Category Archives: Genre

Non-Kirby – Sheldon Mayer’s SUGAR&SPIKE ARCHIVES

If you’ll indulge me in a rare completely Kirby-free post on this weblog, if you like funny comics may I recommend the just-released SUGAR & SPIKE ARCHIVES VOL. 1, collecting the first 10 issues of the Sheldon Mayer series from 1956-1957.  One of my favourite comics of all time, this is a long overdue collection, and I hope the first of many.

If you’re unfamiliar with the series, you can see many, many posts about it over on my other site.

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OMAC #7 [1975]

The One Man Army starts his battle against “The Ocean Stealers” in the 18-page story in this issue.  Sent by the Global Peace Agency to investigate a lake which has suddenly lost its water, we open with some great images of Kirby’s vision of a lake bed full of exposed and crushed plant and animal life.  Finding an odd cube in the middle of the lake, he finds it unnaturally heavy, and gets a power boost from Brother Eye to move it, but even that might not be enough.

Next we meet the evil scientist responsible for all this, Doctor Skuba, a water-obsessed madman who has found a way to compress water into small bars, including one giant one which will absorb the Atlantic Ocean.  When OMAC tracks down his lair Skuba recognizes the atomic manipulation that created OMAC being similar to his own science, and is able to use that similarity to restore OMAC to his Buddy Blank form.

OMAC is a lot of goofy fun with wild ideas thrown out at every turn. This adventure was obviously intended to be longer than the two issues it lasted, and I wonder if the connection between Skuba’s science and the technology used to create OMAC would have been explored.

D. Bruce Berry inks the 18-page story and the Kirby cover, with mixed results.  Several pages look really good, especially the 2-page spread, and any of the renderings of technology, but I don’t think he fully captures the right look on the faces all the time.

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Strange Tales #132 [1965] – Cover

The Human Torch and the Thing get close to the end of their run in STRANGE TALES.  Not one of the more exciting covers of the era, but interesting that less than three years after the Torch was given the solo spin-off from the Fantastic Four, here he was not only sharing his feature (and in this cover definitely playing second fiddle) to the Thing, it’s also the Thing who gets to be spokesman for the MMMS fan club.  Wonder if they considered doing a Thing solo feature instead of Nick Fury for the book?  Might have been interesting, if Kirby was doing full pencils for a good while at the beginning.

Mike Esposito, who was briefly doing some work for Marvel as Mickey Demeo, inks the cover.

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Thor #143 [1967]

t143aA change of pace visually in this issue of THOR as Bill Everett handles the inking on the interiors for a single issue, both the main story and the Tales of Asgard back-up (though a few pages seem to have some work by regular inker Vincent Colletta). Everett would come back for a longer run two years later.

The 16-page “–And, Soon Shall Come: The Enchanters!”, to give the story its full over-punctuated title, opens up with the memorable scene of Thor sipping on a soda and attracting a large crowd of young admirers. After explaining his lack of money for the drink and getting it comped (I’m sure the advertising value paid for it) Thor regales his fans with tales of the land of Asgard, allowing for a few pages of eye-candy before departing for some important business as Don Blake.

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The action quota for this issue is filled by Balder and Sif, who have been sent by Odin to Ringsfjord to assess the threat of the Three Enchanters. They find them, and they turn out to be decked outed in insanely elaborate Kirby costumes and ready to threaten Asgard. Balder and Sif are forced to retreat to Earth, and find Don Blake just as two of the Enchanters follow.

A gorgeous looking story, with a several elaborate full page images. The “Thor at the soda fountain” thing is a cute and memorable visual, and a scene later where Balder and Sif are holding up traffic when they arrive in New York is nicely done. The Enchanters are largely throwaway villains, but remarkably well rendered in the two panels we see them clearly.

The 5-page Tales of Asgard story “To The Death” continues the adventures of Thor and his compatriots in the Mystic Mountains, this time with most of the focus being on Volstagg, which means a lot of jokes about him being fat, cowardly and clumsy, but not letting any of that get in the way of his bragging. Volstagg is always good for a laugh, and Everett’s inks are even better in this story, a shame he only inked one of them.

The cover is inked by Colletta, who would be back the next issue.

Posted in Genre, Superhero | 2 Comments

Black Magic #27 [v4n3] [1953]

A pair of Kirby stories, plus a cover, are among the things of note in this issue of the Simon&Kirby edited horror comic from Prize. The cover is for the story “The Cat People”, which opens up the book. In this 6-page story, George Gates goes to visit an old friend after a long time away in Europe, which ended in an extended hospital stay. He then freaks out when his friend’s kids are playing cat’s cradle, and tells the story of his recent time in Spain, when he got lost and was invited to stay the night in the remote cavern home of an old woman and her beautiful daughter. As you’d gather from the title, they turn out to be able to transform into cats, using a spell cast by the original version of the cat’s cradle game. He barely escapes with his life, and not untouched.

A nice little story with an especially well done bit of adventure in the chase scene. This story was reprinted, with some minor art touch-ups in DC’s BLACK MAGIC #2 [1974].

The next story isn’t Kirby, but “A Hole In His Head” is notable as being one of the first stories Steve Ditko drew. He’d go on to do some other noteworthy things.

More Kirby with the 5-page “The Merry Ghosts Of Campbell Castle”, a tale of the Scottish Highlands. Two friends go to Scotland, where one of them wants to write a book about his family, the Clan Campbell. Things spiral out of control as Campbell hears music and then later sees ghosts in the ancestral castle, eventually leading to his demise, and then his friend starts to hear the same music.

I especially like the look of the ghosts in this one, inked in a more delicate style and with far less shadow than the rest of the story (and most of Kirby’s horror work for the title), but still very detailed and expressive.

If you’re interested in BLACK MAGIC, be sure to check out the on-going series of posts on the title over on the S&K Blog, Little Shop of Horrors. Nine posts cover the first 26 issues of the title, the next one should start with this issue and the next few (here’s an earlier post from me on #28)

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