Category Archives: Apokolips

Day 82: Desaad!

Ahhh, Desaad!

Evil, conniving, sadistic, sinister, elegant, craven, weak and delusional Desaad, master of the Fear Machine and right-hand man to the Ruler of Apokolips!

The spindly creep, who revels in the torment of others and schemes to retain his position as his sire’s top lieutenant, is — during Desaad’s existence in the regime — the second most powerful player in Darkseid’s royal court, one who takes particular delight in torturing the greatest object of his fancy: The Forever People.

Our initial meeting with this mincing rat is in a brief glimpse during The Infinity Man’s battle with Mantis. Darkseid is using the insect god’s rampage to stir up anxiety among the citizens of Metropolis in the hopes of detecting the unwitting human who possesses the Anti-Life Equation in his or her mind. A portion of the city in flames, the Master of the Holocaust looks to the destruction with a growing satisfaction. In his company is a hooded miscreant with wild, sunken eyes and scraggly hair on his forehead. You’d swear this bounder has fangs, his mouth agape in delight! Within his hands is a nefarious-looking device, apparently placed on his jugular veins like some high-tech stethoscope. Both appear to be in a city park and standing behind the maniacal-looking fellow is the great villain of our saga, who asks:

Darkseid: What is the city’s fear quotient, now, Desaad!

Desaad: Spirally to a lovely high pitch, O Darkseid! I can feel them — like crashing surf — Wonderful waves of raw fear!

Then, after the defeat of Mantis, ever-pragmatic Darkseid mulls over his future designs. “Mantis fights hard — and fails hard — he cannot learn to plan! But Darkseid waits like a silent stone… waits and plans to flush his prize from its cover, Desaad — And, if you would wrest the secret from him — give him — to me!” Desaad passionately beholds his beloved sire with such an intensely insane look, we readers just know we’re going to see a lot more of this particular — and peculiar — bad guy.

And we do, as mostly in the pages of The Forever People, Desaad is the villain seen the most frequently in the Fourth World epic besides the Big Guy himself. But the next time we behold this human vermin, it is in the story of Orion, with Darkseid still on Earth seeking the Anti-Life Equation. After Brola and his Hand of Stone have failed to vanquish the fierce new god during the tussle in Orion ally Dave Lincoln’s apartment, Darkseid and henchman travel by Tele-Ray to “one of the secret bases established beneath the city.” Upon disciplining his “whipped Brola,” the leader turns his attention to a huge device of vile appearance being attended by a hooded man. “The battle is far from over — there is still the Fear Machine! How does it stand, Desaad?” asks Darkseid. “It waits only for your judgment, master!” answers Desaad. “I hasten to begin its initial test!” (Then, with apparent impudence, a minion says out loud, within earshot of the two, “Indeed he does! Cruel Desaad hungers like some parasite!” Some of these underlings have moxie!)

Darkseid approves. “Proceed then, Desaad! The Sonic-Stimuli cannot affect one such as myself!” Yet Desaad protests, “But I must have subjects, master! Allow me to summon those wretches in my keeping!” Then Darkseid specifically points to the opinionated servant, standing with cohorts, and says, “Time is short! There are your subjects!” The wretch begs, “No, master! We are in your service! Do not feed us to Desaad’s vile instruments!” (Except for his personal guards, Desaad does not to seem to inspire much loyalty among the folks of Apokolips, and for good reason!). The caption states, as Desaad is saturating the poor fellows, who suffer agonizing distress, “The pleas go unheeded, as invisible beams lash out and wring terror from their screaming targets!!” The victims implore, “Aaaaaa — Save us! Save us!” In stark contrast to the quivering crew, we see an ecstatic Desaad when he removes his mask.

Desaad: See, Darkseid! See how the emotion of fear is stimulated by the waves!

Darkseid: Very effective, Desaad! You’re a genius at your work! Emotional turmoil breaks the dikes of the mind — and releases the flood in which we must fish, Desaad! Perhaps in this very city is the mind which will yield the Anti-Life Equation! The ability to control all free will!

Desaad: Yes! Yes! This time we must strike among larger numbers — ever larger! I have a field model placed in a strategic point of the city! It waits for your approval, great Darkseid!

Darkseid: Strike then, Desaad! Strike fear among those massed minds!

Here we witness the unmitigated joy Darkseid’s old friend derives from inflicting pain and torment on others and how apt his name given, obviously a derivation of the Marquis de Sade, the French aristocrat who gave the world a new word for pleasure derived from the torturing of others: sadism. We do see shades of Goebbels in his appearance and certainly an aspect of Himmler in his methods, but the character does possess a strange and perverse charm, so eager and craven, so delighting and almost tender when attending his victims. In other words, a villain you just love to hate!

By the end of “O’ Deadly Darkseid” (on the cover of which Desaad rates an appearance behind his boss!), when Desaad’s device has failed to extract any hint of Darkseid’s quarry, he tells the ruler of Apokolips, “Orion thwarts us again! He might have tracked us here were it not for my protective shields!” Darkseid is impatient, telling his constant companion, “Forget Orion! It is your Fear Machine that yields nothing! Not the slightest trace of the thought waves we seek!

It is here we see a fundamental aspect to the conflict between these two characters. Indeed, though Desaad mostly believes in his own hide, his conviction is all for Apokolips. But Darkseid (all too often, in Desaad’s estimations) allows familial concerns to intrude on the goal of final victory. Number two in the nightmare planet’s power elite begs:

Desaad: Orion has made a mockery of this test! When we capture him — give him to me!

Darkseid: You’re a fool, Desaad! Blinded by your own mania! We could never take one such as Orion captive! His kind dies in battle! And in death would look greater than a vermin like you!

Desaad: So! The great Darkseid rise quickly to the defense of an enemy!

Darkseid: Orion is an enemy to be respected!

Desaad: Yes, it is strange how very like us he is — in his fierceness and —

Darkseid: Silence, Desaad! Were Orion my own son — he would mean nothing to the purpose of our mission! And in that mission we must not fail!

In this argument is to be found the roots of Desaad’s fall from grace and ignoble fate, as we do eventually learn what is strongly hinted at here: Orion is the offspring of Darkseid and father and son are fated to fight to the death on the littered avenues of Armagetto on Apokolips… well, one is to die, anyway…

Desaad’s tour de force performance and most prominent role in the Fourth World series is as the great tormentor of The Forever People, and nowhere is he more deliciously vicious as during the “Happyland” story arc, when he gives special, customized treatment to each of the Super-Kids. At the conclusion of the “Life vs. Anti-Life” story, after Darkseid banishes The Infinity Man with beams shooting from his eyes which transforms the hero back into the quintet, the super-villain greets them: “Welcome back! The young of New Genesis will be easier to deal with!”

Mark Moonrider: Darkseid! Do your worst! We’re not afraid!

Darkseid: Of course not! It would pain me deeply to deal harshly with you! That is why I keep such as Desaad at my side!

Firing a device at the new-agers, Desaad cackles, “I don’t mind playing games in the slightest! Here! Try this toy! Fun, isn’t it? Ha! Ha! Ha! They yelped loudly before they collapsed! My Nerve Beams inspire such reactions!” Then Glorious Godfrey’s Justifiers gather up the unconscious team and load the bodies into an Aero-Van, one of them explaining, “We’re taking them where we took the others! To the Camp of the Damned!” The Aero-Van driver offers, “It is not the first of its kind seen on Earth! But Desaad is the master of this one! Even as Justifiers make a mockery of life — Desaad plays with death as if it were a fine art!” Another Justifier ponders aloud, “I wonder what sort of masterpieces he’ll make of these brats!”

(Although allusions certainly abound in copious portion, the Aero-Van driver’s comment (obviously about Nazi concentration camps), in combination with the Adolf Hitler quote at the beginning of this tale, are the only direct references to the Third Reich in the series, I believe. Astonishingly few mentions, methinks, considering the reams of inference we can extrapolate from the series about the Holocaust and Jack’s wartime experiences battling the German menace, never mind the overall eternal threat to mankind — and all life — from fascism! While, I think, Darkseid is no Hitler, ultimately a pathetic, self-hating runt who wielded monstrous power to exact revenge and impose will of the most vicious sort on a scale previously unimagined by mankind, his court is not dissimilar to the German High Command of that nightmare era.)

Watching the team being loaded for transport, the Master of the Holocaust comments, knowing his underling derives great pleasure from the act of torture and might forget the process is a means to an end, “I trust this Camp of yours is serving the purpose that overrides all others, Desaad!” The Ant-Life Equation remains the great quest. “If the mind you seek to contact is among those at my camp,” Desaad assures, “it shall soon give up its secret, great Darkseid!

Upon Glorious Godfrey whining to Darkseid and the ruler — “The Revelation! The tiger-force at the core of all things!” — nods for Desaad to do his bidding. “Each to his own methods, eh, Desaad?” Godfrey complains, “You favor him always, great Darkseid! Think of what my Justifiers do in your cause!” Desaad, ever maneuvering for Darkseid’s constant good favor, interjects with a bow, “I beg to depart from this petty situation, sire,” and turning to Godfrey with a malevolent grin and furrowed brow, tells the minister, “You’re a loud, petulant bumpkin, Godfrey! Like all Revelationists, you’ve got imagination — but not finesse! But I, Good Godfrey, have both! I leave now for my ‘camp,’ which Darkseid knows is terror refined to perfection!

The caption at the end of the tale reads:

Desaad is soon on his way — aboard the same Aero-Van that carries his captives — the young Forever People! But their destination is the most bizarre and terrifying structure ever seen by the eyes of man! It is Desaad’s own little domain on Earth — a pilot project of purgatory — where torment is computed — death is controlled — and escape impossible! Don’t miss — The Kingdom of the Damned!

Call it what you will: The Kingdom of the Damned, the Camp of the Damned, Happyland… This is Desaad’s great playground of evil, hiding in plain sight of or planet’s inhabitants. The opening caption reads, “The Kingdom of the Damned is not a far place! It’s not a hidden place! It’s in full view of us all! But, it has been rigged by a malignant force so that its tormented inmates are seen and heard — and ignored!!” The visual, of the true nature of this place, is of a mass of anguished, desperate prisoners screaming for help and mercy, banging on the curved glass window for release. Then, on the two-page spread that follows, we see the outside: a colorful, joyous looking amusement park emblazoned with the most duplicitous of names. Reads the caption:

And who among us would rush to aid the victims of this cruelty — when the sights we see and sounds we hear are bright and joyous? For are we not in “Happyland” — conceived in a world called Apokolips — and built on Earth by the subtle, the clever — the evil — Desaad?

We also see minions fulfilling their master’s command. Says one, “The Master ‘Scrambler’ is working smoothly! The fools trapped in that image little realize that we are distorting their cries into laughter!” And another, “Like us, these humans are serving the needs of Desaad! But I’m certain that he finds them more entertaining!”

Darkseid arrives and is greeted by one of Desaad’s corps, who says with a bow, “Our master, Desaad, awaits you, great Darkseid! He prepares a most interesting feat in your honor!” But the great leader does not share in Desaad’s predilection for base entertainment. “If this involves mere cruelty, I may not be amused!” Nearby, the revived team contemplate their captor: “Desaad!” exclaims Vykin, “We’re in the hands of Desaad! Darkseid has given us to that demon!” Mark Moonrider knows of the villain, as well, adding, “He worships torment! — Refines it to an art!

The head of Desaad’s impressive security force comments, “I see that my master’s fame has spread to your world, New Genesis! — Or do you whelps call it Supertown, now?” And, when Serifan attempts to stun the guards, the hapless team is again rendered unconscious, this time courtesy of Vertigo Grenades. “They’re easier to handle now!” says a guard, “Desaad likes efficiency!” The security head clicks on an intercom, ordering, “Dispatch Unit! Send us transport! These new play toys are ready to be carted off for our master’s pleasure!” The dispatcher replies, “Fine! Desaad is in a frenzy for sport!” A guard speaks to the incapacitated Super-Kids, “Do you hear that, New Genesis dogs? Desaad will soon attend to you! And you would quail if you knew what keeps him busy right now!”

And next, in a horrendous sequence, we see Desaad in his element, accompanied by his master and a technician in a bizarre mask and even stranger devices on his hands which appear ready to penetrate The Forever People’s sentient computer. “The murder of a Mother Box!” thunders Darkseid. “I didn’t think you were foolish enough to attempt it, Desaad! This should prove amusing indeed!” Vykin’s most beloved possession is pinging in great distress. “Bear with me, great Darksied!” Desaad replies. “My technicians have labored feverishly to fashion the protective hood and killing gloves for my executioner! Now, the Mother Box is completely at my mercy — like its companions — The Forever People!

The technician observes, “The thing reacts, master! — As if it registers fear! It does have a certain claim to — life! Listen to it, master! Even as the Electro-Spikes begin to pierce it — it screams!” But suddenly there’s an explosion and the technician is thrown onto the floor! Darkseid says, “The Mother Box has vanished! They always do that!” Desaad is incredulous, “No! It disintegrated! That’s it! I’ve made it commit suicide! Ha ha ha ha ha!

And then we observe another moment in the complex relationship between the old acquaintances:

Darkseid: You crow too soon and too loudly, Desaad! Does the Mother Box vanish — or disintegrate? You don’t really know! Nor do I! A Mother Box is linked to the infinite! And made to plague us!

Desaad: Forgive me, great Darkseid! In my zeal to please you, I may have chosen the wrong subject! But I do hold The Forever People! Perhaps you might join in watching them thrash about in my net!

Darkseid: No, Desaad! I’m leaving! When one campaigns for control of all living creatures, he doesn’t stop to toy with a few!

The ruler of Apokolips then, for perhaps the only time in the series, walks among the inhabitants of Earth, a precious moment in the saga (which be related when the time comes, good friends!). Before he takes his stroll, his top sycophant gushes, “Like all great leaders, sire, you have the ‘common touch!’ Are they not your future slaves?” (I will reveal a telling thought the intergalactic gangster muses over while on his walk through the amusement park: “Darkseid is patient! He wields the power of Apokolips! Its vast resources have built ‘Happyland’ — to indulge vain Desaad! Perhaps even his cruel practices among the humans — will shake out the mind I seek!”)

Then the evil Desaad turns his attention to his colorful captives, first Mark Moonrider, encased in an “unbreakable, transparent cage.” The tormentor delights, “There! Look at Moonrider’s face! He’s beginning to break! Losing hope — ha ha ha –” and continuing, “He’s not ready yet to provide me with a proper show! He needs time to simmer — to feel his emotions tightening into a hard, squirming ball! It will be the moment before he loses all reason!”

Then it’s on to Big Bear, trapped in a “Shoot the Robot Bear” enclosure, desperately trying to escape. Desaad, unimpressed, raises a wine goblet and comments, “Until he’s reduced to a spirit-less wreck, he’s not worth watching! Forever People are rather difficult to deal with! But I shall wear them down!! Now for the girl!

