Category Archives: Earth

Day 69: Scott Free!

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Posted in Apokolips, Day Entries, Earth, Heroes, Mister Miracle #1, New Genesis.

Scott Free, the son of Highfather and whose escape from the dominion of Darkseid was catalyst for the Super-War now raging, is arguably the focal point of the entire Fourth World saga. Born on the pastoral paradise of New Genesis and raised in the urban chamber of horrors called Apokolips, Scott has fled his adopted hellhole of a planet and assumed the identity of Mister Miracle, super escape artist, and calls Earth home. He is, it seems, a happy masochist, perpetually placing himself in exceedingly deadly situations, engaging with the most sadistic of villains and always — always — playing by the rules, whether earthly, celestial or deviant, no matter the odds stacked against him. He is indeed a man of miracles, quite possibly the ultimate savior of the two worlds of the new gods and, by saving his own skin innumerable times and defeating world-threatening foes and devices, a protector of Earth itself.

The story of Scott Free begins in the court of Darkseid, undisputed ruler of Apokolips. After years of conflict with neighboring New Genesis in the war called “The Great Clash,” the granite-face monarch needs a cease-fire to rebuild his world and set in motion a plan to not only rule Highfather’s planet, but to have dominion over all life in the universe. To that end, a bargain is struck between the two leaders — The Pact — an agreement that they would trade sons who were to live out their days in the other’s realm. If a son was to leave their new home, traveling to their native world or Earth, that would be a breach and war could likely renew. “Good!” exclaims Darkseid, looking at the rubble of his kingdom. “This exchange of heirs will seal the Pact!!” Referring to Highfather’s former name, the Master of the Holocaust continues, “Izaya wants peace! I — want — time!! — Time to re-define power!! — To make this ‘bombed-out’ waste a meaningful pursuit!!”

At that moment, Granny Goodness, one of Darkseid’s elite and head of the regime’s military academies, carries a bundle. “Hail, great Darkseid!” says Granny. “See what I hold!! See what was so gently nudged through the dimension threshold — from New Genesis!!” Wrapped in a blanket it is a young boy. “Izaya’s whelp, eh?” Darkseid observes. “This will hurt him!! He’s surrendered his prize lamb — for a tiger!!” For, in return, Highfather will become guardian to the feral, fierce son of Darkseid and Tigra, Orion, who would grow to be the greatest of all warriors on New Genesis.

(During his brief trip to Supertown, the satellite city of New Genesis, Superman unknowingly sits with Highfather and laments, “To be frank, I’m a new arrival to New Genesis! And by every rule I should belong here! — Yet, I-I’m finding it difficult to adjust.” The formerly-named Izaya the Inheritor looks over to the troubled Man of Steel and tells him, “There was a fierce young one with your problem! But we found a need for him here!! And it helped him mightily!!”)

Granny shows Darkseid the beautiful, sleeping child in her arms. “He’s been given some mild sedative, I think!!” Granny says. “There is a serene and fragile quality to his features!!”

Darkseid scoffs, “We’ll stamp that out, won’t we, Granny!!? We’ll jam him into that clanking mechanism you call an orphanage!! All the rigors and trials heaped upon the training warrior shall be doubled for him!! His spirit will flag and his bones will ache!! — Until –”

“Until — sire??” asks Granny.

Darkseid confides the plan to begin a new age, one that will suit his galactic ambition: “He may conveniently decide to escape from Apokolips, Granny! Of course, on that day — The Pact I agreed to — will be broken!!”

“That fine day will be dear to your heart, sire!” she says. “Therefore, in its honor, I shall name the lad — Scott Free!!! Ha ha hah –”

We only learn of this, when young Scott Free is first handed over to Apokolips, over a year after the debut of Mister Miracle and, to boot, in another title, The New Gods. But this arrival of Izaya the Inheritor’s scion is the first of two key, pivotal moments which serve to illustrate the dual core conflicts of the entire Fourth World saga (the second being the other side of the same bargain, the transfer of Orion to New Genesis). For it is Scott Free’s destiny, by machination or fate, to physically — and psychologically — escape the torment of his upbringing and live a life of peace and contentment (albeit fearlessly facing death on a constant basis). For Orion, the son of the most malevolent power in the universe, his raison d’etre is to somehow to resolve the curse of his birthright by rejecting evil and serving good. He, too, has a date with destiny, in the streets of Armagetto, to confront his father…

In the story unfolding in the comic book series, we learn of Scott’s background somewhat obliquely, first when The Great Thaddeus chuckles at first hearing Scott’s full name. “It has a past, sir!” the young man explains. “I was raised in an orphanage, and many of the foundlings were given such names to sort of — well — make them feel as individuals!”

(An aside on the name: The American Heritage Dictionary defines scot-free, adj., 1. Without having to pay; free from obligation. 2. Without incurring any penalty; unpunished. [from Middle English scot, tax. See scot and lot.])

Soon thereafter we hear from she who named him and catch another glimpse of his background. Ranting to an underling, the old battle-ax bellows (in the third person, befitting her conceit), “She has lost her patience with rebellious boys! Granny Goodness wants to kill Scott Free! He was the first to run away from her institution!”

(Granny’s use of the word “first” might be a hint that Jack had in mind the inclusion of Big Barda, another escapee of Happiness Home, from the very start of the series.)

Oberon, Scott’s diminutive assistant, incessantly quizzes the young man about his past, giving readers the opportunity to learn more: “You claim to come from an orphanage, Scott — but it must be an incredible place!” The super escape-artist replies, “I came here — through the Boom Tube! … It can be a way of escape! — And I took it! I had to survive as an individual — as myself!”

Doctor Bedlam, another Apokolips villain (about whom Oberon coyly asks, “Another visitor from this mysterious home town of yours, Scott?”), begins to reveal the planetary vendetta against the runaway: “And now, to my task! — To subjugate and break the spirit of the young rebel who dared to reject the powers that rule his world — and the master I serve! The great Darkseid, himself!”

While preparing a Civil War cannon act in “Doctor Vundabar and His Murder Machine,” Scott and Oberon engage in an informative exchange:

Oberon: “What is it like — where you come from, Scott –? You said it was a sort of orphanage — run by this old harpy — Granny Goodness!”

Scott: “You saw her, Oberon… I’m certain you found her quite impressive! Well, she’s in charge of one of many institutions where the young of Apokolips are raised and trained to develop their inherent powers!! … You’d find the orphanage a nightmarish place!! Barda and I were raised there! When I had enough, it was she who helped me escape! I suppose that’s what I’ve been doing ever since!”

Issues #4 through 8 of Mister Miracle had larger page counts than the rest of the run and they accommodated a particularly fine treat for avid readers who wanted to find out more about this enigmatic super-hero with a mysterious past. Short vignettes titled “Young Scott Free” gave us glimpses into the boy’s military training and how one god from New Genesis took a special interest in the future Mister Miracle.

The first four-pager shows us Scott being punished by Granny and his fellow cadets. She barks at the boy, “Report, Scott!” Standing rigid at full attention, he replies, “I was derelict in duty and a traitor to the tradition! When I was given living specimens for my lesson in prisoner interrogation, I allowed them to overcome me and escape!!” Granny berates him as spineless and, beating him with her baton, she teaches him a lesson about whom Jack would later call “The Hunger Dogs”: “Those living specimens populate Apokolips to Breed for Darkseid — To work for Darkseid! To be killed for Darkseid!!” Still Scott speaks from his empathetic heart, “B-but they look like us! They’re weaponless!! They cry under torment!” Scott is further beaten and thrown into a “Contemplation Cell,” where “a visitor who conquers barriers” — Metron, the Seeker and Wielder of Cosmic Knowledge — introduces himself and begins to prompt Scott toward escaping his life of violence and despair…

The second installment, two pages, is of Scott joining his zombie-like fellow inmates in the dining hall and features this great opening blurb: “Mister Miracles are not made overnight!! Sometimes they are in places where they must be jolted and wrenched and brought to the crossroads of destiny!! For reasons of his own, Metron, the enigmatic knowledge-seeker, began this process — in the realm of Darkseid!! In the iron institution run by Granny Goodness!! — And in another small segment of the early life of — Young Scott Free!” In the bit, Metron urges Scott to not eat the drugged grub (“saturated with ‘brain-drain’ chemical!”) and to stay keen. “Your mind must be clear, boy!! It must be at its sharpest!! You see — it belongs to you!!” Metron (appearing only to Scott, with the others in the crowded mess completely oblivious) continues, pointing his finger at the youngster, “Scott Free owns your mind!! Who is Scott Free?? Would you die for idols before you discovered Scott Free???”

Scott’s burgeoning competence as an escape-artist is center of the last, four-page scenario, which has him training on his Aero-Discs, which comprise a pair of a metallic cylinders on which the user places his feet, giving the ability of flight (Scott would use these as Mister Miracle) and engaging in a mock battle with para-demons.

The introduction of Big Barda of the Special Powers Force (and head of the Female Fury battle unit) gave us a bit more background, right from the get-go of their fateful reunion. Here’s Scott and Barda’s first exchange in the series, when Barda responds to Scott’s remark about her full-dress battle uniform:

Barda: Yes, this is a far cry from our days as pupils of Granny Goodness!

Scott: You should have gone with me — when I escaped from her institution, Barda!

