ser·aph (sĕr´əf) n., pl. -aphs or aphim (-əfĭm) or aphin (-əfĭn). 1. A celestial being having three pairs of wings. Isaiah 6:2. 2. One of the nine orders of angels. See angel. [Back formation from plural seraphim, from Middle English seraphin, Old English seraphin, from Late Latin seraphim, seraphin, from Hebrew Sərāphīm, plural of sārāph.] —se·raph´ic (sī-rāf´ik), se·raph´i·cal adj. — se·raph´i·cal·ly adv.
— American Heritage Dictionary of the English Language

In 1950, Harvey Comics published the third issue of Boys’ Ranch, Simon & Kirby’s legendary Western comic book, a kind of continuing John Ford movie in four-color newsprint, which featured the exploits of adult Clay Duncan and three adolescent cowboys. Therein contained what Jack later called one of his favorite stories, an episode titled “Mother Delilah.”

“Mother Delilah” certainly is a remarkable tale, focusing on the most original member of the group, golden-locked, ornery orphan Angel, who boasts an angelic visage with long blond hair and itchy, lethal trigger-fingers. (Think the face of Kamandi.) The gun-totin’ melodrama is about saloon “girl” Delilah, who has a crush on Clay, who in turn has no time for fraternizing with lady folk — “Helping the boys run the ranch is a full time job, Del!”

Piqued by Clay’s rejection — there is an intimation that they may have been, umm, initmate at one time; though unspoken in this kids comic, Delilah is obviously a “soiled dove,” a prostitute of the prairie — Del schemes to get back at the rugged cow-puncher by appealing to Angel’s need for a mother figure.

Angel is one angry youngster, described as “that lead-slingin’ imp of Satan,” bitter and unhappy and quick to spew rage, but he does feel a kinship to his fellow Boys’ Ranchers and the kid’s loyalty to Clay is unending. But Del cracks Angel’s tough veneer and, for a time, whore and orphan play their respective roles as loving mother and devoted son (“I’m your maw… You’re my boy,” Del coos, Angel’s upturned jaw in her palm). For a brief spell, Angel experiences a maternal tenderness, a feminine kindness he always yearned for but never experienced…

Angel’s long golden hair is his trademark, a Samson-like source of strength, but Delilah charms the lad, “lulling Angel’s fears with motherly persuasion — using the mother love for all it is worth — knowing it is the one thing that can bend the boy to her will,” and the boy submits to the shears of the “daughter of sin.” In a shocking, wordless panel, jaw open, eyes wide Angel views the haircut’s damage in a hand mirror: a hack-job, cowlicks sticking out every which way. Then Delilah cackles in triumph, having emasculated Angel (and, by proxy, Clay Duncan), laughing manically as the sobbing boy, consumed with shame and hurt, bolts out the door.

Gunplay ensues with badmen, Angel’s hair grows at an unusually fast rate with his marksmanship skill recovering in pace, and, one fateful day at the Last Chance Saloon, Del, in a redemptive final moment, rushes to protect Clay, and (alas) is struck down by a dirty, lowdown sidewinder’s bullet. It is the final, lyrical panels that make the story a classic:

Holding the departed Del in his arms, Angel weeps over her corpse, as the town Virgil (named Virgil), recites: “And, thus it ends. But ever to repeat again and again in reality and rhyme — Love’s ever new — as morning’s dew — and hate is as old as time.”

Okay, so what the heck does a tearful, resonant 1950 cowpoke story with Old Testament allusions have to do with the shortest member of The Forever People? Well, I’m convinced that Serifan is really the Angel of New Genesis.

Jack describes Serifan as a “Sensitive” in the first issue, one who “turns on with fantasies” and drops into an open-eyed coma when making telepathic contact with Beautiful Dreamer. While he doesn’t possess the cowboy’s bitterness or predisposition to kill people — these are the peace-loving Forever People, after all — Serifan does share a similar forlornness and angst with the Old West youngster. While the character certainly has moments of levity, I detect a perpetual sadness about the Super-Kid, one that was never fully explained.

Another clue to the Angel connection is certainly Serifan’s Western garb and predilection for cowboy-and-Indians teevee shows (and use of the word “pardner”). But the New Genesis Kid’s gambler hat is decidedly different from Angel’s in that its hat band contains “cosmic cartridges”… we’ll get into the specifics of those metallic beauties under their proper entry to come, but sufficient to mention, them little pills can lead to mind-blowing experiences!

One final observation: When Darkseid zaps Serifan’s fellow group members with “Omega Effect finder beams,” but reprieves the cowboy copy-cat (out of atypical sympathy?), we see the sobbing boy from the back, as he laments “the fast fading vestige of all that was dear to him!” It is a visual echo of the final panel of “Mother Delilah,” where we observe the back of Angel as he kneels before the still figure of his “mother.”

“And it came to pass afterward, that he loved a woman in the valley of Sorek, whose name was Delilah. And the lords of the Philistines came up unto her, and said unto her, Entice him, and see wherein his great strength lieth, and by what means we may prevail against him, that we may bind him to afflict him: and we will give thee every one of us eleven hundred pieces of silver. And Delilah said to Samson, Tell me, I pray thee, wherein thy great strength lieth, and wherewith thou mightest be bound to afflict thee.” — The Bible, King James version, Judges 16:5-7

Many a Kirby group has a tough macho and/or intimidatingly big man, either a Rocky from The Challengers of the Unknown or the Howling Commandos‘ Dum-Dum Dugan, but none are quite like the jovial, happy, rock-em sock-em, red-headed giant of The Forever People, Big Bear. Think Alan Hale (junior, senior — doesn’t matter) only without a whiff of grouchiness and you’ve got the group’s Super-Cycle pilot to a tee. Picture a good-looking Thing but always in a good mood and never in self-pity mode.