Here, we come to Desaad’s supreme moment in the series, a juxtaposition of tender loveliness and the most vile corruption. In a full-page panel, with Desaad delineated with exquisite detail, his lizard-like visage expertly drawn, the villain, one hand pressed preciously to his chest, the other wielding a riding crop that he delicately, sensually traces over Beautiful Dreamer’s paralyzed and curvaceous form, has saved his finest eloquence for this very moment. “Ahhhh — My vision of beauty! — And a beauty of visions, too, I might add! A mind so sensitive that it can make illusion seem like reality! What my scrambling machine must huff and puff to produce — Beautiful Dreamer can do by mere thought!”

Then, making sure she will will remain comatose throughout the coming tribulation, Desaad explains, “And now, my dear! As your automated couch moves into the next room, we shall play with illusions, eh? The couch stops! The wall rises! And what have we? Why, it’s a glass window! But what lurks beyond it, eh? Monsters! Yes, Monsters! Grotesque! Terrifying! Real! See them! Hear them! How eager they are for that window to open!

Desaad exudes an incredibly creepy sexual interest in Beautiful Dreamer’s dilemma, seeming to look forward to watch the defenseless damsel’s ravishing by innumerable strangers: “Yes, now the window will open — and the monsters will swarm in — to whisper sweet nothings in her ear!” But the super-pervert’s pleasure is interrupted by one of his security corps. “No, master! The youngest of the captives will not cooperate! He’s the one called Serifan! We put him in the chair prepared for him! — But he struggles against us — and we have your orders not to discipline him!”

Indicating he might receive equal satisfaction by torturing boys as well as girls, instead of expressing disappointment at the abeyance, Desaad embraces his next assignment: “What? Touch that angelic boy? We mustn’t do that! Come! He will obey Desaad!” and he’s off to attend to the copy-cat cowboy’s excruciating situation. Serifan, ordered to push a foot pedal as he sits before a view screen, doesn’t understand why he is to perform for his captors.

Desaad: It will be like watching a Western movie, boy! You love Earth Western movies, don’t you? Well, in this one, you shall play the noble hero!

Serifan: W-what do you mean–?

Desaad: There! On the screen! Your good friend, Vykin, the Black sits trapped in the path of that onrushing roller coaster! It’s really happening! Quick! Now kick the foot pedal — or he dies!

Serifan: Vykin!

Desaad: Good work, boy! That kick sent his trap-chair plunging down! Out of death’s path! You saved his life!

Serifan: But, look! His chair is rising once more! It’s happening again!

Desaad: And again — and again — and again! But never fear! You’ll be here, in this chair, boy — kicking the pedal to save his life! Just don’t get tired! It could be fatal to your friend!

This is Desaad in his element, crushing the spirits of innocent, loving youth, afflicting on them horrific nightmares and hoping to inflict the vilest of damage on their precious souls. This is the time of Desaad’s greatest triumph!

Then we are, in the following issue, exposed to another of Desaad’s beloved machines, introduced by one of his faithful as we see the terrified images of each of The Forever People’s faces, “Our honored guests, great Desaad! Each registered on the Psycho-Fuge!” Confirms Desaad: “And each registering his individual reaction to the little arrangements I’ve made for them here at Happyland! The Kingdom of the Damned is a subtle concept! Happyland, the amusement park, on the outside — and behind the facade –” His voice trails off.

Minion: Your reluctant guests, sire!! Your private amusements! As you ordered — I revolve the Psycho-Fuge!

Desaad: Fine! My sensitive “Fear Siphon” is honed and ready to “receive!” Yes! They’re filtering through! The heightened emotions forced out by jolting stress! To ride those waves is an exhilarating experience! Now, as the images of my prisoners merge, so do the waves of raw emotion!! The intensity mounts!

Suddenly, in the whirling pin-wheel of frenzied fear-waves, the images of Desaad’s other captives blend in to form a horrible, grotesque mass of unrecognizable stress visuals!!

A mind-bending scene is before Desaad, an acid trip gone terribly, terribly wrong, and the great sadist is beside himself with delight: “What can equal this for joy? I find it strange that Darkseid would shun this!” But Desaad’s bliss is shortlived, as Mother Box compels Sonny Sumo to save the fantastic five and, puzzling over the stethoscopic device in his playroom of horror, Desaad is alarmed: “Something’s wrong!! My ‘Fear-Siphon!’ — It isn’t functioning!”

Minion: Impossible, sire! To neglect its care would mean to risk your anger!

Other Minion: Master! Master! The “Psycho-Fuge” has come to a halt! Its screens have gone blank!

Desaad: What kind of madness is this? Check it! Re-check it! You fumbling dolts! What’s that sound? I hear a humming sound!

The next caption reads, “In the realm of Desaad’s kind, where forces of infinite variation are harnessed for many purposes — the meaning of this one is evident!”

Suddenly, with a bone-shattering “FWOMM!” the Psycho-Fuge is rendered to metal shards, with Desaad taking the full brunt of the explosion. (Interestingly, though in previous appearances we see him with a full head of hair, albeit with receding hairline, after this conflagration, his hood blown off, the villain is almost completely bald except for his scraggly forward-comb-over, revealing an even uglier face than before!) The servant of Darkseid looks pathetic, lying on the floor, squealing for assistance, “Guards! Guards! There’s an enemy among us! An enemy with a damnable Mother Box!” As his elite corps rush to obey and help him to his feet, Desaad is furious, muttering, “If I destroy the young Forever People — Mother Box will destruct!

Mark Moonrider and the kids, with the aid of Sonny Sumo and Mother Box, rescue Beautiful Dreamer. Her boyfriend tells her, “Only a psychotic like Desaad would subject you to the stress of facing endless fright and horror!” And the professional wrestler, who combined with Mother Box possesses the much-coveted Anti-Life Equation, defeats Desaad’s massive corps of faithful servants with a mere word. Desaad’s murderous playground of evil is finished. And, suddenly, he is very afraid.

In “The Omega Effect,” after the group have destroyed Happyland, and Beautiful Dreamer worries aloud, “Desaad is almost as dangerous as Darkseid!!” and Sonny and Mother Box has immobilized Desaad’s horde, Darkseid cooly contemplates, “Fascinating!! Those young hotbloods of New Genesis have found a way to outwit us, Desaad!” Then Desaad sputters a reply, “Sumo without mind stimulation from the Mother Box can’t use the Anti-Life Equation!! But if they confront us at this moment — even we can become its victims!!! Stop them, sire!!!”

Darkseid: I shall, Desaad!! I shall! But don’t think I shall overlook your cowardice!! Then, all tormentors are notorious for that trait!!

Desaad: How can you say that, noble Darkseid!! My powers are vast, but — but they’re in the realm of technology! Sumo wields the ultimate weapon!!!

Darkseid: Boldness, Desaad!! Risk!! The raw meat of existence!!! I shall strike with these!! — and the Omega Effect!!!

The Master of the Holocaust proceeds to zap the team, Sumo included, but leaves the youngest member untouched, much to his henchman’s dismay. “And now the youngest, Darkseid! Now him!” The ruler is unmoved. “No need!! The threat to us — has passed!!” Desaad is aghast, screaming in his leader’s face, “What!!?? You would leave such a dramatic experience incomplete? No, sire, no!”

Darkseid: I regret to say this, Desaad!! But I don’t have the stomach for your kind of pursuits!!

Desaad: But Serifan should share the fate of the others!! And they no longer exist!!! — Ugh!!

With that audacity, Desaad is literally slapped down to the floor by Darkseid, calmly telling the victim of his open hand, “I do no more than what has to be done!!” And, standing amongst the ruins of an inflamed Happyland, Darkseid seeks to comfort his longtime ally. “Don’t fret, Desaad! We’ll attain our goals without complete victories — or defeats!! See what a fine spectacle misfortune provides for us!! Have we truly lost, Desaad — when the power and resources of Apokolips are barely scratched!!”

Desaad: When great Darkseid finally attains the true Anti-Life Equation — and commands all life with a word — he will not forget the trials of poor Desaad!!!

Darkseid: On that day, old friend — a million slaves shall build a thousand more Happylands for you to play in!!

With that promise of glorious distractions to come, Desaad ends his run as the central villain in the Forever People saga, though he does appear again in “The Power” and in the team’s final story. And in the former tale, Desaad still tempts his master, telling Darkseid after they masqueraded as “The Sect” and, yet again, the heroes’ escape, “But somehow I feel you’ve spared The Forever People again!” Darkseid shrugs, “Greatness does not come from killing the young! I’m willing to wait until they grow!!”

Rest assured, though, Desaad is witness to Darkseid’s final victory over The Forever People, as he observes the team’s permanent exile to the planet Adon. No doubt Desaad would have preferred a more slow and agonizing ending for the new-agers but they are now out of his sparse hair for good. When next we find mention of Desaad, it is in Mister Miracle, where we are introduced to a Female Fury with a striking resemblance to Darkseid’s right-hand man: Desaad’s sister Bernadeth, wielder of the lethal Fahren-Knife, which cooks her prey on the inside! Hot stuff!

In the seminal “origin” story, “The Pact,” Desaad may not rate an appearance, but mention is made as a weapons-maker and personality. After Darkseid appears to inflict a killing touch on Izaya the Inheritor courtesy of the Desaad-designed Killing Glove, uncle Steppenwolf tells the ambitious godling: “It appears strange to me that this friend of yours, who thrives on living victims — would produce a device which kills with such speed!! I don’t trust you, nephew! — or your bizarre companions!”

Call it a showdown, if you’d like, as “Darkseid and Sons,” the final issue of the regular New Gods series culminates not only in the death of one of Darkseid’s offspring but also in an old friend’s demise. It is, in this story, when we learn of the connection between Kalibak, Orion and Darkseid. Fretting over his boys’ rivalry, the Master of the Holocaust bemoans, “But destiny has always kept one from killing the other! However — in the event of destiny’s failure, Darkseid shall intervene!” Again — yet again — Desaad is spontaneously impudent, oblivious to the depths of his boss’s consternation: “But why, sire? If Kalibak proves the stronger, we are rid of that wolf Orion! Yet this logic doesn’t seem to please you! Somehow, the thought of Orion’s death stirs your fear and anger!”

Darkseid: Silence, Desaad! You go too far! Darkseid explains his motives to no one!

Then Darkseid explains the backstory of the half-brothers and, turning controlled wrath on Desaad. he gives the chief torturer a taste of his power, zapping Desaad with eye-beams: “And that little potent Omega Blast is to remind you that I know who poisoned [Darkseid’s beloved first wife] Suli! — At the Queen’s command!!” Whines Desaad as his leader stands on his chest, “I couldn’t disobey, sire! The Queen Mother disapproved of Suli! It was her decision!”

Then we learn son Darkseid had his own mother, Queen Heggra, poisoned in retaliation (and to ascend the throne of Apokolips) by Desaad, who protests, “I — I don’t like to remember it, sire — ! — How I carried your plans — for her–!”

In the titanic battle between half-brothers that transpires, Darkseid is suspicious of the origin of Kalibak’s newly-acquired powers, which appear to get the best of the fierce Orion. Rising from his chair, Darkseid says aloud to himself, “While I’ve watched this battle between combatants of equal strength, another has manipulated it for his own fiendish purposes.” Pulling apart a curtained entryway, Darkseid finds his old friend in ecstatic repose, the Fear-Siphon adhered to his throat. The King of Evil sneers, “I see you’ve enjoyed the battle, Desaad! — At the expense of the warriors!

Desaad: I — I couldn’t help it, sire! The opportunity of absorbing the emotions of Orion and Kalibak through this siphon — was too tempting!

Darkseid: I’ve tolerated you and your twisted mind too long! This time you’ve turned it against my own kin!

Desaad: I strengthened Kalibak, sire! You will glory in his victory for Apokolips! As for Orion –”

Darkseid: Orion may be dying! — Crushed by your meddling, scheming brain! — And his final agonies are coursing through you — feeding your cursed needs — ! Then feed on the greatest fear of all! — The Omega Effect! The Total Wipeout! Feed on this! — Your own last experience!!

Desaad: No, sire! No –!

The next caption reads: “Where the Omega Beams strike, there’s no life — no death — no sign of previous existence! Desaad doesn’t even have time to scream!!”

Darkseid: And this is what you are now! A small, fading patch of light — soon to vanish from sight! Farewell, Desaad!

Thus the angels of New Genesis rejoice! For Desaad is dead, fittingly at the hands of his beloved master. But Darkseid remains fond of his late companion — why? Who the heck knows! — and many years later, in the events of “Even The Gods Must Die,” the ruler of Apokolips laments for a simpler time when flesh ruled machines and not, in the new age of the Micro-Mark, the way it has become, as personality is losing dominance over technology. Illustrating a forlorn-looking Master of the Holocaust, a caption reads: “The eyes of Darkseid betray his strange discontent. He turns to hide his scarred ego! The ultimate flesh challenged by the ultimate metal… and yet, his approval has brought this situation into being.”

Colonel: “Change” is a combustible state, sire! It affects all on Apokolips! It stirs the lower ranks to violence. In your eyes, sire, if I may be forgiven, I see a touch of pain… or is it… loneliness?

Darkseid: I could use a friend. Desaad, perhaps. He was a strange one, but he had the gift of finding humor… where none should thrive!

Colonel: That could be a noble experiment for our machines, sire!

The colonel hands his ruler a high-tech helmet device.

Darkseid: What is that thing?

Colonel: It’s a “Brain Scanner,” great Darkseid. In your brain cells is an accurate image of Desaad! Wear this, sire, and we can track down his atoms… And, though you disintegrated Desaad in a fit of anger, I believe our machines can…

Darkseid: Silence, fool! How easily you forget the power of Darkseid! What I snuffed out… I can rekindle!

The King of Evil transmits his eye-beams to the floor.

Darkseid: See the flames of atomic life gather and expand… and busily boil to achieve “biologic symmetry”! It’s a bit of an ugly process, I admit, Colonel. Well?

Bubbling, oozing like a puddle of putrid muck, a shapeless blob starts to take form until it becomes a resurrected Desaad.

Colonel: I-if that’s your opinion, sire… I would definitely agree! If you would permit an observation, sire…

Darkseid: Yes, yes! Go on!

Colonel: Had you fed our machines the correct data…

Darkseid: I know! He would have “popped out” like fresh candy! It’s humiliating to contemplate it! Rise, Desaad!

Yes, Desaad lives again.

Desaad: I-I-I am y-your servant, great Darkseid!

Darkseid: Welcome back, old friend.

Desaad: Your powers are omnipotent indeed, sire!

Sycophantic as ever, but this is not the same Desaad, for his true essence has apparently gone to The Source and he remains a virtually empty shell of the conniving, devious, perverse master of torture he once was.

Day 79: Mantis!

The cover blurb atop The Forever People #2 hollers, “Stop, Mantis! is the cry of a great city — at the mercy of an evil power vampire!” Combined with the Apokolips villain’s quintessential Kirby pose — hands thrust toward the reader, crouched and ready to spring, Mantis is one impressive character, a worthy bad guy joining Darkseid’s growing roster of super-powered lieutenants!

But, still, when we first meet the brilliantly-colored (a sweet complementary mix of yellow-&-green) costumed enemy of The Forever People, he’s shown in vivid close-up, giving out “a scream of awesome terror!!” Darkseid minions are yanking him out of his coffin-like Power-Pod, treating him impudently and with disdain. “Out of your Power-Pod, Mantis!” says one. “Did you think to hide from Darkseid?” barks another. “Don’t rouse me!” yelps Mantis in protest. “It is not time! My body will lose its precious gain of voltage!” Throwing him at the feet of the ruler of Apokolips, a henchmen orders, “Don’t whine! You are in our master’s presence!”

