Category Archives: Day Entries

Day 90: Follower!

The Follower is an artificial humanoid used to mimic the precise movements of whoever is (apparently) in its proximity. In the beginning of Mister Miracle #2, when Scott Free and his assistant, Oberon, are being observed by Overlord, they are taking inside packages, containing Follower components, for Scott to assemble. Oberon notes that the “factory people came through on time!” indicating, I would assume, it was manufactured to Scott’s specifications. Dressed in a Mister Miracle costume, it looks to be made of metal and, if I interpret Scott’s statement correctly, is of Apokolips design: “My people refer to this kind of unit as a ‘Follower!‘ — a sort of test-figure!” As Scott finishes the assembly, Oberon responds, “Your people, whoever they are, play with strange toys!” Demonstrating the Follower — Scott swings his arm and the Follower copies him exactly — Mister Miracle tells his small friend, “A ‘Follower’ is not a toy! He is in truth — an extension of yourself! Like a mirror-image — he does exactly what you do! I need the ‘Follower’ in this experiment! We’re working with a volatile explosive!”

Scott jumps on a platform and the Follower does the same, and then they are both suited up in straitjackets. “By duplicating my movements, the follower will tell me how well I’m doing!” Oberon gingerly brings over the explosive just as the Overlord strikes! Luckily, the Follower, mistaken for the real Scott Free, takes the brunt of the attack and the super escape artist says over its broken figure, “The Follower seems beyond hope.”

But later, as Oberon is sweeping up the debris, the Follower suddenly rises. “Yipe! Preserve me! It’s that weird, crawly ‘Follower’ thing! I-it’s come to life — trying to rise –” And, yet again, Apokolips agents believe the Follower to be the real Scott Free and they seize it and Oberon to deliver to the matron of Happiness Home of lovely Apokolips, Granny Goodness herself. But the witch immediately recognizes the fakery. “What!” the harpy screams. “You mindless fools! What have you returned with!!?? Didn’t you notice the dead eyes? This is a ‘Follower!’ not Scott Free!” The last we see of this particular model, it is being thrown across the room by mean ol’ Granny.

But the another version of a Follower arises in the penultimate ish of The Forever People, in “The Scavengers,” when Mark Moonrider and Serifan create a model for the spectral form of Boston “Deadman” Brand to inhabit. The Director of an international heist group (that’s his name: the Director) called The Scavengers is watching a surveillance film secretly shot while the Super-Kids are inspecting their Follower, the spitting image of Deadman. Mark says, “The ‘Follower’ is almost ready, Serifan! It will make a fine vehicle for our friend!” The copy-cat cowboy concurs. As he demonstrates the Follower’s ability to copy movements, he tells Mark, “The ‘Follower’ works smoothly, indeed, Moonrider! He has strength and a good response! Using the body of the ‘Follower,’ our friend will be able to pursue his destined purpose on a physical plane!”

The Director henchmen named Operator Twenty-Four tells his boss: “This ‘Follower’ thing should be studied! These Wonder-Kids blabbed that it can be grown from anything organic! — And re-shaped atomically!” (Interesting shift here though maybe the New Genesis model is organically grown; the Apokolips version manufactured as machine.) The Director, who may or may not have been involved in Boston’s assassination, croaks, “Boston Brand is a ‘Deadman!’ Now — this ‘Follower’ is built — ‘to house a friend!’ Your next job is to steal that ‘Follower!’”

Deadman is grateful for Mark and Serifan’s efforts and looks forward to “possessing” the replica. “And in the body of the ‘Follower,'” Boston vows, “I’ll track [my killer] down! — And bring him to justice!” But, wouldn’tja know it, one of The Scavengers has broken into Trixie Magruder’s basement — in the house where the Forever People are staying — and has run off with the Follower (by having the artificial person copy his every move, so there must be a delay option on the mimicry, huh?) The silent, masked intruder notes, “There’s the ‘Follower’ — unguarded — and ripe for the taking! Uncanny! It’s like a zombie — with reflexes!!”

(Interesting that Jack describes the Follower at this point to be “cooperative and meek,” and on the next page, to quote Mark Moonrider, “The ‘Follower’ is active and strong!”)

The Follower is taken for inspection in the Scavengers’ hidden lair, where a brute wearing a steel glove attempts to “test his hide,” but when the thug throws a punch at the thing, the Follower hits him square in the jaw, knocking him cold. The Director’s henchmen then orders the faux Deadman to stop and says to his boss, “He reacts like a mirror-image! Only — with the power to floor an elephant!” The Director is paranoid about the Follower being made in the late Boston Brand’s image. “– I get the feeling that this thing is a — shell! — A shell — waiting for — ‘something’ to possess it!” And, on cue, the restless spirit of the former circus aerialist takes possession of the Follower and a donnybrook ensues. Deadman — or the Follower he inhabits, to be exact — is struck frozen by a “Frost Beam” while The Forever People deal with the Scavengers attack. After being defrosted by one of Serifan’s Cosmic Cartridges, Boston exclaims, “I-I feel nothing! I’m not the Follower! — Just its tenant! Fantastic! I’m a Deadman — moving an organic machine that looks like — myself!” Boston then swings into action — “This sure beats operating in spirit form!” — and uses his acrobatic skills to get the better of the remaining gang, only after being taking six bullets at point blank range. Seizing the gun from the culprit, Deadman is triumphant before the incredulous assailant: “Don’t look surprised, you rat! You can’t kill a Deadman! The Follower’s body has the self-sealing faculty to absorb and close these nasty bullet-holes!”

The adventure concluded, the resurrected hero turns to the team and says, “I want to thank you for this physical body! — With which I can get the job done!” Serifan then retrieves a capsule from his hat belt and hands it to Deadman, telling him, “And this will help you remain in it! — The Blue Cartridge! It’ll link your spirit atoms permanently with the Follower’s form!”

Thus a dead super-hero is given new life, now inhabiting a Follower, one created by the Super-Kids of New Genesis… Leave it to Kirby!

Day 89: Solar-Phone!

Ahhh, everything starts out nice and trippy for the gang — Jimmy O., Superman and “that resurrected rat-pack of rollicking rowdies,” the Newsboy Legion — when they attend the Hairies’ Friday night “sing in” at The Project! Unbeknownst to our heroes, Homo Usurpus, the Four-Armed Terror, is about to make a rampaging entry into the vast underground government complex! But, let’s enjoy the Solar-Phone party while things are temporarily nice ’n’ friendly!

The mind-bending episode begins with typical Kirby hyperbole, with the caption reading: “Wild Area! Zoomway! Habitat! Outsiders! Strange names in a strange world which has evolved in a great natural cavern beneath modern America! This is the world of The ‘Project’ — where the secret of the century has been kept! The harnessing of the DNA molecule!!!! The breaking of the genetic code!! Man experimenting with life!! Jimmy Olsen is there! And so is his pal Superman. They’re alive and well among the wondrous DNA denizens! But who can say for how long? — For a mighty, living juggernaut is fast approaching!”

Jimmy is seated and at the controls of a strange device, part keyboard, part image transmitter — and all-Kirby in design! — and he’s sporting a wide grin. “Wow! When the Hairies invited us to their dance, I never imagined they’d let me officiate like this, Superman!” The Man of Steel, standing behind the young reporter, is wearing what appears to be oversize earphones with a type of visual attachment. “The Solar-Phone is their latest invention, Jimmy!”

The there’s this caption: “Among the variety of living species produced in The ‘Project,’ the ‘Hairies’ are amazingly productive! They are mechanical geniuses! — And the Solar-Phone is new evidence of their strange life-style! It gathers the radio-signals from the stars and converts them into mental musical images!” Sitting on the floor before Jimmy and Superman is a horde of hippy-like Hairies, the Newsboy Legion among them, each wearing the same head device as the Last Son of Krypton, most holding hands and eyes closed, ready to embark on a journey into the mindscape! One girl says, “Our minds receive! The ‘dance‘ begins!” A hirsute fellow adds, “We are all together — we hear as one! We see as one! We soar as one!” Then the scuba-crazed Legionnaire chimes in: “Man! This is cool! It’s like a movie musical — and everybody’s in it! Includin’ me, Flippa-Dippa!” Superman tells his friend, “Keep playing, Jimmy!” You can’t do anything wrong! The Solar-Phone arranges all incoming signals into patterns of harmony!”

