The “miraculous” Mobius Chair (though it’s been called “devilish,” as well) is the device by which Metron of New Genesis traverses the “dimension winds” of space and time. The academic god boasts, “Walls and distance mean little to me! I can be anywhere — everywhere — when I wish it!”
“There are no barriers to the Mobius Chair of Metron, the knowledge seeker of New Genesis! No world or universe seems unreachable!” Well, truth to tell there is one boundary he has yet to cross: The Final Barrier.
“It can defy any barrier –BUT the one which guards the secret of the ‘Source’!” mulls Metron.
On the edge of the Promethean Galaxy, with the still figures of failed giants who attempted to pass through the Final Barrier and discover the secret of The Source, Metron travels on his Mobius Chair, contemplating the mysteries beyond. “I’ve leaped the stars toward the final barrier!! A lesser celestial would begin to show fear in this area.” (But, alas, before he makes an attempt, Metron is called back to New Genesis.)
On a previous occasion, Metron has taken the child god Esak across the corridors of time-space to visit a world resembling prehistoric Earth, with giant saurians and savage, primitive men waging battle with reptilian humanoids. The pair from New Genesis shirt the volcanic landscape, low to the ground, as Metron instructs his young charge on the evolution of life.
(Patrick Ford, in a reply to my “Metron” entry here, astutely tells us there’s only one instance where we see Metron not in his Mobius Chair, and that is prior to its creation, in the backstory tale “The Pact.” This begs the question: Is Metron now unable to use his legs or is he permanently attached to the vehicle for other (cyborgian?) reasons?)
In the midst of the “Great Clash,” Metron develops his Mobius Chair after bargaining with Darkseid for possession of the X-Element (discovered by Himon of Apokolips), material that is also used by Metron to develop the “Matter Threshold” and later, its successor, the Boom Tube, technological leaps that change the course of new god history.
“In my Mobius Chair,” the “icy mask” of Metron tells us, “I master Time! Space! Infinity!”
Story update: Allow me to take a minute to finally give you an idea of what is transpiring in the opening pages of The New Gods #1:
In an orgy of self-destruction the old gods perish and their world is ripped in two, and those molten spheres cool to become the sister worlds of New Genesis and Apokolips. We meet Orion, summoned home to New Genesis, to “thwart the ultimate destruction.” He is greeted by LIghtray, faithful companion, who escorts him back to the floating city of Supertown, which Orion notes “still glows with eternal splendor!” A talk with ebullient Lightray shows us Orion is plagued by a darkness not dissimilar to the one covering Darkseid’s sinister planet.
Orion meets with New Genesis leader Highfather and they visit the Chamber of The Source to receive a message. They are joined by scientific god Metron and they discuss The Source, which gives them the dispatch “ORION TO APOKOLIPS — THEN TO EARTH — THEN TO WAR.” As Orion departs to fulfill the Wall’s edict, Metron hints at the shadowy origins of “Orion the Mighty — Orion the Fierce — could this be one born of New Genesis?” Highfather tells him to hush up as it is not time to reveal such a dark secret to Orion.
Aboard his Astro-Harness, Orion takes a cosmic “journey which is to lead him to a strange destiny…” The warrior ponders, “Ahead lies Apokolips — in the shadow of New Genesis –! There’ll be no cheery greetings there.”
Tomorrow: Planet Darkseid!