Barda: Yes — perhaps I should have — but I stayed! Stayed — to become… what I am!

A little while later, during a relaxing moment in Scott’s home:

Barda: How about your welcome for Big Barda?

Scott: Maximum is the word for you, Barda! I could never think of you without deep and genuine fondness!

Barda: I helped you in your first great escape!

Scott: Yep, Oberon! If not for Barda, I might have turned out to be a grim, tough product in the Granny Goodness tradition!

Barda: I risked severe punishment to help you bolt Granny’s institution!

From then on, the pair are inseparable, first as comrades, later in a more intimate capacity.

Early on, it’s obvious that Scott’s escape from Apokolips, though details have yet to be revealed to us, has somehow besmirched the honor of Darkseid and his elite. Granny Goodness and her pet Overlord, Doctor Bedlam and his “Paranoid Pill,” Virman Vundabar and his “Murder Machine” — all are sent to Earth in a pathological group-obsession to kill Scott Free for his audacious disobedience of the King of Evil, each setting typically complex, inescapable traps only to be foiled time and again by Mister Miracle’s tenacity, cleverness and seemingly bottomless bag of tricks. And time and again Scott Free takes on all comers. But the edges begin to fray…

By the end of the Vundabar affair, their relationship begins to grow more meaningful after Barda apologizes for having been daunted about Scott’s safety (Barda says, “Scott–!! Scott — forgive me!! I-I was afraid! — for us! I — a warrior–” And Scott replies, “You’re better than that, Barda!! You’re a woman!!” as he flies atop his Aero-Discs, carrying Barda in his arms), the couple becomes closer, more caring, and a deeper bond develops. And as their lives are an endless defense against Apokolips interlopers, Scott begins to contemplate another escape plan, this one far away from home base, apparently ground zero for Apokolips hierarchy and each one with the same beef against Scott.

Enter Funky Flashman, a con man looking for a pigeon, and the Female Furies, Barda’s former command now ordered to kill her and Scott. Funky tries to sell himself as an able business manager to Scott, who despite knowing the scoundrel is a “transparent second-rater,” see the promise of touring as a way to get away from the Apokoliptian hordes. Scott tells his assistant, “Touring means constantly on the move, Oberon!! That’s what’s important! We must become mobile!” And the onslaught of Stompa, Lashina, Mad Harriet and Bernadeth only add to the itch to hit the road.

Scott: Will the hunting dogs never stop coming!?! … Earth isn’t small! Perhaps we can lose ourselves in hamlets, cities — continents –!! Perhaps, in time — the forces of Apokolips will give up the hunt!!

Barda: It’s a delusion, Scott! Only I’ll buy it!

But the attack of the Female Furies and their defeat by Big Barda fatigue the woman warrior and Scott has a change of heart, not to flee but to confront. “This has got to stop! I won’t stand for others being harmed on my account!! It’s time I stopped running!! It’s time I stood my ground!!” And, at the finale of “Funky Flashman”:

Scott: Our battle is with the forces of Apokolips! — and with ourselves!! We had the courage to break free of them! — Do we dare to return — and face them down?!

Barda: If we dare — We die!! Well, I’m a soldier, Scott!! I’m trained to die!! But, you — you’re beautiful inside!! They never got to you!! And now they’ll do things to you —

Scott: Enough Barda! There is NO freedom in running!! I’m going BACK and win it THEIR way!! — in TRIAL BY COMBAT!!

This is a crucial moment in Mister Miracle’s development as a character and Scott Free’s ascension to maturity, as well as a delightful indication how the Fourth World was evolving beyond the usual static-world confines of American adventure comics. Scott is changing, facing his apprehensions and wanting to move on, and not succumbing to the greatest of Darkseid’s powers, fear itself. Whatever his fate on Apokolips, his decision to stop risking others’ safety and to stand his ground for his devotion to freedom and individuality proves a great victory for Scott Free — even if it is an incredible gamble. The introductory blurb in “The Apokolips Trap” nicely spells it out: “Would Scott Free be so foolhardy as to return to the nightmare world from which he escaped?? Yes, good friends! It still has roots that must be cut! Roots that reach to Earth and destroy all that Scott has learned to love — His friends! — His craft! — His new life!! — And besides — Death has the same face — wherever he strikes at Mister Miracle!”

And, with that thunderous declaration by a newly invigorated hero, the constant companions prepare a return to the nightmare world of their childhood. First, in a poignant scene, Scott must say goodbye to his faithful Oberon, explaining the situation to the dwarf as would father tenderly explain the complexities of life to a son:

Scott: We must leave, Oberon!!

Oberon: Why must you leave!? Why!? You escaped from Apokolips once! Do you think that Granny Goodness and her creepy pets will let you do an encore??

Scott: No!! But strangely enough — like all organized societies, Apokolips exists by rules!! — Made by Darkseid — and kept by his subjects!! This time I must escape from Apokolips — within those rules!!

(We’ll get to our hero’s sense of honor and fair play in our next entry, part two of the life and times of Scott Free, Mister Miracle, but do take note of his preoccupation with rules.)

“The Apokolips Trap” and “The Battle of the Id,” the remarkable homecoming issues, show us just how much all-consuming fear the elite of Darkseid’s world have of this unassuming young man and to what lengths they go to in their attempts to destroy him. Only Kanto, Darkseid’s personal assassin, gives Scott proper respect. The others, Granny most of all, yearn to be first to tell Darkseid that Scott Free is dead.

After surviving a veritable gauntlet traveling through Apokolips, Scott and Barda arrive at Happiness Home, the notorious orphanage where they once lived. “Tell Granny that I’m back!!” orders Scott to one of the maven’s underlings. “Tell Granny I claim freedom — by Right of Combat!!”

Now Scott is speaking the same language as his enemies! Dressed in her Victorian jammies, Granny revels in the return of the young man. “Granny’s been waiting for this day, Scott Free!!” though actually speaking this to herself. “The day you would march back here and flaunt your impudence!! Well, you forget, sir!! — a trap made by Granny — is a trap of the gods!!!”

That trap, a psychological war, of sorts, with The Lump, is unsuccessful, though at one point Granny believes Scott has been killed. She tells the marauding Barda, who has arrived to save Mister Miracle, “I should’ve known you’d break the rules again! — for him! Well — you’re too late this time, Barda! Scott Free is dead! Unlike yourself, he understands the rules laid down by Granny — and died an honorable death!! As for you, traitor –” (A sliding scale of honor, Granny has!)

After the dust has settled, Scott, in a sweet moment between the increasingly intimate couple, tenderly soothes a tearfully distraught but now relieved Barda after “The Battle of the Id”… There’s a growing attachment here between these two.

Then comes the true origin tale of Young Scott Free and certainly one of the most important stories in the tapestry we call the Fourth World. Now, with “Himon,” we get the complete story of Young Scott Free’s escape from Apokolips, certainly one of the best single stories in American comics. It is everything we love about Kirby’s work: it’s kinetic, passionate, visceral and unabashedly afire with pure, primal rage… It is dark, hopeful, vicious and profoundly sweet. It is, my friend, not to be missed.

The introduction copy to “Himon” sets the stage: “Thus we are witness to a bizarre incident — the story of it is old! It reaches back to the days of the ‘Great Clash‘ between New Genesis and Apokolips! The battles were fought for total creeds, with total tools — and there were victims of it who survived with new and total arts! This is the story of Himon, the ultimate escape-artist who fostered Mister Miracle by teaching his trade to — Young Scott Free!”

(An aside, if I may, on the Dickensian motifs that abound in Jack’s depiction of Apokolips, a world not dissimilar to the London slums of the early Industrial Age (if you were to combine the locale with a Fascist power structure promulgating a society completely dedicated to perpetual war!). As a matter of fact, Jack is rather explicit about the work of English novelist Charles Dickens having an influence on Darkseid’s planet! Early on, Oberon prods Scott for information about this sinister other world:

Oberon: [Speaking of Virman Vundubar] His name is even goofier than yours!! Did all you orphans get tagged that way?

Scott: I’m sure you’ve read Dickens’ ‘Oliver Twist!‘ The kids in that situation had such names — ‘Artful Dodger!‘ — Oliver himself!

Oberon: Sure! I get it! There is a similarity!! But it ends right there!! Your orphans are hardly the wide-eyed, helpless type!

Scott: True! The products of Apokolips — wield the power of Apokolips!!

And, in his descriptive captions, Jack references the British author: Prefacing the first “Young Scott Free” vignette with “In the tradition of Oliver Twist and David Copperfield” and, in another, “Given these very same circumstances, in another context, Oliver Twist may well have become — Young Scott Free!!” In the “coming next issue” blurb in Mister Miracle #9: “If you remember Fagin in Oliver Twist — you’ll never forget Himon!” Apparently it’s not unusual for the new gods to read Earth literature, as we learn in The Forever People adventure, “The Power,” both Vykin and Big Bear are familiar with George Orwell’s dystopian vision of Earth’s future, 1984.)

The Scott Free we first meet in “Himon” is rather brash and arrogant, instilled with a militarist’s sense of superiority. When he initially encounters the legendary Himon, thorn in the side of the Apokolips elite and a rebel leader (if you will), never mind all-around genius (who developed the two most significant technological advances in the history of the two worlds, Mother Box and the Boom Tube), Scott sneers, “I was a fool to seek you out! I don’t know what prompted me to come to your filthy den!” Himon replies, “To learn about this Mother Box — to discover Scott Free — to escape!!”