And then, in three full pages of krazy Kirby kollages, we understand what all the excitement is about! “What the dancers see is a new and wondrous universe of shifting, kaleidoscopic geometric forms!” The group seem to be experiencing what most of us would call a mass hallucinogenic acid trip, perceiving themselves as floating past fantastic images. Gabby is ecstatic, sharing with his fellow travelers, “Wow! This is great! It’s like we’re floatin’ free in Wonderland!” Scrapper is similarly delighted: “It’s a nutty Hollywood set wit’ symphony music all around us!” But Big Words hears something different, telling his pals, “That’s not the music I hear!” Explains an opulently tressed young lady, “Each of us hears the music in the way it pleases him most!” Jimmy puts it best, gushing, “Groovy! This is a real gas!” The Superman looks ahead and observes, “The scene is changing! What lies ahead?”

The panorama switches to an even more fantastical sight — “Soon, the dancers are whirling and soaring past strangely bizarre and beautiful worlds…” Giant flowers, massive planets, Buddhaheads, stone carvings abound. Notes Scrapper, “Dese flowers smell for real — like dey wuz from Kelly’s Funeral Parlor!” Even Superman is impressed, exclaiming, “Fantastic! The Solar-Phone communicates all this!

Then — BWOM! POW! — “Suddenly, the enchanting dance is brought to a jarring halt!” The walls are quaking. “The shocks that bring the dancers back to harsh reality continue with fearful intensity!” Yup, the Four-Armed Terror is knockin’ on the front door! But that’s another episode…

No doubt about it, the always prescient Jack Kirby envisions virtual reality here, right down to the headphones and goggles, mixed with the Merry Pranksters’ Kool-Aid Acid Test to keep it contemporary. Sure, it’s a diversionary moment, maybe even throw-away, but wondrous awe works superbly well with the pacing and the caption stating the Solar-Phone “gathers in the radio-signals from the stars” certainly opens the doors for some story possibilities down the road.

I love this kind of stuff from Jack because it represents the joyful side of imagination when contemplating future technology. Sheer wonder!

Day 88: The Four-Armed Terror!

Mokkari and Simyan, the odd couple of Apokolips, have been sent to Earth to replicate the success of The Project (by rifling DNA samples from the government facility) and, as the yellow-faced taller one relates, “It is what we came here to do! To replace the Earthmen’s Project with ours!” And, apparently, the best way to accomplish that Darkseid directive is to destroy the “vast American underground preserve!” But the “Giant Green Jimmy” failed to muss The Project’s hair and, after facing a dressing down by the Master of the Holocaust himself, the duo muse over what to do.

“The Earthmen experiment for progress,” Mokkari says. “But we work for Darkseid, ruler of Apokolips!” Simyan adds, “Our offspring shall bring Apokolips to Earth! Chaos in place of order! And from that chaos will arise the new masters of Earth — with the great Darkseid as their exalted leader!” Okay, well put, shorter hairier one, but what’s the plan?

Hand holding jaw in contemplation, Mokkari determines, “We shall do it with the proper creations of life we have bred here!” Simyan is puzzled, “But what have we produced that could do so thorough a job?” Looking over their human slaves carrying gargantuan machinery, Mokkari says, “True! Except for the giant Jimmy Olsen, we have grown nothing but mere beasts of burden!” Simyan has a flash: “Wait! You forget!” Entering an enclosure titled “Lower Level Control Bubble,” Simyan tells his partner, “There are cell tissues which we developed in an atmosphere of Beta Gas!” Mokkari retorts, “But they are ‘unknowns!’ Even as they grew — they hid from us! Human cells — which have grown their own Impenetrable cover!” Simyan says, as he takes charge of a control panel, “And beneath their cover — could be our answer!” The Control Bubble has windows looking over a field of what appear to be a chamber filled with super-sized eggs, a noxious mist wafting above them. “What kind of humans will emerge from these egg-sacs, Mokkari,” asks Simyan. His partner replies, “We must be prepared for any contingency, Simyan! Keep vlose watch!”

Later, the vapor stimulation “doing its work,” one of the egg-sacs hatch, with four-arms thrusting out! In the beginning of Superman’s Pal, Jimmy Olsen #137, we see The Four-Armed Terror is in full, pale-yellow, red-eyed glory, and man! What a horrifying sight we see rampaging through the Wild Area! “This is a being with no name! It is in the shape of a man — but it is not man! Yet, it lives and breathes and hungers! It wants food! — The kind of food the forest doesn’t grow! But the food is there! It’s there!” Poor Yango and Gandy, motorcyclist Outsiders, see their hogs smashed by the monsters and barely escape with their skins. The creature makes it to The Project and shocks reverberate about the complex. “He has found the buried steel cables that are the stalks which lead to his food! Nuclear radiation! He doesn’t know it by word, but he feels it as an emptiness inside himself — that must be filled!”

(Here, the Four-Armed Terror makes his trademark sound — “ARRUK-ARRUK-AAAK!” — kinda cute, innit it?)

“Then he finds it! — In a booster unit, which carries power to The ‘Project’ from a central atomic pile!” Suddenly shock waves are sent out and blasts occur throughout the region — collapsing Habitat, cracking the Zoomway, and threatening the entire Project. Superman flies into action and, getting a good look at the yellow monster, the Man of Steel ponders, “Our rivals at the Evil Factory have produced another ‘first!’ That thing is absorbing and feeding on radioactive energy!” And that thing proceeds to pound the Krypton out of our hero! “And above Superman is a face produced by the most extreme experimentation with the human cell! At The ‘Project,’ its counterpart would be known as a D.N.Alien!” (ARRUK!)

(Am I wrong to understand that distinctions of what is and what isn’t a D.N.Alien of those produced by either The Project or the Evil Factory got a little fuzzy and more generalized as the saga continued?)

Finally able to throw off the beastie, Superman gives us a bit more information. “The Evil Factory has bred a terrifying product!! Among the living human cells they stole from The ‘Project’ was a special batch which had been treated in a manner to simulate Atomic War conditions! He could be bred for surviving Atomic War!” Jimmy and the Legionnaires try to help but suddenly all of ’em, Supes included, are encased in a “crackling web of energy” emanating from the freak’s four hands which create an impenetrable shell encasing our comrades! The creature moves on, “Hunger has replaced fury! There is abundant food nearby!” Then, courtesy of Mokkari and Simyan’s delightful exposition, we learn the threat is not only confined to The Project and environs, but to the home city of Superman himself!

“Yes,” says one of the two, “directly in his path is the giant atomic pile that supplies power to the entire underground world of The ‘Project!'” The other adding, “He must feed on radiation! He’ll rip that pile apart and trigger a chain reaction!” Mokkari glories in the holocaust to come. “Then a great white flash! A fire storm of indescribable heat! Shock upon shock as a mushroom cloud rises where once The Project stood! A job well done, eh, Simyan?” Answers his longtime companion, “It will be beautiful, Mokkari! And with it will go all the rest! Yea — and even the city of Metropolis — which lies above, within range!”

Our story here comes full circle. Simyan boasts, as they return to the Control Bubble, “We’ll have carried out, to the letter, the order of our great leader, Darkseid! Surely this is a triumph for the forces of our world — Apokolips! The pattern is set! We have bred the perfect instrument to challenge humanity!” Again looking out at the multitude of egg-sacs, Mokkari gloats, “Sprung from their own seed — and nurtured by radioactive vapors!” Simyan notices movement. “The others are stirring! They’re breaking free of their protective shells, Mokkari!”

And, indeed, it appears dozens and dozens of Four-Armed Terrors are coming new into our world. “It is their time, Simyan!” rants Mokkari. “Their birth heralds the age of holocaust! Hail, Homo Usurpus! Earth lies before you for the taking!”

To which I can only heartily add, “AARUK!

Day 87: The Fear Generator!

While finishing the Mother Box-assisted presentation to his allies of the threat posed by Darkseid and his minions from Apokolips to our home planet, the show is interrupted when the sentient computer starts pinging wildly. “But wait!” Orion says, “Mother Box detects an invisible beam sweeping this very city — the panic of fleeing hundreds!” The fiwerce new god immediately recognizes Desaad’s hand: “Of course! Darkseid’s second in command plays with his toys!” But his allies are suffering the same fright as others in Metropolis and Orion mounts his Astro-Harness to seek out the malevolent device. “The city is loud with the sounds of hysteria! I must be swift!” Mother Box traces the paranoia-inducing beam to…

“So that’s it!” says Orion. “A Fear Generator disguised as a great billboard! Clever, Desaad! The Astro-Force shall cleanse this foul spot!” The caption then reads, “But the sign is protected! Light bulbs erupt in a deadly fusillade of Cosmi-Force!” Orion is knocked back and starts to fall, but is able to destroy the Fear Generator with his Astro-Force weapon, which also slows his descent for him to recover. “So the battle is renewed!” Orion muses. “The enemy will use new weapons — but I shall find them and destroy them as well!”

Day 86: Super War!

