Marvel Spectacular #3 [1973]

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The lead story “Thunder in the Netherworld” is reprinted from THOR #130 (1966) and is a big action issue, with Thor facing off against the hordes of the underworld to save Hercules.

Marvel Spectacular #3 [1973]

It’s a great ever-escalating battle, which finally threatens to bring down all that Pluto had built, bringing him to return to stop the destruction. There’s a fun bit of contrast between Hercules love of battle and Thor’s dedication to justice in the end.

Meanwhile, in Midgard, the story of Tana Nile starts to develop with more clues about her secret, as she sends Jane Foster away in order to lure Thor into a search for her.

The back-up is a Tales of Asgard story from JOURNEY INTO MYSTERY #118 (1965), “The Crimson Hand”, continuing the major quest storyline. In this story we see Thor preparing for the voyage, being given the Crimson Hand, which can be used to force anyone clasping it to tell the truth. This comes in useful when Loki brings by a volunteer for the quest, who turns out to be an assassin planning to kill Thor. Loki manages to avoid detection of his own role in that, of course. They sure did give him a lot of leeway back then.

Colletta inks throughout, of course.

Published 1973

Machine Man #4 [1978]

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“Battle On A Very Busy Street” opens with Doc Spaulding helping Machine Man get rid of the inhibiting cylinder that Ten-For placed on him last issue, and then going off to find the alien Autocron. Along the way Machine Man has a crisis on identity when he hears how the soldiers talk about stopping the machines, leading to an internal discussion with the spirit of his creator/father Abel Stack.

Machine Man #4 [1978]

Regaining his faith in his own identity, Machine Man goes after Ten-Four, planning to return him through a dimensional warp, only to see Ten-For has taken hostages and is summoning more of his race.

Very good issue, moving the story nicely, and there’s some especially good Kirby scripting in the identity crisis scene and some nice bits of humour.

Mike Royer inks the 17-page story and Frank Giacoia inks the cover.

Published 1978

Our Fighting Forces #158 [1975] – Bombing Out on the Panama Canal

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Posted in Genre, War.

Story continuing from the previous issue. Great opening sequence of the secret Japanese air base in Panama, where they plan to launch a kamikaze attack on the canal. Meanwhile, the Losers are prisoners of Panama Fattie and her men, but manage to get loose. Fattie is unable to pull the trigger when she has a chance to shoot Storm.

Our Fighting Forces #158 [1975]

She escapes, but (intentionally?) leads the Losers to the Japanese base, where she dies and the Losers take out the bomber.

In addition to the 16-page story, Kirby also does a 2-page feature on “Nazi Super-Planes”, showing some hypothetical planes that the allies might have faced if the war lasted longer. I’m not sure if these are based on any historical records or come straight out of Kirby’s imagination, but they definitely feel more Kirby than reality.

Mike Royer inks the whole thing, cover, story and back-up feature.

Published 1975

Sgt. Fury Annual #2 [1966] – The Man for the Job

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This issue contained two Dick Ayers pencilled Sgt. Fury stories, one reprint from #11 and one new story about D-Day. The Kirby content is a quick reprint of the first SHIELD story from STRANGE TALES #135 (1965), just a year after it was first published.

It’s a great origin story, a very tight 12-pages of Kirby/Ayers art which establishes the now Colonel Fury as he’s recruited to lead the international law enforcement efforts against the forces of Hydra. Although having his doubts about his own qualifications given the super-science realm and international scope of SHIELD, he quickly proves himself by foiling a sabotage attempt and taking charge in the confusion.

sfa2

Lots of the key elements of the series are introduced, like the Life Model Decoys, the cool air-car (with the flipped tires), the Helicarrier and of course Hydra! Immortal Hydra! Cut off a limb and two more shall take its place! Man, I always love that Hyrdra salute, especially with the visual.

I also always liked that Tony Stark shows up in here, but with absolutely no reference to Iron Man. That works well to establish the series firmly in the Marvel Universe, but sort of off to one side, where it works best (while Fury also works well as a supporting character in other books).

Published 1966

Chamber Of Darkness #5 [1970] – And Fear Shall Follow

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Okay, enough with the video interlude, back to print (although I should have at least one more video bit in the next week).

This short story from late in Kirby’s Silver Age stint at Marvel is one of the few stories he wrote solo there before the move to DC, where scripting his own work became the rule rather than the exception. It’s a quick 6-page story about a military pilot who crashes in Red China and is pursued by a mysterious figure.

Chamber Of Darkness #5 [1970]

This ends with a mystical twist, as it turns out the pilot died and the figure is just his benevolent guide to the afterlife, sort of like the Black Racer without the skis. An interesting story, a lot more like Kirby’s earlier BLACK MAGIC work or upcoming SPIRIT WORLD than most things he would do at Marvel. Some really nice visuals, especially with the “walking through walls” effect at the end of the story and on the cover.

John Verpoorten inks the story, and it’s a really nice job, especially the interesting half-tone effect on the mysterious figure on the splash page. Bill Everett provides the inks on the cover.

Kirby’s other CHAMBER OF DARKNESS script, “The Monster”, with a more complicated history, was covered in this post.

Published 1970

[Video] Thundarr – City of Evil

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Posted in Video.

See this earlier post for more background on THUNDARR.

