Category Archives: Genre

OMAC #6 [1975] – The Body Bank

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Following the events of the previous issue, OMAC heads down the subway in pursuit of kidnappers who steal young bodies to sell to the old rich. One of those non-stop action bits with a few weird concepts thrown in. I love that classic style Kirby tech in the medical equipment, and of course OMAC busting through a wall shaking off a crowd of villains is excellent (although the one exclaiming that “He’s a one-man army” seems a bit forced).

OMAC #6 [1975]

D. Bruce Berry inks the cover and the 18-page story. This was in the era of rapidly shrinking page counts at DC, so the two-page spread meant for pages 2/3 was shrunk down to a single panel on what was page 4. The original panel that was replaced appears in TJKC #17.

Published 1975

Blue Ribbon Comics #5 [1984]

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This Archie comic reprints most of the S&K content from DOUBLE LIFE OF PRIVATE STRONG #1 (1959), except for the Fly intro teaser. There’s also a new cover by Kirby and Rich Buckler (I’ve seen the pencils to this somewhere, does anyone remember off-hand where they were printed).

One intro page and four stories inside, a total of 25 pages from S&K, setting up the Lancelot Strong character, a revamp of the old Shield character. The character is an odd mix of things, a little bit of Captain America, mixed in with a bit of Superman’s origin, as we open with a scientist conducting experiments of questionable ethics on his own infant son to tap his full brainpower. When it looks like his experiments will be stopped, the scientist flees and crashes, leaving his son to be found by an old farm couple, who raise him as their own. He develops powers as a teen, just in time to stop an invasion from an alien monster very similar to the type that would soon be terrorizing Marvel in Kirby stories, and also finds a costume. Then he gets drafted, and his adventures as Private Strong begins.

More harkening back to earlier stories, “The Menace of the Micro-Men” has a lot in common with one of the YELLOW CLAW stories of a few years earlier.

So while this feature was far from the most original Kirby worked on, the artwork is a lot of fun, so this reprint of it is well worth picking up for some vintage Kirby at an affordable price.

Published 1984

Tomorrow

Special Marvel Edition #11 [1973] – Fighting Side-by-Side With Captain America and Bucky

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A reprint of SGT. FURY #13 (1964), with one page edited out, teaming up the two great WWII based characters of Marvel. This is a really jam-packed and fun story, maybe my favourite Cap story of the Silver Age. It opens up in London with Fury on a date with Pamela, where they watch some newsreels of both the Howlers and Captain America, with Fury noting that while the Howlers clip is met with a “reserved British” reaction, Cap and Bucky get cheers. Later an incident in a pub leads to a brawl between Fury and his usual foil Bull McGiveney, which brings Fury and his men to the attention of Steve Rogers, secretly Captain America.

Special Marvel Edition #11 [1973]

Cap and Bucky are off on a mission to Europe to find out about a secret German project, and when they get enough info they send a message to send the Howlers. The Howlers follow, with Fury and Reb making it to the end, where they first encounter Steve Rogers disguised as a prisoner and Bucky disguised as a Hitler Youth, with the two later changing to their costumed identities to take out a tunnel being dug under the Channel to England (the taking out including a panel of one of Kirby’s earliest collages).

Dick Ayers inks the now 22-page story while Chic Stone inks the cover.

Published 1973

Love Romances #83 [1959] – Cover

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Kirby’s first cover to LOVE ROMANCES, I especially love the inking (apparently by Chris Rule according to the GCD) on the hair. The tennis playing girl in the background is also pretty cute.

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Published 1959

Iron Man #93 [1976] – Cover

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That Kraken, real quick with the comeback. I bet he was the terror of the schoolyard.

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Al Milgrom inks on this cover, which is pretty good looking. I like these weird perspective covers.

Published 1976

Kid Colt Outlaw #106 [1962] – Cover

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Interestingly, this came out the same month as HULK #3, which also featured a “Circus of Crime”. It would be curious to find out exactly what order these were done in. I assume some, but not all, of Kirby’s cover-only jobs in this early era were done before any interior work on the issue (thus providing springboards for the stories and character designs). And of course another version of the Ringmaster was a golden age villain for Captain America.

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Dick Ayers inks on this cover.

Published 1962

Justice Traps the Guilty #21 [1950] – Cover

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More crime work from the Prize days by Simon&Kirby. I especially like the contrast these covers always have from the clean-cut and powerful cops with the grimy criminals, with a very different texture.

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Published 1950

X-men – The Early Years #11 [1995]

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A reprint of “The Triumph of Magneto” from the 1965 published X-MEN #11, this story has the X-Men responding to Professor Xavier’s detection of a potentially powerful new mutant, who turns out to be the alien Stranger.

X-men - The Early Years #11 [1995]

Of course Magneto also has an interest in powerful mutants, and he gets to the Stranger first. After various battles, we end up with Quicksilver and the Scarlet Witch renouncing their allegiance to Magneto (setting up their membership in the Avengers) and the Stranger takes off with Magneto and Toad as samples of mutants to study, never to return (well, never or six months).

Bit of an anti-climactic conclusion to Kirby’s last full-pencil issue of X-MEN, but a lot of nice scenes in here. Chic Stone inks the 20-page story and the interior reprint of the original cover.

Published 1995

Mister Miracle #15 [1973]

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In “The Secret Gun”, Kirby took the last step on making MISTER MIRACLE more of a super-hero book following the cancellation of its companion books by introducing a kid side-kick for Scott this issue, Shilo Norman. Shilo, a witness to the gangland killing of his brother, is given to Scott to protect, but he escapes (as Scott knew he would) to take revenge on his own, and Scott and Barda follow.

Mister Miracle #15 [1973]

While this last year of MM lacks the cosmic punch of the earlier stuff, it’s still a lot of fun, and has some great visuals (Big Barda crushing a canister supposedly containing Scott in a giant nutcracker? Ouch). On the other hand, there were a few more pronounced weaknesses in the script, like the villain Mister Fez (who wears a fez…) with his “Super-cats, eh? I’m too hip to buy that kind of jive”.

Mike Royer inks the 20-page story and cover, and in the letter column Steve Sherman answers a few questions on the end of the other books.

Published 1973

Weird Wonder Tales #6 [1974]

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A 7-page Kirby/Ayers reprint from STRANGE TALES #100 (1962) in this story, featuring a failing amusement park owner who designs an impossible to solve maze in order to prop up his business. There are some neat little visual bits in the designs inside the maze, although really, they’d have been pretty expensive to build for a failing amusement park. Trap doors, upsidedown rooms, optical illusions. The door giving off an electrical shock would also seem to be a health code violation.

Weird Wonder Tales #6 [1974]

Eventually he kills a reporter who threatens to expose him, and then confronts the owner of a rival maze (were mazes really all the rage back in the 1960s?), who turns out to be…

Well, the story (in both the original and reprint) say the rival is “Fate”, but some of the lettering and art on the last page looks to be changed, so I think it was originally supposed to be something more demonic, maybe “Satan”, and changed at the last minute.

Visually a very fun story, especially the weird maze on the first page and all the weird perspective bits inside the maze.

Published 1974