Category Archives: Genre

Thor #251 [1976] – Cover

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Another 1970s cover, this time inked by Joe Sinnott. I like the look of those demonic hands reaching up, looks kind of like something from a 1950s BLACK MAGIC story combined with 1960s super-heroics. Plus of course Sinnott inking Thor makes you think of what might have been…
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Published 1976

First Love Illustrated #68 [1956] – Cover

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A very cute mid-1950s cover for Harvey, I especially like the expression on the ride attendants face (plus his pipe). Note also the old man in the back seat. I think he’s one of the most frequent regulars in Kirby crowd scenes. I wonder if he’s based on anyone in particular?

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Published 1956

Who’s Who – The Definitive Directory Of The DC Universe #11 [1986] – Infinity Man

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Only one Kirby piece in this issue of DC’s character guide, inked by Greg Theakston.

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A very nice look at the enigmatic Forever People character, who would trade places with the team when he was needed for battle. A nice character, one of Kirby’s strong, confident, optimistic types, which comes across nicely in these little vignettes.

Published 1986

The Avengers #9 [1964] – Cover

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After drawing the first 8 issues, Kirby went to just drawing the covers for AVENGERS with this issue (returning to layout a few issues a while later).

I have to say, that’s way to big an intro blurb for a character as lame as Wonder Man.

Is this the first “floating heads” cover that Marvel had? I know the format became a bit of a cliche in 1970s Marvel team books, but were there any before this one?

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Chic Stone inks the cover this time.

Published 1964

Marvel’s Greatest Comics #75 [1978] – At the Mercy of Torgo

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Marvel's Greatest Comics #75 [1978]a

You tell ’em, Ben.

This issue has an edited reprint of FF #93 (1969), finishing off the “Thing Enslaved” storyline. Reed, Johnny and Crystal follow the trail of the Skrull slave ship while Ben fights Torgo in the arena, holding his own and trying not to harm Torgo while figuring out how to stop the Skrull threat to the homeworlds of their slaves.

Marvel's Greatest Comics #75 [1978]

The rest of the FF finally arrive and dress up in 1920s mob wear themselves as they make their way to the arena. The story ends kind of abruptly after that, I’m not sure if it was supposed to go somewhere else at first and changed for the usual reasons or what. Lot of nice bits in the art, like the flying 1920s car over the faux-1920s city, Torgo leading the final rebellion of the slaves after the FF free them of the fear of retribution against their home planets and Reed, Johnny and Crystal in 1920s garb.

Two pages edited out, both of Ben in the arena. One is just a recap of what we know from the previous issue but the other is right before this page so the first half of Torgo’s sentence is missing. I hope the money from that Hostess ad was worth it, Marvel…

Frank Giacoia was the inker on the story and cover here, doing a great job of filling in for Joe Sinnott and keeping the look of the book consistent.

Published 1978

Minor landmark time here at ye olde Kirby webloge, with this book I have comments and samples up here of 400 Kirby publications that you can peruse using those alphabetical and chronological lists over in the sidebar (once I update them in a few minutes).

Devil Dinosaur #4 [1978]

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“BONK BONK BONK”. That’s the sound of a dinosaur stomping on an alien invader. In case you ever wondered. Gotta love that old Devil Dinosaur stomping action.

Devil Dinosaur #4 [1978]

The adventures of Devil Dinosaur and Moon-Boy ramp up in this issue with an invasion of the Valley of Flame by mysterious aliens, as foretold in prophecy and in Moon-Boy’s dreams at the beginning of the issue (including a great two-page splash). The invasion is swift and effective, as Moon-Boy is taken prisoner and Devil is left stunned. Eventually Devil teams up with two other Dawn-Men, Stone-Hand and White-Hairs, and plan a rescue.

Kirby also writes the text page for this issue, “Dinosaurs as Devils and Moon-Boys as PRIMITIVES”, about how the tendency of people is to treat the non-human as unintelligent, whereas he thinks “every living creature is capable of an intelligent and compassionate move”.

Mike Royer inks the 17-page story while Joltin’ Joe Sinnott inks the cover.

Published 1978

Marvel Two-In-One #12 [1975] – Cover

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The ever-dependable Frank Giacoia inks this very sharp cover for a Thing/Iron Man crossover that brings back one of the most obscure characters from the original FF series (I think Prestor John just appeared in one issue as more of a sidenote, don’t know if he was in any non-Kirby stuff in the interim).

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Published 1975

Strange Tales #125 [1964] – Cover

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Chic Stone inks this cover (*), from soon after they finally realized that the Thing was the breakout star of the FF, not the Torch, and brought him in as the co-star for STRANGE TALES. Kind of a shame they realized that after the point where Kirby was drawing anything but covers, as it would have been very fun to see what he could have done with a series starring Ben. Good cover here, always good to see close-quarters combat in the Mighty Kirby Manner.

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(*)possibly Sol Brodsky

Published 1964

Mister Miracle #5 [1971]

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In “Doctor Vundabar and His Murder Machine” Kirby has a lot of fun with his new Big Barda character this issue after her debut the previous issue, as she exercises out in the yard for the opening splash, shows off her strength as Scott takes delivery of a Civil War cannon for his act. While Scott and Oberon practice the act, Barda enjoys the scenery like nothing she’s seen on Apokolips but gets attacked by Virman Vundabar’s men.

Mister Miracle #5 [1971]

And yes, Kirby even makes a point about how the name “Virman Vundabar” is goofy, so don’t bug me about it. It’s Granny’s sense of humour. She named “Scott Free”, after all.

Scott flies off to the rescue, and winds up in the car wash of doom. God, just those bizarre connections that Kirby could make work. Great scene with Scott, having escaped, standing behind the gloating villains not aware he’s there.

Letter column plugs the next issue with Funky Flashman, who “doesn’t know the meaning of the words ‘Fair Play’ or, if he does, he’s never bothered to practice it”. Ouch. I’ll have to get to that issue soon.

Also in this issue, the first chapter of the “Young Scott Free” story that leads into the classic “Himon” in #9. A great story as you get a look at Granny Goodness and her treatment of her “orphans” and their indoctrination  and Scott’s early defiance, leading to his first encounter with Metron.

Mike Royer inks the 22-page lead story, his first issue of this title. It’s kind of notable because this is the issue where he changed Barda’s face on the first go-round, prompting Kirby to take the original heads from the photocopies of the pencils so they could be restored, so the copies of these pencils have those faces removed and Royer was much more faithful after that. Colletta inks the back-up and Royer inks the cover, with some touch-up by Neal Adams to make the weapons look more obvious (the original version appears in COMIC BOOK ARTIST SPECIAL EDITION #1).

The S&K reprint for this issue is “The Invasion of America”, a Boy Commandos story from DETECTIVE #76 (1943), previously covered from another reprint. A fun story, I especially like the scene with the kids coming into New York harbour, talking about how the role of their own countries in New York history.

Published 1971

Star Spangled Comics #34 [1944] – Cover

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Another of the early covers from when S&K were off in the military and DC just ran covers by them on their various books. This is a fun one, with nice bright colours, a great pose for Gabby and great reaction shots on the Guardian and other Newsboys.

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Published 1944