Marvel Milestone Edition – The Incredible Hulk No. 1 [1991]

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Another of Marvel’s facsimile reprints of the early 1990s. You know the story, scientist Bruce Banner gets caught in a gamma bomb explosion trying to rescue trespassing teen Rick Jones. In the aftermath Banner finds he turns into a large grey monster at nights and is pursued by the army. Later he’s taken prisoner by the Russian scientist the Gargoyle and manages, as Banner, to defeat him.

While there would be much meddling in the exact direction of the Hulk over the years, a surprisingly large amount of the most essential stuff is laid out in this story, “The Coming of the Hulk”.

The sequence below has been repeated, referenced, traced and referred to countless times in the comics since, but never gets old for me. The transition from panel 1 to 2 is great, with Banner racing towards Jones and then dragging him behind. Panel 4 with Banner just at the edge of the trench when the bomb goes off, a true classic. The hours long scream from panel 6 to 7. That’s some storytelling going on here.

Marvel Milestone Edition - The Incredible Hulk No. 1 [1991]

This issue also has an ad for FANTASTIC FOUR with an original early image of the team in their uniforms by Kirby.

Paul Reinman inked the 24 page story. There seems to be some disagreement on the cover, as various sources list Reinman, Roussos and Ayers. Hard for me to tell at the best of times, moreso with just a reprint, but I’m leaning to Reinman.

Published 1991

[Video] Thundarr – Secret Of The Black Pearl

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Posted in Video.

This was the first episode of THUNDARR, from back in 1980. In this story Thundarr and friends get a mysterious black pearl that they must take to the ruins of Manhat, since it can hopefully be used as a weapon against the two-faced wizard Gemini.

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They’re pursued by Gemini’s groundlings on motorcycles, and when Ariel is taken prisoner Thundarr and Ookla take a helicopter to rescue her. Later Gemini brings the Statue of Liberty to life, but Thundarr is able to use the pearl to cancel out his magic.

Unlike the other episodes I’ve seen, this one didn’t have one of those bits that just came across as pure Kirby. I’m not sure exactly when he became involved in the series, but I wonder if production on this one started before he came aboard? Gemini is a pretty cool villain, though, and his odd two-face design seems slightly Kirbyesque, as did a few backgrounds in his lair. On the other hand, the vehicles are just plain motorcycles and helicopters. They really could have used a Kirby punch-up like vehicles in other episodes got. Oh course the ruins of Manhat, with the collapsed Statue of Liberty, almost certainly intentionally evoke Kirby’s KAMANDI #1, whether he had an actual hand in those designs or not.

Just for fun, here’s a scan of the credit screen.

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The New Gods #8 [1972]

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An excellent Fourth World story, “The Death Wish of Terrible Turpin”, as Kalibak runs wild in the streets, attacking the home of Dave Lincoln in his search for Orion. The police respond, led by Dan “Terrible” Turpin, who’s got no time for those “Super Weirdos” taking their war to his streets. I love Turpin in this issue, taking on Kalibak one-on-one.

The New Gods #8 [1972]

Eventually Orion and Lightray arrive, having seen the battle on TV, and Orion takes on Kalibak, showing his true face and giving some allusions to their relationship.

The Lightray/Orion interaction is great in this issue, too.

“You saw my face!!”
“I saw scars — both old and new — taken in the cause of New Genesis!”
“You’re a good friend, Lightray.”

Don’t tell me Kirby can’t write.

A 3-page Young Gods story has Fastbak racing the Black Racer trying to rescue Esak from the Para-Demons. Esak has always fascinated me since he has a few odd bits like this in the original comics, and then Kirby brought him in a key role in THE HUNGER DOGS, so I’m sure he had a lot more planned for him if he’d been able to explore it originally.

Reprint backup is “The Stone of Vengeance”, a 9-page S&K Manhunter story from ADVENTURE #77 (1942). Great splash page, with that dark S&K signature inking. The story follows a reportedly cursed stone as it moves from owner to owner, with each new one killing the previous owners, with a great sequence showing that. When it gets to the States, it ends up with a shoeshine boy who is taken prisoner by the Rajah just as Paul Kirk pursues the Rajah’s men from another jewel theft. Of coure it all works out in the end as the bad guys are undone by their own greed.