A meeting of the two greatest minds of either world in this issue features this discussion of the future Mister Miracle’s destiny:

Metron: Scott Free will play no part in [the Orion/Darkseid showdown in Armagetto]! His destiny is to escape from Apokolips! Darkseid plans to kill him for that and begin a new war! You must help Scott escape unhurt!

Himon: You showed Scott the way to me — and I can teach him to escape Apokolips! But I can’t give him the resolve! Only Scott can renounce what he was here! But a destructive revelation is not a father! — And a slaughterhouse is not a home! — For one born on New Genesis!

Perhaps the most significant catalyst for Scott’s — and, later, Barda’s — breakout from the hellworld is the treatment young Female Fury Auralie receives at the hands of District Protector Wonderful Willik. Auralie is one of Himon’s young prodigies that Scott Free meets during his first meeting with Himon. As the great escape-artist and inventor introduces Scott to his troupe of “heroes,” the future Mister Miracle looks down his nose at a quiet young girl gazing into images of dancers within a transluscent cube. “Show me the value of this female, Himon! She does nothing but stare into that Mind-Video!” Himon gives the girl an affectionate look and retorts, “Auralie’s thoughts are beautiful! She creates beauty! Imagine — doing this on a world like Apokolips! Poor, brave Auralie! — Trying to survive with her inner beauty — in that grim house of horrors Granny calls an ‘orphanage!!’ You’re free to dance here, Auralie — Just like your images in the Mind-Video! You won’t be punished — we’d like to watch you –!”

Just as she is about to perform, Auralie is accosted by young Lieutenant Barda who is hunting with her fellow Furies for the AWOL cadet. (It is here Barda first meets Scott Free.) Later, when Scott and Barda are called before Wonderful Willik, he lectures Barda and says, “You Female Furies are quick to bare your claws! But you did have one among you — a fragile, little failure –” Barda demands, “Auralie! Where’s Auralie? S-she’s — been — missing –!” A smug smile cracking across his face, Willik opens a chamber door, revealing lifeless, thin young legs bound in a sinister, smoldering apparatus looking like mechanized footwear. “We found her!” says Willik. “Dancing like a pretty little doll! — For which we gave her a pair of high-voltage shock boots!” Auralie was tortured to death…

Then, ever closer to his resolve to escape the nightmare planet, Scott is comforted by his new mentor, revealing perhaps why the hierarchy of Apokolips is so singularly obsessed with him after his journey to Earth:

Himon: Yes, Scott! Darkseid fears you, too! Because, you, too, can dream of things beyond Darkseid! What is the dream released inside Scott Free?

Scott: I-I don’t know –! I — think — it’s serenity — embodied in the voice of a woman — I-I cannot see! Always she says — ‘You know, Izaya, — I’ve never heard you sing –‘ I cannot see the woman but I’m filled with the serenity she brings!

Himon: That dream is yours, Scott! Yours!!

Barda: To dream beyond Darkseid!! — On Apokolips, it seems unthinkable!!

Soon Scott Free makes a run for it. “Then, escape finally comes! Scott is stripped of his rank! His mechanisms taken! — All but his Aero-Discs! He bolts!” And young Lieutenant Barda helps him in the breakout.

Scott: Barda! What you’re doing is unheard of here! Why are you helping me?

Barda: Because I like to help fools! — Because I couldn’t save Auralie! I don’t know!

The only way to depict the climax of this poignant, astounding story is to simply transcribe the dialogue. It’s no better way to end an entry on the subject, too, for after jumping into the Boom Tube and traveling to Earth, Scott Free becomes something different, someone grander and more resonant — a man of miracles, escaping an inescapable world completely devoted to fear and the adoration of death. With this he is hope personified, proof as he will later say, that Darkseid’s world can fall:

Scott: I-I won’t be stopped! I-I — I’ll crawl to freedom — come — with — me —

Barda: Not — yet — Scott! I-I’m not ready — perhaps — someday — keep going!

And protected by their own mysterious powers against the forces that bind Scott, two allies await!

Scott: Himon! Metron! You’ve created a Boom-Tube! It’s denied to all but Darkseid’s hierarchy!

Himon: It’s open to you, Scott! An open door to — Earth!

Darkseid: HE CAN TAKE IT! I’LL NOT STOP HIM NOW! IF COURAGE AND BRAVERY TOOK HIM HERE! — SOME OF IT WAS MINE! STAY, WARRIOR! LET ME COMPLETE THE DESTRUCTION OF SCOTT FREE — SO YOU MAY LIVE WITH THE MAJESTY THAT IS THE POWER OF DARKSEID!

Darkseid: The young fool goes on! He struggles to rise! If he leaves Darkseid, he’ll still find Death!

Himon: If he leaves Apokolips, he’ll find the universe!!!

Scott: LET ME BE SCOTT FREE — AND FIND MYSELF!

Next entry: Life After Apokolips: The Life and Times of Mister Miracle, Super Escape-Artist!

Day 68: Oberon!

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Posted in Day Entries, Earth, Heroes, Mister Miracle #1, Supporting Characters.

Oberon was the longtime personal assistant of the Great Thaddeus (a.k.a. the original Mister Miracle) until the showman’s tragic demise and the curmudgeonly dwarf thereafter attended to the “new” Mister Miracle, Scott Free. Little is known of his background other than Oberon’s decades-long dedication to Thaddeus Brown but he remains a constant and useful companion for Scott, always a voice of caution (often exceedingly so) and his loyalty and devotion are important components of the acclimation to Earth culture by Scott — and later Big Barda.

It is with Barda Oberon has a salty though affectionate relationship, bantering mild insults back and forth, and providing a nice comic relief to all the death-defying doings happening with the growing team. Upon the female warrior telling Scott, “I risked severe punishment to help you bolt Granny’s institution!” Oberon snidely suggests to his employer as he turns his back on the pair, “If you ask me, it would have done you a world of improvement if she’d left with you, Scott!” At this, Barda raises her mighty Mega-Rod to strike the dwarf, only to be stayed by Scott, who tells her to steady herself: “Easy –.” And Barda hisses through her teeth, “The little rat — he needs a disciplined tongue!”

Perhaps the most stirring moment in the entire series occurs when Scott and Barda are appearing to return to Darkseid’s planet in the homecoming and a distraught Oberon desperately urges them to reconsider. The Female Fury, in full-dress uniform, sneers at the diminutive assistant:

Barda: Don’t fill this room with sentimental slop! Just say goodbye — and blow!

Oberon: Listen to Big Barda! Look at yourself, Scott!! It’s like that demon’s place, Apokolips, has taken hold of you both!! — and claimed you forever!!!

Scott: We must leave, Oberon!

Oberon: Why must you leave!? Wny!? You escaped from Apokolips once! Do you think that Granny Goodness and her creepy pets will let you do an encore??

Scott: No!! But strangely enough — like all organized societies, Apokolips exists by rules!! — Made by Darkseid — and kept by his subjects!! This time I must escape from Apokolips — within those rules!! [With that, Scott hands Oberon his carpetbag.] Here! My bag of tricks! I leave it in your care, Oberon!! It must never be opened!

Oberon: I-I’ll see to that!!! It’ll be in this closet when — you — get — back!!! Who would want it, anyway!!? It’s a fool’s bag!! — waiting here — for a young fool!!!

Barda: Get out! Get out! — You little sawed-off drip!

Oberon: I’m going!! For just a little while, I-I thought you were really a big, beautiful warm-hearted girl!!

Here, both in tears, Barda crouches down to the floor to embrace the little man.

Oberon: — Instead of a loudmouthed, military, man-killing harpy turned out by those terrible Darkseiders!!

Barda: Oh, shut up! — or I’ll — I’ll — Oh, take-off!! When we get back, I’ll really blister you!! Now march!!

Oberon: I’ll be here! I’ll — always be here!!

Barda: Good old Oberon! There’s a lot of person in that small package!! Oh well!

Oberon is not only attached to Barda, he’s also a little prudish about a single girl living in the same house with two bachelor men, as he tells Scott, “That female ‘Attila the Hun‘ has really taken over here, Scott! If she decides to stay — it may seem very improper –” though Scott tells him not to worry about it.

As a literary device, Oberon provides an audience for Scott’s exposition about the larger forces lurking, whether about his upbringing on Apokolips or the various players in Darkseid’s cadre of evildoers who plague the two. As Jack ever so slowly unravels the background story — it took nine issues of the title to get to Scott Free’s origin — the writer/artist expertly weaves in hints and shadows of a greater epic in play, and Oberon is the perfect human character to help the reader process the fantastic developments and make a earthly response.

As cranky and complaining a sidekick can be, Oberon is also very lovable — and not because he’s the size of a large Teddy bear, but because his affections for Scott and Barda (and later Ted Brown) are always near the surface of his crusty demeanor. He also keeps a lookout for business opportunities for the Mister Miracle team and often participates in the show (sometimes with chip firmly placed on shoulder as he is forced to dress in costume — here as a tiny Civil War soldier; there with complementary super-hero get-up, complete with flowing cape!). When helping Scott with the cannon gag, Oberon says, “But look at me!! How do you think I feel in this Civil War ‘get-up!‘ Besides, if I get laughs from your audience — it could ‘upstage’ your performance!” Mister Miracle answers, “We’re both stars in this act! It needs all the color we can give it!”