In contrast to the “Great Clash” of an era past, the ongoing conflict between the two worlds of New Genesis and Apokolips is now an inter-dimensional struggle as it involves our very planet. First dubbed a Super War by Earth’s guardian, Superman, when he harbors doubts while traveling through the Boom Tube on his aborted trip to Supertown. Mused the Man of Steel, “Is Earth the battleground for some strange Super-War?” The introductory caption to The Forever People #2 states, “Although their background is shrouded in mystery, they are already embattled on Earth against emerging forces of awesome and terrifying nature! And are we in this, too? We may be friend or foe of the Forever People! — Bystanders or participants in an ominous and perhaps final Super War!

Certainly this setting of a war as backdrop for Jack Kirby’s Fourth World opus is what sets it apart from other interconnected super-hero titles. Marvel’s common connection is the tales are primarily based in New York City — or on Earth — and the characters have some interaction with one another, sometimes joining up as teams, usually to thwart an enemy, who would change from issue to issue. But generally no matter the threat to our planet, conflicts are resolved and everything goes back to normal, all nicely wrapped-up, by the story’s end.

Jack’s vision was decidedly different and innovative. The Fourth World has as backdrop a huge, multifaceted fight of intergalactic proportions, with dozens of characters — those of the “good” worlds of New Genesis and Earth — in battle with a single enemy, Darkseid, and his minions of the “bad” world of Apokolips. And though we’re all aware the overall series was aborted very early in its intended run, readers all knew everything was careening to an ultimate climax — an ending — something quite unheard of in comic book “universes.”

And the enemy and his goal was also startlingly inventive and resonate. Unlike the usual funnybook bad guys who simply want money or power or revenge, Darkseid, the all-powerful and unquestioned ruler of Apokolips, seeks the Anti-Life Equation which would give him the ability to snuff out all life in the entire universe with a single word! This takes villainy to an entirely new level! Why he wants this ultimate lethal force, we’re never made privy, but it’s likely something simple that motivates this malevolent creature… the sin of pride. (And to think Darkseid’s search is no secret to his servitors! They hardily and enthusiastically strive to do his bidding, which is to exterminate all life everywhere! These are some very not-nice people!)

We see in the superb “flashback” story, “The Pact,” how the “Great Conflict” — that previous war between the two planets — completely engulfed New Genesis and Apokolips to horrific degrees, rendering both worlds to ruins in a general, all-out war. But the Super War, using Earth as the battleground, is so far a less conventional process, as Darkseid and his agents have established underground network of tunnels, covertly working in shadows, under our radar so to speak.

Thus, to convince his Earth allies — Victor Lanza, Claudia Shane, Harvey Lockman and Dave Lincoln — of the threat posed by sinister Apokolips, Orion employs the assist of his special device, upon which they all lay a hand. “Mother Box will help you see through my eyes — to see the images my words evoke!” Suddenly horrendous visions are transmitted. First a hunched-over, cloaked figure stands in a city park as a Boom Tube appears. “Now,” Orion says, “see for yourselves the invasion of Earth by the fierce creatures of Apokolips! That circle of flaming energy signals the coming of — The Boom Tube — the dimensional bridge from which Darkseid’s subjects pour!” We hear the hooded welcomer bark to strange creatures emerging from the portal, “Hurry! You have your appointed tasks!” And then the foursome listens to Orion as they view some very scary characters, “Now they roam Earth to fulfill Darkseid’s objective! Some are servitors — others are beings of frightful power!” The scene shifts to underwater monsters, humanoid but scaled and ferocious. “They thrive in every element — witness the new arrivals to Earth’s waters — those known on Apokolips as — The Deep Six!

The visual, in a nod to ongoing events in The Forever People, changes to Mantis, the “awesome digger,” who rants, “I shall take my share of booty here! Let mankind serve the victor!” And, the virtual reality tour winding down, there’s a glimpse of the goings-on over in the Jimmy Olsen book, with a full-page scene of Outsiders dancing in a procession through Habitat: “These monsters prowl and seek in Darkseid’s cause, not only in the known domains — but also in stranger places — like the Wild Area — where a bizarre dropout society may hold the secret which Darkseid yearns to possess!”

(One captivating aspect that endeared many a reader to the Marvel Comics Group was the use of captions to reference past issues and current titles (and it was smart marketing, to boot!), and it’s something I fear Jack didn’t use enough of in his interlocking titles, though he obviously did in this case. Mark Evanier and Steve Sherman, in the “To and From the Source” essay in this same issue of The New Gods strongly urged readers to keep an eye on all of the titles — “Other new characters have yet to be introduced — which is why we stress the importance of following the entire continuity of the series. Important elements appear in all of the books and with The New Gods, The Forever People and Mr. [sic] Miracle scheduled to be released three weeks apart; it’s almost like having one long novel, with one-and-a-half chapters per month on the average.” — and the addition of “The Fourth World of…” onto the fourth issue covers of his titles (and Jimmy O #139) helped clue readers in that a larger tapestry was being woven here…)

Day 85: Desaad’s Fear Machine!

When the glorious introduction of Darkseid’s chief inquisitor, Desaad, is made to us in The Forever People #2, the malevolent lover of pain (other people’s pain, I mean!) is grasping a device that appears to be a super-high-tech stethoscope apparently connected to a larger machine. Later, we learn it’s called a “Fear-Siphon,” and what we would call the ear-tubes actually seem to be placed on the user’s neck, around the vicinity of the lymph nodes. In Desaad’s debut appearance his master Darkseid is reviewing the progress of Mantis and that villain’s siege of Metropolis, from an “unseen vantage point” where the the King of the Damned “watches — and broods — and coolly waits…”

For earlier, Darkseid has ordered the bug god to wreck havoc in the city to stir up fear — “Unleash the terrors of the night! Make man cringe! Make him tremble — make him fear!” — in the hopes Desaad and his device will detect the unknown earthling who possesses the secret of the Anti-Life Equation in his or her mind. “Mantis does well, indeed! But he fights for tawdry goals! While I would be the master of all that exists!” Turning to his strange friend, Darkseid asks, “What is the fear quotient, now, Desaad!” The hooded villain, sporting a particularly maniacal look, is gripping the aforementioned Fear-Siphon and replies, “Spiralling [sic] to a lovely high pitch, O Darkseid! I can feel them — like crashing surf — wonderful waves of raw fear!

Gazing the skyline of the city ablaze, Darkseid observes, “Mantis in inspiring great results! He’ll shake every mind in that city to its very root! Especially the mind we seek to contact — the one that must be made to yield its secret — The Anti-Life Equation!” But the rampage of Mantis fails to uncover the unknown human and Desaad sets about to create a mechanism to artificially induce fear in the masses of Earth.

The result of Darkseid’s top lieutenant’s tinkering appears quickly and is quite an impressive sight: The Fear Machine, cited on this issue’s cover as being “from the blueprint of the weird”! When Darkseid and his humiliated Brola appear in the secret location where Desaad has been toiling, the ruler of Apokolips inquires of its maker what progress to report. “The battle is far from over — there is still the Fear Machine! How does it stand, Desaad?” Wearing a full mask (with ominous non-transparent eye protection), Desaad replies, “It waits only for your judgment, master! I hasten to begin its initial test!”

Darkseid orders the evil inventor to go ahead and not worry for his master’s safety, telling him, “The Sonic-Stimuli cannot affect one such as myself!” Despite their protests, Desaad’s workers are selected as Guinea Pigs and they endure the first testing of the Fear Machine: “The pleas go unheeded, as invisible beams lash out and wring terror from their screaming targets!!” The trial is successful, reducing the wretches to simpering cowards, and plans go ahead to use the device on the populace of Metropolis!

(It’s interesting, the big reveal of Desaad when he removes his mask, showing us that all-too familiar face we now love to hate, in that I wonder if it’s in this issue Jack intended to first present us with the villain. Yeah, I know, the “X numbers,” those digits applied to each of Jack’s work used to invoice production by the home office, tell us The Forever People‘s “Super War” is assigned to X-115 and this, “O’ Deadly Darkseid” of The New Gods is X-117, but the sequence has a dramatic panache about it that leads me to ponder…)

Back in Dave Lincoln’s wrecked apartment, Orion, with the aid of his Mother Box, shows his Earth allies what is at stake in the emerging Super War. But as the audio-visual presentation (actually more like a virtual reality show!) is coming to a close, the sentient computer starts pinging wildly. “But wait!” Orion tells his newfound friends, “Mother Box detects an invisible beam sweeping this very city — the panic of fleeing hundreds!”