Cravenly cringing before Darkseid, the weak baddie begs Darkseid to concede that Mantis is loyal. “Am I not one with you — and all who live on Apokolips?” The Master of the Holocaust grants, “You are a creature of great power, Mantis! But your biology ever betrays you!” Seems Mantis has prematurely taken the Boom Tube to Earth in the hopes of securing the planet for his own. Like a petulant child, Mantis yaps, “Earth is mine! Mine! I came here first! You have no right –” Before ordering Mantis back to his pod and to “Unleash the terrors of the night! Make man gringe! Make him tremble — Make him fear!” Darkseid tells his underling he can have our planet, for the King of Evil is only interested in extracting the greatest prize of all, the Anti-Life Equation… and Earth be damned!

A few pages later, we are witness to a familiar scene from many a vampire movie, this one expertly atmospheric courtesy of Jack’s artistry: A bell tower clock rings midnight, eerie sounds whistle through cemetery trees and we see an ominous sarcophagus in an underground crypt. Suddenly the lid is opened from the inside and we hear sinister boasting, “It is time! My powers are at maximum charge! — And the city waits — for the coming of Mantis! Here, I shall carve out the kingdom I am destined for! Against all foes!”

Yep, we see Darkseid’s point: Mantis is wildly ambitious and will, I’ve little doubt, become one day a threat to seize the throne of Apokolips itself, and it’s a relentless drive we are exposed in all of his appearances in the Fourth World saga. This vampire “bug” wants it all and then some!

Immediately Mantis shows his terrific power (derived where from, I’m not exactly sure, but he needs time to recharge his batteries and, in this story at least, works best at night), which is to detonate minute anti-matter particles in things and to infuse material with incredible amounts of destructive energy. “AAAA — the power surges inside me — rushing to get out! — And destroys what my fingers touch!” And who needs to use the stairs when he can tunnel through rock in mere seconds! Zowie!

(In fact, in the full-page Jack devotes to Mantis in The New Gods #2, featured during the “Mother Box” sequence when Orion shows his newly acquired Earth comrades the threat Darkseid and his ilk pose to poor old Mother Earth, the character is referred to as “the awesome digger,” and perhaps is responsible for the network of underground tunnels noted by Metron in NG #1: “[Darkseid] and his power elite are now on Earth — creating a tube network beneath its great cities! Soon they will be able to reach any spot on that globe!”)

Watching teevee, Serifan catches a news report of Mantis’s rampage through the city, and the team, knowing full well of the villain and his destructive abilities, beckons forth The Infinity Man to do battle. (The amalgamated hero seems to possess a Sixth Sense, unnoticed until now by yours truly, as he says while flying into action, “This city is besieged! My mind reaches out for the thought waves of the aggressor! … I can sense his fiery hunger for conquest and power!“)

Mantis wrecks havoc in Metropolis and he and The Infinity Man duke it out. We discover Mantis has the ability to also produce fire and ice from his finger tips, as he freezes the sixth member of The Forever People in a block of frozen water and subsequently sends “rivers of flowing heat” cascading down the side of a building, engulfing a city block in flames. Our hero finally figures how to escape the giant ice cube, and then, after touching IM, detonating “Anti-matter blasts through your very being,” Mantis crouches over his prey and brings his hands together in the villain’s classic posture, harking to his insect namesake’s pose just before striking the lethal blow (and there’s a Dracula vibe present in the theatrics, as well!)… Awesome!

But — a-HA! — The Infinity Man, takes advantage of the Apokolips denizen’s vanity and socks him but good. “You hesitated to gloat, Mantis! It was your undoing! Try this Infini-Beam! It will release your stored energy in one vast rush!” Mantis (who has the ability to fly, by the way) careens wildly out of control and, drained of his power (which, he boasted, had the capacity to “shatter star systems!”), he scampers back to his Power-Pod to lick his wounds and hatch another plan to conquer his coveted dominion, Earth!

Before they combine as The Infinity Man to engage the villain in battle, the other Forever People are sitting around Uncle Willie’s dining table when Serifan rushes in to tell them the news report of the riotous Mantis, and Mark Moonrider makes a curious remark, one we won’t fully understand until the villain’s reappearance, late in The New Gods run. “He is feared as much as Darkseid himself,” yelps Beautiful Dreamer’s boyfriend. Sure, we see Mantis as a formidable opponent, with terrific power… but one with equal power to strike the same terror as Darkseid in the hearts of the nightmare planet’s inhabitants? Alas, we finally comprehend Moonrider’s exclamation during the horrific events of the “Bug” two-part epic over in Orion’s comic book quite a few months later…

For, in the closing blurb, trumpeting the next issue’s contents, of The New Gods #9, we read:

If dreams can come true — so can nightmares!!! In fact, they’re coming!!! By the thousands! By millions! — Armies without number! — Led by Mantis!! — with a lust for power! — and a claim to — Earth — the Doomed Dominion

In NG #9, it is revealed that there is a somewhat sinister subculture ruling the underground of New Genesis, one born during the Great Clash, when Darkseid’s forces infested Izaya the Inheritor’s planet with “bacterial monsters” which “fester and play” under the surface. As the issue begins:

War is a process of violent, never-ending beginnings! What once began as the first ‘Great Clash’ between the new gods — also began bacteriological attack!! — The spreading of toxic ‘micro-life’ as a ‘destructant’! This life did not end with the ‘Clash’! It festered! It grew! It evolved! And it was different!!!

We learn these humanoid insects litter the world with innumerable colonies (called Mounds) that are constantly warring with one another over food. When these “Bugs” come to the surface they are at risk of murderous insecticides which are spread by Highfather’s flying Monitors. Each hive is ruled, it appears, by an “All-Widow” and her second-in-command, a dominant male called “Prime One.”

During a particularly intense battle between Forager’s colony and another, Mantis appears to turn the tide in favor of the brood of the unsuspecting new god. “The battle is over! — The enemy beaten!” exclaims Forager, with other voices adding, “But not without the aid of Mantis!” And another, “His arrival decided our victory!!!” Striking his trademark “preying mantis” pose, Mantis bellows, “For the power was in these limbs, my kin –! Power granted to me by a mighty ally! And now, this ally grants to me a new and large dominion! A place of abundance and food! A place where our kind can rule!! Harken to Mantis! — For he can show you that place!!

For, in service to Darkseid and his own lust to rule planet Earth, Mantis has arrived on New Genesis to unite the colonies and invade our world with thousands — millions — of Bugs! “Other colonies have joined me,” he persuasively tells Forager’s colony, “to create a create army!! Join this swelling host! — And see wonder upon wonders!” Mantis leads his hordes into the Boom Tube and they blanket Metropolis, a huge infestation of “bugs” threatening human existence.

Before the great invasion, in the splash page blurb, we get a hint of Mantis’s origin:

Beneath the world of New Genesis are the burrows that support the strange species the gods refer to as ‘Bugs’! Countless numbers of them, savage and restless, are stirring within their great colony, known as the mound! A powerful force has returned among them! He lies now in his Power-Pod — generating and building the immense cosmic charges — with which he will lead his legions against Earththe doomed dominion

Combined with his use of the word “kin” when first arriving on New Genesis, I reckon it’s fair to surmise Mantis is actually born of New Genesis, only now returning to the bosom of his species to seize control and use the Bugs of Orion’s world for his and Darkseid’s evil purposes. “We go to Earth!” Mantis vows, “And there Mantis will make you the masters!! There you shall rule instead of run!” To the cheers, he adds, “Hear further! Hear how this war between Apokolips and New Genesis will end with victory — for us!!” A voice in the multitude cries out, “Great Darkseid of Apokolips is our ally! And when he wins this war — we win!!” Responds the energy vampire, “Yes, you win powers such as he’s given Mantis! Each of you will rule a part of Earth with these powers! Now, follow me! Follow Mantis! To war! To Earth! — To victory!

Good lord, what a sight it is to see Mantis’s swarm enveloping Metropolis! But rather than to describe what transpires, suffice to say Orion and Mantis wage a terrific slugfest — “The entire city is then witness to a battle of titans! Fierce gods, lashing out in terrible fury!” — and Lightray thwarts the invasion with Mantis and his minions forced to travel back through the Boom Tube.

There’s a curious incident in “Even Gods Must Die,” after Darkseid resurrects Kalibak and others from his elite back from the dead. “Steppenwolf is back!” Darkseid notes. “Now… resurrect Mantis!” And, a little while later, we see a relatively mindless Mantis, hands in shackles, craving to do battle. That’s the last we see of the villain and it frankly begs the question: Why did Mantis have to be resurrected as when last we saw, he was escaping into a Boom Tube, very much alive, presumably returning to New Genesis. I don’t think it’s ever explained but I’ll betcha that Mantis might well have gotten too big for his britches and made it to the wrong end of Darkseid’s lethal Omega Effect. I mean, think of it: Mantis has a foothold on both Apokolips and New Genesis, and commands quite possibly the largest army on any of the three worlds. Like the full-pager in NG #2 describes, “Mantis, whose mammoth power rivals that of Darkseid himself…”; ya can’t imagine the ruler of Apokolips would’ve tolerated him for too much longer…

All that said, Mantis is a superb addition to the mythos and one impressive villain.

Day 78: D.N.Aliens!

During Superman’s guided tour of The Project, the Man of Steel points out the three categories of clones being grown: Normals, Step-Ups and Aliens.

Normals, I guess it’s safe to assume, are the rank and file who work at The Project and have been reproduced from the DNA of living, “normal” people (i.e., regular folks of average intelligence and abilities), including the Jimmy Olsen guards at the Duplication Section and Communications Division Gabbys. It may also be proper to include in this category those in the “Miniature Replica Files,” such as the Scrapper-Troopers and the miniature Supermen, Jimmy Olsens and Newsboy Legion members (both those at The Project and grown at the Evil Factory from stolen cells). The Guardian likely fits with this grouping, as do the “beasts of burden” at the Evil Factory and Floyd “Bullets” Barstow’s clone.

Because the duplicates seem to be of the same age as the “originals,” there has to be some age acceleration taking place and, with the D.N.Aliens (which may pertain to all products of both facilities), such a development is hinted at in the “Strange Stories of the D.N.A. Project” vignette, “The Alien Thing!!!” (The presence of the daycare facility may indicate some Normals are allowed to age at the normal rate.)

Step-Ups include The Hairies, the youthful and industrious technological geniuses of The Project (“They have evolved hair-triggered minds!” Superman tells Jimmy, “And they can come up with mechanical wonders like the Mountain of Judgment!“). The category may also include scientists, possibly Professor Packard, the surrogate father of Arin, the Armored Man. (I don’t recall any others being specifically referred to as a Step-Up…)

Aliens are actually a misnomer, as those in the category being discussed do come from people (or animals). Superman says, “The human cell has been subjected to a wide range of conditions — and has yielded some strange developments!”

There actually appear to be three different varieties of D.N.Aliens:

    • Original creations developed by manipulation of human DNA, such as the original Alien Thing, Dubbilex, the Four-Armed Terror, and Arin, the Armored Man

    • Mutated humans based on a specific individual’s DNA, including the Giant Jimmy Olsen

    • Those people and animals subjected to Regressive Gene Induction, about which Simyan tells us, “Each animal become[s] its remote ANCESTRAL image.” This bunch notably includes the Loch Trevor Beastie, Angry Charlie and Jimmy “Homo Disastrous” Olsen

Let’s have a closer look at those three groupings:

Original D.N.Aliens

In the “Strange Stories of the D.N.A. Project” two-pager called “The Alien Thing!!!” we learn about the very first “Original D.N.Alien,” and it’s worthy of replicating Jack’s story verbatim:

The first genetic structuring to run wild in the laboratory almost proved to be the last!!!

When it quickly evolved to adolescence, The D.N.A. Project found trouble on its hands!! The battle with it lasted a day!! It was the first ‘D.N.Alien’ The Project had produced!! It grew fast! — And hostile! Nothing seemed to stop it!! Tranquilizing gas seemed to slow down its movement — but not the maturing process!! Somehow, its metabolism was wildly accelerating!! — Emitting great bursts of bright, searing, damaging energy!!

The disruptive force affected thousands of circuits — and cut off communication between The Project and the outside world!! Great shocks followed!! And cracks appeared in places where subterranean waters broke through to cause critical emergencies! And on the Zoomway itself, large fissures opened and yawned! The low casualty rate was an incredible part of the strange events!!! Then in a last, terrifying burst of body energy, the alien caused an aurora effect that could be seen for miles!!! It proved to be the last of him! He had literally burned himself out!! — And with such devastating force that his powdery remains shocked witnesses into silence!!!

The D.N.Alien, however, didn’t die in vain!!! His brief life left vital clues on how to keep succeeding D.N.Aliens alive!!!

Dubbilex, as we found in the previous entry, serves as a researcher at The Project and is developing his latent telekinetic powers, aiding Superman in the Cosmic Carousel affair.

The Four-Armed Terror, and his multitudinous brethren called Homo Usurpus, was bred by the Evil Factory from samples stolen from The Project. Superman says, “Among the living human cells [the Evil Factory] stole from The ‘Project’ was a special batch which had been treated in a manner to simulate Atomic War conditions! He could be bred for surviving Atomic War!” Whether these were mutated by Mokkari and Simyan with their Beta Gas is open to question, but the Terrors are apparently different than The Project’s prototypes as they actually consume radioactivity.

Arin, the Armored Man, was developed for interplanetary travel without the need for life support or artificial environment as he can travel in deep space as if swimming. His singular mission is to go live on a distant asteroid and protect the contents of his back-pack: Superman’s cell tissue and genetic code.

Mutated D.N.Aliens

Unless those miniature clones I’ve listed as Normals should be classified as such, I can only find the Giant Jimmy Olsen to belong under this heading. It appears that Mokkari and Simyan pilfered Jimmy’s miniature DNA (so to speak):

Simyan: With our superior equipment, we have rapidly established a project to rival their own! Now, from living cells we can produce what they do — human beings!

Mokkari: Of course, we stole the first samples from the Earthmen — but now we can make our own! We shall breed them in all sizes — as small as we want them — and as large as their destinies demand!

It is interesting that the closing “next issue” blurb in JO #135 is phrased as follows, illustrating the Guardian clone emerging from his Life Chamber: “Don’t miss his clash with the renegade replica! These are not ordinary humans in combat! This is a new breed spawned by a new concept! The DNAliens!” Is Jack telling us the Jim Harper relica is actually a D.N.Alien…?

Regressed D.N.Aliens

Technically, I wonder if these even belong under a D.N.Alien heading, but chromosome manipulation is in play here, so I’m going to take the chance. First, I’d like to point out the raison d’etre of The Evil Factory was initially to steal research from The Project and replicate their successes in cloning life and manipulating DNA. As we know, Mokkari and Simyan run the facility for Darkseid:

Mokkari: It is what we came here to do! To replace the Earthmen’s project — with ours! The Earthmen experiment for progress. But we work for Darkseid, ruler of Apokolips!