When Oberon was forced, at Ted Brown’s insistence (as Ted had become, for a time, the act’s manager), to don a virtual super-hero costume, he complains to himself as he looks into a mirror, “The Great Thaddeus would certainly have frowned on the shenanigans his son has dreamed up! And that flashy uniform and cape I must wear in the act! — Ugh! It’s really something else –! [at the reflection of himself in a mirror] Ahh! There y’are! — The humble, but talented Oberon! — And I must say you look mighty relaxed without the fancy trappings and the frozen grin!”

(I can’t resist mention of one of the truly memorable bits of Kirby humor cartooning is when Funky Flashman, who calls the assistant “Little Pixy,” prepares to kick Oberon behind the little guy’s back — great stuff! And then there’s this exchange when they first meet, when Funky stoops so low as to pinch the dwarf’s cheek!:

Funky: And this fantastic elfin creature can be none other than Oberon, mentioned briefly in your letter!

Oberon: Easy there, buster!…

Scott: It’s Oberon’s coffee that’s fantastic!)

As vital and necessary as the character is to the Mister Miracle saga, Oberon is, well, a delightful addition to the mythos and it’s always a joy when he is part of the action. And the assistant is also a catalyst to give us readers a sense of Scott Free’s depth of compassion and love for others, as Mister Miracle is always ready with words of encouragement and terms of endearment for his tiny friend. I mean, the Super Escape Artist is just about the nicest super-hero as ever there was! And Oberon returns the sentiment, telling his boss, “I’m proud to be your assistant, Mister Miracle! You’re the greatest!” Another time, Scott gives his friend an “attaboy” by telling him, “Good work, Oberon! Keep practicing and you’ll be a star performer one day!”

Tears again flow as Scott and Barda do leave Oberon, this time for good immediately after the wedding ceremony. While hoping that he and Oberon (as well as Shilo) will meet again — “Our paths part here. But they may merge again” — Mister MIracle says goodbye to his faithful companion:

Scott: I’ll miss you, old friend. In the face of peril, I’ll always remember that you cared!

Oberon: By daring death, you taught me the value of life. Scott — Scott —

And by both embracing life so fully, Mister Miracle and Oberon instructed us on the importance of friendship!

Day 67: The Great Thaddeus!

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Posted in Day Entries, Earth, Mister Miracle #1, Supporting Characters.

Our story opens with the original Mister Miracle being bound by a metal contraption, placed in a bolted wooden shed and then set ablaze by his assistant’s flamethrower. A young onlooker intervenes but the aging escape artist successfully defies death by bursting free of the flaming structure. And thus Thaddeus Brown meets Scott Free.

Thaddeus Brown is, of course, the original Mister Miracle, the graying, renowned escape artist formerly known as “The Great Thaddeus,” who now dreams of a return to glory by resurrecting his show business career. He lives with his faithful assistant, the diminutive Oberon, in a pleasant two-story home, which “stands serenely as it always has, in a small, quiet suburb near the city” (presumably Metropolis, where it seems many of the other Fourth World adventures take place on Earth), where he is working to get back into shape for a national campaign. We learn that Thaddeus’ wife has passed away and the escape artist tells Scott Free that his only son died in Korea (this last statement appears untrue, as public relations man Ted Brown enters the series with #10 and stays on as supporting character until #16). Thaddeus says to Scott it was Ted who urged his father to change his act. “Ted was a wonderful boy!” said Thaddeus. “He loved to assist Oberon in preparing my act! He also kept an album of my exploits!”

“I see you were once known as the ‘Great Thaddeus!’” Scott says, taking note of the scrapbook’s cover.

“Yes, I began with that name, but it outlived its usefulness! It was Ted who pointed this out!” Thaddeus explains. “It was all Ted’s idea! He created Mister Miracle — and brought the art of escape into a new decade!”

His plan to return to public performing is called “The Big Trap,” where Thaddeus is tightly bound by locked metal straps to a tree trunk situated at the bottom of an incline. At the top of the adjacent hill is secured an enormous metal sphere (“This thing weighs a ton!” yaps Oberon) and between that and the tree is a flume-like track constructed to guide the ball straight for the elderly showman. Oberon is terrified of Thaddeus’ condition and the lethal risk the escape artist is taking. In fact, the small person is a constant nag to his employer: “Don’t go through with this, maestro! I beg you — Be content with your past greatness! — During these years of inactivity — time has passed you by!” and “You were slow! Slow! Age has dimmed your senses and time has knotted your reflexes!”

Even while Thaddeus tells his friend, “Don’t scold me, Oberon! I’m doing well — soon I will do better!” Oberon does have a point. Thaddeus is likely in his mid-sixties, and despite sporting a magnificent beard and full head of hair (both snow-white), and also physically impressive and by appearances virile, he suffers from fatigue and even with the Great Thaddeus’ protestations to the contrary, his timing is off. Plus, the escape artist has the added liability of a most powerful enemy.

When Thaddeus and Scott first meet, they are interrupted by Inter-Gang goons “moving with silent, evil assurance — symbols of organized crime in the atomic age.” Not only does the head thug bandy about handguns, he is also rude, telling Thaddeus, “You creak — like one of your antique clocks!” We learn the gang’s boss is Steel Hand and a donnybrook ensues, with Scott and his carpetbag joining in. Steel Hand’s henchmen are defeated and, apparently delighted with Scott’s help during the fracas, invites the wanderer to stay in the Brown household.

Scott shows off his own impressive skills as a burgeoning escape artist and Thaddeus and Oberon are increasingly impressed with this stranger. Thaddeus alludes to an unpaid wager owed him by Steel Hand and we learn this standing debt is becoming a matter of pride with the criminal kingpin.

Tragically the Great Thaddeus, bound to the tree trunk in full-dress rehearsal for “The Big Trap,” is struck by a sniper’s bullet and while he is saved by some miraculous moves by Scott Free from being crush by the metal sphere, his life is ebbing away. “Too late — Scott — no more miracles for me,” he tells his new prodigy. Scott comforts him on the grass, as the old man says, “There’s nothing you can do, Scott! The act is finished!” Thaddeus then reveals Steel Hand was likely behind his assassination and, death coming close, he implore Scott to say by his side. Scott takes a device strapped to his upper arm and holds it next to Thaddeus’ ear. “What is it — I hear — a sound — a voice — comforting, easing — the pain is — gone –” and Thaddeus Brown, the original Mister Miracle passes this world into the great unknown.

If I may be granted some personal comments (though I’ve tried to keep things pretty descriptive with minimal opining — no easy task for me!), I still ponder over the symbolism and plot device of Thaddeus Brown in the Mister Miracle opus. I have heard, for instance, that elements of Mister Miracle are based on real-life escape artist (and comic-book legendary writer/artist/designer) Jim Steranko, a friend of Jack’s, and that leads me to speculate whether Thaddeus represents Jack and Scott symbolizes Jim, thus a dramatic “passing of the torch”… Nahhh, doesn’t ring true to me, as Jack was at the height of his game during this time. Does Scott Free seek out Thaddeus because the performer is out of the limelight, living relatively secluded in the suburbs, and thus away from the prying eyes of Darkseid’s minions in the city…? Does Scott want folks to believe he is Thaddeus Brown and that’s why he assumes the Mister Miracle identity?

It’s agonizing that I’m so far unable to get a grasp on this aspect of the Scott Free mythos, as I believe the character to be the most resonate in the Fourth World, a physical representation of life in the face of death, of happiness surrounded by misery, of hope coming through overwhelming despair… In other words, Scott Free seems to be an autobiographical character, more so than Captain America, or Scrapper, or Ben Grimm… Do you have any idea?

Day 66: Orion’s Earth Allies!

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Posted in Day Entries, Earth, Heroes, Supporting Characters, The New Gods #1.

“On Earth, the home of mortal man, Orion the Hunter moves among strange allies and fearful enemies! Man is only dimly aware of the forces maneuvering, lunging for alignment on his world — for somewhere in man himself is the key to victory for the warring factions of the New Gods.”

Orion, during his Source-directed foray to the sinister world of Apokolips, was fortunate to encounter and rescue four brave Earth humans, who will become, to varying degree, his trusted allies as the Super-War reveals itself on our home planet. Upon Metron temporarily disabling Kalibak and his describing to Orion the stakes in this war anew between New Genesis and Darkseid’s realm, we see that the Master of the Holocaust has breached another solemn agreement with Highfather. Metron tells his comrade, “Darkseid has broken the rule, to bring humans through the [Boom] Tube!” Four Earthings lie recumbent, unconscious and the tops of their heads ensconced in brain-scanning devices. For Darkseid has been, as Metron tells us, “Probing the minds of test humans before he left [for Earth]!”

The king of evil is, you guessed it, searching for the Anti-Life Equation, a secret locked inside the mind of one or more unsuspecting humans, and as Metron transports our hero’s Astro-Harness to Orion’s feet, the Tiger of New Genesis releases the four kidnap victims from Darkseid’s vile contraption. “Proper use of my Astro-Force will dissolve the mechanisms that spellbind the humans!” Orion says to no one in particular. “They awaken unharmed!”