Yep, the citizens of Metropolis are in a crazed, irrational panic. Screams one, “I-I’ve got to run — hide!” and another, “Something’s happening! Something terrible! Help!” The fierce tiger of New Genesis immediately recognizes the culprit: “Of course, Darkseid’s second in command plays with his toys!” Noticing Harvey, Claudia, Dave and Victor are shivering in a corner, Orion asks, “What’s wrong, my friends? Why do you cower and cringe — as if to escape some nameless fear? The beam penetrates these walls! You have become its victims!”

Why doesn’t the Fear Machine afflict the stepson of Highfather? “I am trained to resist all degrees of fear! I shall carry the fight!” With that, Orion grabs his now readily available equipment (again, sports fans, if it wasn’t in the flat during the Brola brawl a few moments prior, how did it suddenly appear? Oh, I do quibble…) and goes on to destroy the “field model” that Desaad has “placed in a strategic point of the city.”

But even with the field model’s destruction, the raison d’etre of the Fear Machine — locating the human with the Anti-Life Equation — is unsuccessful. While Desaad tries to focus on the threat of Orion, Darkseid is disappointed with his underling’s work. Poring over a tape read-out, Darkseid expresses his unhappiness. “Forget Orion! It is your Fear Machine that yields nothing! Not the slightest trace of the thought waves we seek!”

Still, the Fear Machine is good at instilling fear. After the adventure Orion returns to Dave’s place and the earthlings are still feeling the after-effects of the invisible beams. “I’m still shaken!” Victor Lanza admits. “I’ve never known such fear!” But the four former kidnap victims, perhaps the only humans to have stepped foot on Apokolips, unite to join Orion’s fight against Darkseid. After each pledges allegiance to this new cause, Orion gratefully responds, “We shall work together, then! Somehow we shall find the means to rally wherever Darkseid shows his hand!”

Looking at his fists, Orion adds, “And I shall strike with these! Though I be of peaceful New Genesis, I shall strike with more ferocity than can be mustered in all Apokolips! And in the end, O Earth — which of the two shall win your domain?”

Verily!

Day 84: The Tele-Ray!

Now, I’m not sure the precise details regarding how the gods of New Genesis and Apokolips call forth the Boom Tube, the mode of transportation, a temporary interdimensional bridge, linking the two worlds together and each to Earth. Orion simply says, “It stems from the waves of the mind!” Going between the planets in instantaneous fashion, there’s also the pre-Boom Tube “Matter Threshold” and “Dimension Threshold,” and Big Barda’s “Mega-Rod” (“It’s the latest from ordnance!! Better than the Boom Tube!“).

But it seems those X-Element fueled modes of instantaneous transport aren’t used to get from one place to another on our home planet. But Star Trek-like teleportation on Earth can be achieved via phasing circuits sewn into clothing (as so with the Female Furies in “Funky Flashman”) or phasing with The Forever People’s Super-Cycle or when the Super-Kids use Mother Box, as they did in the last issue of their title. There’s also the little-used method of the Tele-Ray, a mode only seen in this second issue of The New Gods, I believe.

After Darkseid and Brola break into Dave Lincoln’s apartment and their unsuccessful confrontation with Orion, the two Apokolips denizens suddenly vanish, Brola in mid-air over a Metropolis street! Surveying the avenue below through a huge gaping hole now aerating the Lincoln abode, Orion says, “Darkseid moves as no one on Earth does! His machines are legion and infinitely precise! It is evident that Brola never completed that fall — that Darkseid snatched him by Tele-Ray!”

And the second — and final — reference to the Tele-Ray in the series is when, with a ZZZTTT, Darkseid and his “fighting arm,” Brola, appear by Tele-Ray in “one of the secret bases established beneath the city.”

Day 83: Brola and His Hand of Stone!

The second issue of The New Gods opens with a spectacular description and image of the opposing worlds of Apokolips and Highfather’s home, then a double-truck view of Supertown taken from the surface of New Genesis, where futuristic children are at play on fantastic devices. Next Highfather is taking heed of The Source’s latest message — “WAR — FOLLOW ORION” and young Lightray pleads with the wise leader to join Orion on Earth in the great fight, but Highfather refuses the new god’s request. Then we travel to the third locale in the epic at hand, humble Earth.

On Earth, the home of mortal man, Orion the Hunter moves among strange allies and fearful enemies! Man is only dimly aware of the forces maneuvering, lunging for alignment on his world — for somewhere in man himself is the key to victory for the warring factions of… The New Gods!

Orion is the first to enter his ally Dave Lincoln’s apartment, the four recently freed Apokolips hostages behind him. Calmly, patiently sitting on a simple padded chair is the most malevolent power in the universe, O’ Deadly Darkseid! “Hold, friends!” orders the New Genesis warrior, “Do not enter this room! It is accursed!” Darkseid conveys his greetings, bidding his nemesis, “Welcome to Earth, Orion! It is known to me that you raided Apokolips before arriving here!”

What Orion does not see is the figure, back rigid against the wall, standing behind the door. Our hero, hands up and ready to throttle the King of the Damned, delays his attack on Darkseid. “You hesitate, Orion! You can sense why — but you don’t know — do you? But Darkseid is free of mysteries! He can act!

Or, more correctly, can get his surrogates to act, as the form behind the door lunges and zaps Orion with a wand-like weapon, telling the ruler of Apokolips, “Your fighting arm strikes, master!” Darkseid gloats, “Loyal Brola has been at the ready! His is the power of the Shock-Prod — and the Hand of Stone!” The next caption states, “The Shock-Prod hisses and stuns and lashes at Orion, who finds no escape from it!” But Orion is without his Astro-Force equipment — where did he leave it… in the street? — and must endure the violent charges without the aid of a weapon. “I’ll have to risk the shocks and turn on my adversary!”

Brola is stunned by Orion’s stupendous stamina. “Incredible! He lives through this! He advances — even as I unleash maximum power!” Orion grabs the attacker’s arm wielding the Shock-Prod. “Aaaaaaa! He’s done the impossible!” Brola cries. “In the cause of New Genesis,” Orion growls, “I can do no less, Brola!” But his enemy grabs an opportunity by slamming Highfather’s stepson with his free appendage. WHOK! “You seized the wrong arm, Orion! You forget my Hand of Stone!

Then we get a closeup of the villain’s mitt, looking like a hand melded to a brick, as Orion strains to keep it from bashing his face. “You’re done, Orion!” predicts Brola. “This lethal blow shall never fall! I-I must summon my last spark of strength!” says Orion, and throwing off his adversary, “–and end your vicious career!” Smashing through Dave Lincoln’s apartment wall, Darkseid’s agent is incredulous. “No living thing could have survived my attack! I have been fighting a mad, cosmic animal!” About to plummet to the street far below, Brola implores, “Darkseid! Master! I call on you to save one of your own!

Then — POOF! — the wielder of the Hand of Stone vanishes in the night sky and, as Harvey Lockman observes, “Old Granite Puss is gone too!”

Darkseid and his chagrined fighter have escaped via Tele-Ray and appear in “one of the secret bases established in the city.” An underling cries in joy at their arrival. “The master has met Orion and brings news of a victory!” The Master of the Holocaust is disgusted with his “fighting arm.” “Look at whipped Brola and think again! No, there was no victory!” Bowed, nearly on his knees, Brola implores, “There is a madness in Orion, master! He fights with the fury of one born of Apokolips!” Now Darkseid is furious, kicking Brola with contempt. “Enough, dog! Find your kennel and nurse your well-deserved wounds!” Brola simpers, crashing to the floor, “I go, master, I go!

And, verily, Orion’s hope to end Brola’s “vicious career” comes true, as this is the last we get of this relatively nondescript bad guy in the Fourth World opus. I mean, we only get to see the villain in an even dozen panels in the story and hardly once to we catch a decent view of the poor bastard. Well, maybe that’s enough and we’ll leave Darkseid’s onetime “fighting arm” in his dog house, licking his aging scars and whimpering into the water bowl.

Day 82: Desaad!

Ahhh, Desaad!

Evil, conniving, sadistic, sinister, elegant, craven, weak and delusional Desaad, master of the Fear Machine and right-hand man to the Ruler of Apokolips!

The spindly creep, who revels in the torment of others and schemes to retain his position as his sire’s top lieutenant, is — during Desaad’s existence in the regime — the second most powerful player in Darkseid’s royal court, one who takes particular delight in torturing the greatest object of his fancy: The Forever People.

