The omnipresent, cold and calculating Metron is the Eve of the Eden called New Genesis, he who has bitten the forbidden fruit of knowledge and seeks answers, whatever the expense, regardless of consequence, to his all-encompassing curiosity. He, the master of time and space and infinity, rides the cosmos and timeways of existence on his Mobius Chair, a miraculous, wondrous vehicle that can materialize on Apokolips, in space, at the very edge of the universe, all in the wink of an eye at Metron’s slightest whim. “Luckily for you,” he tells Lightray, “I am everywhere when needed!”
His loyalty is not to Highfather but to the pursuit of knowledge, and Metron is willing to compromise the very survival of his home world, New Genesis, if Apokolips can help in finding the answers he desires. At worst, you could call him a traitor, a “supreme” meddler at best, but Metron sees himself in the loftiest of terms, justifying his cosmos-shaking intrigues by saying he is a seeker to questions about the ultimate power, The Source. Metron is delusional in believing himself a mere humble scientist.
We’re never quite sure of Metron’s motives as he influences events at key moments in the Fourth World saga. He appears, usually, to be an ally of Orion, Lightray and company; but when the backstory of the epic is revealed, we find the seeker maneuvering players and events that portend cataclysmic repercussions. Frankly said, Metron is a schemer who manipulates people and events to serve his desires, not so unlike his professed mortal enemy (and sometime ally), Darkseid.
Metron is the great inventor (if not the visionary) of both New Genesis and Apokolips, having first developed the “Matter Threshold,” which physically links the two worlds and was later refined as the Boom Tube. He is also incisively involved in seeing prophecy fulfilled, serving as a spirit who prods the son of Highfather at pivotal moments in the life of young Scott Free.
It is obvious that this decidedly non-physical character — his furrowed brow gets the most exercise in this saga (I mean, he sits on his skinny fanny for most of the duration!) — was an essential actor when Jack was planning the opus, given the fact Metron was one of the few characters featured in the artist/writer’s initial presentation to DC. And Mr. Kirby did use the Master of the Mobius Chair for a number of critical moments in the series:
Early in the days of the “Great Clash,” Metron tries to seize the X-Element from Darkseid’s grip and we learn of the Master of Time and Space has been less than loyal to his native world, as the stone-face villain says, “On my conditions do you obtain it, Metron!! You recall our ‘private’ meetings!?” And despite the fact Metron knows the armies of Apokolips will invade New Genesis “in the wink of an eye” if he follows Darkseid’s orders to create the “door to anywhere,” the Matter Threshold, all the seeker cares about is obtaining the “unobtainable” X-Element to build his Mobius Chair.
At this infamous occasion, Metron declares his individuality to Queen Heggra and her son Darkseid: “I have no link with the old gods — or new!! I am something — different! Something that was unforeseen!! — On New Genesis — or here!!”
And Darkseid knows what is in store for those who employ this cosmic double agent: “You’ll betray us all in time, Metron!”
Metron also takes a keen interest in seeing the son of Highfather, young Scott Free, run away from Apokolips, fulfilling Darkseid’s scheme to provide a catalyst to break the Pact and thus renew open conflict — only now a wider Super-War, this time involving Earth — with New Genesis. But while the Master of the Holocaust intends for Scott Free to be killed in the escape attempt, this Master of Elements and his oft-collaborator Himon, the Master of Theories, see that the Mister Miracle to-be flees via Boom Tube and arrive on our planet, safe and sound. (Or is Metron merely an observer… hmmmm…!)
(It’s important in noting, too, that Metron comes to young Scott Free at important intervals during the lad’s nightmarish servitude on Apokolips, appearing as a haunting apparition to prod the boy to have courage and eschew the brainwashing in Granny Goodness’s orphanage — to believe in his own individuality… To be Scott Free and find himself…)
It’s difficult, also, not to see Metron as also a supreme believer in destiny, as the character appears time and time again to help his New Genesis brethren to escape their own predicaments: Metron delays the confrontation between Orion and Kalibak the Cruel, in the half-brothers’ first meeting as adults (quite probably to keep Orion in the dark, until the opportune moment, about his own direct lineage to Darkseid). And immediately thereafter he explains the Apokoliptian threat not only to their home world, but to Earth and the entire known universe, to comrade Orion.
In a memorable exchange, Orion lays out differences between the two new gods. “I feel! I anger! I fight! — and you — You are like your cold machines!” declares Orion the Mighty. Metron cooly replies, “I serve life in my own way! What there is to know — I wish to know! My knowledge is my power! Time and space is my domain!”
Metron goes on to hint at his contribution to recent events: “When the old gods died, their bridge to Earth was destroyed! It was I who found the way to create what our young ones call the Boom Tube!” By his own machinations, Metron brings the threat of Darkseid to our unsuspecting, innocent sphere, leading one to wonder just why is the seeker boasting about reuniting gods with humans…
When Lightray is threatened with the final touch of The Black Racer, the bringer of death to the new gods, Metron intercedes by deflecting the cosmic skier to Earth, thereby igniting yet another chain of events, some not so good!
A bit later on, Metron takes on the youngest new god, Esak, as student and travels the corridors of space and time to teach the boy, instilling in Esak a similiar unrelenting thirst for knowledge, one that just might have ferocious consequences at the grand finale of our epic.
We may not quite understand Metron’s motives at any given interval. His ally Orion raves, “For a scrap of knowledge you would sell the universe into slavery!” (To which, the seeker replies, “Who runs the universe matters not! What makes it run is my prime objective!”) He has a deep and abiding relationship with Himon of Apokolips, one that influences the overarching course of events. It is a collaboration we’ll discuss in detail later…
Most of all, perhaps, Metron is the embodiment of absolute conceit and self-aggrandizement, possessing a supreme lack of humility as he believes he is entitled to become privy to answers about the greatest mystery of eternity: the secret of The Source. “What wouldn’t I give to possess the knowledge of the ‘Source’!” In his Mobius Chair, he travels to the Final Barrier, confident he can accomplish what the Promethean Giants could not, and penetrate into the realm of infinity to discover the secret of life itself. In the end, Metron, “the seeker and wielder of cosmic knowledge,” may prove to have been the greatest, most ignorant fool of all.