Mike Royer inks the cover and lead story, Colletta inks the Young Gods story, but it looks pretty good anyway. This issue also has one of the full page ads for KIRBY UNLEASHED.

Published 1972

Upcoming Kirby – Kamandi

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KAMANDI ARCHIVES VOL. 1 HC
Written by Jack Kirby
Art by Kirby & Mike Royer
Cover by Kirby
The first archive in a series collecting the adventures of Kamandi, the last boy on Earth, by Jack Kirby! In these tales from KAMANDI #1-10 (1972-1973), Kamandi — one of the few survivors of the Great Disaster — must make his way in a world populated by bizarre mutated animals and other strange wonders!
On sale Sept 14 – 244 pg, FC, $49.99 US

New Kirby – Essential FF, 70s Cap, X-Men

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Triple shot of new Kirby from Marvel this week. The long awaited ESSENTIAL FF v4 is a big chunk of quality stuff. CAPTAIN AMERICA BY JACK KIRBY: BICENTENNIAL BATTLES TPB includes the relatively hard-to-find original tabloid adventure plus five regular issues of Cap. GIANT-SIZE X-MEN #3 includes two Kirby reprints (X-MEN #9 / FF #28) among the mix of new and reprint contents.

Marvel’s Greatest Comics #74 [1977] – Ben Grimm, Killer

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This is an edited reprint of FF #92 (1969), continuing the Ben Grimm enslaved story. In space, Ben continues to be trained in combat by the faux-gangsters who have captured him. Some of the other slaves are pretty lame (Magno-Man, with a horseshoe magnet for a head, alien species like Rhinogons, Primoids and Cat-Men, which I think you can figure out) so this is clearly at the point where Kirby was saving his better designs for a better outlet. Still a lot of good action with Ben and the aliens, and some of the aliens in the background are kind of cool.

Marvel's Greatest Comics #74 [1977]

Eventually the training ends, and the games begin, and Ben finds out that the reason the other slaves don’t rebel is that their home planets are threatened if they do.

Meanwhile on Earth, Reed figures out what has happened and sets up the old captured Skrull ship from FF #2, and takes Johnny and Crystal to the rescue (Sue of course being left behind, being a new mother and all).

Two pages edited out, so it’s now an 18-page story. The cover is a modified version of the original, flipped left-to-right and with a few other small changes. Inks by Joe Sinnott.

Published 1977

New Kirby – Modern Arf

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Editor Craig Yoe reports that his MODERN ARF, previously talked about here, with a 1950s Kirby short story from Harvey reprinted from the original art, is now out. You can read more about the book at arflovers.com and you order it from Amazon.com.

Action Comics #449 [1975] – The Mystery of the Giant Arrows

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This reprints the two-part Green Arrow story from ADVENTURE COMICS #252 / #253 (1958), editing out the splash page of the second story.

High goofball fun in this one, as the city is attacked by mysteriously appearing giant arrows. Of course, Green Arrow and Speedy investigate, since someone is taking their gimmick, eventually finding themselves drawn into an alien dimension.

ac449

That bit with GA worrying about never seeing his adoring crowds of kids when he goes to flog the Green Arrow Arrow Kit cracks me up. Also, that’s a great alien world.

Anyway, very neat stuff, although of course more readily available in the collection DC did a few years ago.

Published 1975

Tales to Astonish by Ronin Ro

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Posted in Admin.

Finally got around to reading Ronin Ro’s 300-page biography of Jack Kirby, TALES TO ASTONISH. Had mixed feelings about it, but overall I’d say it does an alright job of gathering information from a variety of sources, putting it in order and presenting a biography of Kirby good for an audience slightly familiar with the story. There’s not a lot of new information for those already familiar with the background, although it is useful to have it all laid out between two covers as opposed to through several dozen magazines and books. There’s also probably not enough background for a reader not already at least casually aware of Kirby’s history and significance. Worth the price of the upcoming paperback edition.