Our initial meeting with this mincing rat is in a brief glimpse during The Infinity Man’s battle with Mantis. Darkseid is using the insect god’s rampage to stir up anxiety among the citizens of Metropolis in the hopes of detecting the unwitting human who possesses the Anti-Life Equation in his or her mind. A portion of the city in flames, the Master of the Holocaust looks to the destruction with a growing satisfaction. In his company is a hooded miscreant with wild, sunken eyes and scraggly hair on his forehead. You’d swear this bounder has fangs, his mouth agape in delight! Within his hands is a nefarious-looking device, apparently placed on his jugular veins like some high-tech stethoscope. Both appear to be in a city park and standing behind the maniacal-looking fellow is the great villain of our saga, who asks:

Darkseid: What is the city’s fear quotient, now, Desaad!

Desaad: Spirally to a lovely high pitch, O Darkseid! I can feel them — like crashing surf — Wonderful waves of raw fear!

Then, after the defeat of Mantis, ever-pragmatic Darkseid mulls over his future designs. “Mantis fights hard — and fails hard — he cannot learn to plan! But Darkseid waits like a silent stone… waits and plans to flush his prize from its cover, Desaad — And, if you would wrest the secret from him — give him — to me!” Desaad passionately beholds his beloved sire with such an intensely insane look, we readers just know we’re going to see a lot more of this particular — and peculiar — bad guy.

And we do, as mostly in the pages of The Forever People, Desaad is the villain seen the most frequently in the Fourth World epic besides the Big Guy himself. But the next time we behold this human vermin, it is in the story of Orion, with Darkseid still on Earth seeking the Anti-Life Equation. After Brola and his Hand of Stone have failed to vanquish the fierce new god during the tussle in Orion ally Dave Lincoln’s apartment, Darkseid and henchman travel by Tele-Ray to “one of the secret bases established beneath the city.” Upon disciplining his “whipped Brola,” the leader turns his attention to a huge device of vile appearance being attended by a hooded man. “The battle is far from over — there is still the Fear Machine! How does it stand, Desaad?” asks Darkseid. “It waits only for your judgment, master!” answers Desaad. “I hasten to begin its initial test!” (Then, with apparent impudence, a minion says out loud, within earshot of the two, “Indeed he does! Cruel Desaad hungers like some parasite!” Some of these underlings have moxie!)

Darkseid approves. “Proceed then, Desaad! The Sonic-Stimuli cannot affect one such as myself!” Yet Desaad protests, “But I must have subjects, master! Allow me to summon those wretches in my keeping!” Then Darkseid specifically points to the opinionated servant, standing with cohorts, and says, “Time is short! There are your subjects!” The wretch begs, “No, master! We are in your service! Do not feed us to Desaad’s vile instruments!” (Except for his personal guards, Desaad does not to seem to inspire much loyalty among the folks of Apokolips, and for good reason!). The caption states, as Desaad is saturating the poor fellows, who suffer agonizing distress, “The pleas go unheeded, as invisible beams lash out and wring terror from their screaming targets!!” The victims implore, “Aaaaaa — Save us! Save us!” In stark contrast to the quivering crew, we see an ecstatic Desaad when he removes his mask.

Desaad: See, Darkseid! See how the emotion of fear is stimulated by the waves!

Darkseid: Very effective, Desaad! You’re a genius at your work! Emotional turmoil breaks the dikes of the mind — and releases the flood in which we must fish, Desaad! Perhaps in this very city is the mind which will yield the Anti-Life Equation! The ability to control all free will!

Desaad: Yes! Yes! This time we must strike among larger numbers — ever larger! I have a field model placed in a strategic point of the city! It waits for your approval, great Darkseid!

Darkseid: Strike then, Desaad! Strike fear among those massed minds!

Here we witness the unmitigated joy Darkseid’s old friend derives from inflicting pain and torment on others and how apt his name given, obviously a derivation of the Marquis de Sade, the French aristocrat who gave the world a new word for pleasure derived from the torturing of others: sadism. We do see shades of Goebbels in his appearance and certainly an aspect of Himmler in his methods, but the character does possess a strange and perverse charm, so eager and craven, so delighting and almost tender when attending his victims. In other words, a villain you just love to hate!

By the end of “O’ Deadly Darkseid” (on the cover of which Desaad rates an appearance behind his boss!), when Desaad’s device has failed to extract any hint of Darkseid’s quarry, he tells the ruler of Apokolips, “Orion thwarts us again! He might have tracked us here were it not for my protective shields!” Darkseid is impatient, telling his constant companion, “Forget Orion! It is your Fear Machine that yields nothing! Not the slightest trace of the thought waves we seek!

It is here we see a fundamental aspect to the conflict between these two characters. Indeed, though Desaad mostly believes in his own hide, his conviction is all for Apokolips. But Darkseid (all too often, in Desaad’s estimations) allows familial concerns to intrude on the goal of final victory. Number two in the nightmare planet’s power elite begs:

Desaad: Orion has made a mockery of this test! When we capture him — give him to me!

Darkseid: You’re a fool, Desaad! Blinded by your own mania! We could never take one such as Orion captive! His kind dies in battle! And in death would look greater than a vermin like you!

Desaad: So! The great Darkseid rise quickly to the defense of an enemy!

Darkseid: Orion is an enemy to be respected!

Desaad: Yes, it is strange how very like us he is — in his fierceness and —

Darkseid: Silence, Desaad! Were Orion my own son — he would mean nothing to the purpose of our mission! And in that mission we must not fail!

In this argument is to be found the roots of Desaad’s fall from grace and ignoble fate, as we do eventually learn what is strongly hinted at here: Orion is the offspring of Darkseid and father and son are fated to fight to the death on the littered avenues of Armagetto on Apokolips… well, one is to die, anyway…

Desaad’s tour de force performance and most prominent role in the Fourth World series is as the great tormentor of The Forever People, and nowhere is he more deliciously vicious as during the “Happyland” story arc, when he gives special, customized treatment to each of the Super-Kids. At the conclusion of the “Life vs. Anti-Life” story, after Darkseid banishes The Infinity Man with beams shooting from his eyes which transforms the hero back into the quintet, the super-villain greets them: “Welcome back! The young of New Genesis will be easier to deal with!”

Mark Moonrider: Darkseid! Do your worst! We’re not afraid!

Darkseid: Of course not! It would pain me deeply to deal harshly with you! That is why I keep such as Desaad at my side!

Firing a device at the new-agers, Desaad cackles, “I don’t mind playing games in the slightest! Here! Try this toy! Fun, isn’t it? Ha! Ha! Ha! They yelped loudly before they collapsed! My Nerve Beams inspire such reactions!” Then Glorious Godfrey’s Justifiers gather up the unconscious team and load the bodies into an Aero-Van, one of them explaining, “We’re taking them where we took the others! To the Camp of the Damned!” The Aero-Van driver offers, “It is not the first of its kind seen on Earth! But Desaad is the master of this one! Even as Justifiers make a mockery of life — Desaad plays with death as if it were a fine art!” Another Justifier ponders aloud, “I wonder what sort of masterpieces he’ll make of these brats!”

(Although allusions certainly abound in copious portion, the Aero-Van driver’s comment (obviously about Nazi concentration camps), in combination with the Adolf Hitler quote at the beginning of this tale, are the only direct references to the Third Reich in the series, I believe. Astonishingly few mentions, methinks, considering the reams of inference we can extrapolate from the series about the Holocaust and Jack’s wartime experiences battling the German menace, never mind the overall eternal threat to mankind — and all life — from fascism! While, I think, Darkseid is no Hitler, ultimately a pathetic, self-hating runt who wielded monstrous power to exact revenge and impose will of the most vicious sort on a scale previously unimagined by mankind, his court is not dissimilar to the German High Command of that nightmare era.)

Watching the team being loaded for transport, the Master of the Holocaust comments, knowing his underling derives great pleasure from the act of torture and might forget the process is a means to an end, “I trust this Camp of yours is serving the purpose that overrides all others, Desaad!” The Ant-Life Equation remains the great quest. “If the mind you seek to contact is among those at my camp,” Desaad assures, “it shall soon give up its secret, great Darkseid!

Upon Glorious Godfrey whining to Darkseid and the ruler — “The Revelation! The tiger-force at the core of all things!” — nods for Desaad to do his bidding. “Each to his own methods, eh, Desaad?” Godfrey complains, “You favor him always, great Darkseid! Think of what my Justifiers do in your cause!” Desaad, ever maneuvering for Darkseid’s constant good favor, interjects with a bow, “I beg to depart from this petty situation, sire,” and turning to Godfrey with a malevolent grin and furrowed brow, tells the minister, “You’re a loud, petulant bumpkin, Godfrey! Like all Revelationists, you’ve got imagination — but not finesse! But I, Good Godfrey, have both! I leave now for my ‘camp,’ which Darkseid knows is terror refined to perfection!

