Author Archives: Bob

-Link- Evanier on Kirby NPR interview

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Posted in Links.

Mark Evanier sits down for a 20-minute interview about Kirby on NPR’s Fresh Air. Go listen.

(if you’re having problems with their streaming player, like I was, or just want to save a copy for yourself, you can download the entire program from their podcast here (20MB mp3 file))

Panels – Janus

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They managed to get this work by Kirby inked and published less than 40 years after he drew it. No wonder the company isn’t called “Timely” anymore. Joe Sinnott still has it, though.

from Fastastic Four: The Lost Adventure [2008]

-Link- Kirby Deities portfolio

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The TwoMorrows website now has details and ordering instructions on their new limited edition Kirby portfolio:

Not sold in stores, this is a remastered version of Jack Kirby’s 1971 “Disneyland Portfolio”, featuring ten 8-1/2″ x 11″ full-color plates in an illustrated envelope, and is limited to just 200 copies. On April 9-11, 1971, Jack Kirby was a guest at the Disneyland Convention of Nostalgia, held at the Disneyland Hotel in Anaheim, California. For the event, Jack printed a limited edition portfolio of some of his 1960s concept drawings, done while he was still working for Marvel Comics. The originals were inked by Don Heck and Frank Giacoia (and Jack himself), and hand-colored by Kirby, but due to budget restraints, the portfolio’s eight plates were printed in black-and-white only, with no envelope. This remastered version has been renamed Kirby Deities, since the characters Jack created were all proposed “gods” in a new pantheon he was developing in his mind in the 1960s. TwoMorrows is proud to re-present them in full-color, including two color plates that weren’t in the original 1971 version of the portfolio. The 9″ x 12″ black-and-white envelope art was inked by Mike Royer, and was originally used on the mailing envelopes for Jack’s 1971 Kirby Unleashed portfolio.

Panels – Oberon kicking butt

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I always thought Oberon was somewhat underused at times in the comics, so it’s always good when he got a chance to get in on the action and show what he was capable of.

from Mister Miracle #11 [1972]