Marvel’s Greatest Comics #37 [1972]

by

A reprint of “The Startling Saga of the Silver Surfer” from FF #50 [1966] here, the conclusion of the Galactus trilogy. Lots of fun and grand cosmic adventure in the first half, as the Torch returns with the Ultimate Nullifier, allowing the FF to get Galactus to leave.

Marvel's Greatest Comics #37 [1972]

The second half of the issue sets up some of the future stories and effects of the events of this story, including Ben’s melancholy and the Torch starting college.

Joe Sinnott inked the 20-page story. The cover is a non-Kirby new cover.

Published 1972

Marvel Spectacular #5 [1974]

by

“The People-Breeders” is reprinted from THOR #134 (1966), leading off with the wrap-up of the Ego/Rigel storyline, as Thor has fulfilled his mission and sends Tana Nile packing (and narrowly missing a meeting with Galactus, making a pulse-pounding cameo a few months after his first story in FF). Thor then goes to find Jane Foster, which leads him to the High Evolutionary and his New-Men.

Marvel Spectacular #5 [1974]

Lots of neat stuff in here. The New-Men obviously kind of remind you of the later creatures of Kamandi’s world, and frequent other uses of accelerated evolution in Kirby’s work.

One page is edited out of here, mostly the page with Quicksilver and the Scarlet Witch, between stories in AVENGERS, so it’s a 15-page story here.

Meanwhile, from JOURNEY INTO MYSTERY #120 (1965) comes “Set Sail”, the departure of the heroes of Asgard on their grand quest in the 5-page “Tales of Asgard” story. As usual, lots of grandeur in the form of Odin’s send-off and intrigue in the form of Loki’s plots (foiled by Hogun), with some comic relief provided by Volstagg (including a cameo by the rarely seen but often mentioned bride of Volstagg).

Colletta inks throughout, including the cover reprint from THOR #134.

Published 1974

The Eternals #12 [1977]

by

Big time cosmic goings-on up in Olympia, home of the Eternals, as Thena returns with the Deviants Karkas and the Reject. The Reject attracts the attention of some of the female Eternals, but that’s interrupted when Zuras summons his people for the Uni-Mind ritual.

The Eternals #12 [1977]

After a brief catch-up with Ajax in the Andes, we return to Olympia and the Eternals joining to form the Uni-Mind, a massive group-mind, to study the return of the Celestials to Earth. Very weird, in a trippy cosmic way, not something that makes a lot of sense, but certainly pretty to look at and think about.

Mike Royer inked the cover and 17-page story.

Published 1977

New Kirby updated

by

Just updated the Kirby release list over on the sidebar. The four “Marvel Monsters” one-shots with Kirby reprint backups came out, as did the FF wedding special, a couple of AC books, an ESSENTIAL TWO-IN-ONE with some Kirby covers and the coffeetable book MAXIMUM FANTASTIC FOUR (see this thread on the Masterworks message board for some scans and comments on it).

Black Magic #8 [1975] – The Girl in the Grave

by

Two Simon&Kirby reprints in this issue, both from STRANGE WORLD OF YOUR DREAMS #2 (1952). “The Girl in the Grave” is a 5-page story, starting with dream analyst Richard Temple encountering a nervous woman who it turns out was going to see him about a series of nightmares she’s been having that threaten her performance in her upcoming new job. She’s been having dreams about seeing her own grave, leading to an underground office where she’s overwhelmed by work and then facing rising water.

bm8

Of course Temple easily figures this out as symbolic of her doubts and fear of failure. Which even I could have figured out, but it seems to ease her mind.

Some great moody bits of artwork in the dream sequences, especially the graveyard on the opening page.

The other story is a 2-pager from the regular “Send Us Your Dreams” series from the book, with a man describing a dream of trying to race through a storm to a peaceful garden, being blocked by a fence, a horde of dwarves and a highway of futuristic cars. Temple explains that these kinds of dreams are common, and a reaction to tensions raised by the uncertain new world of atom bombs. I’m really not sure how Temple ever actually helps anyone, but man, a Kirby-drawn attack of misshapen dwarves is always fun.

Published 1975

Super Powers #4 [1984] – Earth’s Last Stand

by

As usual, Jack Kirby does the cover for this issue, inked by Greg Theakston. Nice overall, but a bit of weird anatomy around Superman’s legs.

Super Powers #4 [1984]

Kirby also plots the issue, which has an attack on Brainiac’s ship, finally bringing the heroes to Apokolips and face to face with Darkseid, who has been using the time the heroes have been distracted by the villains to prepare an invasion of Earth, setting up the Kirby written and drawn final issue.

Published 1984

Destroyer Duck #5 [1983]

by

This is Kirby’s last issue of DESTROYER DUCK, as usual inked by Alfredo Alcala on the 20-page story “Shatterer of Worlds” and cover. Steve Gerber was joined on the writing by Buzz Dixon, who would take solo writing chores on the next two post-Kirby issues.

This story finishes up the main story with GodCorp’s plans in the oil-rich nation of Hoqoom. Some very weird stuff, including possibly the only time cannibalism was so explicit in a Kirby story. Also, a nice battle with the Destroyer Lawyer against the Cogburn:

Destroyer Duck #5 [1983]

(I have to mention the Cogburn, as I still get one or two searches a week for Cogburn leading people to this weblog)

This was a fun series, a bit uneven and a few dated references but a lot of good qualities. It would be nice to see it reprinted some day in a nice permanent format.

Published 1983

Nick Fury And His Agents Of SHIELD #1 [1973] – When the Unliving Strike

by

This reprint comic has the SHIELD stories from STRANGE TALES #146 and #147 (1966), “When the Unliving Strike” and “The Enemy Within”, knocking out parts of two pages in the former and the first two full pages of the latter story bringing it down to 21 pages. Both stories have layouts by Kirby, pencils by Don Heck and inks by Mike Esposito (whose name the reprint editor actually took the time to fix from the “Mickey Demeo” pen-name of the original).

It’s the men of SHIELD against the forces of Them this time, continuing their pursuit from the previous issues. But of course you know those yellow bee-suit costumes better as…

Nick Fury And His Agents Of SHIELD #1 [1973]

AIM, Advanced Idea Mechanics. It turns out the Them are affiliated with AIM, a private group of geniuses bent on world domination, who at this point are still considered a reputable organization, as one of their members tries to undermine Fury’s role as director of SHIELD. Fury foils their immediate plans, an attack on the famous barber shop which serves as a SHIELD front, but AIM’s Count Royale has other schemes.

Some fun stuff in here. A few hints of Kirby, though the Heck/Esposito combination overpowers most of it, but is good in its own right.

Published 1973

The New Gods #3 [1971] – Death Is the Black Racer

by

No, I’m not entirely sure what the deal with the Black Racer is either. I’m sure Kirby had something unrealized planned for the character/concept, but we’ll never know. Anyway, in this story the Racer, an envoy of death, pursues Lightray, but is redirected to Earth by Metron, where he’s drawn to paralyzed Vietnam vet Willie Walker, who takes his role as an aspect of the Black Racer.

The New Gods #3 [1971]

I may not understand it, but that’s some pretty art. Elsewhere on Earth, Orion and Dave Lincoln pursue the local gangs that have been recruited into the plots of Apokolips.

Colletta inks the 23-page story and cover (which features a photo background of a cityscape).

Published 1971

Sgt. Fury #12 [1964] – Cover

by

Another early FURY cover, this one inked by Chic Stone. I’m not a huge fan of generic floating head covers, but that’s a really nice action pose of Fury, and the headshots here capture each of the Howlers nicely.

SgtFury12_526.jpg

Published 1964