Monthly Archives: April 2007

Marvel Milestone Edition – Tales of Suspense No. 39 [1993]

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This was a full issue reprint of the 1963 book where Iron Man was introduced. Kirby just did the cover, with Heck inks. Kirby is sometimes credited with doing more on the issue (plotting the Iron Man story, doing layouts for the art) but that doesn’t seem to be the case. Nice cover, anyway, Always thought it was interesting that Spider-Man was part of the hype on the cover, given that his first issue just came out that same month.

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The Iron Man stuff in there has been reprinted in a lot of other places, of course, but this is still worth picking up for the less common Colan and Ditko stories included.

Published 1993

War Is Hell #8 [1974]

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Posted in Genre, War.

This issue has a reprint of SGT. FURY #18 [1965], including the Kirby/Stone cover with Fury in action surrounded by headshots of the other characters. Not sure exactly how it came about, but Kirby also pencilled (uncredited) the first and last page of the story “Killed in Action”, with the last page having an emotional scene of Fury finding out, after he spends the issue planning to propose to her, that his girlfriend Pamela Hawley died during an air raid.

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They’re both really good pages, but looking at the rest of the book I’d have to say that Ayers and Stone had the look that Kirby had established for the book in his issues down cold, so I’m not sure why Kirby would be brought in for two pages. Has the story behind that ever come out? Were these pages done as substitutes for pages already drawn, maybe with the decision to kill the character coming later?

Published 1974

The Human Torch #4 [1975]

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This issue reprints the 13-page Kirby/Ayers Torch story from STRANGE TALES #104 [1963], “The Human Torch Meets Paste-Pot Pete”. Yes, Paste-Pot Pete, the villain whose name is three kinds of stupid (the Paste-Pot nonsense, giving your real name in your villain identity and the annoying alliteration).

Johnny first runs into Pete at a bank, where he’s unable to act openly for fear of revealing his identity. Yes, this was when he briefly tried to keep a secret identity. He does manage to send out a flame-double of himself to follow Pete, not a power (creating doubles that apparently can act with some independence) that you see him use much later. Clearly there were still feeling out the character at the time.

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The Torch eventually catches up with Pete as he’s moved on quickly from bank robbery to theft of experimental military missiles. The Torch is briefly pasted to one as his flame fails, but escapes. Pete manages to escape before being captured, left to ponder where he went wrong. Surprisingly it would take a while before he figures out that his name is one of the place.

The early Torch solo stories are all over the map, and this is one of the weaker ones in terms of the story, but the Kirby/Ayers artwork is, by contrast, excellent stuff.

Published 1975

-Link- Kirby in British art magazine

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Posted in Links.

Nick comments on the previous post:

While browsing the magazine rack today, out of the corner of my eye I noticed a Kirby/Shores Cap figure surrounded by images by George Grosz and Dieter Roth. I picked up the magazine entitled Tate Etc. with the sub heading “The Art Magazine that RESPECTS your intelligence!” (couldn’t pass up a joke!). It’s a British publication and Inside there is an article by John Carlin entitled “The Real Comic Book Heroes”. I have not read it yet but it is accompanied by a nice full page of the Original Art that appears on the over (cover to Captain America # 108). It’s always nice to see Kirby represented in fine art magazines, not the first time I’ve seen him there and I’m sure it won’t be the last. Of course, we all know Kirby is Art with a capital A. I’m glad the rest of the world is discovering this as well.

You can see the cover and article here. The Kirby mention in the article is fairly brief, but interesting. In part it reads:

Echoes of [William Blake’s] flattened muscular style reverberate throughout the comic’s heroic phase, particularly by artists such as Jack Kirby (1917–1994), creator of Captain America, The Hulk, X-Men and the overall look of Marvel Comics. One of Kirby’s characters, The Thing (one of the Fantastic Four) on the title page of This Man, This Monster, resembles Blake figures such as Lucifer from his illustrations for Dante’s Divine Comedy.