And the now-conscious quartet rise to meet their new friend. Who are these three men and one woman? Allow me a description of their participation in the coming battle. In general, it’s safe to take for granted they are all from Metropolis or surrounding environs, given none of the four expresses any distress at being far from home upon their return. There’s no indication any of them knew one another before being awakened and the smart bet is to assume (as Dave Lincoln tells Orion of his abduction) they were individually snatched off the streets and alleyways of Superman’s city by Inter-Gang, “a division of Earth criminals” organized to serve Apokolips, possibly by Badger and his henchmen.

Here’s a look at each of the four Earth allies:

Harvey Lockman is definitely the youngest of the crew (“My parents are probably getting anxious,” he states on his exit), as well as the most irreverent and, apparently, self-important. Doubtless his greatest claim to fame in the series is the lad’s description of himself: “Me, young but cool, Harvey Lockman!” He is also the least-seen of the compatriots, as he disappears from the series shortly after the “O’Ryan’s Mob” affair. While we don’t know Harve’s vocation (probably a student, I should think), we do know he’s snappy with the always-ready apt comparison, a master of metaphor, if you will. Among his sometimes sarcastic quips, oft peppered contemporary slang: “It should be simple — like minnows turning into a shark!” and “[The Mother Box] feels strangely warm — and makes a sort of electronic sound — like a computer!” and “A movie without film! That’s wild! Roll, man, roll!” and “[Orion is] tougher than granite!” and, finally, “Groovy! He looks like he plays pro football!”

The young ally is also a mite… ummm… flamboyant, given Harvey’s fashionable ascot and apparent predisposition at being a bit disrespectful to his elders. During his next-to-last appearance with his friends, the young man calls Claudia “Doll” and addresses Dave by his last name only, never mind referring to the most malevolent personage in the universe as “old granite-puss”! Perhaps he’s compensating for his quaking fear displayed early in the saga — certainly an understandable reaction as this is a war between gods and monsters, after all! — despite his declaration at one point, “Scared — I’m not so scared — with you on our side, Orion!” (Youthful Lockman is quite courageous when fortitude is needed, rushing headlong into the Inter-Gang infested old mansion on that “little-used seacoast road” during the “O’Ryan Gang and the Deep Six” episode.) Despite his limited appearance, the kid is still a memorable character and leads one to wonder if Jack, an admirer of enthusiastic youth, had a plan to return to Harvey Lockman, as he did do with the three remaining allies.

Claudia Shane — who describes herself as “I’m a secretary — not a pawn in some spy game!” — is candid about her fear (“I’m terribly frightened by all that’s happened!”) and loyal to the new god (“Whatever I can do — consider it done!”), if not a bit infatuated, sounding like she has the hots for Orion, as Claudia boldly admires the Tiger of New Genesis out loud: “I must admit he’ll put those fashion ads to shame” and “He’s positively beautiful! Like a living statue modelled [sic] by the ancient Greeks!” She breathlessly holds her opened palm to her heart in admiration and she also exhibits deep concern for the god’s welfare. Orion is an immortal with no time for romance and there’s an intimation in the series that Claudia and Dave Lincoln pair up as, at the least, close friends who may share apartment keys, as the young lady enters Dave’s abode without knocking. In the last half of the series, they are very often in each other’s company.

Claudia is herself beautiful, as well as fashionable and full of derring-do. She appears to be in her mid-twenties and despite confessions of being simple and afraid, this lady has moxie, revealed especially during the O’Ryan’s Mob masquerade. Claudia’s exclamation of “Shades of Bonnie and Clyde!” is spot-on as she and her Earth cohorts disguise themselves as members of a rival criminal organization threatening to move in on Inter-Gang territory. Wearing the requisite beret (this being only three or four years from the release of the Warren Beatty/Faye Dunaway gangster flick), she drives right up to armed gangsters and creates a diversion.

(It’s worth noting she is compassionate, especially when attentive to middle-aged Victor Lanza’s state of mind throughout the “O’Ryan’s Mob” story. “Do you feel all right, Mister Lanza?” and “You were just marvelous, Mister Lanza!” Kind person, that Claudia.)

It’s notable the gang has the guts to place their hands collectively on Mother Box when Orion seeks her assist on hunting down the Inter-Gang “Jammer” threat, given their earlier experience doing the exact same thing by Orion’s order. Yeah, it’s a coincidence that Desaad’s “Sonic-Stimuli” beams induced mind-numbing fear throughout Metropolis at the moment the threat of Apokolips is being described by Orion, aided by vivid audio-visuals courtesy of Mother Box, but you’d think they’d at least hesitate the second time! Still, the occasions must have been awesome. Claudia says, “It’s a wild experience! Like watching a movie with your mind!” Jack describes the “trip”: “As Mother Box loudly activates, the entire city outside seems to rush into the room! — Into the mind! — A whirling maze of buildings — streets — lights — cars –”

(Probably not worth noting is her changing looks, but I will anyway! Apparently Claudia has time between arriving back on Earth and joining the crew to meet at Dave Lincoln’s apartment for a visit to the beauty salon, as she sports a whole new hair-do when they greet Darkseid. And, later on, her bobbed hair goes to shoulder-length… but does this really matter?)

Victor Lanza, insurance broker, is the oldest of the bunch but, while apparently the only married member, holds his own admirably during his tenure in the adventure.

(You have to wonder if Dave Lincoln wisely upgraded his apartment insurance with Victor, given his pad is repeatedly a battleground for grudge matches, with shattered furniture and blown-out walls.)

It’s hard to know why exactly Darkseid chose these four. There appears to be a hint that might have possessed elements of the Anti-Life Equation — Victor says to Orion, “You said — I-it was something hidden in our minds!” — but the fact they are not seized again by Apokolips minions seems to indicate they did not have the power.

Though Victor is visibly upset by all the ruckus — “I’m still shaken! I’ve never known such fear!” he states after the effects of Desaad’s “Sonic-Stimuli” beams wear off, he still stands firmly on the side of Orion and New Genesis: “I’m at your service, Orion!” But Victor does need time to screw up his courage. “We’re at the mercy of immensely powerful forces!” says he.

When the team meets in Dave Lincoln’s apartment to discuss the fantastic developments, the following exchange takes place:

Dave: I tell you, I saw it with my own eyes! We’re in a war! It’s hidden — but very real!

Victor: B-but why us? We’re just ordinary people!

Harvey: Orion got us back here! We owe him that!

Dave: We owe him that, Mister Lanza! Such as we are — we may have to tackle super-beings!

Victor: But I’m Victor Lanza! An insurance executive! A family man! My wife makes me carry an umbrella in case it rains! And now, this! New Genesis! Apokolips! And things that would scare John Wayne!

But when called to duty, the insurance broker stands with his comrades. During their scheme to destroy the “Jammer” in the possession of Inter-Gang, Victor is assigned to play the role of money man of a gangster named O’Ryan, looking to make a deal with Inter-Gang. Though he complains to Claudia that “Playing Indians in the woods at night is scarcely my cup of tea, Miss Shane!” Victor takes his direction from de facto leader Dave Lincoln: “Your job is up there, Lanza!” Dave says, referring to the Inter-Gang office on the second floor of the “seaside base,” an otherwise deserted mansion. “You don’t have to play Little Caesar — just his smart business manager! Okay?” (Though later, Dave does confess he too was antsy about the caper, as he tells the other three in their final meeting, “Helping [Orion] crack the Inter-Gang complex was flirting with death!“)

And Victor plays his role with gusto, puffing up a cigar and confidently telling Inter-Gangster Country Boy, “I’m Lanza — I make O’Ryan’s deals! We know about Inter-Gang! But not enough! Frankly, what I’ve seen so far, I wouldn’t spend a penny on!” With his entry, the O’Ryan Mob (spearheaded by Orion on his Astro-Harness) destroy the Jammer and break Country Boy’s criminal division.

But the masquerade takes a toll on Victor and despite the accolades of Harvey on the gentleman’s performance — “Your part in it was a gas, Mister Lanza!” — Victor knows it’s time to go home and get back to his day job. “Sure! Sure! — Playing games with gangsters is a great hobby for an insurance man like myself!” With that, Victor bids adieu, handing Dave his business card to share with Orion. The Tiger-Force remembers the address and he and Lightray visit with the bespectacled business executive during “The Death Wish of Terrible Turpin.” Here we get a glimpse of Victor’s home life, meeting his lovely wife and learning of their son in law school, Robert. Mrs. Lanza is obviously smitten by Lightray’s considerable charm and exquisite manner. This is the last time the saga features the Lanzas.

Finally, of “Orion’s little helpers,” we look at the foursome’s most active participant in these stories, Special Investigator Dave Lincoln. Though he cowers in terror by the effects of the Fear Machine, the private eye is certainly the bravest of the group, taking on, at one point, Kalibak the Cruel (though the cop may have been more a little perturbed at, yet again, the destruction of his habitat by another alien god!). Early on, Dave pledges to Orion his loyalty (even if the stepson of Highfather randomly destroys one of Dave’s college athletic trophies!): “But I’ve taken enough! I’m ready to help fight Darkseid!”