Simyan: Our off-spring shall bring Apokolips to Earth! Chaos in place of order! And from that chaos will arise the new masters of Earth — with the great Darkseid as their exalted leader!

Again, the primary purpose of the Evil Factory is to eliminate and replace The Project, as Simyan says while he and his partner overlook a scale model of The Project, “Yet, all this we must destroy! It shall become again as it once was — Empty! Silent!” Adds Mokkari, “We shall do it with the proper creations of the life we have bred here!” While they fail in “The Big Boom” to wipe out the government complex, they do The Project one better by introducing a new process to the game: Regressive Gene Induction.

(You know, despite the fact their plans typically fall through and thus repeatedly face the wrath of angry Darkseid, for only two guys, Mokkari and Simyan have made remarkable improvements on the discoveries of The Project, a “Manhattan Project” type endeavor that must employ hundreds, if not thousands, of specialists. The duo manipulates miniature DNA to make any size humanoid they desire; they improve on the Atomic War “survivor,” as Superman says, “Our rivals at the Evil Factory have produced another ‘first!’ That thing is absorbing and feeding on radioactive energy!” Plus there’s this new development…)

Mokkari: Regressive genes have proven a delight, haven’t they, Simyan!!

Simyan: Yes, it’s been exciting to see each animal become its remote ancestral image!!

It appears the Evil Factory, which we find is located in the highlands of Scotland, is letting loose the results of their Regressive Gene Induction research. Mokkari and Simyan, y’see, are able to turn any animal into its evolutionary predecessor, and many into hitherto before considered to be mythological creatures! The Apokolips scientists turn out a “‘way out ‘Animal Farm!!” including the Loch Trevor Monster, Griffin, Chimera, Unicorn, some Basilisks, and (who is to become Gabby’s personal pet) Angry Charlie (the antecedent of, what, a flea?), plus other beasties that emerge at the conclusion of this storyline. Natch, Jimmy O. gets the treatment and becomes a caveman Olsen! Zapping sinister rays on our hero, the two cackle:

Mokkari: Millions of gene nuclei shot through his open pores!!

Simyan: They develop like wildfire! Olsen will change rapidly!! Becoming what the gene dictates!! Sad to say — these are regressive and powerful!!

But, as always seems to happen, the hapless Evil Factory proprietors lose control of their creation but this time there’s no handy matter transmitter to get rid of the culprit, Jimmy “Homo Disastrous” Olsen! This Neanderthal Jimmy is fantastically powered and in perpetual rage, beating the crap out of an enormous saber-tooth tiger and short-circuiting the electric fencing that sets free an entire menagerie of monsters, including dinosaurs, huge sloths, wholly mammoths, gigantic rhinos, and innumerable other prehistoric creatures, all creations of Regressive Gene Induction…

Back when he was a mere homo sapien, Jimmy wondered about the implications of all this genetic engineering, “Superman! Do you realize what weird, and perhaps dangerous, channels are being probed here?” You said it, chum.

Day 70: Mister Miracle!

“He cheats death! He defies man! NO TRAP CAN HOLD HIM!”

In our previous post, we’ve had a solid, pretty thorough look at the background of the person called Scott Free; now let’s examine the hero named Mister Miracle!

The original Mister Miracle was Thaddeus Brown, the renowned escape artist also known as The Great Thaddeus, and, as best as can be ascertained, has performed his death-defying act before audiences decades prior to the events of our current episode. Recently he has decided to stage a comeback, divising bigger and deadlier traps from which to escape. But time is catching up with the showman, enough so that his longtime faithful assistant Oberon fears for the old man’s ability. “Be content with your past greatness! — During these years of inactivity — time has passed you by!” But Thaddeus will have none of it.

Mister Miracle is an alter ego created by Thaddeus’ “late” son, Ted (whom we will later learn is quite alive, despite his father telling a visitor Ted was killed in the Korean War), complete with colorful costume and huge cape (looking at the get-up, the visitor speculates “Ted must have been a great fan of Superman!“). Thaddeus explains, “It wall all Ted’s idea! He created Mister Miracle — and brought the art of escape into a new decade!

But Thaddeus Brown’s comeback is cut short by a sniper’s bullet and his mantle is handed over to a newcomer who had just happened to be passing (one would assume) the Brown household the day prior. The young man, dressed in tie and jacket and carrying a carpetbag, was just in time to witness The Great Thaddeus rehearse a dangerous stunt, in full dress as Mister Miracle. Being bound in a metal contraption, Thaddeus tells Oberon, “We must give a flawless performance for that young onlooker!

When things seem to go wrong (things always appear to go wrong when Mister Miracle performs — that’s part of his appeal!), the passerby jumps the fence and intercedes to help, but Thaddeus does escape on his own. Introductions are made. “As for you, my boy,” Thaddeus greets the stranger, “Yours is a rare species these days! My name is really Thaddeus Brown — and I’m in your debt!”

“Surely, you’re joking,” the young man rejoins. “I was quite ineffectual! However, I’m glad you’re safe! My name is Scott — Scott Free!

Thaddeus smiles and says, “Ha –! I don’t believe it! Scott Free, eh? Ha! Ha! Ha! Forgive me, boy! but that name does evoke a reaction.”

Yes, the unassuming stranger is the same Scott Free who has recently fled his adopted world of Apokolips, unwittingly breaking The Pact and reigniting the conflict between New Genesis and Apokolips. The incredible coincidences stretch credulity and one can’t help but surmise that more than fate is in play here, given Scott’s prior tutoring in the escape arts by Himon on Apokolips and need for a vocation, never mind refuge from the agents of Darkseid prowling Earth in search of him… Let’s just say the fact Scott Free is passing by this particular suburban house at just the right moment is fortuitous beyond measure and ya might as well credit destiny. (Me, I still think this is all planned on Scott’s part — he needs a hideout, a new identity, a way to make money using his abilities… now, how he protected the cover of anonymity, well, maybe not so well, but he did start with a plan… or so says I!)

Upon avenging Thaddeus Brown by seeing his killer brought to justice, the young man assumes the role of a master escape artist with Oberon’s blessing, taking sanctuary in Thaddeus’ home and donning the costume of Mister Miracle. No doubt the tiny assistant can see in the newcomer’s bag of tricks gadgets that can perform miracles, as well observe the young man’s charm and wondrous abilities, and decides there might be a good life to be had in this escape game with a performer like Scott Free.

Let’s now have a peek into Scott’s carpetbag: When Scott respectfully suggests that the Great Thaddeus think all of his act through and Oberon surmises Scott might be a genius, he replies, “I’m not a genius, sir, but I think I do have a bag of new tricks!” And it seems there are wondrous items therein and Thaddeus asks Scott from whence they came. “My inheritance, that is all, sir! Things left with a foundling by parties unknown!” The young man tells the old escape artist this is a new era: “‘Gadgets,’ sir! This is an age of gadgets — they work on gases — liquids and solids –”

Among the Mister Miracle gizmos in the series:

    • Intense Magnetic Repulsion device (causing chains to fly apart)
    • Hyper-Sound Intensifiers (breaking metal chains when bound to a missile) and Retro-Jet Back Pack
    • Compact cloth Cocoon Spinner
    • Pseudo-Unit/Follower (artificial human which copies movements)
    • The multi-purpose Multi-Cube (one component is miniature laser beam, another sprays a destructive corrosive, sends out strong electro-sonic signal
    • Laser-jets in boot soles
    • Handy-dandy ejection seat
    • Large Fibroid Cocoon (shock-resistant, heat-resistant, expandable)
    • Anti-Grav gimmicks
    • Ability to create small fission blast from hidden circuits
    • Boot and finger lasers
    • Invisible glove studs (generates enormous electric power to send through walls of house; transmits micro-electric waves through eyes)
    • Beam neutralizes fuse in grenade
    • Circuitry to track subject
    • Circuitry to destroy ordnance
    • Glove delivers violent shock blast

At one point Scott relies on his sophisticated wiring to such a degree, he say, “I can activate my circuitry almost without thinking!”

But two of his absolute coolest gadgets deserve special mention here:

Mister Miracle’s Aero-Discs: Earned by Scott during his training as an Aero-Trooper on Apokolips (“As a former candidate for Granny’s flight troops, I earned these!”), these nondescript metallic cylinders, each a fraction of an inch thick, give the hero the ability to fly through the air standing up, a graceful and imposing sight. It’s obvious, in “Himon,” that Scott took the transport mechanisms with him when he escaped via Boom Tube to Earth, but late in the series, in #15, Mister Miracle makes a curious comment when flying with Barda, she on her own pair:

Barda: There’s more than one way to follow a quarry –! These Aero-Discs are perfect for the job, Mister Miracle!

Mister Miracle: I built these for the act, Barda. Where we grew up, the Anti-Grav vehicle is as common as an Earth automobile.

What’s that all about? (And what’s with the use of the lowly period punctuation instead of multiple exclamation points, eh???!!!)

But the greatest of all devices is Scott Free’s Mother Box, a gift from her creator Himon, and a life-saver throughout the series. (“Well — there’s Mother Box! She HELPS — but she doesn’t do it all! But no one can build her!! She must be earned!!“) As we’ve found in the earlier entry devoted exclusively to the Mother Box, a miraculous contraption held by many of New Genesis and some on Apokolips, Mother Box is a sentient computer who has emotions and rudimentarily communicates via pings, can sooth and heal its possessor, and perform any number of amazing feats. It can also die.

When first we see Scott’s beloved friend, he uses it to ease fatally struck Thaddeus into the hereafter. The original Mister Miracle’s last words are, “What is it — I hear — a sound — a voicecomforting, easing — the pain is — gone –” as Scott’s device softly pings to the dying man. “It looks like a box — but it has a strange power to it –” Scott tells Oberon. Mother Box can also kill, as she destroys Overlord after almost being killed herself, and later, helps her master avoid being impaled when a metal bar is jammed through a trunk where our hero is trapped.

There’s a remarkable occurrence when after she is almost fried by Overlord, Scott performs a ritual to revive her, as he sits cross-legged concentrating completely on her well-being:

Scott: I-I haven’t explained Mother Box to you, Oberon — But she is dear to me — and I must help her!

Oberon: Y-you mean that thing — is alive?

Scott: In a way, she is! But, now, she’s hurt — weak — I must pour out my lovemy belief — to make her respond!

When poor Mother Box is completely fritzed by Doctor Bedlam, Scott duplicates her circuits inside of his hood and tricks Bedlam who is encased in an “electronic web of micro-cosmic atoms.” Unfortunately, from thereon in, virtually no reference is made to her, now just a bunch of wiring and microchips inside the mask of Mister Miracle. An ignoble fate, but she was really something in her day, she was!

Instead of describing the retinue of villains and descriptions of his death-defying escapes (which we’ll all get to anyway if you stick with 365JK4W!), allow me to point out some important aspects of Mister Miracle worth inspection:

Scott and Barda: A Love Story — A wonderfully satisfying development in Mister Miracle is the growing romance of the title character and Big Barda, one of the most effervescent — and originalfemmes ever to grace the comic book page. (Suffice to say, there’s a big entry on this delightful Special Power Force soldier when we get to her!) In the beginning, while we may have sensed a bit more affection between the two than might be usual between military cadets, Scott and Barda were typically shown as comrades, albeit very close soldiers in arms. In a memorable exchange prior to the return to Apokolips storyline:

Scott: More than that, Barda! Living, or dead — you and I are proof to all of Apokolips — that it can fall!!

Barda: Well, then!! Victory before the battle leaves little left but to enjoy it!! Let’s tear the top off Apokolips!

It’s around that time when readers could sense the couple was falling in love, but we didn’t know for sure until the Great Thaddeus’ son Ted boldly asks Barda the question: “Tell me — are you in love with Mister Miracle, Barda?” Barda replies, “Until now — I-I never gave it much thought!” But we knew all along, didn’t we…?

Still, we’d have to wait until the final issue, when the pair are in a veritable foxhole under fire for the big clinch to finally happen. Huddled in a earthen tunnel, their forms up next to one another, the bees start to fly and the birds start to sing:

Barda: Sweet fool! That was a close call! Why didn’t you leave me?

Scott: The answer is simple — now. I love you, Barda — I can’t live without you —

Barda: Strange — I feel the same way about you

Scott: We’ve both been fools, Barda — we’ve wasted precious time —

Barda: Yes. We’ve spent our time on all the things that don’t count! [They kiss]

Scott: Then, let’s do something that does count! Let’s get married! Right away!

This being a Jack Kirby-catered wedding, you can imagine the guests, never mind the agenda! In a beautiful scene, we see our old friends Orion, Lightray and Metron for the first time in many months (as Mister MIracle had basically become a non-Fourth World title beginning a year or so prior, at the time the other titles were cancelled), and Orion says, “Here, in a gathering of our enemies, The Source has decreed that a wedding take place!” Scott Free’s own father is there — Highfather — who officiates:

Highfather: So it must be! … This cannot be stopped! The Source has sanctioned this marriage in words of fire! When I touch you both with the Wonder Staff, The Source shall make you as one!

Barda: I am eternal with Scott Free!

Scott: I am eternal with Barda.

Highfather: Thus, it is done!

What a way to end the series!

What I have so failed to mention is the irresistible charm of Mister Miracle, both as a flamboyant, colorful swashbuckler of a super-hero and as a somewhat atypical personality for comics. Scott Free exudes a sincerity and grace that, for this writer at least, rings especially true, resonantly so. American comic books of the costumed character variety had become accursed with the advent of “camp” — [American Heritage Dictionary: camp n. 1. An affectation or appreciation of manners and tastes commonly thought to be outlandish, vulgar, or banal. 2. Banality or artificiality, when appreciated for its humor. —adj. Having the qualities or style of camp. … To act in an outlandish or effeminate manner. [Origin obscure.] — camp’y adj.] — which had rigid, square-jawed hyper-muscled Boy Scouts mouthing pithy homilies with a vastly out-dated “Aww, shucks” faux humility (“Just doing my duty, ma’am!”). And the mainstream comics’ reaction to the teevee show Batman and its wake of damage, coupled with the iconoclastic sentiment of an increasingly cynical and pessimistic society, was the advent of the anti-hero in the medium, particularly in the form of the former Caped Crusader and now Darknight Detective. But Mister Miracle, for all of his nuttiness in voluntarily facing death time and time again, is authentically humble and quite well-mannered, astonishing attributes for a character who has been raised in what might as well be Torquemada’s persuasion chambers.

From the very start of our saga, Scott Free exudes deference and respect to those who deserve the courtesies: The young man tells Thaddeus Brown and Oberon, “Meeting you both has been a unique experience!” and is especially kind to his new companion, the devoted Oberon. When the assistant quizzes Scott on his alien upbringing and the son of Izaya struggles with the memory, sensitive Oberon kindly tells him, “There’s a haunting look of fear in your eyes — and pain! Say no more! I know you as a brave and sincere friend!” To that, Scott responds to the three-foot-nothing assistant, “Thank you, Oberon! You’re a big man — the kind one looks up to!”

