Monthly Archives: February 2006

Marvel Tales #145 [1982] – Spider-Man Tackles the Torch

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This issue of reprints the contents of AMAZING SPIDER-MAN #8 (1964), including the 6-page Kirby/Ditko backup story. Oddly, Spidey knows that Doris Evans is the Torch’s girlfriend in this issue, but doesn’t recognize her when he meets her a year later in ASM #21. Anyway, a great example of an early Marvel crossover story, with Spidey deciding to tease the Torch, quickly finding himself in way over his head before the rest of the FF intervene, finally being pacified by Sue. Nice artwork, too, except the reprint loses some of the finer linework, which especially makes the webbing and the Thing look splotchy.

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Published 1982

Our Fighting Forces #153 [1975] – Devastator vs. Big Max

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This is probably the silliest of Kirby’s dozen Losers stories. In this European based story we begin with Hitler, Himmler and Rommel examining the new German super-weapon, a hundred-foot long gun with a 38-mile range called “Unser Max” (Our Max). An allied agent is detected among the German soldiers and killed, but mentions the allied weapon “The Devastator” before he dies.

Our Fighting Forces #153 [1975]

The Devastator turns out to be the idea of Private Rodney Rumpkin, aka Rocketship Rumpkin, a fan of sci-fi pulps and comics and the fanciful weapons in those stories. The allies build a hollow model of such a super-weapon in order to make the Germans use Big Max in daylight, revealing its location for a waiting airstrike.

As I said, a bit silly, but with a lot of charm, and some great art, from the scenes of the Max-induced destruction to the fanciful pulp covers.

Mike Royer inks the 18-page story, as well as the 2-page feature on WWII uniforms and insignias. D. Bruce Berry inks the cover, and Kirby also writes a text page, “Before the letters begin…” talking about how the stories will reflect his own experiences and welcoming feedback.

Published 1975

Marvel Premiere #35 [1977] – Cover

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MARVEL PREMIERE #35 – April 1977, inked by John Verpoorten (with background panels from the interior art by Jim Craig and Dave Hunt). Not a bad character to go with Kirby’s style, though a bit bland, and the back-story and premise presented in this issue is truly mind-numbing stuff. And I’m not sure why you’d do a 3-D Man comic that, y’know, isn’t in 3-D.

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