And Dave proves the most useful in Orion’s secret war for he is an experienced associate of the city’s police force. Assuming the identity of O’Ryan, the new god joins the pipe-smoking officer as they investigate Inter-Gang on the mean streets of Metropolis, Dave sometimes wielding a .45 automatic or .38 Special, other times using his pipe handle as a faux pistol when sticking-up Inter-Gang thug Snaky Doyle. He also resists Detective Sergeant “Terrible” Turpin’s grilling for information on the emerging Super-War and pressure (as “the private eye, ambassador to our city’s super-guests!”) from District Attorney Hartwell.

Dave knows what he and his cohorts have sacrificed in their alliance with Orion. “Claudia — our private lives were probably the first Earth casualties in this war of the gods! We have no choice but to share Orion’s risks!” Maybe, too, they risk their dwellings as, yet again, Dave’s apartment is the site of another super-fight, when Kalibak trashes the place and gives Dave a thrashing himself. At one point, Dave, frustrated by the gods’ “Combat Code,” says, “You New Genesis people sure have hang-ups about fair play! I wouldn’t mind ganging up on Kalibak!” This, even after his fanny is whooped by the Tormentor! Whatta man!

To the very end, Dave stands by his New Genesis friend, wielding a new type of rifle and facing down, yet again, Kalibak, even as it seems Orion is dead. The greatest Earth ally of New Genesis is even there, in the penultimate panel of the last issue of The New Gods regular series, as Orion the Fierce’s comrade-in-arms.

Are these four the only Earth humans to have tread the dark corridors of Darkseid’s nightmare world? Claudia, the “simple but worried secretary,” wonders, “How many just plain folks have been abducted to a weird world like Apokolips!” But this quartet does have an awesome responsibility given them by Orion: “Since Darkseid chose you as his first victims,” says the warrior to his newfound friends, “You must be the first of Earth to stand against him!” And they tenaciously stand with the new god, following the directive he gives them in his very first words to the four: “Have no fear! There is no time to explain! You must trust me!” (Well, the fear they can’t control, but Dave, Claudia, Victor and Harvey do trust Orion throughout the adventure, and what more can you ask of an ally?)

This entry must end where it begins, when Orion and the earthlings jump off the Boom Tube onto Earth soil. Asking Orion what this is all about, the Wielder of the Astro-Force replies, “This ‘game,’ as you call it, is bigger than you think! As large as the universe! — And a battle looms which binds us all! There is a being abroad here with powers beyond your wildest dreams! Darkseid is here!”

Then, gazing into the darkening horizon, the sky flashing and rumbling “with the angry voice of an unseen giant,” Orion beckons, “Darkseid! I have come! The battle begins!” And his sinister foe answers the taunt: “I hear you, Orion! The battle begins!” And this, the first installment of Jack’s superlative New Gods title, which cleverly begins with an epilogue, leaves us with: “Prologue — As it was in the time of the old gods — the titanic struggle for the fate of mankind is to rage once again!! The New Gods wield greater power — for in our day, it’s we who live in the dark shadow of the outcome!”

In postcript, it is important to note that there were a good number of other earth people, besides these four, who stood with New Genesis in the war against Apokolips, however unwitting they might have been to the larger conflict at play. The roll call includes Jimmy Olsen, the Newsboy Legion, Oberon, “Terrible” Turpin, the Sheridan family, Dubbilex, Sonny Sumo, Scrapper Trooper, and the laudable efforts of the Metropolis Police Department, often going above and beyond the call of duty fighting back the “super-weirdos” from Apokolips!

Day 65: The Anti-Life Equation!

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Posted in Apokolips, Day Entries, Earth, The New Gods #1, Weapons & Devices.

The great MacGuffin of Jack Kirby’s Fourth World is the Anti-Life Equation, the nebulous object of Darkseid’s intense desire, the power that will give him control over every living being in the universe. But the secret of the Equation is locked inside of the mind of human or humans unknown and a great deal of the Master of the Holocaust’s energy in the first half of Jack Kirby’s magnum opus is devoted to the pursuit of this, the ultimate power.

Chronologically, we first encounter the concept when Superman meets The Infinity Man in The Forever People#1. After the allies beat back a pack of Gravi-Guards, The Infinity Man alludes to the ruler of Apokolips. “This great peril couldn’t be named — Darkseid — could it!” asks Superman. His new friend responds, “Holocaust and death is what he serves! That is why he abducted the girl — she is one of the few whose mind can fathom the Anti-Life Equation! The ultimate weapon!”

We quickly learn “the girl” is Beautiful Dreamer and Darkseid makes an appearance before the heroes to confess, “The girl’s mind is unique! It will not interpret the Equation! … There are others who can solve the Equation! One of them shall yield to me! — And when the secret is mine, I shall test it here! — Snuff out all life on Earth — with a word!”

And Darkseid’s threat weighs on Superman’s mind, even as he travels the Boom Tube to be with people of similiar abilities as he in a place called Supertown. “Does the answer really lie ahead of me?” the Man of Steel asks himself, beginning to doubt his selfish action. “Darkseid and his hidden terrors — The Anti-Life Equation — The danger to mankind — Am I going the wrong way? Is Earth the battle ground for some strange Super-War? It could be as real as the Boom Tube! — And I may be deserting mankind when it needs me most!” Needless to say, Superman returns to Earth.

But in the revealed history of the News Gods mythology, we learn that that Darkseid’s desire for the Anti-Life Equation predates the breaking of the pact between New Genesis and Apokolips which had brought an era of peace between the rival worlds. When Scott Free finally escapes the hellish world of perpetual shadow, Himon and Metron share some words with Darkseid, who had urged (however disingenuously) Scott Free to remain on his planet. As the Boom Tube to Earth fades, Himon says, “He’s gone, Darkseid! You’ll have your war with New Genesis, now!” Metron adds, “If you win the Anti-Life Equation, you will rule our minds with all the others!” And, shaking the rafters with a booming voice, Darkseid responds, “…And in the end, I will ‘Shut down’ this universe to all life!! — Except the will of Darkseid!”

Back to the chronology, during our episode being covered presently, Metron has detained Kalibak from attacking Orion and he explains the stakes of this unfolding conflict to his New Genesis ally. For Darkseid has broken another sacred vow to Highfather. “He and his power elite are now on Earth — creating a tube network beneath its great cities!” Metron explains. “Soon they will be able to reach any spot on that globe! Darkseid’s minions are busily at work on a Mass-Director Unit that will monitor the mind of every human! One of those minds holds the secret of the Anti-Life Equation!”

“There is no force to stay Darkseid’s thirst for absolute power over all living things!” So tells us The Forever People, the title most devoted to this intriguing concept, but the Super-Kids sure try their darndest. We learn in “Super-War” that while Apokoliptian super-villain Mantis yearns to take over our world, Darkseid wants a bigger reward: “Fool! Take Earth! Enslave all of mankind!” berates Darkseid. “But do not challenge my power here! For I seek another prize — meant for myself alone!”

And Mantis, in his destructive attack on the city, is lauded by Darkseid, as Desaad evidently works his Fear Machine (which might be able to detect a possessor of the Anti-Life Equation), as Darkseid states, “Mantis is inspiring great results! He’ll shake every mind in that city to its very roots! Especially the mind we seek to contact — the one that must be made to yield its secret — the Anti-Life Equation!” But The Infinity Man defeats Mantis and the Forever People ponder, “Mantis wants only the ego power of the conqueror!” [Beautiful Dreamer]… “But it’s Darkseid the universe must truly fear!” [Big Bear]… “He wants the ultimate power! And it is here — on Earth — in the mind of someone nameless — the ability to solve — and put into action — the Anti-Life Equation!” [Mark Moonrider].

The dreaded Fear Machine, created by Apokolips chief torturer Desaad (made from “the blueprint of the weird,” according to a cover blurb), just might be able to ferret out the secret from Metropolis citizens in New Gods #2. “Emotional turmoil breaks the dikes of the mind,” Darkseid tells his old friend, “and releases the flood in which we must fish, Desaad! Perhaps in this very city is the mind which will yield the Anti-Life Equation! The ability to control all free will!” But the Fear Machine fails Darkseid and so he turns to another within his powerful elite.

This seemingly ambiguous notion, the Anti-Life Equation, begins to gel quite substantially in the Forever People “Happyland” story arc that includes a superb villain, one apparently based on televangelists who preach to persuade, get attention and gain reward. Glorious Godfrey, however, has an entirely new gospel to promote: “It’s Darkseid’s gift of Anti-Life,” crows the pulpitarian. “It’s the ‘happiness package!‘”

“Life vs. Anti-Life” opens with a quote by Adolf Hitler and a visual depicting a crowd of zombified folks singing the praises of their preacher, shredding any allusions whether the Anti-Life Equation has no precedent on Earth. Goebbels-inspired placards surround a double-page spread of the beautiful, white-clothed Glorious Godrey, which trumpet: “LIFE HAS PITFALLS! ANTI-LIFE IS PROTECTION”; “LIFE WILL MAKE YOU DOUBT! ANTI-LIFE WILL MAKE YOU RIGHT!”; “YOU CAN JUSTIFY ANYTHING WITH ANTI-LIFE”; and “JUDGE OTHERS! ENSLAVE OTHERS! KILL OTHERS! ANTI-LIFE WILL GIVE YOU THE RIGHT!”

