Our Fighting Forces #152 [1975]

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Kirby’s chronicles of the Losers brings them to France this issue, in a story reportedly very close to a few of the real war stories that Kirby would tell, “A Small Place in Hell”.

Our Fighting Forces #152 [1975]

The Losers have a rare three-day pass, and go to a town that they think should have been taken by the allies weeks ago. Unfortunately, they took a wrong turn somewhere, and the town is full of Germans, leading to a lot of firefights and general destruction before the American forces roll-in. That includes a cameo from General Patton, who thanks them for keeping the Germans occupied and declares the Losers “Fine boys, but ‘foul-ups'”.

Also in this issue, two pages of various machine guns used in WWII, and on the letter page Steve Sherman mentions that Kirby used an extensive picture file of WWII material for the book, and they’d recently gone out to get more reference material.

D. Bruce Berry inks the cover, 18-page story and 2-page backup.

Kid Colt Outlaw #88 [1960] – Cover

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A Kirby/Rule (*) cover for this western cover. I really like that foreground indian with the bow-and-arrow, and I like the way the block-out colouring works with this design, and how all those design elements (arrow, gun, hand) lead the eye to KC.

(*)possibly George Klein, see comments

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Published 1960

Marvel Spectacular #4 [1973]

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Thor and the Recorder are off to confront the Ego, the Living Planet this issue, one of Kirby’s most audacious villains of the era, in a reprint of “Behold, The Living Planet” from THOR #133 (1966). Edited reprint, of course, cutting out the second page of a two-page spread, moving a word balloon over. Still looks good, but the original is spectacular, one of the best of Kirby’s two-pagers.

It’s really a mile-a-minute in this era of Thor, if a Thunder God and an alien archivist fighting against the humanoid anti-bodies of a living planet in the Black Galaxy in order to save Earth from the colonizers of Rigel isn’t enough, there’s also a stop along the way to set up the next story, which has Jane Foster going to interview for a job with someone who turns out to be the High Evolutionary.

The cover is also from #133, but another, clearer face of Ego is in place of the original. Looks like it might have been pasted up and retouched from an interior panel in this or another story.

Also this issue, “Gather, Warriors”, a Tales of Asgard story from JOURNEY INTO MYSTERY #119 (1965), as the many heroes of Asgard join the quest that Thor and Loki are leading. This story introduces the trio who would become known as the Warriors Three, Hogun the Grim, Frandal the Dashing and of course…

Marvel Spectacular #4 [1973]

Volstagg the Enormous. Of course he would be the source of comedy gold in future issues of the book, and starts off great in his debut.

Published 1973

Tales to Astonish #43 [1963] – Cover

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A dramatic Kirby/Brodsky cover for the Ant-Man series. I love the occasional panel-breakdown cover like this, with some great poses drawing you into the story. And the matches to give a sense of scale are a nice touch.

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Published 1963

Happy Kirby Day

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88 years ago today, Jacob Kurtzberg was born. I hope to get a special post done later today, but until then I’ve updated the indices of posts over on the sidebar, alphabetical and chronological, so feel free to look at a few random entries among those 445 books with Kirby work.

Real life got in the way of writing what I wanted to for today, so I’ll save that for the first anniversary of this site in a few weeks. Lots of other Kirby stuff to read on the web today, including:

The opening of the Kirby Museum site
Mark Evanier’s thoughts
Kirby rarities at Dial B for Blog
BeaucoupKevin’s thoughts
Nemed House (for you German speakers)
Tom Spurgeon’s thoughts

Thor #252 [1976] – Cover

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Always a big fan of Ulik, he was a fun character in the 1960s stories, really cool looking, so it was nice to see him on a few Kirby covers in the 1970s.

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Verpoorten inks, with a bit of touch-up work credited to Romita in the Kirby checklist, but pretty minor compared to some.

Published 1976

Tomorrow

OMAC #6 [1975] – The Body Bank

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Following the events of the previous issue, OMAC heads down the subway in pursuit of kidnappers who steal young bodies to sell to the old rich. One of those non-stop action bits with a few weird concepts thrown in. I love that classic style Kirby tech in the medical equipment, and of course OMAC busting through a wall shaking off a crowd of villains is excellent (although the one exclaiming that “He’s a one-man army” seems a bit forced).

OMAC #6 [1975]

D. Bruce Berry inks the cover and the 18-page story. This was in the era of rapidly shrinking page counts at DC, so the two-page spread meant for pages 2/3 was shrunk down to a single panel on what was page 4. The original panel that was replaced appears in TJKC #17.

Published 1975

Blue Ribbon Comics #5 [1984]

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This Archie comic reprints most of the S&K content from DOUBLE LIFE OF PRIVATE STRONG #1 (1959), except for the Fly intro teaser. There’s also a new cover by Kirby and Rich Buckler (I’ve seen the pencils to this somewhere, does anyone remember off-hand where they were printed).

One intro page and four stories inside, a total of 25 pages from S&K, setting up the Lancelot Strong character, a revamp of the old Shield character. The character is an odd mix of things, a little bit of Captain America, mixed in with a bit of Superman’s origin, as we open with a scientist conducting experiments of questionable ethics on his own infant son to tap his full brainpower. When it looks like his experiments will be stopped, the scientist flees and crashes, leaving his son to be found by an old farm couple, who raise him as their own. He develops powers as a teen, just in time to stop an invasion from an alien monster very similar to the type that would soon be terrorizing Marvel in Kirby stories, and also finds a costume. Then he gets drafted, and his adventures as Private Strong begins.

More harkening back to earlier stories, “The Menace of the Micro-Men” has a lot in common with one of the YELLOW CLAW stories of a few years earlier.

So while this feature was far from the most original Kirby worked on, the artwork is a lot of fun, so this reprint of it is well worth picking up for some vintage Kirby at an affordable price.

Published 1984

Tomorrow

Special Marvel Edition #11 [1973] – Fighting Side-by-Side With Captain America and Bucky

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A reprint of SGT. FURY #13 (1964), with one page edited out, teaming up the two great WWII based characters of Marvel. This is a really jam-packed and fun story, maybe my favourite Cap story of the Silver Age. It opens up in London with Fury on a date with Pamela, where they watch some newsreels of both the Howlers and Captain America, with Fury noting that while the Howlers clip is met with a “reserved British” reaction, Cap and Bucky get cheers. Later an incident in a pub leads to a brawl between Fury and his usual foil Bull McGiveney, which brings Fury and his men to the attention of Steve Rogers, secretly Captain America.

Special Marvel Edition #11 [1973]

Cap and Bucky are off on a mission to Europe to find out about a secret German project, and when they get enough info they send a message to send the Howlers. The Howlers follow, with Fury and Reb making it to the end, where they first encounter Steve Rogers disguised as a prisoner and Bucky disguised as a Hitler Youth, with the two later changing to their costumed identities to take out a tunnel being dug under the Channel to England (the taking out including a panel of one of Kirby’s earliest collages).

Dick Ayers inks the now 22-page story while Chic Stone inks the cover.

Published 1973

Love Romances #83 [1959] – Cover

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Kirby’s first cover to LOVE ROMANCES, I especially love the inking (apparently by Chris Rule according to the GCD) on the hair. The tennis playing girl in the background is also pretty cute.

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Published 1959