During the pair’s nightmarish experience in the X-Pit, as the rising muck and gunk threaten to engulf Scott and Oberon, Mister Miracle is willing to sacrifice himself for the little person by holding up the newfound friend above his Super Escape Artist head. And yet, as we see in the conclusion of the same episode, Scott can drop his good manners to tell his old jailkeepers a thing or two: Having destroyed Granny Goodness’s beloved Overlord, our hero goes nose-to-nose with the harpy and brashly tells her, “And that brings me to my parting words!!! Dry up and blow away, Granny Goodness!” (Soon after, aloft on his Aero-Discs with his assistant riding his shoulders, Mister Miracle reflects, “Oberon — it took a lot of nerve to say that to a terror like Granny!” Amen to that!)

There are a few other instances of Scott being understandably ill-mannered to his former superiors — giving Virman a veritable Bronx Cheer by barking at the fake Prussian, “What if I tell you to go blow your nose!?!” — and to future allies — after first meeting the Apokolips rebel leader and Himon greets him as a “skinhead,” Scott boasts, “How dare you call me that? I’m an Aero-Trooper of Darkseid’s own elite! — but etiquette is not paramount with the Super Escape Artist. Rather, Scott believes greatly in fairness and honor.

More evidence of Scott’s grace come through with his immediate adoption of Shilo Norman, the kid-sidekick addition to the team late in the series. Not only is Mister Miracle kind and supportive while knowing the boy will be disobedient, but he’s adept at lifting Shilo’s confidence when the youngster needs it most: “You’ve got what it takes, Shilo,” says Scott. Coordination. “Courage. And standards of your own!” Shilo protests, “Have you taken a good look at me?” And Scott replies, “Yes –! I see me — as I once was — trying to escape to anywhere.” Barda adds, “And I helped him do it! I couldn’t fail him! I won’t fail you, Shilo. You see — I once lost a friend who couldn’t — escape!” (A remarkable statement, that last one by Barda, in that it references the torture and murder of Auralie quite a while after the series had been virtually stripped of the Fourth World backstory.)

Scott Free’s courtly manner can be downright comical at times: In his exchange with Kanto the Assassin and, quite a bit later, when the team checks into a sketchy hotel. Scott tells the stoic and somewhat unhelpful innkeeper, “You’ve been very helpful. The gang and I appreciate it…! … The room is comfortable — the service delightful — and now, we bid you good night …!” and Mister Miracle even gives a low bow to the dastardly hotel manager and reffering to him as a “charming fellow”! (Truth be told, the Super Escape Artist does tell the scoundrel what he really think, as our hero bops the innkeeper on the nose, “And now, I’d like to show you what I think of your hospitality!ZOK!)

When Granny’s officer Virman Vundabar snifs at Barda, “Great Darkseid rules Apokolips like a colossus!! His is the creed of destruction! — not fair play!” it is a perfect juxtaposition of just why Scott Free is so very out of place in his adopted world. Y’see, if Mister Miracle is about anything, he’s about a righteous, almost pathological devotion to fair play. The cover blurb on #1, I think, is wrong: The character doesn’t cheat death; he just beats it fair and square, time and time again!

Engaged in a death match, in the Id world of The Lump, rather than boast the usual Marvel super-hero “I’m gonna thrash your hiney” exclamations, Mister Miracle pleads for a peaceful resolution: “Look here, Lump! I’ve submitted to ‘Trial by Combat,’ but the choice of this battleground was not mine!” But the pink-pigmented monstrosity isn’t listening, “This is my world! My world! Here, I live! Here I’m free!!” But Scott persists, “Believe me! I-I understand! Perhaps if we both remain cool we can reach an honorable solution!” But Scott’s rationality does not sway the tragic creature.

Scott Free fervently believes in righteous behavior despite being taught despicable values. His belief system is all about doing the right thing and doing things right. While he grabs Stuka’s gun and boasts to his first adversary as super-hero, “The age of miracles isn’t over yet, Steel Hand!” Mister Miracle doesn’t shoot his enemy (though momentarily strikes a pose similar to the one Jack used in his initial pitch of the character — seen below — when the creator envisioned the character wielding a weapon), and in fact just chucks it away!

And the Master of the Holocaust’s hierarchy knows full well of Scott’s sense of duty and honor, as Doctor Bedlam barks at him, “Scott Free! In the name of the great Darkseid, ruler of all life on Apokolipssurrender yourself for punishment — or die in the trap I’ve been empowered to devise!” And, talking to the bad doctor on the phone, Scott can adopt a pose of military formality, this after he’s already escaped from Apokolips: “Hello! This is Scott Free! State your terms for battle, Doctor Bedlam!

(And Mister Miracle also expects his ex-superiors to adhere to proper rules of engagement: When Bedlam holds forth his diabolical “Paranoid Pill,” Scott declares, “”You cannot tranquilize an adversary! He must be equally aware, to take full advantage of what weapons he possesses!” The Super Escape Artist insists that his friends, too, exhibit righteous behavior, as he tells his companion — about to throttle Granny — “No, Barda! You mustn’t!! … I’ve won my trial by combat!”)

Scott has a code of conduct at home, as well, telling his future wife, who has been bickering with Oberon, “This is a house of friends, Barda! The strong don’t rule here!” And his professional ethics are discussed in an amusing moment with Oberon. When his assistant insists on hearing how Scott escaped a certain-death trap, Scott replies, “I-it just isn’t cricket for Mister Miracle to reveal his amazing secrets!” a declaration immediately followed by a blow-by-blow description of the hero’s efforts under the guise of coy suppositions.

Before we end, allow me to discuss Scott’s healthy self-esteem and ego, remarkable attributes for the former orphan who grew in an emotionally desolate environment. For kicks, here is a collection of his boasts throughout the series:

“Having inherited this escape-act from the original Mister Miracle, I must constantly devise newer and more exciting improvisations!”

“Why, any escape-artist could make short work of those rope! But it takes a master to play it that close and cool! Sometimes the best performances are lost on the wrong audience!”

“It was indeed a time to panic! But was Mister Miracle that type? Suppose he wasn’t! Suppose he coolly inched his bound hands…”

Sorry to frustrate you, Lump! But cheating death is my business!

Never lose confidence in one who knows his trade, Barda!”

“Barda and I are special people! — With special powers!

“You forget, Virman! I’m still the fastest moving target there is!”

While we are privy, upon reading “The Pact” that Scott Free is the son of Izaya the Inheritor — the supreme leader of New Genesis, Highfather himself — there’s never an indication, in the entire series, that Scott knows of his august heritage. Yes, Highfather does perform the marriage ceremony for his son and Big Barda, but ne’er a hint is given that he is father of the groom. And, come to think of it, while each of the new gods on Scott’s birth planet seem to show aptitude for fantastic powers, Scott Free possess relatively mundane abilities. Yes, his timing and physical agility is extraordinary by Earth standards, and his grace under fire exemplary, but couldn’t that fairly be credited to his Aero-Trooper training on Apokolips as well as the brutal tutelage of Granny and her Happiness Home flunkies? Certainly he’s smart, clever and resourceful, but Scott is nowhere near Metron’s class on the intellect scale… No, Scott can’t measure up to the residents of Supertown when it comes to the physical and mental realms. I think, maybe, his is the power of the heart, resolved to live his life in complete defiance of fear and death, loving and loyal to friends, compassionate and caring to whomever seeks his help. For all the horrors Scott has suffered — mother killed, abandoned by his father, a brutal upbringing in Granny’s hellish institution, savagely beaten and ostracized by his peers, finally finding a place to belong in Himon’s sanctuary only to have it destroyed, realizing the implications of Auralie’s ruthless murder (that there never will be no room for individuality, beauty or art in Darkseid’s domain), nightmarish forces snapping at his heels to kill him — for all that, Scott Free remains hopeful, optimistic and a man of the heart, unafraid to show love, unafraid to stand up to evil, unafraid to believe in a better universe. Unafraid.

My love of Jack Kirby the man, as well as the artist, prompts me to search for autobiographical hints and shadows in his work, and I find it in the classic romance story “Different,” in Benjamin Grimm and his tribulations with the Yancy Street Gang, in Orion’s internal fury and external beauty… I discover hints of it everywhere in his endeavors, often minute, sometimes writ large; but the character of Mister Miracle — more properly, Scott Free — strikes me as being the most autobiographical of characters, if you will. Jack escaped from the slums of the Lower East Side and was compelled to be an individual by finding and being himself by his art. Always beset by adversity, as we all are in one way or another, he preservers, consistently striving to be better by transforming the gritty violence and destitution of his youth into exquisite and meaningful self-expression… no mean feat in a commercial field. Coming into this world with nothing and leaving our earthly plane after having given so much. Well, if that’s not a miracle…

Day 69: Scott Free!

Scott Free, the son of Highfather and whose escape from the dominion of Darkseid was catalyst for the Super-War now raging, is arguably the focal point of the entire Fourth World saga. Born on the pastoral paradise of New Genesis and raised in the urban chamber of horrors called Apokolips, Scott has fled his adopted hellhole of a planet and assumed the identity of Mister Miracle, super escape artist, and calls Earth home. He is, it seems, a happy masochist, perpetually placing himself in exceedingly deadly situations, engaging with the most sadistic of villains and always — always — playing by the rules, whether earthly, celestial or deviant, no matter the odds stacked against him. He is indeed a man of miracles, quite possibly the ultimate savior of the two worlds of the new gods and, by saving his own skin innumerable times and defeating world-threatening foes and devices, a protector of Earth itself.

The story of Scott Free begins in the court of Darkseid, undisputed ruler of Apokolips. After years of conflict with neighboring New Genesis in the war called “The Great Clash,” the granite-face monarch needs a cease-fire to rebuild his world and set in motion a plan to not only rule Highfather’s planet, but to have dominion over all life in the universe. To that end, a bargain is struck between the two leaders — The Pact — an agreement that they would trade sons who were to live out their days in the other’s realm. If a son was to leave their new home, traveling to their native world or Earth, that would be a breach and war could likely renew. “Good!” exclaims Darkseid, looking at the rubble of his kingdom. “This exchange of heirs will seal the Pact!!” Referring to Highfather’s former name, the Master of the Holocaust continues, “Izaya wants peace! I — want — time!! — Time to re-define power!! — To make this ‘bombed-out’ waste a meaningful pursuit!!”

At that moment, Granny Goodness, one of Darkseid’s elite and head of the regime’s military academies, carries a bundle. “Hail, great Darkseid!” says Granny. “See what I hold!! See what was so gently nudged through the dimension threshold — from New Genesis!!” Wrapped in a blanket it is a young boy. “Izaya’s whelp, eh?” Darkseid observes. “This will hurt him!! He’s surrendered his prize lamb — for a tiger!!” For, in return, Highfather will become guardian to the feral, fierce son of Darkseid and Tigra, Orion, who would grow to be the greatest of all warriors on New Genesis.

(During his brief trip to Supertown, the satellite city of New Genesis, Superman unknowingly sits with Highfather and laments, “To be frank, I’m a new arrival to New Genesis! And by every rule I should belong here! — Yet, I-I’m finding it difficult to adjust.” The formerly-named Izaya the Inheritor looks over to the troubled Man of Steel and tells him, “There was a fierce young one with your problem! But we found a need for him here!! And it helped him mightily!!”)

Granny shows Darkseid the beautiful, sleeping child in her arms. “He’s been given some mild sedative, I think!!” Granny says. “There is a serene and fragile quality to his features!!”

Darkseid scoffs, “We’ll stamp that out, won’t we, Granny!!? We’ll jam him into that clanking mechanism you call an orphanage!! All the rigors and trials heaped upon the training warrior shall be doubled for him!! His spirit will flag and his bones will ache!! — Until –”

Until — sire??” asks Granny.

Darkseid confides the plan to begin a new age, one that will suit his galactic ambition: “He may conveniently decide to escape from Apokolips, Granny! Of course, on that day — The Pact I agreed to — will be broken!!

“That fine day will be dear to your heart, sire!” she says. “Therefore, in its honor, I shall name the lad — Scott Free!!! Ha ha hah –”

We only learn of this, when young Scott Free is first handed over to Apokolips, over a year after the debut of Mister Miracle and, to boot, in another title, The New Gods. But this arrival of Izaya the Inheritor’s scion is the first of two key, pivotal moments which serve to illustrate the dual core conflicts of the entire Fourth World saga (the second being the other side of the same bargain, the transfer of Orion to New Genesis). For it is Scott Free’s destiny, by machination or fate, to physically — and psychologically — escape the torment of his upbringing and live a life of peace and contentment (albeit fearlessly facing death on a constant basis). For Orion, the son of the most malevolent power in the universe, his raison d’etre is to somehow to resolve the curse of his birthright by rejecting evil and serving good. He, too, has a date with destiny, in the streets of Armagetto, to confront his father…

In the story unfolding in the comic book series, we learn of Scott’s background somewhat obliquely, first when The Great Thaddeus chuckles at first hearing Scott’s full name. “It has a past, sir!” the young man explains. “I was raised in an orphanage, and many of the foundlings were given such names to sort of — well — make them feel as individuals!

(An aside on the name: The American Heritage Dictionary defines scot-free, adj., 1. Without having to pay; free from obligation. 2. Without incurring any penalty; unpunished. [from Middle English scot, tax. See scot and lot.])

Soon thereafter we hear from she who named him and catch another glimpse of his background. Ranting to an underling, the old battle-ax bellows (in the third person, befitting her conceit), “She has lost her patience with rebellious boys! Granny Goodness wants to kill Scott Free! He was the first to run away from her institution!”

(Granny’s use of the word “first” might be a hint that Jack had in mind the inclusion of Big Barda, another escapee of Happiness Home, from the very start of the series.)

Oberon, Scott’s diminutive assistant, incessantly quizzes the young man about his past, giving readers the opportunity to learn more: “You claim to come from an orphanage, Scott — but it must be an incredible place!” The super escape-artist replies, “I came here — through the Boom Tube! … It can be a way of escape! — And I took it! I had to survive as an individual — as myself!

Doctor Bedlam, another Apokolips villain (about whom Oberon coyly asks, “Another visitor from this mysterious home town of yours, Scott?”), begins to reveal the planetary vendetta against the runaway: “And now, to my task! — To subjugate and break the spirit of the young rebel who dared to reject the powers that rule his world — and the master I serve! The great Darkseid, himself!”

While preparing a Civil War cannon act in “Doctor Vundabar and His Murder Machine,” Scott and Oberon engage in an informative exchange:

Oberon: “What is it like — where you come from, Scott –? You said it was a sort of orphanage — run by this old harpy — Granny Goodness!

Scott: “You saw her, Oberon… I’m certain you found her quite impressive! Well, she’s in charge of one of many institutions where the young of Apokolips are raised and trained to develop their inherent powers!! … You’d find the orphanage a nightmarish place!! Barda and I were raised there! When I had enough, it was she who helped me escape! I suppose that’s what I’ve been doing ever since!”

Issues #4 through 8 of Mister Miracle had larger page counts than the rest of the run and they accommodated a particularly fine treat for avid readers who wanted to find out more about this enigmatic super-hero with a mysterious past. Short vignettes titled “Young Scott Free” gave us glimpses into the boy’s military training and how one god from New Genesis took a special interest in the future Mister Miracle.