And, of course, it is Godfrey’s sermon that brings it all home: “Though Life is ever filled with those who threaten us, it is Anti-Life which gives us the power to eliminate them! The holocaust is coming! The day of Apokolips on Earth! The day of Darkseid, who brings this power only for us to use! Yes, it is his gift to us, friends! The cosmic hunting license! The right to point the finger or the gun!”

Glorious Godfrey is seeking recruits to become Justifiers, zealot soldiers who are capable of mass kidnapping, singling out people for oppression, and even suicide bombing. (Mark Moonrider notes of the suicide bomber: “The Anti-Life principle is now part of him!”) As the head caption on the title page states, “Thus, Apokolips makes contact with Earth! Thus, the harbingers of holocaust link up with the human minds and hearts that wait to act in chaos! Like the ancient witchdoctors of old, Glorious Godfrey sounds the clarion call and begins the dance of death in modern times! The message of Anti-Life is powerful!”

As Justifiers commit acts similar to the Nazis atrocities against the Jews — rounding up entire neighborhoods to be held in concentration camps, targeting certain folks in a fashion not unlike “Kristalnacht” (the painting of the letter “S” for “scapegoat” on storefronts), and burning entire libraries because the books are “decadent” and mind-polluting — His lieutenant notes, “Anti-Life is a heady, exhilarating experience, Godfrey! They’re in ecstasy!” To which, Godfrey replies, “Yes, they no longer think! They revel in violent emotion! They will do anything I say — in order to feed their emotion! They are now no more than zombies in my control!”

It seems Godfrey’s mesmerizing power of persuasion is linked to the “demon’s organ” played at his revivals and, naturally, The Infinity Man arrives to destroy it (though at great cost as the amalgamated Forever People character is exiled by Darkseid for doing so until appearing again in the very last issue of the series).

Desaad is given another chance to help in the Apokolips ruler’s quest by setting up a special “camp,” where the possessor of the Anti-Life Equation just might show up. “I trust this camp of yours is serving the purpose that overrides all others, Desaad!” ponders Darkseid. “If the mind you seek to contact is among those at my camp,” replies Desaad, “it shall soon give up its secret, great Darkseid!”

A chagrined Godfrey audaciously chimes in: “But surely you can’t mean — Surely not even the great Darkseid believes in the existence of the Anti-Life Equation! Why, if one could master such an equation — he could control the minds of all living things with a mere word! I-I believe in Anti-Life, great Darkseid — but it can only be induced in others by the means of inventive selling!”

Kirby krackles crackling behind him, replies Darkseid: “The Anti-Life Equation exists! Locked in the mind of someone here on Earth! — And only I dare reach for it! I shall create chaos here! Shake up the planet — Shake up the mind!”

The camp of Desaad’s making? The outside world calls it Happyland and believes it a giant amusement park devoted to public entertainment. Those behind the scenes call it the Kingdom of the Damned and know it is a massive torture chamber dedicated to cruelty… and the discovery of the Anti-Life Equation. Desaad says, “Among them is hidden the mind which can solve the Anti-Life Equation! With an answer to that –” Darkseid interrupts, “I shall control every living creature in this universe with a mere word!”

It is during this adventure when we finally discover someone who, in conjunction with a Forever People ally, has the power of Anti-Life. When Mother Box is being “murdered” by Desaad and his minion, she escapes and materializes before professional sumo wrestler Sonny Sumo, who himself has a mystical power called “wound rejection,” which heals bruises received during his bouts. Together they save The Forever People and destroy Happyland. Mark Moonrider tells Sonny, “In union with your mind, Mother Box can create waves of titanic power!” Big Bear adds, “Mother Box sought out and found the man with the power!! This man knows the Anti-Life Equation! This man can control all living beings!”

But Sonny is baffled, “I don’t know what you’re talking about! What’s Anti-Life!?”

Serifan answers, “Why, the very opposite of living! If someone possesses absolute control over you — you’re not really alive!”

“Without independent will — you may just as well be a robot!” says Mark. “Yes, you know the Equation! But it’s hidden — deep with your mind! Mother Box helped bring it to the surface!”

Mark says, a few moments later, “Aw, where we come from the Anti-Life Equation is one of many others — almost as awesome!! But they merely exist!!”

Vykin chimes in, “Don’t you see? It’s we who live!! Why not just live, Sonny? Your way!!”

Big Bear declares, “That’s our only objective! To stop the forces that won’t let us do just that!”

Ironically, Sonny uses his power to oppose Desaad and company: “But Anti-Life can be used against its disciples!!! The combined force of a Mother Box and the wondrous mind of Sonny Sumo have miraculously brought into being the awesome, dreaded power known as the Anti-Life Equation!!” Mark Moonrider ominously says, “True Anti-Life!! Right now, as wielder of the power, Sonny Sumo is even greater than Darkseid himself!!”

But Desaad is aware Sonny is only one part of the equation: “Sumo, without mind stimulation from the Mother Box, can’t use the Anti-Life Equation!!” the torturer tells his master. Thus Darkseid, angered at The Forever People and doubtless fearful of Sonny, sends the team (except Serifan) and Sonny Sumo, into different historical eras via the “Total Wipeout” — The Omega Effect. While The Forever People are eventually reunited, Sonny Sumo and Mother Box are sent hundreds of years into Japan’s past, when Sonny becomes a “wise man, athlete, farmer,” and the Mother Box is returned to the Super-Kids, after centuries in the custody of Buddhist monks.

The last great Forever People adventure centered around the Anti-Life Equation is “The Power,” which features the “priceless brain” of the reprehensible Billion-Dollar Bates, which possesses the Equation and whose user had exploited the mysterious ability for monetary gain and power. “After years of generating the ‘power’ in secrecy,” Bates yells, “building it to its full and fearsome potency — I establish it, this night, as world regency!!!” But the “Sect,” allegedly a cult of Satan worshippers, has other plans. Upon crowning Bates with a “Stimulus Hat,” the ruthless capitalist is intentionally rendered comatose: “Perfect! He’s in shock! — But still alive! — And the Anti-Life Equation lies ready to be plucked from from that living brain!” And we learn the Sect is actually Darkseid, Desaad and their Apokolips agents. But, due to the trickery of The Forever People, Bates is killed, leaving Darkseid to ponder the latest possessor of his coveted prize: “Billion-Dollar Bates!! To think that destiny would store the ultimate power in a yapping jackal’s hide!! — While Darkseid — the spearhead of pure elemental force — must thirst for that knowledge!”

Unfortunately, except for brief mentions in “Even Gods Must Die” and The Hunger Dogs — mostly lamentations that the “New Age” of the Micro-Mark has supplanted Darkseid’s great “hunt” — this is basically the last we see of the Anti-Life Equation, but assuredly it was a fantastic concept while it was in play.

(Mister Miracle, which did not much involve the Anti-Life Equation, does have a notable comment in “The Apokolips Trap,” which deals with whether the formula exists on Darkseid’s world: “Beyond Grayborders — toward Night-Time, the real evil of Apokolips becomes evident!! Anti-Life is real here!! Living beings serve their guards!! The guards serve the war machines!! And their power serves — Darkseid!!! But this is Anti-Life manufactured by slogans, threats, despair and acceptance — it’s not the Equation itself — but proof to Darkseid that the Anti-Life Equation exists!!!” Darkseid’s failure to get the secret from Beautiful Dreamer’s cranium also seems to indicate his appetite cannot be sated on his home planet or on New Genesis.)

In the final analysis, the Anti-Life Equation just begs the question: If Darkseid had finally achieved his quarry, to finally subjugate an entire universe to his will, to gain dominion over every single life form in existence… what word would he have used?

Day 41: Sigma-Gun!

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Posted in Day Entries, Earth, Weapons & Devices.

No, I’m really not going to wax on poetic about a nondescript weapon, such as Inter-Gang’s Sigma Blasters, except to say these are legitimate creations of Jack Kirby, however detailed or not. I mean, the light sabers conceived of by George Lucas: You tell me what their value is today…

Instead allow me to take this space to yet again marvel over Jack’s depiction of the Man of Steel, who in only a couple issues of Jimmy Olsen and (especially) this debut appearance of The Forever People thus far, the artist/writer imbued the super-hero with a new personality trait (quirk?), one of dissatisfaction and yearning. Superman on Earth was now, suddenly, disaffected, a Stranger in a Strange Land, and with the creation of New Genesis he was blessed with instant aspiration. Supertown was a potential home, populated with folks as incredibly-powered as himself, and the growing conflict, with good and evil so clearly delineated, was certainly a fight worthy of the Last Son of Krypton. Jack’s set-up was beautiful.

Superman’s discontent was perfectly matched for the era, when youth and middle-aged alike — think Easy Rider and Save the Tiger — began to question who they were and where they were going on this earthly plane. And what if you were a miracle man who could fly, was invulnerable and was hero to an entire planet? If you didn’t have the inclination to subjugate said world and just wanted someone, anyone, to relate to, wouldn’t you just want to get away and find solace among your own “kind”?

About the design aspect of Jack’s Supes: I’ll not go down the obvious critical road of commenting on the pasted-on drawings of Jimmy Olsen and Superman by Al Plastino and, later, by Murphy Anderson. Frankly they are as offensive as Vince Colletta’s inks on a good half of the books… they are what they are, we’re stuck with them, so why complain?

