What information do we collect?
We collect information from you when you register on our site or place an order.
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Any of the information we collect from you may be used in one of the following ways:
To personalize your experience
(your information helps us to better respond to your individual needs)
To improve our website
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To improve customer service
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To process transactions
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To administer a contest, promotion, survey or other site feature
To send periodic emails
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We implement a variety of security measures to maintain the safety of your personal information when you place an order or enter, submit, or access your personal information.
We offer the use of a secure server. All supplied sensitive/credit information is transmitted via Secure Socket Layer (SSL) technology and then encrypted into our Payment gateway providers database only to be accessible by those authorized with special access rights to such systems, and are required to?keep the information confidential.
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Do we use cookies?
Yes (Cookies are small files that a site or its service provider transfers to your computers hard drive through your Web browser (if you allow) that enables the sites or service providers systems to recognize your browser and capture and remember certain information
We use cookies to help us remember and process the items in your shopping cart, understand and save your preferences for future visits, keep track of advertisements and compile aggregate data about site traffic and site interaction so that we can offer better site experiences and tools in the future. We may contract with third-party service providers to assist us in better understanding our site visitors. These service providers are not permitted to use the information collected on our behalf except to help us conduct and improve our business.
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We do not sell, trade, or otherwise transfer to outside parties your personally identifiable information. This does not include trusted third parties who assist us in operating our website, conducting our business, or servicing you, so long as those parties agree to keep this information confidential. We may also release your information when we believe release is appropriate to comply with the law, enforce our site policies, or protect ours or others rights, property, or safety. However, non-personally identifiable visitor information may be provided to other parties for marketing, advertising, or other uses.
Registration
The minimum information we need to register you is your name, email address and a password. We will ask you more questions for different services, including sales promotions. Unless we say otherwise, you have to answer all the registration questions.
We may also ask some other, voluntary questions during registration for certain services (for example, professional networks) so we can gain a clearer understanding of who you are. This also allows us to personalise services for you.
To assist us in our marketing, in addition to the data that you provide to us if you register, we may also obtain data from trusted third parties to help us understand what you might be interested in. This ‘profiling’ information is produced from a variety of sources, including publicly available data (such as the electoral roll) or from sources such as surveys and polls where you have given your permission for your data to be shared. You can choose not to have such data shared with the Guardian from these sources by logging into your account and changing the settings in the privacy section.
After you have registered, and with your permission, we may send you emails we think may interest you. Newsletters may be personalised based on what you have been reading on theguardian.com. At any time you can decide not to receive these emails and will be able to ‘unsubscribe’.
Logging in using social networking credentials
If you log-in to our sites using a Facebook log-in, you are granting permission to Facebook to share your user details with us. This will include your name, email address, date of birth and location which will then be used to form a Guardian identity. You can also use your picture from Facebook as part of your profile. This will also allow us and Facebook to share your, networks, user ID and any other information you choose to share according to your Facebook account settings. If you remove the Guardian app from your Facebook settings, we will no longer have access to this information.
If you log-in to our sites using a Google log-in, you grant permission to Google to share your user details with us. This will include your name, email address, date of birth, sex and location which we will then use to form a Guardian identity. You may use your picture from Google as part of your profile. This also allows us to share your networks, user ID and any other information you choose to share according to your Google account settings. If you remove the Guardian from your Google settings, we will no longer have access to this information.
If you log-in to our sites using a twitter log-in, we receive your avatar (the small picture that appears next to your tweets) and twitter username.
Children’s Online Privacy Protection Act Compliance
We are in compliance with the requirements of COPPA (Childrens Online Privacy Protection Act), we do not collect any information from anyone under 13 years of age. Our website, products and services are all directed to people who are at least 13 years old or older.
Updating your personal information
We offer a ‘My details’ page (also known as Dashboard), where you can update your personal information at any time, and change your marketing preferences. You can get to this page from most pages on the site – simply click on the ‘My details’ link at the top of the screen when you are signed in.