Additional Kirby artwork included is the great double page splash from DEVIL DINOSAUR #4.

http://www.tate.org.uk/tateetc/issue9/realcomicbookheroes.htm

-Link- Evanier updates Kirby projects

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Posted in Links.

Mark Evanier has an update on some recent stuff he wrote on the topic of Jack Kirby coming out in the next few months, including a link to the publisher’s site for KIRBY – KING OF COMICS, which has these details:

224 pages, 9″x12 1/4″
Hardcover
ISBN: 0-8109-9447-X
EAN: 9780810994478
US $40.00

Fantastic Four – Atlantis Rising Collectors’ Preview #1 [1995]

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I guess since the Inhumans backups originally appeared in the unusual place of the back pages of THOR #146 – #152, it makes sense that reprints of them have also popped up in unusual places, like behind Spider-Man reprints in MARVEL TALES, or three of them in this special designed to promote a now long-forgotten crossover. The first two and the final episode of the 5-page Kirby/Sinnott back-ups are included in this issue.

“The Origin of the Incomparable Inhumans” is the first, starting with a splash page of the current royal family before going back to a pre-historic time to show us a far more advanced civilization that existed alongside savage early humans, and had to flee to the island refuge of Attilan.

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There they discovered the Terrogen Mists, and their monarch Randac decided that the logical thing to do would be to expose himself to them first, becoming the first Inhuman.

“The Reason Why” explains a bit more as a Kree Sentry arrives in Attilan and reveals that their advanced evolution was the result of Kree experiments, and meets Randac as he emerges from the Terrigan Mists (they apparently changed the spelling while he was in there) with his new powers. Of course, as shown when the margin notes for the story were printed in THE JACK KIRBY COLLECTOR #21, this is quite a different story from what Kirby actually wrote.

They skip to the end for the final 5-page Inhumans story, “While the City Shrieks”. After causing some mischief at sea, reported in the papers a “sea monster”, Triton arrives in New York, where humanity responds with fear and violence. To be fair, they have a point regarding some of his behaviour. He returns home and convinces Black Bolt that they’ll have to move from their island home or risk eventual discovery, hence the mountain location of the “Great Refuge” in then-modern stories.

All these stories look gorgeous, of course, with the Kirby/Sinnott combo at its prime with their slick high-energy style. The stories don’t work quite as well, whether because of those changes from the original notes or just the nature of filling in background instead of going forward, but they do have their moments. Unfortunately, it looks like that run of backups has been an orphan in Marvel’s current reprints, unless I missed them somewhere, as they didn’t show up when those issues were reprinted in ESSENTIAL THOR (despite the table of contents listing Sinnott as inker on those issues), so presumably won’t when the MASTERWORKS volumes of Thor get that far.

Most of the rest of the contents of this issue are related to then-current goings on in the FF related books, but there is a 4-page article on “Marvel’s Top 10 Monsters” with some nice images and story recaps of some old favourites like Monstrollo, Pildorr and Googam (son of Goom).

Published 1995

The Mighty Marvel Western #25 [1973]

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This issue has a reprint of the 7-page Kirby/Ayers story “Trapped by the Bounty Hunter”. RAWHIDE KID #26 [1962]. The Kid is nervous around town, knowing a bounty hunter is after him but not knowing who it is. Leaving town, he falls for the oldest trick in the book, an hombre pretendin’ to be thirsty for some water.

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While taking him in, the bounty hunter gets ambushed by some outlaws. The Kid of course won’t let them kill the hunter in cold blood, and saves his captor, earning his freedom and a promise that the bounty hunter will quit his job.

The Kid sure did end up making a lot of friends in his time on the run. You’d figure a couple of them might have been able to help him clear his name or something. Anyway, nice little story with some good western gunplay.

The Kirby/Ayers cover to this issue is also from RAWHIDE KID #26.

Published 1973