The caption at the end of the tale reads:

Desaad is soon on his way — aboard the same Aero-Van that carries his captives — the young Forever People! But their destination is the most bizarre and terrifying structure ever seen by the eyes of man! It is Desaad’s own little domain on Earth — a pilot project of purgatory — where torment is computed — death is controlled — and escape impossible! Don’t miss — The Kingdom of the Damned!

Call it what you will: The Kingdom of the Damned, the Camp of the Damned, Happyland… This is Desaad’s great playground of evil, hiding in plain sight of or planet’s inhabitants. The opening caption reads, “The Kingdom of the Damned is not a far place! It’s not a hidden place! It’s in full view of us all! But, it has been rigged by a malignant force so that its tormented inmates are seen and heard — and ignored!!” The visual, of the true nature of this place, is of a mass of anguished, desperate prisoners screaming for help and mercy, banging on the curved glass window for release. Then, on the two-page spread that follows, we see the outside: a colorful, joyous looking amusement park emblazoned with the most duplicitous of names. Reads the caption:

And who among us would rush to aid the victims of this cruelty — when the sights we see and sounds we hear are bright and joyous? For are we not in “Happyland” — conceived in a world called Apokolips — and built on Earth by the subtle, the clever — the evil — Desaad?

We also see minions fulfilling their master’s command. Says one, “The Master ‘Scrambler’ is working smoothly! The fools trapped in that image little realize that we are distorting their cries into laughter!” And another, “Like us, these humans are serving the needs of Desaad! But I’m certain that he finds them more entertaining!”

Darkseid arrives and is greeted by one of Desaad’s corps, who says with a bow, “Our master, Desaad, awaits you, great Darkseid! He prepares a most interesting feat in your honor!” But the great leader does not share in Desaad’s predilection for base entertainment. “If this involves mere cruelty, I may not be amused!” Nearby, the revived team contemplate their captor: “Desaad!” exclaims Vykin, “We’re in the hands of Desaad! Darkseid has given us to that demon!” Mark Moonrider knows of the villain, as well, adding, “He worships torment! — Refines it to an art!

The head of Desaad’s impressive security force comments, “I see that my master’s fame has spread to your world, New Genesis! — Or do you whelps call it Supertown, now?” And, when Serifan attempts to stun the guards, the hapless team is again rendered unconscious, this time courtesy of Vertigo Grenades. “They’re easier to handle now!” says a guard, “Desaad likes efficiency!” The security head clicks on an intercom, ordering, “Dispatch Unit! Send us transport! These new play toys are ready to be carted off for our master’s pleasure!” The dispatcher replies, “Fine! Desaad is in a frenzy for sport!” A guard speaks to the incapacitated Super-Kids, “Do you hear that, New Genesis dogs? Desaad will soon attend to you! And you would quail if you knew what keeps him busy right now!”

And next, in a horrendous sequence, we see Desaad in his element, accompanied by his master and a technician in a bizarre mask and even stranger devices on his hands which appear ready to penetrate The Forever People’s sentient computer. “The murder of a Mother Box!” thunders Darkseid. “I didn’t think you were foolish enough to attempt it, Desaad! This should prove amusing indeed!” Vykin’s most beloved possession is pinging in great distress. “Bear with me, great Darksied!” Desaad replies. “My technicians have labored feverishly to fashion the protective hood and killing gloves for my executioner! Now, the Mother Box is completely at my mercy — like its companions — The Forever People!

The technician observes, “The thing reacts, master! — As if it registers fear! It does have a certain claim to — life! Listen to it, master! Even as the Electro-Spikes begin to pierce it — it screams!” But suddenly there’s an explosion and the technician is thrown onto the floor! Darkseid says, “The Mother Box has vanished! They always do that!” Desaad is incredulous, “No! It disintegrated! That’s it! I’ve made it commit suicide! Ha ha ha ha ha!

And then we observe another moment in the complex relationship between the old acquaintances:

Darkseid: You crow too soon and too loudly, Desaad! Does the Mother Box vanish — or disintegrate? You don’t really know! Nor do I! A Mother Box is linked to the infinite! And made to plague us!

Desaad: Forgive me, great Darkseid! In my zeal to please you, I may have chosen the wrong subject! But I do hold The Forever People! Perhaps you might join in watching them thrash about in my net!

Darkseid: No, Desaad! I’m leaving! When one campaigns for control of all living creatures, he doesn’t stop to toy with a few!

The ruler of Apokolips then, for perhaps the only time in the series, walks among the inhabitants of Earth, a precious moment in the saga (which be related when the time comes, good friends!). Before he takes his stroll, his top sycophant gushes, “Like all great leaders, sire, you have the ‘common touch!’ Are they not your future slaves?” (I will reveal a telling thought the intergalactic gangster muses over while on his walk through the amusement park: “Darkseid is patient! He wields the power of Apokolips! Its vast resources have built ‘Happyland’ — to indulge vain Desaad! Perhaps even his cruel practices among the humans — will shake out the mind I seek!”)

Then the evil Desaad turns his attention to his colorful captives, first Mark Moonrider, encased in an “unbreakable, transparent cage.” The tormentor delights, “There! Look at Moonrider’s face! He’s beginning to break! Losing hope — ha ha ha –” and continuing, “He’s not ready yet to provide me with a proper show! He needs time to simmer — to feel his emotions tightening into a hard, squirming ball! It will be the moment before he loses all reason!”

Then it’s on to Big Bear, trapped in a “Shoot the Robot Bear” enclosure, desperately trying to escape. Desaad, unimpressed, raises a wine goblet and comments, “Until he’s reduced to a spirit-less wreck, he’s not worth watching! Forever People are rather difficult to deal with! But I shall wear them down!! Now for the girl!

Here, we come to Desaad’s supreme moment in the series, a juxtaposition of tender loveliness and the most vile corruption. In a full-page panel, with Desaad delineated with exquisite detail, his lizard-like visage expertly drawn, the villain, one hand pressed preciously to his chest, the other wielding a riding crop that he delicately, sensually traces over Beautiful Dreamer’s paralyzed and curvaceous form, has saved his finest eloquence for this very moment. “Ahhhh — My vision of beauty! — And a beauty of visions, too, I might add! A mind so sensitive that it can make illusion seem like reality! What my scrambling machine must huff and puff to produce — Beautiful Dreamer can do by mere thought!”

Then, making sure she will will remain comatose throughout the coming tribulation, Desaad explains, “And now, my dear! As your automated couch moves into the next room, we shall play with illusions, eh? The couch stops! The wall rises! And what have we? Why, it’s a glass window! But what lurks beyond it, eh? Monsters! Yes, Monsters! Grotesque! Terrifying! Real! See them! Hear them! How eager they are for that window to open!

Desaad exudes an incredibly creepy sexual interest in Beautiful Dreamer’s dilemma, seeming to look forward to watch the defenseless damsel’s ravishing by innumerable strangers: “Yes, now the window will open — and the monsters will swarm in — to whisper sweet nothings in her ear!” But the super-pervert’s pleasure is interrupted by one of his security corps. “No, master! The youngest of the captives will not cooperate! He’s the one called Serifan! We put him in the chair prepared for him! — But he struggles against us — and we have your orders not to discipline him!”

Indicating he might receive equal satisfaction by torturing boys as well as girls, instead of expressing disappointment at the abeyance, Desaad embraces his next assignment: “What? Touch that angelic boy? We mustn’t do that! Come! He will obey Desaad!” and he’s off to attend to the copy-cat cowboy’s excruciating situation. Serifan, ordered to push a foot pedal as he sits before a view screen, doesn’t understand why he is to perform for his captors.

Desaad: It will be like watching a Western movie, boy! You love Earth Western movies, don’t you? Well, in this one, you shall play the noble hero!

Serifan: W-what do you mean–?

Desaad: There! On the screen! Your good friend, Vykin, the Black sits trapped in the path of that onrushing roller coaster! It’s really happening! Quick! Now kick the foot pedal — or he dies!

Serifan: Vykin!

Desaad: Good work, boy! That kick sent his trap-chair plunging down! Out of death’s path! You saved his life!

Serifan: But, look! His chair is rising once more! It’s happening again!

Desaad: And again — and again — and again! But never fear! You’ll be here, in this chair, boy — kicking the pedal to save his life! Just don’t get tired! It could be fatal to your friend!

This is Desaad in his element, crushing the spirits of innocent, loving youth, afflicting on them horrific nightmares and hoping to inflict the vilest of damage on their precious souls. This is the time of Desaad’s greatest triumph!

Then we are, in the following issue, exposed to another of Desaad’s beloved machines, introduced by one of his faithful as we see the terrified images of each of The Forever People’s faces, “Our honored guests, great Desaad! Each registered on the Psycho-Fuge!” Confirms Desaad: “And each registering his individual reaction to the little arrangements I’ve made for them here at Happyland! The Kingdom of the Damned is a subtle concept! Happyland, the amusement park, on the outside — and behind the facade –” His voice trails off.