The first four-pager shows us Scott being punished by Granny and his fellow cadets. She barks at the boy, “Report, Scott!” Standing rigid at full attention, he replies, “I was derelict in duty and a traitor to the tradition! When I was given living specimens for my lesson in prisoner interrogation, I allowed them to overcome me and escape!!” Granny berates him as spineless and, beating him with her baton, she teaches him a lesson about whom Jack would later call “The Hunger Dogs”: “Those living specimens populate Apokolips to Breed for Darkseid — To work for Darkseid! To be killed for Darkseid!!” Still Scott speaks from his empathetic heart, “B-but they look like us! They’re weaponless!! They cry under torment!” Scott is further beaten and thrown into a “Contemplation Cell,” where “a visitor who conquers barriers” — Metron, the Seeker and Wielder of Cosmic Knowledge — introduces himself and begins to prompt Scott toward escaping his life of violence and despair…

The second installment, two pages, is of Scott joining his zombie-like fellow inmates in the dining hall and features this great opening blurb: “Mister Miracles are not made overnight!! Sometimes they are in places where they must be jolted and wrenched and brought to the crossroads of destiny!! For reasons of his own, Metron, the enigmatic knowledge-seeker, began this process — in the realm of Darkseid!! In the iron institution run by Granny Goodness!! — And in another small segment of the early life of — Young Scott Free!” In the bit, Metron urges Scott to not eat the drugged grub (“saturated with ‘brain-drain’ chemical!”) and to stay keen. “Your mind must be clear, boy!! It must be at its sharpest!! You see — it belongs to you!!” Metron (appearing only to Scott, with the others in the crowded mess completely oblivious) continues, pointing his finger at the youngster, “Scott Free owns your mind!! Who is Scott Free?? Would you die for idols before you discovered Scott Free???”

Scott’s burgeoning competence as an escape-artist is center of the last, four-page scenario, which has him training on his Aero-Discs, which comprise a pair of a metallic cylinders on which the user places his feet, giving the ability of flight (Scott would use these as Mister Miracle) and engaging in a mock battle with para-demons.

The introduction of Big Barda of the Special Powers Force (and head of the Female Fury battle unit) gave us a bit more background, right from the get-go of their fateful reunion. Here’s Scott and Barda’s first exchange in the series, when Barda responds to Scott’s remark about her full-dress battle uniform:

Barda: Yes, this is a far cry from our days as pupils of Granny Goodness!

Scott: You should have gone with me — when I escaped from her institution, Barda!

Barda: Yes — perhaps I should have — but I stayed! Stayed — to become… what I am!

A little while later, during a relaxing moment in Scott’s home:

Barda: How about your welcome for Big Barda?

Scott: Maximum is the word for you, Barda! I could never think of you without deep and genuine fondness!

Barda: I helped you in your first great escape!

Scott: Yep, Oberon! If not for Barda, I might have turned out to be a grim, tough product in the Granny Goodness tradition!

Barda: I risked severe punishment to help you bolt Granny’s institution!

From then on, the pair are inseparable, first as comrades, later in a more intimate capacity.

Early on, it’s obvious that Scott’s escape from Apokolips, though details have yet to be revealed to us, has somehow besmirched the honor of Darkseid and his elite. Granny Goodness and her pet Overlord, Doctor Bedlam and his “Paranoid Pill,” Virman Vundabar and his “Murder Machine” — all are sent to Earth in a pathological group-obsession to kill Scott Free for his audacious disobedience of the King of Evil, each setting typically complex, inescapable traps only to be foiled time and again by Mister Miracle’s tenacity, cleverness and seemingly bottomless bag of tricks. And time and again Scott Free takes on all comers. But the edges begin to fray…

By the end of the Vundabar affair, their relationship begins to grow more meaningful after Barda apologizes for having been daunted about Scott’s safety (Barda says, “Scott–!! Scott — forgive me!! I-I was afraid! — for us! I — a warrior–” And Scott replies, “You’re better than that, Barda!! You’re a woman!!” as he flies atop his Aero-Discs, carrying Barda in his arms), the couple becomes closer, more caring, and a deeper bond develops. And as their lives are an endless defense against Apokolips interlopers, Scott begins to contemplate another escape plan, this one far away from home base, apparently ground zero for Apokolips hierarchy and each one with the same beef against Scott.

Enter Funky Flashman, a con man looking for a pigeon, and the Female Furies, Barda’s former command now ordered to kill her and Scott. Funky tries to sell himself as an able business manager to Scott, who despite knowing the scoundrel is a “transparent second-rater,” see the promise of touring as a way to get away from the Apokoliptian hordes. Scott tells his assistant, “Touring means constantly on the move, Oberon!! That’s what’s important! We must become mobile!” And the onslaught of Stompa, Lashina, Mad Harriet and Bernadeth only add to the itch to hit the road.

Scott: Will the hunting dogs never stop coming!?! … Earth isn’t small! Perhaps we can lose ourselves in hamlets, cities — continents –!! Perhaps, in time — the forces of Apokolips will give up the hunt!!

Barda: It’s a delusion, Scott! Only I’ll buy it!

But the attack of the Female Furies and their defeat by Big Barda fatigue the woman warrior and Scott has a change of heart, not to flee but to confront. “This has got to stop! I won’t stand for others being harmed on my account!! It’s time I stopped running!! It’s time I stood my ground!!” And, at the finale of “Funky Flashman”:

Scott: Our battle is with the forces of Apokolips! — and with ourselves!! We had the courage to break free of them! — Do we dare to return — and face them down?!

Barda: If we dare — We die!! Well, I’m a soldier, Scott!! I’m trained to die!! But, you — you’re beautiful inside!! They never got to you!! And now they’ll do things to you —

Scott: Enough Barda! There is NO freedom in running!! I’m going BACK and win it THEIR way!! — in TRIAL BY COMBAT!!

This is a crucial moment in Mister Miracle’s development as a character and Scott Free’s ascension to maturity, as well as a delightful indication how the Fourth World was evolving beyond the usual static-world confines of American adventure comics. Scott is changing, facing his apprehensions and wanting to move on, and not succumbing to the greatest of Darkseid’s powers, fear itself. Whatever his fate on Apokolips, his decision to stop risking others’ safety and to stand his ground for his devotion to freedom and individuality proves a great victory for Scott Free — even if it is an incredible gamble. The introductory blurb in “The Apokolips Trap” nicely spells it out: “Would Scott Free be so foolhardy as to return to the nightmare world from which he escaped?? Yes, good friends! It still has roots that must be cut! Roots that reach to Earth and destroy all that Scott has learned to love — His friends! — His craft! — His new life!! — And besides — Death has the same face — wherever he strikes at Mister Miracle!

And, with that thunderous declaration by a newly invigorated hero, the constant companions prepare a return to the nightmare world of their childhood. First, in a poignant scene, Scott must say goodbye to his faithful Oberon, explaining the situation to the dwarf as would father tenderly explain the complexities of life to a son:

Scott: We must leave, Oberon!!

Oberon: Why must you leave!? Why!? You escaped from Apokolips once! Do you think that Granny Goodness and her creepy pets will let you do an encore??

Scott: No!! But strangely enough — like all organized societies, Apokolips exists by rules!! — Made by Darkseid — and kept by his subjects!! This time I must escape from Apokolips — within those rules!!

(We’ll get to our hero’s sense of honor and fair play in our next entry, part two of the life and times of Scott Free, Mister Miracle, but do take note of his preoccupation with rules.)

“The Apokolips Trap” and “The Battle of the Id,” the remarkable homecoming issues, show us just how much all-consuming fear the elite of Darkseid’s world have of this unassuming young man and to what lengths they go to in their attempts to destroy him. Only Kanto, Darkseid’s personal assassin, gives Scott proper respect. The others, Granny most of all, yearn to be first to tell Darkseid that Scott Free is dead.

After surviving a veritable gauntlet traveling through Apokolips, Scott and Barda arrive at Happiness Home, the notorious orphanage where they once lived. “Tell Granny that I’m back!!” orders Scott to one of the maven’s underlings. “Tell Granny I claim freedom — by Right of Combat!!

Now Scott is speaking the same language as his enemies! Dressed in her Victorian jammies, Granny revels in the return of the young man. “Granny’s been waiting for this day, Scott Free!!” though actually speaking this to herself. “The day you would march back here and flaunt your impudence!! Well, you forget, sir!! — a trap made by Granny — is a trap of the gods!!!

That trap, a psychological war, of sorts, with The Lump, is unsuccessful, though at one point Granny believes Scott has been killed. She tells the marauding Barda, who has arrived to save Mister Miracle, “I should’ve known you’d break the rules again! — for him! Well — you’re too late this time, Barda! Scott Free is dead! Unlike yourself, he understands the rules laid down by Granny — and died an honorable death!! As for you, traitor –” (A sliding scale of honor, Granny has!)

After the dust has settled, Scott, in a sweet moment between the increasingly intimate couple, tenderly soothes a tearfully distraught but now relieved Barda after “The Battle of the Id”… There’s a growing attachment here between these two.

Then comes the true origin tale of Young Scott Free and certainly one of the most important stories in the tapestry we call the Fourth World. Now, with “Himon,” we get the complete story of Young Scott Free’s escape from Apokolips, certainly one of the best single stories in American comics. It is everything we love about Kirby’s work: it’s kinetic, passionate, visceral and unabashedly afire with pure, primal rage… It is dark, hopeful, vicious and profoundly sweet. It is, my friend, not to be missed.

The introduction copy to “Himon” sets the stage: “Thus we are witness to a bizarre incident — the story of it is old! It reaches back to the days of the ‘Great Clash‘ between New Genesis and Apokolips! The battles were fought for total creeds, with total tools — and there were victims of it who survived with new and total arts! This is the story of Himon, the ultimate escape-artist who fostered Mister Miracle by teaching his trade to — Young Scott Free!

(An aside, if I may, on the Dickensian motifs that abound in Jack’s depiction of Apokolips, a world not dissimilar to the London slums of the early Industrial Age (if you were to combine the locale with a Fascist power structure promulgating a society completely dedicated to perpetual war!). As a matter of fact, Jack is rather explicit about the work of English novelist Charles Dickens having an influence on Darkseid’s planet! Early on, Oberon prods Scott for information about this sinister other world:

Oberon: [Speaking of Virman Vundubar] His name is even goofier than yours!! Did all you orphans get tagged that way?

Scott: I’m sure you’ve read Dickens’ ‘Oliver Twist!‘ The kids in that situation had such names — ‘Artful Dodger!‘ — Oliver himself!

Oberon: Sure! I get it! There is a similarity!! But it ends right there!! Your orphans are hardly the wide-eyed, helpless type!

Scott: True! The products of Apokolips — wield the power of Apokolips!!

And, in his descriptive captions, Jack references the British author: Prefacing the first “Young Scott Free” vignette with “In the tradition of Oliver Twist and David Copperfield” and, in another, “Given these very same circumstances, in another context, Oliver Twist may well have become — Young Scott Free!!” In the “coming next issue” blurb in Mister Miracle #9: “If you remember Fagin in Oliver Twist — you’ll never forget Himon!” Apparently it’s not unusual for the new gods to read Earth literature, as we learn in The Forever People adventure, “The Power,” both Vykin and Big Bear are familiar with George Orwell’s dystopian vision of Earth’s future, 1984.)

The Scott Free we first meet in “Himon” is rather brash and arrogant, instilled with a militarist’s sense of superiority. When he initially encounters the legendary Himon, thorn in the side of the Apokolips elite and a rebel leader (if you will), never mind all-around genius (who developed the two most significant technological advances in the history of the two worlds, Mother Box and the Boom Tube), Scott sneers, “I was a fool to seek you out! I don’t know what prompted me to come to your filthy den!” Himon replies, “To learn about this Mother Box — to discover Scott Free — to escape!!

A meeting of the two greatest minds of either world in this issue features this discussion of the future Mister Miracle’s destiny:

Metron: Scott Free will play no part in [the Orion/Darkseid showdown in Armagetto]! His destiny is to escape from Apokolips! Darkseid plans to kill him for that and begin a new war! You must help Scott escape unhurt!

Himon: You showed Scott the way to me — and I can teach him to escape Apokolips! But I can’t give him the resolve! Only Scott can renounce what he was here! But a destructive revelation is not a father! — And a slaughterhouse is not a home! — For one born on New Genesis!

Perhaps the most significant catalyst for Scott’s — and, later, Barda’s — breakout from the hellworld is the treatment young Female Fury Auralie receives at the hands of District Protector Wonderful Willik. Auralie is one of Himon’s young prodigies that Scott Free meets during his first meeting with Himon. As the great escape-artist and inventor introduces Scott to his troupe of “heroes,” the future Mister Miracle looks down his nose at a quiet young girl gazing into images of dancers within a transluscent cube. “Show me the value of this female, Himon! She does nothing but stare into that Mind-Video!” Himon gives the girl an affectionate look and retorts, “Auralie’s thoughts are beautiful! She creates beauty! Imagine — doing this on a world like Apokolips! Poor, brave Auralie! — Trying to survive with her inner beauty — in that grim house of horrors Granny calls an ‘orphanage!!’ You’re free to dance here, Auralie — Just like your images in the Mind-Video! You won’t be punished — we’d like to watch you –!”

Just as she is about to perform, Auralie is accosted by young Lieutenant Barda who is hunting with her fellow Furies for the AWOL cadet. (It is here Barda first meets Scott Free.) Later, when Scott and Barda are called before Wonderful Willik, he lectures Barda and says, “You Female Furies are quick to bare your claws! But you did have one among you — a fragile, little failure –” Barda demands, “Auralie! Where’s Auralie? S-she’s — been — missing –!” A smug smile cracking across his face, Willik opens a chamber door, revealing lifeless, thin young legs bound in a sinister, smoldering apparatus looking like mechanized footwear. “We found her!” says Willik. “Dancing like a pretty little doll! — For which we gave her a pair of high-voltage shock boots!” Auralie was tortured to death…

Then, ever closer to his resolve to escape the nightmare planet, Scott is comforted by his new mentor, revealing perhaps why the hierarchy of Apokolips is so singularly obsessed with him after his journey to Earth:

Himon: Yes, Scott! Darkseid fears you, too! Because, you, too, can dream of things beyond Darkseid! What is the dream released inside Scott Free?

Scott: I-I don’t know –! I — think — it’s serenity — embodied in the voice of a woman — I-I cannot see! Always she says — ‘You know, Izaya, — I’ve never heard you sing –‘ I cannot see the woman but I’m filled with the serenity she brings!

Himon: That dream is yours, Scott! Yours!!

Barda: To dream beyond Darkseid!! — On Apokolips, it seems unthinkable!!

Soon Scott Free makes a run for it. “Then, escape finally comes! Scott is stripped of his rank! His mechanisms taken! — All but his Aero-Discs! He bolts!” And young Lieutenant Barda helps him in the breakout.

Scott: Barda! What you’re doing is unheard of here! Why are you helping me?

Barda: Because I like to help fools! — Because I couldn’t save Auralie! I don’t know!