Image hosted by Photobucket.com

“City of Evil” is a second season episode, opening with Thundarr and company chasing an evil wizard to retrieve a guantlet of power. The gauntlet is the most Kirbyesque element of the episode, with one close-up that seems to be taken straight from Kirby’s design. I’ll try to get a screen capture of it. Anyway, they defeat the wizard and return the gauntlet to its rightful owner, but the wizard then finds a shrunken city full of scientists and plans to use the power of the gauntlet to restore the city and rule the world. Another good Kirbyesque element in the episode shows up later when the shrunken residents of the city attack in tiny flying sleds.

Fun episode, with some clever ideas and neat visuals.

[Video] Prisoners of Gravity – Kirby episode

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Posted in Video.

PRISONERS OF GRAVITY was a half-hour TV show hosted by Rick Green that was produced for the public television station TVOntario from 1989 to 1994 and discussed various topics from comic books and science fiction. In 1993 they ran a full show devoted to Jack Kirby.

The highlights of the episode are obviously the clips from an interview with Kirby. He looks a lot frailer than he did in the earlier interviews I’ve seen, and talks a bit more hesitatingly, but he still seems sharp and seems to enjoy talking about his experiences. He talks about his childhood, the creation of Captain America, his interest in mythic gods and his importance of the love of his family.

The show also has clips with various other creators talking about Kirby (full list below). Especially nice was the clip of Will Eisner telling the oft-repeated (including in Eisner’s THE DREAMER) story about Kirby standing up to the mob towel service back in the Eisner/Iger studio days. Max Allan Collins also tells a nice story about getting to play his tribute to Kirby song “King Jack” with his band Seduction of the Innocent for the Kirbys in San Diego. It’s a nice selection of clips giving a range of reactions to Kirby and his influence.

Repeats of the program currently run in Canada on BookTV, although it’s an edited version to allow for commercials, so part of the Kirby interview is removed in thie episode. I know the show has been syndicated to American markets in the past, although I don’t know if it is currently. They also used ciips from the Kirby interview on a few later episodes.

Producer Mark Askwith singles out his Kirby interview as one of his favourites, and talks about the experience, over on this retrospective article about the series.

A full episode guide is available, and contains this original episode description.

471013 JACK KIRBY AIRDATE: JANUARY 7/93

This week’s episode of Prisoners of Gravity pays tribute to Jack Kirby, the man whose dynamic art style redefined superhero comics when he co-created Captain America in 1941. In the early 1960’s Jack Kirby and Stan Lee created The Fantastic Four, The Incredible Hulk and Thor — characters who now form the core of the Marvel Comics Universe. Kirby and his work are praised by Will Eisner, creator of The Spirit; Walt Simonson, the writer/artist who inherited Thor and The Fantastic Four at Marvel Comics; and Scott McCloud, writer/artist of Zot! Also featuring comic book creators Max Allan Collins (writer, Ms. Tree), Kevin Eastman (co-creator, The Teenage Mutant Ninja Turtles), Len Wein (writer, The Uncanny X-Men), Dave Gibbons (artist, Watchmen), with Canadian fantasy writer Charles de Lint (Spiritwalk) and science fiction writer Samuel R. Delany (Dhalgren).

A transcript of just the Kirby interview parts of the show was printed in TJKC #14 (reprinted in COLLECTED JKC #3).

[Video] BOB episode 15 – “You Can’t Win”

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Posted in Video.

BOB was a short-lived series starring Bob Newhart that ran from 1992 to 1993. During the first season, Newhart played a veteran comic book artist, Bob MaKay, returning to the industry to draw a revival of his character Mad Dog (the comic book angle and most of the supporting cast was dropped for the brief second season before the series was cancelled for good).

The 15th episode, broadcast on January 29, 1993, was titled “You Can’t Win” and had the cast attend a comic industry awards presentation, the fictional “Busters”, and featured several real world comic creators in cameo roles, including Jack Kirby (the others were Sergio Aragones, Bob Kane, Mel Keefer, Mell Lazarus, Jim Lee and Marc Silvestri).

In Kirby’s cameo, he’s introduced as the creator of Captain America by Lazarus and shown, wearing a tuxedo, rising from his seat (with Roz Kirby sitting next to him). Later he’s shown at the podium, with a sign showing his signature and Captain Victory behind him, announcing one of the fictional characters as the winner for best cover artist. The Kirbys are also placed so they can be seen in the background of several shots of the table of the show cast.

Who’s Who – The Definitive Directory of the DC Universe #4 [1985]

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Kirby provides a single page for this issue of DC’s character database, his major 1950s project at DC, the Challengers of the Unknown. I like the composition of this one, in particular the figure of Rocky in the foreground and the various creatures they fought in the background.

Karl Kesel inked this piece.

Published 1985

[Video] The Masters of Comic Book Art

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Posted in Video.

This 1987 documentary directed by Ken Viola features interviews with ten comic book artists. Kirby is the third of them, with a one minute introduction by Harlan Ellison followed by four minutes of Kirby talking, with a mix of Kirby artwork and video of Kirby speaking on the screen.

It’s a fun but far too brief interview, very interesting especially for those of us who didn’t get a chance to meet him. He talks about his motivations in coming up with the new and different, things that hadn’t been done in comics before, to generate sales, and the biblical inspirations behind Galactus and the Silver Surfer. As he said, he was “a guy that lives with a lot of questions”, and while he didn’t come up with any answers to the big ones, he explored them in comics better than anyone.

Well worth checking out if you can as probably the most easily available video of Kirby, as well as such odd things as Ditko doing a voice-over about his beliefs over some Mr. A artwork.