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To personalize your experience
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To improve customer service
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To process transactions
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To administer a contest, promotion, survey or other site feature
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We implement a variety of security measures to maintain the safety of your personal information when you place an order or enter, submit, or access your personal information.
We offer the use of a secure server. All supplied sensitive/credit information is transmitted via Secure Socket Layer (SSL) technology and then encrypted into our Payment gateway providers database only to be accessible by those authorized with special access rights to such systems, and are required to?keep the information confidential.
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We do not sell, trade, or otherwise transfer to outside parties your personally identifiable information. This does not include trusted third parties who assist us in operating our website, conducting our business, or servicing you, so long as those parties agree to keep this information confidential. We may also release your information when we believe release is appropriate to comply with the law, enforce our site policies, or protect ours or others rights, property, or safety. However, non-personally identifiable visitor information may be provided to other parties for marketing, advertising, or other uses.
Registration
The minimum information we need to register you is your name, email address and a password. We will ask you more questions for different services, including sales promotions. Unless we say otherwise, you have to answer all the registration questions.
We may also ask some other, voluntary questions during registration for certain services (for example, professional networks) so we can gain a clearer understanding of who you are. This also allows us to personalise services for you.
To assist us in our marketing, in addition to the data that you provide to us if you register, we may also obtain data from trusted third parties to help us understand what you might be interested in. This ‘profiling’ information is produced from a variety of sources, including publicly available data (such as the electoral roll) or from sources such as surveys and polls where you have given your permission for your data to be shared. You can choose not to have such data shared with the Guardian from these sources by logging into your account and changing the settings in the privacy section.
After you have registered, and with your permission, we may send you emails we think may interest you. Newsletters may be personalised based on what you have been reading on theguardian.com. At any time you can decide not to receive these emails and will be able to ‘unsubscribe’.
Logging in using social networking credentials
If you log-in to our sites using a Facebook log-in, you are granting permission to Facebook to share your user details with us. This will include your name, email address, date of birth and location which will then be used to form a Guardian identity. You can also use your picture from Facebook as part of your profile. This will also allow us and Facebook to share your, networks, user ID and any other information you choose to share according to your Facebook account settings. If you remove the Guardian app from your Facebook settings, we will no longer have access to this information.
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Children’s Online Privacy Protection Act Compliance
We are in compliance with the requirements of COPPA (Childrens Online Privacy Protection Act), we do not collect any information from anyone under 13 years of age. Our website, products and services are all directed to people who are at least 13 years old or older.
Updating your personal information
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Online Privacy Policy Only
This online privacy policy applies only to information collected through our website and not to information collected offline.
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Changes to our Privacy Policy
If we decide to change our privacy policy, we will post those changes on this page.
![Kamandi, The Last Boy On Earth #13 [1974]](http://kirbymuseum.org/blogs/kirby/wp-content/uploads/sites/8/2005/07/Kamandi-The-Last-Boy-On-Earth-13-1974.jpg)
This issue has special meaning for me because it’s the first Jack Kirby comic book I bought new off the stands just because it was Kirby. I was thirteen years old, and had gotten hold of some earlier Kamandi issues and was completely blown away. I had to find out what was happening now!
The store where I bought the issue no longer exists, but the memory of buying it seems like it happened yesterday. Needless to say, I wasn’t disappointed with this issue!
In retrospect, it’s very clear that Kirby was commenting on his DC employee relationship in this issue (as I believe much of Kirby’s work in the ’70s was autobiographical in one way or another). In the page you posted, the first three panels symbolize the treatment work-for-hire cartoonists get at the hands of corporations, and how little they’re willing to be paid (“…destroying each other – to win a strawberry shortcake”). Then Kamandi says, “I suppose it’s time for ME to race, eh?”. Kirby’s a part of this game, too, and acknowledges it. He comments on the other workers (“poor, ignorant fools”), then he brings the analogy right out in the open: “I’m NOT following their example! I’d rather “Do or die” for “Kamandi Enterprises” – than the Sacker’s company!” (as he did when Simon and Kirby owned their own company). Lastly, Kamandi says: “It’s time I made my escape!” – as Kirby did around a year later, to Marvel.
I constantly hear older Kirby fans (i.e. born in the ’50s or earlier) disparage Kamandi as just a kid’s comic book, and a Planet of the Apes ripoff. But, I believe it just might be Kirby’s most personal work (along with The New Gods).
My first comic that I bought because of the artwork was Jimmy Olsen 144, “A Big Thing In A Deep Scottish Lake.” The cover, heavily altered by Neal Adams, had such a dynamic layout that I was literally drawn to the comic carousel in the pharmacy.
Although I had read Kirby before (FF, Thor…), I think that was the first time I recognized his name, and started actively searching for his work.
“A Big Thing In A Deep Scottish Lake.” was one of the first Kirby Jimmy Olson comics I owned. The first was two issues later, “Homo Disastrous”, #146.
Some kids had knocked on our front door, yelling that there were comic books for sale at a garage sale down the street. They knew me like a book, because I quickly ran down there, and saw a coverless copy of #146, with a Jimmy Olson I had never seen before: primitive, brutish, monstrous, compelling (and changed by “regressive gene induction”). Needless to say, I bought it!
Off topic: BTW, very nice website. I’m looking forward to reading “Detached”; I can definately see the Kirby influence in your work, and it’s nice to see it used for autobiography.