The only way to depict the climax of this poignant, astounding story is to simply transcribe the dialogue. It’s no better way to end an entry on the subject, too, for after jumping into the Boom Tube and traveling to Earth, Scott Free becomes something different, someone grander and more resonant — a man of miracles, escaping an inescapable world completely devoted to fear and the adoration of death. With this he is hope personified, proof as he will later say, that Darkseid’s world can fall:

Scott: I-I won’t be stopped! I-I — I’ll crawl to freedom — come — with — me —

Barda: Not — yet — Scott! I-I’m not ready — perhaps — someday — keep going!

And protected by their own mysterious powers against the forces that bind Scott, two allies await!

Scott: Himon! Metron! You’ve created a Boom-Tube! It’s denied to all but Darkseid’s hierarchy!

Himon: It’s open to you, Scott! An open door to — Earth!

Darkseid: HE CAN TAKE IT! I’LL NOT STOP HIM NOW! IF COURAGE AND BRAVERY TOOK HIM HERE! — SOME OF IT WAS MINE! STAY, WARRIOR! LET ME COMPLETE THE DESTRUCTION OF SCOTT FREE — SO YOU MAY LIVE WITH THE MAJESTY THAT IS THE POWER OF DARKSEID!

Darkseid: The young fool goes on! He struggles to rise! If he leaves Darkseid, he’ll still find Death!

Himon: If he leaves Apokolips, he’ll find the universe!!!

Scott: LET ME BE SCOTT FREE — AND FIND MYSELF!

Next entry: Life After Apokolips: The Life and Times of Mister Miracle, Super Escape-Artist!

Day 65: The Anti-Life Equation!

The great MacGuffin of Jack Kirby’s Fourth World is the Anti-Life Equation, the nebulous object of Darkseid’s intense desire, the power that will give him control over every living being in the universe. But the secret of the Equation is locked inside of the mind of human or humans unknown and a great deal of the Master of the Holocaust’s energy in the first half of Jack Kirby’s magnum opus is devoted to the pursuit of this, the ultimate power.

Chronologically, we first encounter the concept when Superman meets The Infinity Man in The Forever People#1. After the allies beat back a pack of Gravi-Guards, The Infinity Man alludes to the ruler of Apokolips. “This great peril couldn’t be named — Darkseid — could it!” asks Superman. His new friend responds, “Holocaust and death is what he serves! That is why he abducted the girl — she is one of the few whose mind can fathom the Anti-Life Equation! The ultimate weapon!

We quickly learn “the girl” is Beautiful Dreamer and Darkseid makes an appearance before the heroes to confess, “The girl’s mind is unique! It will not interpret the Equation! … There are others who can solve the Equation! One of them shall yield to me! — And when the secret is mine, I shall test it here! — Snuff out all life on Earth — with a word!”

And Darkseid’s threat weighs on Superman’s mind, even as he travels the Boom Tube to be with people of similiar abilities as he in a place called Supertown. “Does the answer really lie ahead of me?” the Man of Steel asks himself, beginning to doubt his selfish action. “Darkseid and his hidden terrors — The Anti-Life Equation — The danger to mankind — Am I going the wrong way? Is Earth the battle ground for some strange Super-War? It could be as real as the Boom Tube! — And I may be deserting mankind when it needs me most!” Needless to say, Superman returns to Earth.

But in the revealed history of the News Gods mythology, we learn that that Darkseid’s desire for the Anti-Life Equation predates the breaking of the pact between New Genesis and Apokolips which had brought an era of peace between the rival worlds. When Scott Free finally escapes the hellish world of perpetual shadow, Himon and Metron share some words with Darkseid, who had urged (however disingenuously) Scott Free to remain on his planet. As the Boom Tube to Earth fades, Himon says, “He’s gone, Darkseid! You’ll have your war with New Genesis, now!” Metron adds, “If you win the Anti-Life Equation, you will rule our minds with all the others!” And, shaking the rafters with a booming voice, Darkseid responds, “…And in the end, I will ‘Shut down’ this universe to all life!! — Except the will of Darkseid!

Back to the chronology, during our episode being covered presently, Metron has detained Kalibak from attacking Orion and he explains the stakes of this unfolding conflict to his New Genesis ally. For Darkseid has broken another sacred vow to Highfather. “He and his power elite are now on Earth — creating a tube network beneath its great cities!” Metron explains. “Soon they will be able to reach any spot on that globe! Darkseid’s minions are busily at work on a Mass-Director Unit that will monitor the mind of every human! One of those minds holds the secret of the Anti-Life Equation!

“There is no force to stay Darkseid’s thirst for absolute power over all living things!” So tells us The Forever People, the title most devoted to this intriguing concept, but the Super-Kids sure try their darndest. We learn in “Super-War” that while Apokoliptian super-villain Mantis yearns to take over our world, Darkseid wants a bigger reward: “Fool! Take Earth! Enslave all of mankind!” berates Darkseid. “But do not challenge my power here! For I seek another prize — meant for myself alone!”

And Mantis, in his destructive attack on the city, is lauded by Darkseid, as Desaad evidently works his Fear Machine (which might be able to detect a possessor of the Anti-Life Equation), as Darkseid states, “Mantis is inspiring great results! He’ll shake every mind in that city to its very roots! Especially the mind we seek to contact — the one that must be made to yield its secret — the Anti-Life Equation!” But The Infinity Man defeats Mantis and the Forever People ponder, “Mantis wants only the ego power of the conqueror!” [Beautiful Dreamer]… “But it’s Darkseid the universe must truly fear!” [Big Bear]… “He wants the ultimate power! And it is here — on Earth — in the mind of someone nameless — the ability to solve — and put into action — the Anti-Life Equation!” [Mark Moonrider].

The dreaded Fear Machine, created by Apokolips chief torturer Desaad (made from “the blueprint of the weird,” according to a cover blurb), just might be able to ferret out the secret from Metropolis citizens in New Gods #2. “Emotional turmoil breaks the dikes of the mind,” Darkseid tells his old friend, “and releases the flood in which we must fish, Desaad! Perhaps in this very city is the mind which will yield the Anti-Life Equation! The ability to control all free will!” But the Fear Machine fails Darkseid and so he turns to another within his powerful elite.

This seemingly ambiguous notion, the Anti-Life Equation, begins to gel quite substantially in the Forever People “Happyland” story arc that includes a superb villain, one apparently based on televangelists who preach to persuade, get attention and gain reward. Glorious Godfrey, however, has an entirely new gospel to promote: “It’s Darkseid’s gift of Anti-Life,” crows the pulpitarian. “It’s the ‘happiness package!‘”

“Life vs. Anti-Life” opens with a quote by Adolf Hitler and a visual depicting a crowd of zombified folks singing the praises of their preacher, shredding any allusions whether the Anti-Life Equation has no precedent on Earth. Goebbels-inspired placards surround a double-page spread of the beautiful, white-clothed Glorious Godrey, which trumpet: “LIFE HAS PITFALLS! ANTI-LIFE IS PROTECTION”; “LIFE WILL MAKE YOU DOUBT! ANTI-LIFE WILL MAKE YOU RIGHT!”; “YOU CAN JUSTIFY ANYTHING WITH ANTI-LIFE”; and “JUDGE OTHERS! ENSLAVE OTHERS! KILL OTHERS! ANTI-LIFE WILL GIVE YOU THE RIGHT!”

And, of course, it is Godfrey’s sermon that brings it all home: “Though Life is ever filled with those who threaten us, it is Anti-Life which gives us the power to eliminate them! The holocaust is coming! The day of Apokolips on Earth! The day of Darkseid, who brings this power only for us to use! Yes, it is his gift to us, friends! The cosmic hunting license! The right to point the finger or the gun!

Glorious Godfrey is seeking recruits to become Justifiers, zealot soldiers who are capable of mass kidnapping, singling out people for oppression, and even suicide bombing. (Mark Moonrider notes of the suicide bomber: “The Anti-Life principle is now part of him!”) As the head caption on the title page states, “Thus, Apokolips makes contact with Earth! Thus, the harbingers of holocaust link up with the human minds and hearts that wait to act in chaos! Like the ancient witchdoctors of old, Glorious Godfrey sounds the clarion call and begins the dance of death in modern times! The message of Anti-Life is powerful!”

As Justifiers commit acts similar to the Nazis atrocities against the Jews — rounding up entire neighborhoods to be held in concentration camps, targeting certain folks in a fashion not unlike “Kristalnacht” (the painting of the letter “S” for “scapegoat” on storefronts), and burning entire libraries because the books are “decadent” and mind-polluting — His lieutenant notes, “Anti-Life is a heady, exhilarating experience, Godfrey! They’re in ecstasy!” To which, Godfrey replies, “Yes, they no longer think! They revel in violent emotion! They will do anything I say — in order to feed their emotion! They are now no more than zombies in my control!”

It seems Godfrey’s mesmerizing power of persuasion is linked to the “demon’s organ” played at his revivals and, naturally, The Infinity Man arrives to destroy it (though at great cost as the amalgamated Forever People character is exiled by Darkseid for doing so until appearing again in the very last issue of the series).

Desaad is given another chance to help in the Apokolips ruler’s quest by setting up a special “camp,” where the possessor of the Anti-Life Equation just might show up. “I trust this camp of yours is serving the purpose that overrides all others, Desaad!” ponders Darkseid. “If the mind you seek to contact is among those at my camp,” replies Desaad, “it shall soon give up its secret, great Darkseid!”

A chagrined Godfrey audaciously chimes in: “But surely you can’t mean — Surely not even the great Darkseid believes in the existence of the Anti-Life Equation! Why, if one could master such an equation — he could control the minds of all living things with a mere word! I-I believe in Anti-Life, great Darkseid — but it can only be induced in others by the means of inventive selling!

Kirby krackles crackling behind him, replies Darkseid: “The Anti-Life Equation exists! Locked in the mind of someone here on Earth! — And only I dare reach for it! I shall create chaos here! Shake up the planet — Shake up the mind!”

The camp of Desaad’s making? The outside world calls it Happyland and believes it a giant amusement park devoted to public entertainment. Those behind the scenes call it the Kingdom of the Damned and know it is a massive torture chamber dedicated to cruelty… and the discovery of the Anti-Life Equation. Desaad says, “Among them is hidden the mind which can solve the Anti-Life Equation! With an answer to that –” Darkseid interrupts, “I shall control every living creature in this universe with a mere word!

It is during this adventure when we finally discover someone who, in conjunction with a Forever People ally, has the power of Anti-Life. When Mother Box is being “murdered” by Desaad and his minion, she escapes and materializes before professional sumo wrestler Sonny Sumo, who himself has a mystical power called “wound rejection,” which heals bruises received during his bouts. Together they save The Forever People and destroy Happyland. Mark Moonrider tells Sonny, “In union with your mind, Mother Box can create waves of titanic power!” Big Bear adds, “Mother Box sought out and found the man with the power!! This man knows the Anti-Life Equation! This man can control all living beings!”

But Sonny is baffled, “I don’t know what you’re talking about! What’s Anti-Life!?

Serifan answers, “Why, the very opposite of living! If someone possesses absolute control over you — you’re not really alive!”

“Without independent will — you may just as well be a robot!” says Mark. “Yes, you know the Equation! But it’s hidden — deep with your mind! Mother Box helped bring it to the surface!”

Mark says, a few moments later, “Aw, where we come from the Anti-Life Equation is one of many others — almost as awesome!! But they merely exist!!

Vykin chimes in, “Don’t you see? It’s we who live!! Why not just live, Sonny? Your way!!”

Big Bear declares, “That’s our only objective! To stop the forces that won’t let us do just that!

Ironically, Sonny uses his power to oppose Desaad and company: “But Anti-Life can be used against its disciples!!! The combined force of a Mother Box and the wondrous mind of Sonny Sumo have miraculously brought into being the awesome, dreaded power known as the Anti-Life Equation!!” Mark Moonrider ominously says, “True Anti-Life!! Right now, as wielder of the power, Sonny Sumo is even greater than Darkseid himself!!”

But Desaad is aware Sonny is only one part of the equation: “Sumo, without mind stimulation from the Mother Box, can’t use the Anti-Life Equation!!” the torturer tells his master. Thus Darkseid, angered at The Forever People and doubtless fearful of Sonny, sends the team (except Serifan) and Sonny Sumo, into different historical eras via the “Total Wipeout” — The Omega Effect. While The Forever People are eventually reunited, Sonny Sumo and Mother Box are sent hundreds of years into Japan’s past, when Sonny becomes a “wise man, athlete, farmer,” and the Mother Box is returned to the Super-Kids, after centuries in the custody of Buddhist monks.

The last great Forever People adventure centered around the Anti-Life Equation is “The Power,” which features the “priceless brain” of the reprehensible Billion-Dollar Bates, which possesses the Equation and whose user had exploited the mysterious ability for monetary gain and power. “After years of generating the ‘power’ in secrecy,” Bates yells, “building it to its full and fearsome potency — I establish it, this night, as world regency!!!” But the “Sect,” allegedly a cult of Satan worshippers, has other plans. Upon crowning Bates with a “Stimulus Hat,” the ruthless capitalist is intentionally rendered comatose: “Perfect! He’s in shock! — But still alive! — And the Anti-Life Equation lies ready to be plucked from from that living brain!” And we learn the Sect is actually Darkseid, Desaad and their Apokolips agents. But, due to the trickery of The Forever People, Bates is killed, leaving Darkseid to ponder the latest possessor of his coveted prize: “Billion-Dollar Bates!! To think that destiny would store the ultimate power in a yapping jackal’s hide!! — While Darkseid — the spearhead of pure elemental force — must thirst for that knowledge!”

Unfortunately, except for brief mentions in “Even Gods Must Die” and The Hunger Dogs — mostly lamentations that the “New Age” of the Micro-Mark has supplanted Darkseid’s great “hunt” — this is basically the last we see of the Anti-Life Equation, but assuredly it was a fantastic concept while it was in play.

(Mister Miracle, which did not much involve the Anti-Life Equation, does have a notable comment in “The Apokolips Trap,” which deals with whether the formula exists on Darkseid’s world: “Beyond Grayborders — toward Night-Time, the real evil of Apokolips becomes evident!! Anti-Life is real here!! Living beings serve their guards!! The guards serve the war machines!! And their power serves — Darkseid!!! But this is Anti-Life manufactured by slogans, threats, despair and acceptance — it’s not the Equation itself — but proof to Darkseid that the Anti-Life Equation exists!!!” Darkseid’s failure to get the secret from Beautiful Dreamer’s cranium also seems to indicate his appetite cannot be sated on his home planet or on New Genesis.)

In the final analysis, the Anti-Life Equation just begs the question: If Darkseid had finally achieved his quarry, to finally subjugate an entire universe to his will, to gain dominion over every single life form in existence… what word would he have used?

Day 64: Kalibak’s Beta-Club!

Terror from Apokolips! And it can have no greater force than in the arrival of Kalibak the Cruel!”

And when the eldest son of Darkseid and half-brother of Orion comes on the scene, you can bet your Mother Box that Kalibak will be wielding his dreaded Beta-Club, with its agonizing Nerve Beam capability!

It’s a weapon we see when Orion first encounters his sibling in this adventure and, a little bit later, as the Tormentor aims it at the fierce new god. “How high is your threshold of pain, Orion!” barks the troll-like beast. “This Nerve Beam from my Beta-Club will test you!”

