on the splash page, where a reference to the Lovin’ Spoonful is changed to Blue Oyster Cult. How hip. Anyway, Cap still has the control key for the Fourth Sleeper from last issue, but doesn’t know how to use it. He battles with the Red Skull’s agents, and is rescued by Agent 13, and they go out in pursuit of the Sleeper. Lots of good fighting throughout, although the end is a bit abrupt. One of the two pages edited is just a splash of the destruction when the Sleeper attacks, but another is kind of crucial to the climax of the story, so was a pretty bad cut.

Syd Shores inks the cover and edited-to-18-page story. There’s also some of the usual meddling on the cover, moving figures slightly. I’m still not a huge fan of Shores’ inks on Kirby during this time, and the linework of his that got lost the first time around suffers even more in the reprints.

Published 1977

Another of Marvel’s series of cover-to-cover reprints, this one of course the debut of the X-Men and their main villain, Magneto. It’s a pretty compact first issue, with the characters first showing off their powers in a practice session, then introducing themselves to their newest member, Jean Grey. Soon after the first mutant menace that Professor X gathered them to defend mankind against makes his presence known.

I always liked Magneto, I thought Kirby hit the ground running with him and Professor X, while the actual X-Men I thought took a few issues to get both their characters and body language right. Anyway, they manage to drive off Magneto, winning the admiration of the army. That wouldn’t last…

Paul Reinman inks the 23-page story, and Sol Brodsky is usually credited with the inks on the cover, though that’s hardly a consensus. This issue also includes two house-ads, one for a Spider-Man issue and one for SGT. FURY #3, interesting in that it promotes the book as having “the same inimitable style, by the same writer and artist” as the FF, without actually naming the writer or artist.

Published 1991

Kirby concludes the series in this issue, where Darius Drumm first destroys his own world and his followers, and then flies off in his demonic form to scour the Earth.

Brute force on the part of both Silver Star and the army fail to stop Drumm, but Silver Star is ultimately able to use a psychological attack.

This is a really mixed issue, with a few really good scenes but ultimately the climax is just too short, and falls right at the end so we never get to find out what happens next. The art is also kind of variable, it’s almost hard to believe that Kirby drew it all around the same time, with some strong bits and other parts having all the flaws associated with Kirby’s later work.

D. Bruce Berry inks the 20-page story and Mike Thibodeaux inks the cover.

Published 1984

Remember, this and more will be reprinted in the upcoming SILVER STAR GRAPHITE EDITION from TwoMorrows, with part of the proceeds going to the Kirby Museum.