Minion: Your reluctant guests, sire!! Your private amusements! As you ordered — I revolve the Psycho-Fuge!

Desaad: Fine! My sensitive “Fear Siphon” is honed and ready to “receive!” Yes! They’re filtering through! The heightened emotions forced out by jolting stress! To ride those waves is an exhilarating experience! Now, as the images of my prisoners merge, so do the waves of raw emotion!! The intensity mounts!

Suddenly, in the whirling pin-wheel of frenzied fear-waves, the images of Desaad’s other captives blend in to form a horrible, grotesque mass of unrecognizable stress visuals!!

A mind-bending scene is before Desaad, an acid trip gone terribly, terribly wrong, and the great sadist is beside himself with delight: “What can equal this for joy? I find it strange that Darkseid would shun this!” But Desaad’s bliss is shortlived, as Mother Box compels Sonny Sumo to save the fantastic five and, puzzling over the stethoscopic device in his playroom of horror, Desaad is alarmed: “Something’s wrong!! My ‘Fear-Siphon!’ — It isn’t functioning!”

Minion: Impossible, sire! To neglect its care would mean to risk your anger!

Other Minion: Master! Master! The “Psycho-Fuge” has come to a halt! Its screens have gone blank!

Desaad: What kind of madness is this? Check it! Re-check it! You fumbling dolts! What’s that sound? I hear a humming sound!

The next caption reads, “In the realm of Desaad’s kind, where forces of infinite variation are harnessed for many purposes — the meaning of this one is evident!”

Suddenly, with a bone-shattering “FWOMM!” the Psycho-Fuge is rendered to metal shards, with Desaad taking the full brunt of the explosion. (Interestingly, though in previous appearances we see him with a full head of hair, albeit with receding hairline, after this conflagration, his hood blown off, the villain is almost completely bald except for his scraggly forward-comb-over, revealing an even uglier face than before!) The servant of Darkseid looks pathetic, lying on the floor, squealing for assistance, “Guards! Guards! There’s an enemy among us! An enemy with a damnable Mother Box!” As his elite corps rush to obey and help him to his feet, Desaad is furious, muttering, “If I destroy the young Forever People — Mother Box will destruct!

Mark Moonrider and the kids, with the aid of Sonny Sumo and Mother Box, rescue Beautiful Dreamer. Her boyfriend tells her, “Only a psychotic like Desaad would subject you to the stress of facing endless fright and horror!” And the professional wrestler, who combined with Mother Box possesses the much-coveted Anti-Life Equation, defeats Desaad’s massive corps of faithful servants with a mere word. Desaad’s murderous playground of evil is finished. And, suddenly, he is very afraid.

In “The Omega Effect,” after the group have destroyed Happyland, and Beautiful Dreamer worries aloud, “Desaad is almost as dangerous as Darkseid!!” and Sonny and Mother Box has immobilized Desaad’s horde, Darkseid cooly contemplates, “Fascinating!! Those young hotbloods of New Genesis have found a way to outwit us, Desaad!” Then Desaad sputters a reply, “Sumo without mind stimulation from the Mother Box can’t use the Anti-Life Equation!! But if they confront us at this moment — even we can become its victims!!! Stop them, sire!!!”

Darkseid: I shall, Desaad!! I shall! But don’t think I shall overlook your cowardice!! Then, all tormentors are notorious for that trait!!

Desaad: How can you say that, noble Darkseid!! My powers are vast, but — but they’re in the realm of technology! Sumo wields the ultimate weapon!!!

Darkseid: Boldness, Desaad!! Risk!! The raw meat of existence!!! I shall strike with these!! — and the Omega Effect!!!

The Master of the Holocaust proceeds to zap the team, Sumo included, but leaves the youngest member untouched, much to his henchman’s dismay. “And now the youngest, Darkseid! Now him!” The ruler is unmoved. “No need!! The threat to us — has passed!!” Desaad is aghast, screaming in his leader’s face, “What!!?? You would leave such a dramatic experience incomplete? No, sire, no!”

Darkseid: I regret to say this, Desaad!! But I don’t have the stomach for your kind of pursuits!!

Desaad: But Serifan should share the fate of the others!! And they no longer exist!!! — Ugh!!

With that audacity, Desaad is literally slapped down to the floor by Darkseid, calmly telling the victim of his open hand, “I do no more than what has to be done!!” And, standing amongst the ruins of an inflamed Happyland, Darkseid seeks to comfort his longtime ally. “Don’t fret, Desaad! We’ll attain our goals without complete victories — or defeats!! See what a fine spectacle misfortune provides for us!! Have we truly lost, Desaad — when the power and resources of Apokolips are barely scratched!!”

Desaad: When great Darkseid finally attains the true Anti-Life Equation — and commands all life with a word — he will not forget the trials of poor Desaad!!!

Darkseid: On that day, old friend — a million slaves shall build a thousand more Happylands for you to play in!!

With that promise of glorious distractions to come, Desaad ends his run as the central villain in the Forever People saga, though he does appear again in “The Power” and in the team’s final story. And in the former tale, Desaad still tempts his master, telling Darkseid after they masqueraded as “The Sect” and, yet again, the heroes’ escape, “But somehow I feel you’ve spared The Forever People again!” Darkseid shrugs, “Greatness does not come from killing the young! I’m willing to wait until they grow!!”

Rest assured, though, Desaad is witness to Darkseid’s final victory over The Forever People, as he observes the team’s permanent exile to the planet Adon. No doubt Desaad would have preferred a more slow and agonizing ending for the new-agers but they are now out of his sparse hair for good. When next we find mention of Desaad, it is in Mister Miracle, where we are introduced to a Female Fury with a striking resemblance to Darkseid’s right-hand man: Desaad’s sister Bernadeth, wielder of the lethal Fahren-Knife, which cooks her prey on the inside! Hot stuff!

In the seminal “origin” story, “The Pact,” Desaad may not rate an appearance, but mention is made as a weapons-maker and personality. After Darkseid appears to inflict a killing touch on Izaya the Inheritor courtesy of the Desaad-designed Killing Glove, uncle Steppenwolf tells the ambitious godling: “It appears strange to me that this friend of yours, who thrives on living victims — would produce a device which kills with such speed!! I don’t trust you, nephew! — or your bizarre companions!”

Call it a showdown, if you’d like, as “Darkseid and Sons,” the final issue of the regular New Gods series culminates not only in the death of one of Darkseid’s offspring but also in an old friend’s demise. It is, in this story, when we learn of the connection between Kalibak, Orion and Darkseid. Fretting over his boys’ rivalry, the Master of the Holocaust bemoans, “But destiny has always kept one from killing the other! However — in the event of destiny’s failure, Darkseid shall intervene!” Again — yet again — Desaad is spontaneously impudent, oblivious to the depths of his boss’s consternation: “But why, sire? If Kalibak proves the stronger, we are rid of that wolf Orion! Yet this logic doesn’t seem to please you! Somehow, the thought of Orion’s death stirs your fear and anger!”

Darkseid: Silence, Desaad! You go too far! Darkseid explains his motives to no one!

Then Darkseid explains the backstory of the half-brothers and, turning controlled wrath on Desaad. he gives the chief torturer a taste of his power, zapping Desaad with eye-beams: “And that little potent Omega Blast is to remind you that I know who poisoned [Darkseid’s beloved first wife] Suli! — At the Queen’s command!!” Whines Desaad as his leader stands on his chest, “I couldn’t disobey, sire! The Queen Mother disapproved of Suli! It was her decision!”

Then we learn son Darkseid had his own mother, Queen Heggra, poisoned in retaliation (and to ascend the throne of Apokolips) by Desaad, who protests, “I — I don’t like to remember it, sire — ! — How I carried your plans — for her–!”

In the titanic battle between half-brothers that transpires, Darkseid is suspicious of the origin of Kalibak’s newly-acquired powers, which appear to get the best of the fierce Orion. Rising from his chair, Darkseid says aloud to himself, “While I’ve watched this battle between combatants of equal strength, another has manipulated it for his own fiendish purposes.” Pulling apart a curtained entryway, Darkseid finds his old friend in ecstatic repose, the Fear-Siphon adhered to his throat. The King of Evil sneers, “I see you’ve enjoyed the battle, Desaad! — At the expense of the warriors!

Desaad: I — I couldn’t help it, sire! The opportunity of absorbing the emotions of Orion and Kalibak through this siphon — was too tempting!

Darkseid: I’ve tolerated you and your twisted mind too long! This time you’ve turned it against my own kin!