The next caption states: “Turned on to full power, the Nerve Beam can cause an army to writhe in agony! But quick use of the Astro-Force smothers its total effect!

Though Orion absorbs a portion of the impact, still “My body is afire as if with a mortal wound,” thinks our hero. Needless to say, Kalibak’s half-brother survives.

As Orion and his new Earth allies depart Apokolips via Boom Tube, Kalibak hurls his Beta-Club at the retreating guests, but the weapon falls just short of connecting and the Tube dissipates.

We next see the club briefly in “Spawn” and then, in spectacular fashion, during “The Death Wish of Terrible Turpin,” from the cover and splash page inward, where Jack calls it a “Blast-Club.”

Kalibak uses his weapon to smash into Dave Lincoln’s apartment and splinter the cop’s furniture. Then the Beta-Club blasts Metropolis police officers, including Detective Sergeant Daniel Turpin, who brazenly takes on Kalibak, only to get beaten to a pulp. Orion flies in with Lightray to save “Terrible” Turpin, who is being flung about like a rag doll by Kalibak.

Then, in a great Kirby panel of elemental ferocity, Kalibak smashes his club upside Orion’s head and, in the next, square down atop his helmet. Brutal! Kalibak turns on Lightray and is about to bludgeon the young new god when Orion grasps his half-brother’s truncheon and, with “overwheming” fierceness, the foster son of Highfather twists the Beta-Club from the beast-man’s grasp.

Then, in a classic Kirby page, Orion begins to incurvate the Beta-Club with his bare hands. “Now, by what I do, you many well get a glimpse of inner fires that burn with forces unmatched by your fire-pits!”

Kalibak is dumbfounded, sputtering, “My club — I-it’s beginning to –”

“To bend! To crack!” says Orion. “To break loose from the sinister energies that bind its atoms as one unit!”

The club strains until… “KRAAK!

No! No!” screams Kalibak, “Impossible! It can’t be happening!

But it is. Orion tears apart the weapon, shards flying. “It would take all the might of Darkseid himself to do that!!” Kalibak stammers. “You’re a monster, Orion!!”

Grim Orion responds, “Behold a more painful truth! — The broken fragments of your club!!”

SKKATTCH!

Then, a piece of the disabled weapon in each hand, Orion jams them into the sides of Kalibak’s head, and, well, let’s just say a world-class Super-War donnybrook ensues! That unprecedented “Death of a Weapon” sequence is, of course, the last we see of Kalibak’s Beta-Club!

Wowza!

Day 63: Kalibak the Cruel!

Once upon a time, there were two rival kingdoms that fought one another, one side good and the other bad. In the evil land ruled a monster and throughout his court there were many intrigues, as his underlings coveted the throne and vied for the tyrant’s favor.

In a previous era both domains suffered a terrible conflict between them and the monster sought a truce to bide time and rebuild his vast army. So he offered a bargain to the other king and they exchanged sons, each to be raised in the other’s respective kingdom.

Unbeknownst to the monster’s royal court was that the leader once led a secret life and had had a clandestine marriage to a lover, a passionate union which begat a vile son. But the evil queen, mother of the monster (for, you see, this was before he became king), had designs on her own son’s future and saw to it that the mystery wife was poisoned and the queen’s son publicly married (in a loveless arrangement). With the tempestuous new wife, the monster fathered his second son, a righteous boy, who was traded for the rival king’s offspring.

In revenge, the monster had his own mother murdered and insured that neither of his progeny knew of their lineage. Starting in childhood, both the righteous son and vile son would feud, always drawn together in savage combat, a mutual hate for one another fueling primal rage. And so it came to pass that these two, in adulthood, would fight a battle to the death, not for their father’s crown (as they were still unaware, until the very end of this lethal sibling rivalry, of their supremely prominent father), but rather because of a compulsive, lifelong bloodlust of each to kill the other. Indeed, one would not live happily ever after…

Jack’s pin-up of Kalibak states, “In the realm of Darkseid of Apokolips, where all things serve the cause of destruction, there is none so savage as Kalibak the Cruel! His is a never-ending battle with the New Gods for the fate of mankind!”

If you look in the background of that full-page panel, past vain Kalibak (gazing at his own visage and speaking to himself in the second person, “This is a face to fear! Someday, Kalibak, you may supplant Darkseid himself!”), we see withering, half-naked prisoners grasping for freedom behind a glass enclosure, Kalibak’s self-described “torment chamber.” It’s only mentioned here and there, but Kalibak has an official capacity on Apokolips as, it seems, chief torturer. His nickname, after all, is “Kalibak the Tormentor.” (In their final showdown, Orion tells his adversary, “Let the silent shades of your countless tortured victims stand by to witness the finish of their tormentor!”)

The Scourge of Apokolips, looking very much like a super-size Neanderthal caveman, usually dressed only in briefs and boots, sports a high-tech weapon, the Beta-Club, which can be used as a bludgeon as well as shoots nerve beams capable of stopping a platoon. (More on that accessory tomorrow!) We do see the low-to-the-ground thug (Jack describes him: “His body is squat! His breath rasps like a file! And his feet are hammer blows of sound in steel corridors!!”) but Kalibak does possess a bit more intelligence than your typical knuckle-dragger, given his repartee with Police Commissioner Kiernan, where the ugly son of Darkseid admits, “Kalibak is not without a sense of humor!”

But Kalibak’s gargantuan conceit and cosmic hatred for Orion are his Achilles Heel, but as we will learn, the Terror of Apokolips’s rage will transcend death itself.

In our saga, Orion’s first encounter with Kalibak is at the Mass-Director Unit, where it appears the Tormentor is the single defender of the dark planet, apparently the only one of Darkseid’s inner circle not on Earth. The half-brothers briefly tussle and Orion escapes Apokolips via Boom Tube (with some new friends) as Kalibak vows, “This isn’t our last encounter, Orion! When we meet again, I shall deliver your carcass to Darkseid! Rememer that!”

Kalibak appears on Earth and the events of “The Death Wish of Terrible Turpin” transpire, when Orion and the Scourge of Apokolips engage in a ferocious battle, incredibly brutal even by Jack Kirby’s standards. Acknowledging their constant antagonism as he chokes Orion, Kalibak screams, “All the pain and torment in the universe can’t stop what drives us!! I’m your equal, Orion!!” To which the Tiger of New Genesis righteously replies through the stranglehold, “But — not — my better –”

Though Orion’s true face is revealed to Kalibak, it is the earthlings who momentarily defeat the Tormentor, by massive electrical shock-power. But the villain is not imprisoned for long, as he is released with a promise to deliver a message to the gods to evacuate Earth. But Kalibak is no messenger boy, not with nemesis Orion but mere blocks away…

Meanwhile, the father of the combatants is distressed at the coming fight. The Master of the Holocaust tells Desaad, “Then there will be fierce battle, Desaad! Those two have fought each other since childhood! But destiny has always kept one from killing the other! However — in the event of destiny’s failure, Darkseid shall intervene!

“But why, sire?” Desaad pleads. “If Kalibak proves the stronger, we are rid of that wolf Orion! Yet this logic doesn’t seem to please you! Somehow, the thought of Orion’s death stirs your fear and anger!”

Roars the Apokoliptian monarch: “Silence, Desaad! You go too far! Darkseid explains his motives to no one!

Then we see a side of Darkseid hitherto unknown in the Fourth World epic in this, the last issue of the regular New Gods title. A caption reads: “The moments are few when the shadows of deep concern creep across Darkseid’s granite visage — and the secrets hidden there begin to emerge — as if to retreat before great pain — !”

Bemoans Darkseid, “Orion and Kalibak! How those two names haunt my life and destiny! — Give me no rest! — darken my future as surely as their maternal forebears ruled my past! My mother, Queen Heggra! — Orion’s mother, Tigra! — And the sorceress — Suli!

Dessad is shocked: “Suli was Kalibak’s mother!? Then before Tigra was chosen for you — there was Suli! It was rumored that you defied the queen’s wishes to court Suli!”

And, finally, the secret is revealed: “– To secretly wed her, you sly dog! Orion and Kalibak are half-brothers!both are my sons!”

The half-brothers’ rivalry seems endless. Says Orion during the “Turpin” engagement, “We fought when young, Kalibak! We fight fully grown! And we shall fight till death takes one of us!! There’s something we share that’s always driven us to each other! — What it is, I cannot say!! But we shall seek each other out until it’s done!

And we can feel the end is coming fast, in the form of an armor-clad specter on skis! Lightray beats Orion to the punch and, yelling “Orion has borne the burden of battle too long! Hail, Kalibak! Hail, king of tormentors!” he attacks the giant troll-like warrior, the “veteran of a thousand battles,” who gives the young new god a terrific pounding.

Staying out of the fight because of the “Combat Code,” Orion watches in horror as Lightray is brutalized and their fight is ended. “Then it’s time for me to confront Kalibak… I’ll put an end to that ‘demon’s bond‘ that forever binds Kalibak and myself in a pact of destruction! This blind hatred ends — now!!

But this time Orion’s half-brother is engorged with vastly increased powers, able now to emit “white-hot blast[s] of crackling energy” from his hands and strong enough to tear an entire apartment building onto Orion the Fierce. But Darkseid receives evidence that the fight is rigged, that Desaad has strengthened Kalibak as much as tenfold! Fearing his long-ago abandoned son may be dying at Kalibak’s hand, Darkseid disintegrates the sadist with the dreaded Omega Beams, the Total Wipeout, and the added power of Kalibak vanishes.

Orion recovers to a fair fight and he realizes their shared bloodline. “We must be brothers, you and I! — Different sides of the same coin! True sons of Darkseid — the essence of his creed of total violence!” Rushing his half-brother, Orion screams, “Die, Kalibak! If we fight as sons of Darkseid — only one may live!” The New Genesis god beats the tar out of the Terror from Apokolips and then arrives The Black Racer, the harbinger of death, who takes Kalibak to whatever Valhalla awaits for new gods…

But Kalibak’s demise has an epilogue, as in the penultimate New Gods tale, “When Gods Must Die!” the Tormentor is resurrected in Darkseid’s Re-orientation Chamber, or at least the shell of Darkseid’s elder son. Yet we learn his mind is mush, singularly obsessed with killing and not even aware of his own name, never mind the fact he is heir to the throne of Apokolips. “Were I on New Genesis, sire,” riskfully speculates Darkseid’s technician, “I would believe that the original ‘personalities’ now reside with that ‘mystery,’ the Source.”

Day 62: Mass-Director Unit!

After Orion tangles with Apokolips para-demons, henchmen and dog calvary, the new god suddenly finds himself alone. “Darkseid himself dwells this way!” Orion ponders as he runs down a corridor, past great windows looking out at the flames of a mammoth fire-pit adjacent. “But the great halls are empty — devoid of Darkseid’s elite warriors!”

Empty! They are all gone! Is this what I came for?” frets the New Genesis warrior, still itching for a fight. “Has the ‘Source‘ written for me a fool’s destiny?”

Then Orion the Mighty discovers the enormous, imposing device that is the keeper of the peace on the malevolent globe: “A Mass-Director Unit! It has been activated to transmit Darkseid’s orders! This is what now rules all Apokolips!

While details are not revealed, the Mass-Director Unit seemingly controls the minions and lowlies of Apokolips by an electronic surveillance beam that monitors dissent and other threats to the regime. Whether there is a punishment component, while likely, is not confirmed. (I believe this is the only issue in the Fourth World epic that features this device, though when Kalibak reaches Earth and searches for Dave Lincoln’s apartment, he speaks of what might be the self-same contraption: “The Mass-Directing Mechanism had given me a rough estimate [where Orion’s police officer ally resides] before I left on this foray.”)

Yes, Darkseid and his cadre of colorful noblesse have temporarily abandoned their home planet to ignite the Super-War about to engulf Earth, busily seeking the Anti-Life Equation, the singular goal of the evil ruler. We will soon learn, via Metron, that “Darkseid’s minions are busily at work on a Mass-Director Unit that will monitor the mind of every [Earth] human!”

We realize why the Master of the Holocaust needs to keep pressure on his own subjects, through fear, intimidation and apparently this machine — revolt might happened when the Lowlies miss their morning “brain-drain” breakfast! But why set one up on our world? And what is this so-called Anti-Life Equation anyway?

Suddenly Orion hears a familiar, maybe a faintly familial voice. It sounds like not all of Darkseid’s elite have left the nightmare sphere. And, brother, this might be a showdown…

(While we don’t see it in this particular illustration, the panel previous in the story gives us a full-view of the Astro-Harness component Orion has adhered to his belt, I think the only instance in the saga he retains the part… The vapor emissions floating out of the circular device indicate, to me at least, this item likely fires Astro-Force blasts. Makes sense, given Orion has put aside the Astro-Harness and, well, who would want to be striding the halls of Apokolips without a weapon ready, huh? I wonder, too, if Jack abandoned the idea because of the awkward stance Orion would have to use if indeed it blasted out Astro-Beams…)

Day 61: Darkseid’s Dog Calvary!

Imagine an armed force atop huge, ferocious canines pursuing you through the hellacious avenues of sinister Apokolips, snapping and snarling at your heels, threatening to rip the very flesh from your bones with razor-sharp fangs set in impossibly muscled jaws… If you can picture that, you’ve got a good idea of the Demon Dog Cavalry of mighty Darkseid.

Having battled the Para-Demon sentries in the smoke-filled skies over that dread and dismal world, and shaken off an armed horde on the ground, Orion suddenly faces Darkseid’s mounted troops riding… ummm… dogback against the arrival from New Genesis. Firing their radian blasters, the dragoons charge toward their adversary, who exclaims, “Darkseid’s Dog calvary! It is suicidal to run from them! My one chance to live — is to attack!

Orion dives to the ground, tripping dog and rider (the latter seem knocked senseless), but the mastiffs are tenacious, hungry for the blood of a new god. “These hounds of Hades are swift to regain their feet!” thinks Orion, and “Marshaling his colossal strength loosens a nearby stone pillar!” The column’s collapse spooks the mutts and they flee…

It’s apparent that the elite of Apokolips venerate canines twice the size of earthly Great Danes, as we see Granny Goodness walking her huge “darling demon-dogs” in a “Young Scott Free” vignette and there’s a trio of oversized hounds (doubtless used for hunting) among the poaching interlopers that begin “The Pact.” Mostly though, they seem, like every other life form on Apokolips, bred for war.

Baskerville Hall has nothing on these beasts when next we see them in “The Pact,” as “Raid upon raid is made everywhere on New Genesis!! From one such threshold leaps a snapping unit of dog calvary!! — Led by Steppenwolf!!” The creatures look like giant, ferocious rats in Jack’s depiction, and “When Steppenwolf leads, the carnage mounts until the battleground whines beneath the weight and agony of mass death!!! Nothing lives in his path!” One can only shudder at such butchery…

In “Himon,” the epic’s other “background story,” we see young Scott Free being chased briefly by the dog calvary but, of course, the lad escapes…

As one who was scared of big mongrels as a kid, I can attest Jack’s dog cavalry was an inspired nightmare vision, perfectly apropos to kennel in his nightmare world of Apokolips. Hounds of Hell, indeed…