I know, I know: I said the group is non-violent, a statement seemingly at odds when we see Big Bear taking on a Justifier, cordially telling the hapless villain, “Big Bear is my name, sir! — and power is my game!! That’s my bag, sir!! I store an excess of free atoms and send them where they’re needed!!” (Yup, he can concentrate his atoms to any area of his body, giving him, for all practical purposes, super-powers.)

Still, he does fret over his rough behavior, lamenting Highfather’s words of “Violence breeds violence,” and, moments later, telling his fellow Forever Peeps, “Well! I thought you’d never get here!! I’m getting involved in all kinds of violence!!”

Big Bear’s head device, framed by a lion’s mane-like flaming red hair, is equipped with head gear, with what appears to be a paper-thin glass mask and ear circuits capable of “instantaneous translation,” which aids in his time-traveling trip to ancient Briton, where the self-described history buff helps a future King Arthur begin his legendary deeds. Cheerful throughout his visit, he later tells the kids, “Darkseid sent me to a place of violence but I had a nice time!!”

One of the most memorable moments of the series is when Darkseid calls the group to attention, berating them as would a drill sergeant, and in a classic scene, tweaks Big Bear’s nose while urging the “baboon” and “clown” to learn discipline. It remains one of Jack’s most humorous panels.

Finally, I just gotta mention Big Bear’s manner of speech, which, at times, is downright incomprehensible. Take this opening dialogue line in FP #2, when the team is looking over an inner-city neighborhood: “”Dig this place! It’s got the ingredients of the cake — but it needs more baking!”

Pray tell, anyone got “instantaneous translation” for that pearl???

Vykin, somber member of The Forever People, is a “Finder,” one who “has the power to trace and reconstruct atomic patterns,” meaning, I reckon, the guy can sense where things have previously been and is able to detect such earlier presences by zapping beams out of his eyes which create a trace image. Like Mark Moonrider, Vykin also has a latent ability that doesn’t appear until late in the series: Magna-Power, which he uses without so much as a howdy-do against a gunman: it’s a kind of reverse-magnetism force field that repels metal and those that wield same… akin to Magneto, I guess.

Most of all though, Vykin is the loyal protector of the team’s beloved Mother Box (we’ll get to her), a kind of sentient computer that exhibits emotions (via pings) and endowed with the ability to call into this dimension a wonderful, spectacular, immensely powerful being… Fear not, friend, soon you will learn all…

Vykin is also a language major and possesses in his helmet an indicator connected to Mother Box, saying his “mind is so attuned to her waves,” but Vykin can also hear her without the helmet (which also, by the way, contains probing circuits that can detect gold).

The name description: Is Jack really being that blatant, relaying the obvious — Vykin has black skin — or might it be more subtle wordplay off the character’s name, an apparent derivation of “Viking”? I mean, like there’s Erik the Red, Thorstein the Red, The Red Viking (or did I make up that last one as my own comic book character?)… I imagine there’s not too many “…the Blacks” in Norse myth or history…

“Token” black characters were appearing all over network teevee at the time: Bill Cosby in I Spy, Nichelle Nichols’ “Uhura” in Star Trek, The Mod Squad‘s Linc Hayes, a nod by Hollywood towards the civil rights movement, with their otherwise lily-white fantasy world. So, why not comics?

But it’s important to note Jack created the first mainstream black comic book super-hero in this country — The Black Panther in the pages of The Fantastic Four — and he’d go on, in the very pages of The Forever People, to debut the first U.S. Asian super-hero, Sonny Sumo.

Gratuitous? Maybe. I’m more inclined to give J.K. the benefit of the doubt and believe the allusion of color with Vykin the Black is less due to skin pigmentation and more that he was a subterranean dweller on New Genesis before joining the team, from a black world, so to speak. But then, I’m a Kirbyhead, so whaddaya want!

We’ll start off with the roster rundown the (unofficial?) leader of The Forever People, All-American Doug Flutie lookalike Mark Moonrider, whose expertise seems to be to… ummm… lead! (Surnamed for then-Kirby assistant and now J.K. biographer, Mark Evanier? You are the judge!)

Moonrider appears to be Beautiful Dreamer’s default boyfriend (as indicated when Darkseid kindly zapped them together with his Omega Effect finder beams for a night at the theater on April 14, 1865, while other teammates were transported to other dates by their lonesome). He also sits in the foremost seat of their vehicle, barking orders and insults to Super-Cycle pilot Big Bear.

Mark, being head of a nonviolent group, is surprisingly adept at using destructive hand weapons, given his marksman ship destroying Happyland with a “few well placed shots”! He also possesses the “Megaton Touch,” which emanates from his fingertips, an ability with a range that can either cause severe shock or liquefy rock as needed (why Mark doesn’t call on this power in a slew of situations, who knows! And did I miss something or does M.M. suddenly get the Megaton Touch pretty late in the run, with no explanation?).

Mark Moonrider is the calm center of the group, consistently on-task in their quest to beat Darkseid to the Anti-Life Equation, and spokesman regarding their mission of peace. When handicapped boy Donnie laments their leaving, Mark has a lovely bit of advice:

“Donnie — Life is good! Live it for others — not against them! In that way, you will always be close to us!”