Desaad: I strengthened Kalibak, sire! You will glory in his victory for Apokolips! As for Orion –”

Darkseid: Orion may be dying! — Crushed by your meddling, scheming brain! — And his final agonies are coursing through you — feeding your cursed needs — ! Then feed on the greatest fear of all! — The Omega Effect! The Total Wipeout! Feed on this! — Your own last experience!!

Desaad: No, sire! No –!

The next caption reads: “Where the Omega Beams strike, there’s no life — no death — no sign of previous existence! Desaad doesn’t even have time to scream!!”

Darkseid: And this is what you are now! A small, fading patch of light — soon to vanish from sight! Farewell, Desaad!

Thus the angels of New Genesis rejoice! For Desaad is dead, fittingly at the hands of his beloved master. But Darkseid remains fond of his late companion — why? Who the heck knows! — and many years later, in the events of “Even The Gods Must Die,” the ruler of Apokolips laments for a simpler time when flesh ruled machines and not, in the new age of the Micro-Mark, the way it has become, as personality is losing dominance over technology. Illustrating a forlorn-looking Master of the Holocaust, a caption reads: “The eyes of Darkseid betray his strange discontent. He turns to hide his scarred ego! The ultimate flesh challenged by the ultimate metal… and yet, his approval has brought this situation into being.”

Colonel: “Change” is a combustible state, sire! It affects all on Apokolips! It stirs the lower ranks to violence. In your eyes, sire, if I may be forgiven, I see a touch of pain… or is it… loneliness?

Darkseid: I could use a friend. Desaad, perhaps. He was a strange one, but he had the gift of finding humor… where none should thrive!

Colonel: That could be a noble experiment for our machines, sire!

The colonel hands his ruler a high-tech helmet device.

Darkseid: What is that thing?

Colonel: It’s a “Brain Scanner,” great Darkseid. In your brain cells is an accurate image of Desaad! Wear this, sire, and we can track down his atoms… And, though you disintegrated Desaad in a fit of anger, I believe our machines can…

Darkseid: Silence, fool! How easily you forget the power of Darkseid! What I snuffed out… I can rekindle!

The King of Evil transmits his eye-beams to the floor.

Darkseid: See the flames of atomic life gather and expand… and busily boil to achieve “biologic symmetry”! It’s a bit of an ugly process, I admit, Colonel. Well?

Bubbling, oozing like a puddle of putrid muck, a shapeless blob starts to take form until it becomes a resurrected Desaad.

Colonel: I-if that’s your opinion, sire… I would definitely agree! If you would permit an observation, sire…

Darkseid: Yes, yes! Go on!

Colonel: Had you fed our machines the correct data…

Darkseid: I know! He would have “popped out” like fresh candy! It’s humiliating to contemplate it! Rise, Desaad!

Yes, Desaad lives again.

Desaad: I-I-I am y-your servant, great Darkseid!

Darkseid: Welcome back, old friend.

Desaad: Your powers are omnipotent indeed, sire!

Sycophantic as ever, but this is not the same Desaad, for his true essence has apparently gone to The Source and he remains a virtually empty shell of the conniving, devious, perverse master of torture he once was.

Day 81: Serifan’s Cosmic Cartridges!

Okay, let’s see: Beautiful Dreamer has the power to create illusions, Big Bear can concentrate his high-density atoms to the point of being invulnerable, Vykin has Magna-Power, and Mark Moonrider boasts the “Megaton Touch.” Now, what exactly does Serifan have up his sleeve…? Oh right, the copy-cat cowboy’s secret weapon is actually in his hat… Serifan’s hat-band, that is, which has loops to hold his myriad “Cosmic Cartridges,” each one having a specific — and often fantastic — power!

We first learn about the Cosmic Cartridges while The Forever People are setting up house at Uncle Willie and Donnie’s place, #309, as Serifan is apparently shirking work as the others haul about furniture. The youngest Forever Person is fiddling with a teevee set. Mark Moonrider says, “Why, that broken, old television set — it’s a pure representation of early, post Atomic, middle class home visuals!” Adds Serifan, staring at the idiot box, “And it shows Westerns! They’re just too much!” But Donnie is puzzled. “But how can you receive a picture on that set, Serafin? [sic] It’s a mess inside!”

“Oh, I know that!” replies the blond Super-Kid. “The service parts are beyond repair! I’m using one of these things on my hat!!” (Apparently the repair job turns a black-&-white set into a color one, because, kids, no person of lesser means could afford a color teevee back in the day… I know!) Donnie observes, “They look like shiny, silver bullets! Where did you get them?” Taking what looks like a bullet from the loops in his hat band, Serifan replies, “Our point of origin — Supertown — a part of New Genesis — These are sensitizers, probes, — receivers and such — We call them Cosmic Cartridges! They’re sensitive to the universe — to its largest and smallest limits — Here — hold one!” (First one’s always free, kid… heh-heh…)

Donnie admits, “I’d rather hear more about Supertown and New Genesis! — But I’ll try this –!!” Taking a capsule in his hand, the object glows. “I-it feels warm — like it was alive! — Like it was me! — And I-I’m everywhere at once –” Suddenly the boy is having a mind-blowing experience, perceiving the infinite expanse of the universe. “I-I see — everything — and everything moves — and makes a kind of beautiful noise –” Serifan offers, “Harmony is the word, Donnie! — You’re listening to — All there is!

Now, that’s just about as close as mainstream comics ever got to depicting an LSD trip in 1971! (And a tripping pre-teen, no less!) Talk about far-out! So we got a cartridge that will make us one with all existence; how about the other Cosmic Cartridges? Let’s take a sprint through the books and see the different varieties (and note, of course, I’ve made up the names of said items):

    Stun Power Cartridge (which Serifan vainly attempts to use against Desaad’s guards in Happyland)

    Integration Substitution Cartridge (used to start the damaged Justifier Aero-Van during Serifan’s escape from Happyland — “One of my Cosmic Cartridges can do the job!!! It will attune itself to the principle that powers this vehicle! It will integrate with the damaged mechanism and substitute for its function!!”)

    Pattern Signal Cartridge (utilized to have Super-Cycle, which is in self-defense mode, recognize Serifan as a “friendly” — “I’ll have to count on my Cosmic Cartridges to spell out my individual pattern –!! Its signals will register on the cycle’s computer!!”)

    Atom-Shield Cartridge (serves to repel zealots during attack — “Even as the Justifier’s weapon fires, the Cosmic Cartridge generates a shield of atoms — strong enough to repel the shot and cause it to rebound on the attacker!”)

    Mod Couturier Cartridge (creates a hip new ensemble for Beautiful Dreamer, leather fringe and all, by “atomically” re-shifting her original pagan dress get-up!)

    Life-Force Cartridge (reanimates life of the “Monster in the Morgue,” after Doc Gideon steals it and tapes the cartridge to his dead creation’s forehead, makes Miss Trixie’s dolls dance and given to Deadman, the super-poltergeist, for “it will be the heart and motion of your new form!” — “Of course, the cartridges are mostly functional! But this little-used blue has a strange link with the infinite! It transmits something I can only term as a ‘life-force!’ See how it animates those dolls! I’ve trapped this force! But I haven’t satisfactorily traced its origin!”)

    Solid State Energy Cartridge (able to cap a leaking gas-line — “This night is a busy one for my Cosmic Cartridges!”)

    Atom-Compactor Cartridge (makes Deadman, a ghost, fully visible — “This cartridge will compact the few atoms that still cling to you! For a fleeting moment — you will feel reality! We shall see you as you are!

    Glass Cutter Cartridge (able to cut through inches-thick steel-hard glass)

    Heat Induction Cartridge (thaws out a frozen Deadman)

    Heavy Gravity Cartridge (engaged to incapacitate Devilance the Pursuer — “A surge of heavy gravity energy leaps from the cartridge and envelopes Devilance! His weight increases tenfold and he topples forward!”)

    Shock Repelli-Field Cartridge (protects Serifan from exploding Thermo-Bolt Machine (and could be the same as the aforementioned Atom-Shield Cartridge) — “Don’t be alarmed, Big Bear! I’m encased in a shock-repelli-field!! The Shield has dissolved into free atoms!! It’s returned to the object in my hand! A Cosmic Cartridge, you big humbug!”)

It’s telling, I think, that Jack depicts Serifan handling his Cosmic Cartridges as if they were pistols on the cover of FP #7, seemingly ready to fire on the Justifiers attacking him! The kid would have loved to have seen such a heroic old Western pose as Jack drew… And adding up the number of cartridges here, that makes 12, enough for two six-shooters! So, Serifan is a rootin’-tootin’ six-Cosmic Cartridge shootin’ real cowboy, hombre! Cool beans!