Category Archives: Genre

-Link- Roundtable on Kirby and HAND OF FIRE

The Comics Journal is hosting a roundtable discussion (part one, part two, part three) about Jack Kirby, specifically some issues raised by Charles Hatfield’s recent publication HAND OF FIRE, featuring contributions by Jeet Heer, Sarah Boxer, Robert Fiore, Glen David Gold, Doug Harvey, Jonathan Lethem, and Dan Nadel. And I just noticed that HAND OF FIRE is also available as an e-book for the Kindle and other formats, significantly more affordable (and searchable) than the print formats, so I’ll probably pick that up when I have the time to read it.

I just quickly skimmed through, since I haven’t read HAND OF FIRE yet, but I see SILVER STAR is discussed quite a bit in the roundtable, if not in the book, so a good chance to remind you that it’s available digitally from Image for just $9 (also available directly in the Comixology and Image apps). Haven’t checked it, since the three different print editions I have are enough for now, but from the page count I’m pretty sure the digital version includes the 1970s screen treatment by Kirby and Steve Sherman.

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Non-Kirby – Sheldon Mayer’s SUGAR&SPIKE ARCHIVES

If you’ll indulge me in a rare completely Kirby-free post on this weblog, if you like funny comics may I recommend the just-released SUGAR & SPIKE ARCHIVES VOL. 1, collecting the first 10 issues of the Sheldon Mayer series from 1956-1957.  One of my favourite comics of all time, this is a long overdue collection, and I hope the first of many.

If you’re unfamiliar with the series, you can see many, many posts about it over on my other site.

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OMAC #7 [1975]

The One Man Army starts his battle against “The Ocean Stealers” in the 18-page story in this issue.  Sent by the Global Peace Agency to investigate a lake which has suddenly lost its water, we open with some great images of Kirby’s vision of a lake bed full of exposed and crushed plant and animal life.  Finding an odd cube in the middle of the lake, he finds it unnaturally heavy, and gets a power boost from Brother Eye to move it, but even that might not be enough.

Next we meet the evil scientist responsible for all this, Doctor Skuba, a water-obsessed madman who has found a way to compress water into small bars, including one giant one which will absorb the Atlantic Ocean.  When OMAC tracks down his lair Skuba recognizes the atomic manipulation that created OMAC being similar to his own science, and is able to use that similarity to restore OMAC to his Buddy Blank form.

OMAC is a lot of goofy fun with wild ideas thrown out at every turn. This adventure was obviously intended to be longer than the two issues it lasted, and I wonder if the connection between Skuba’s science and the technology used to create OMAC would have been explored.

D. Bruce Berry inks the 18-page story and the Kirby cover, with mixed results.  Several pages look really good, especially the 2-page spread, and any of the renderings of technology, but I don’t think he fully captures the right look on the faces all the time.

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Strange Tales #132 [1965] – Cover

The Human Torch and the Thing get close to the end of their run in STRANGE TALES.  Not one of the more exciting covers of the era, but interesting that less than three years after the Torch was given the solo spin-off from the Fantastic Four, here he was not only sharing his feature (and in this cover definitely playing second fiddle) to the Thing, it’s also the Thing who gets to be spokesman for the MMMS fan club.  Wonder if they considered doing a Thing solo feature instead of Nick Fury for the book?  Might have been interesting, if Kirby was doing full pencils for a good while at the beginning.

Mike Esposito, who was briefly doing some work for Marvel as Mickey Demeo, inks the cover.

st132

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Thor #143 [1967]

t143aA change of pace visually in this issue of THOR as Bill Everett handles the inking on the interiors for a single issue, both the main story and the Tales of Asgard back-up (though a few pages seem to have some work by regular inker Vincent Colletta). Everett would come back for a longer run two years later.

The 16-page “–And, Soon Shall Come: The Enchanters!”, to give the story its full over-punctuated title, opens up with the memorable scene of Thor sipping on a soda and attracting a large crowd of young admirers. After explaining his lack of money for the drink and getting it comped (I’m sure the advertising value paid for it) Thor regales his fans with tales of the land of Asgard, allowing for a few pages of eye-candy before departing for some important business as Don Blake.

t143b

The action quota for this issue is filled by Balder and Sif, who have been sent by Odin to Ringsfjord to assess the threat of the Three Enchanters. They find them, and they turn out to be decked outed in insanely elaborate Kirby costumes and ready to threaten Asgard. Balder and Sif are forced to retreat to Earth, and find Don Blake just as two of the Enchanters follow.

A gorgeous looking story, with a several elaborate full page images. The “Thor at the soda fountain” thing is a cute and memorable visual, and a scene later where Balder and Sif are holding up traffic when they arrive in New York is nicely done. The Enchanters are largely throwaway villains, but remarkably well rendered in the two panels we see them clearly.

The 5-page Tales of Asgard story “To The Death” continues the adventures of Thor and his compatriots in the Mystic Mountains, this time with most of the focus being on Volstagg, which means a lot of jokes about him being fat, cowardly and clumsy, but not letting any of that get in the way of his bragging. Volstagg is always good for a laugh, and Everett’s inks are even better in this story, a shame he only inked one of them.

The cover is inked by Colletta, who would be back the next issue.

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