If you do read the book, I’d suggest checking out Mark Evanier’s impression of the book before and after and take his suggestions into account.

The book begins with a brief look at Kirby’s childhood, runs through his early life and professional career rather quickly for my liking (we already meet Joe Simon by page six) and then follows the S&K team through the years. A few interesting anecdotes, some that I don’t recall hearing before. The late 1950s DC period, with CHALLENGERS and SKY MASTERS and some lawsuits, goes by rather quickly in under a dozen pages, which seems to give it short shrift compared to its importance in the grand scheme.

That brings us to Silver Age Marvel, obviously the heart of the book, which is familiar to most fans. Some parts of the narrative seem wrong there, with the chronology sometimes not seeming to match reality, a few obvious errors (perhaps attributed to Kirby sometimes mixing things up, as Evanier mentions), and some key events I know of from other interviews being missing. This bit overall was quite a bit less than it could have been.

The move to DC and later return to Marvel, then the shift to animation, make up the next part of the book, and again some of the order of events presented in here don’t quite seem right (although I haven’t gone to check the actual dates). Also in some cases events are definitely presented out of order and there are some odd contradictions in the text, in particular regarding the sales of some books (probably as a result of taking two separate sources at their word).

The next part of the book deals largely with the art return issue from the 1980s, a rough period, and Kirby’s somewhat bitter, perhaps regrettable but often fascinating COMICS JOURNAL interview, leading up to the end of his life. The book also spends I think way too much time around there discussing the comic book market of the 1990s (things like Image Comics, the 2099 line, the unpublished Excelsior line, Marvel’s business woes), stuff mostly irrelevant to Kirby as a whole and distracting around the point that the book should have been summing up his career.

While the whole thing is obviously a pop biography rather than a scholarly one, it would also have been nice to see some sort of foot-notes about where some of the quotes come from. I recognize some of them, and the context does not make it clear if the version of some events comes from Jack Kirby, Roz Kirby or some other participant. With some foot-notes that could be checked and the larger context of the quotes could be researched. An index might have been nice, too.

A few things. Other than the covers (which feature parts of a 1972 Kirby drawing) the book has no artwork or photos. That’s fine by me, since I have more than enough sources of Kirby art and photos, but seems to be an odd choice for a pop biography of a comic book artist. Not sure if this was a rights thing or a budget thing or something else, but figured I should mention that.

And getting Joe Shuster’s name wrong, as this book does about a dozen times, is really grating. That’s the comic history book equivalent of nails on a chalkboard to me.

And this is more a comment on the publisher, but I found it funny that the backcover blurb is based on the resurrection of Captain America and then teases with the dramatic turning point of the creation of… Daredevil? A trivial character in general and doubly trivial in Kirby’s career (never penciling a full issue, just a handful of covers, having the costume he may have had a hand in designing almost completely changed a few issues in), but I guess it was the most recent Marvel movie when the book was being laid out and they thought they should cash in on some of that Daredevil mojo.

Anyway, as I said, mild recommendation to check out, see if your local library has a copy before buying it. The hardcover of the book is still available while the softcover should be out this summer.

Kirby on non-Kirby Characters Gallery

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A trio of 1970s covers that Kirby was called on to do that featured characters he didn’t create back in the sixties (except one villain).

MARVEL CHILLERS #7, 1976. Dan Adkins inks. I dunno, Tigra is a hard character to take seriously, which probably means we’ll see an ESSENTIAL TIGRA long before we get another ESSENTIAL THOR. Anyway, the Super-Skrull is always cool.

NOVA #7, 1977. Joe Sinnott inks. As I mentioned before, I did like Nova’s costume, and thoght it was one of the more compatible with Kirby’s style among the later Marvel characters. Plus of course Joe Sinnott is always good to see (check his site for a health update on his shoulder).

GHOST RIDER #23, 1977. Frank Giacoia inks. Not a bad character, but a bit of an odd fit for Kirby. Bit of a goofy cover, very 1970s.

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