Online Privacy Policy Only
This online privacy policy applies only to information collected through our website and not to information collected offline.
Your Consent
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Changes to our Privacy Policy
If we decide to change our privacy policy, we will post those changes on this page.
One thing I wonder about this cover: where in the world is Bucky leaping to? There’s nothing underneath him but a marching band about eight stories below!
yeah, that Bucky. The surprise isn’t that he died, it’s that he lasted as long as he did.
The other surprise is that noone ever noticed that little army camp mascot brat named Bucky going AWOL every time that little superheroe sidekick brat named Bucky appeared.
Dumb luck, or just dumb?
I love this series. I only wish that Kirby had the art chores in the Invaders series. Frank Robbins’ interior art reminded me of Milton Caniff from Steve Canyon…if Milton drew super-heros of course.
Robbins was an aquired taste as artist and a lot of fans wrote in not liking the art. However I have grown to like his style.
When I was a kid a foolishly believed that anyone could draw like Kirby. I thought that Kirby just recklessly drew the way he did because he loved the cartoony style of art. I found myself returning to read his books all the time because I found them so much more interesting than the “realistic” illustrators of the time.
Neal Adams was a favorite when I was a kid and I converted to a Kirby fan because realistic art is boring in the super hero genre.
You can only see so many camera angles where your looking up the hero’s nose. The realism in Neal Adams work made him notoriously late for deadlines.
As a consequence you never saw a 100 issue run of Adams on the Avengers because you can’t sustain that realism on a monthly basis.
I would have loved to see Kirby on Invaders as well, but, although I found Robbins’ work quirky, I dod like it more than many others did at the time.
Adams is a talented artist and I like much of his early work, but Kirby still screams comics to me. Kirby has, and always will be, one of the best storytellers the medium ever had.
Nick Caputo
>. I only wish that Kirby had the art chores in the Invaders series.
Agreed. That would have been awesome! Kirby preferred not to work with other writers, though.
>Frank Robbins’interior art reminded me of Milton Caniff from Steve Canyon…if Milton drew superheroes of course.
Robbins’ work was very much in the “Caniff School”, along with other comic strip and comic book artists like Lee Elias. Robbins’ Johnny Hazard strip, which he drew from 1944 till 1977 is reminiscent of Steve Canyon, with its film noir atmosphere and dark, inky shadows. The writing probably isn’t as good as Caniff’s, but cartoonist Darwyn Cooke made the argument in an interview recently that, in many ways, Robbins was the better artist. Although I love Caniff, I’m inclined to agree.
>Robbins was an aquired taste as artist and a lot of fans wrote in not liking the art. However I have grown to like his style.
I didn’t mind Robbins’ art when I was a kid, but now he’s one of my favorites – especially when he inked his own work (such as in DC’s Shadow and Plop), or was inked by an inker in tune with his style (such as Frank Springer). In my humble opinion, Colletta ruined Robbins’ art on The Invaders (just as he ruined Kirby’s work). Their styles were like oil and water.
>and I converted to a Kirby fan because realistic art is boring in the super hero genre.
Agreed. Cartoony beats realism in superhero comics any day of the week. I enjoy cartoonists who create worlds on the page that can only exist in comic books – not cartoonists whose work looks like they’re tracing photographs. That’s why I’m glad to see the return of “cartoony” in the work of cartoonists like Bruce Timm and Darwyn Cooke.
I just read Greg Cox’s new Fantastic Four novel called “War Zone” and I couldn’t help think what might have been if Kirby were drawing the novel as a comic. For my review check out my Blog called “Warp to the Future” on this Blogger channel.
This is one of my all-time favourite covers, with the imposing image of the Red Skull; a great combination between Kirby and Sinnott. Pity Joe didn’t ink more of the King’s work in the 70s.
The cover really puts the interior art (Buckler/Mooney) to shame.