Anyhoo, I’ve spent my life arguing who is the best Kirby inker and the meaning of Jack’s peculiar art motifs and just getting excited all over again about the visual bombast of his stuff; but, now, I’m becoming more and more engrossed about Jack the writer and, my friend, there is so much to discover!

Day 39: Rocky the Champ!

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Posted in Day Entries, Earth, Supporting Characters, The Forever People #1.

Yikes, it’s been a little over a week covering the characters, concepts and contraptions of The Forever People #1 and we’ve hardly alluded to the actual plot of the comic book. Allow me to play catch-up for those anxiously awaiting an opening synopsis:

The four male members of The Forever People arrive on Earth via Boom Tube aboard their Super-Cycle, in search of the fifth member, Beautiful Dreamer, who has been kidnapped from Supertown by Darkseid’s minions.

A young motoring couple, Bobby and Laurie, swerve to avoid the team, crash through a guard rail and off a cliff, only to be saved by the miraculous technology of Vykin the Black’s Mother Box. Reassured by the New Genesis kids of their peaceful mission, Bobby grabs his camera and takes a picture of The Forever People. Bobby notices an eerie light in the distance, which Vykin identifies as an oncoming Boom Tube, and he and Laurie, sensing a scoop, rush off to investigate, the latter mentioning that their pal “Jimmy Olsen will eat this up!”

Suddenly Serifan, making telepathic contact with Beautiful Dreamer, collapses in an open-eyed coma, as the unwitting crew is in the gunsights of Inter-Gang agents. The henchmen connect with Darkseid, who orders them to follow — and not kill — the kids.

Meanwhile, back in Metropolis, Clark Kent (alter-ego of Superman) is interviewing Rocky the Champ, a stereotypical boxer, one who laments he can never be the best “with Superman in the picture…” and, while we never again see the pugilist in the series, he serves as an important catalyst for the Man of Steel to ruminate about the loneliness being a super human in a non-super world.

Day 38: Inter-Gang!

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Posted in Day Entries, Earth, Inter-Gang, The Forever People #1, Villains.

It’s appropriate that Jack, who had lived in the realm of real-world hoodlums as a kid growing up on the vicious mean streets of New York’s Lower East Side, had his greatest cosmic villain, Darkseid, not only ruling an entire planet of evil, but also serve as head gangster for an earthly crime organization, Inter-Gang. It brings the salient point home that despots and dictators are nothing but puffed-up gangsters, no matter what the fashionable accouterments or lofty-sounding rhetoric. Jack linked a high-tech Mafia to the dark god’s malevolent empire, expressing a fear-filled image that among us lurked an underground Apokoliptian Fifth Column, its rosters filled with thugs betraying their own planet motivated by (doubtless empty) promises of wealth and power from the Master of the Holocaust.

Yes, these are the same scoundrels Jack has portrayed since his beginnings in the art form, whether in Captain America Comics, “Newsboy Legion,” Justice Traps the Guilty, Fighting American, “Green Arrow,” or his innumerable Marvel tales: tough-talking, mean-natured, shallow, and murderous mobsters, a scourge to civilized life, grabbing what is not theirs and killing anyone who gets in their way. In other words, Jack always stuck with the Warner Brothers stereotype and, I strongly suspect, had real-life archetypes to contemplate, as a career in crime was a serious option to young Jacob Kurtzberg and the other youthful denizens of Manhattan’s slums.

Inter-Gang (International-Gangsters? Intergalactic-Gangsters?) was particularly active in the early issues of the Fourth World tetralogy, and as hackneyed and cliché as some of the goons are portrayed, they are all deliciously cruel and (of course) ill-fated in that indomitable Kirby style.

Jimmy Olsen had Ugly Mannhiem and the nameless killer of Jim (the original Guardian) Harper — and don’t forget the Scottish field office with Felix MacFinney and his “daughter,” Ginny; Mister Miracle had Steel Hand and even a secret Inter-Gang missile; The News Gods featured Badger, Sugar-Man, Country Boy and Snaky Doyle; and The Forever People? Well, they had this unnamed squad of Darkseid-connected racketeers, every-ready to to murder the unaware Super Kids and take out a certain Superman.

Want to get an inkling of Jack’s world view, at least a good portion? Load up your Netflix queue with the following Warner Brothers gangster movies (and then go read In the Days of The Mob as a chaser)… it’s all in there, pal:

Little Caesar (1931), The Public Enemy (’31), G Men (’35), The Petrified Forest (’36), Angels With Dirty Faces (’38), They Drive by Night (’38), Each Dawn I Die (’39), The Roaring Twenties (’39), High Sierra (’41), and White Heat (’49).

Non-WB productions, but well within the spirit (and they might have well been released by Jack Warner), include the must-see flicks: Scarface (1932) and Dead End (’37).

Day 31: The Boom Tube!

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Posted in Apokolips, Day Entries, Earth, New Genesis, The Forever People #1, Vehicles, Weapons & Devices.

Here, on the first comic book story page Jack wrote and drew for his legendary ’70s stint at DC Comics (first, according to the job number assigned to it, X-100), on page one of The Forever People #1 [Feb.-Mar. 1971], is the transportation device he created to get his Fourth World characters from New Genesis and Apokolips to Earth and back again. A kind of hipster “rainbow bridge” [see Thor, The Mighty], the Boom Tube was used by both the children of Highfather and denizens of Darkseid in the Super-War that was only just now beginning between the new generation of cosmic gods, using our small green globe as battlefield.

The Boom Tube (a name coined, I reckon, because it sounds like the contemporaneous derogatory term Americans often used to describe their televisions, “The Boob Tube”) is an inter-dimensional tunnel that appears out of thin air — with a sonic boom heralding the arrival — in our world’s environs and, with its travelers safe on earthly soil, just as suddenly disappears with a thunderclap. It is also used between the two worlds of the new gods.

The question begs an answer: Just where do New Genesis and Apokolips exist in relation to Earth? Is it, indeed, in a parallel dimension or in or around the Promethean Galaxy, which we see Metron (the developer of The Boom Tube, by the by) teleporting to its edge in the opening of New Gods #5? It’s probably a silly question — where does Asgard or Valhalla or Heaven or Hell reside, for that matter? — but the deeper and deeper we read into the Fourth World saga, the more the connections between the three worlds matter…

Oh, never mind. I need to relax and enjoy the new story that’s only just beginning: Who or what is traveling through this Boom Tube and what adventures are in store? Find out tomorrow…

Day 30: The Golden Guardian!

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Posted in Day Entries, Earth, Heroes, Jimmy Olsen #135, Supporting Characters.

Talk about an in-your-face ending to this ish! Here, comin’ rightacha, is the return of one of Jack and Joe Simon’s great 1940s super-hero creations (the last costumed hero the pair initiated for DC during the WWII era), The Guardian! Originated as a guardian angel of a group of paperboys, in 1942’s Star Spangled Comics, the adventurer is actually Suicide Slum beat cop Jim Harper, who apparently can justify his nightime vigilantism. The group headlined SSC until their disappearance after the war.

To be frank, The Guardian was a bald-faced swipe of S&K’s greatest creation, Captain America, right down to the shield (though the DC character’s accessory was in the shape of a police badge), only without the “Old Glory” color scheme and Harper didn’t have just one kid sidekick — the rookie-by-day had four: Scrappy, Gabby, Tommy and Big Words!

Admittedly, The Guardian, with his great cyan-&-gold ensemble (was the helmet gold-leafed?), served as permanent guest-star within the breathless exploits headlined by The Newsboy Legion, but the audacity of S&K of virtually transplanting Timely’s “Sentinel of Liberty” and making a home for him at their new publisher, The House of Superman, was exhilarating and apropos of the creative team’s tenacity and chutzpah. (The duo suspected they were being cheated out of royalties by Timely publisher — hence their move — and they only produced ten issues of Captain America Comics… but, boy oh boy, what star-making issues they were!). Here was a S&K action hero smashing, punching, flying, exploding from the page… Yowza!

I’ll confess, too, that though I had zero prior knowledge of the character, upon first seeing this very same final page of Superman’s Pal, Jimmy Olsen #135, The Guardian instantly became one of my favorite super-heroes (a very short list). Why he’s never caught on in the “DC Universe” to much of a degree is a shame; maybe because he’s a Cap rip-off? But that’s one of the main reasons I dig the hero — it’s S&K stealing from… S&K!!!

But, wait, this isn’t the original Guardian. This one has been grown from the dead cop’s DNA in The Project from a test tube by Harper’s former wards. And, there is something even more different about Guardian 2.0… The clone complains of feeling out-of-sorts… Doc Big Words worries that the resurrected Harper has “some strange unidentifiable activity in the brain area,” and later agrees that though, “He’s physically perfect and well-adjusted mentally! But in his brain is something common to all of the living products of our genetic labs! Something still elusive!”

Alas, Jack never expanded on these tantalizing hints of storylines to come, and while the hero only guest-starred in a small handful of JO stories during the Kirby run, The Guardian of Metropolis was a joy to behold!

Coming Soon: After tomorrow’s JO #135 round-up, we finally advance to the second title in Jack’s Fourth World opus, The Forever People, so grab your Mother Boxes, buckos, cuz the Super-War heats up Big Time! (Remember, we’re dissecting the 4W chronologically, looking at each issue in the order they were published.)