When we first established the Jack Kirby Museum and Research Center in 2005, it was intended, as our mission statement illustrates, “to promote and encourage the study, understanding, preservation and appreciation of the work of Jack Kirby.” Being a true bootstrap enterprise, a “brick and mortar” presence for the museum was not necessarily practical or an immediate concern, despite our desire to see it happen.
But – whenever we set up at comic book conventions or attend any event, we’re always asked the crucial question: “Where is the museum located? I want to visit!” It’s a question we’ve fielded via snail mail, telephone, email, tweet, and Facebook, and one we’ve decided to finally tackle head-on.
Summer 2011 should have witnessed an explosion of interest in Jack Kirby and his legacy. Three feature films were released between May and July featuring characters that Jack created or co-created (Thor, X-Men, Captain America, and most of their milieu). As of this writing, those films have combined to capture more than $1 billion in box-office receipts – this is in addition to the revenue generated through advertising and licensing. Clearly, millions of people know Jack’s characters and stories. His original work on these characters continues to be reprinted and spotlighted as the genesis of these multi-million dollar properties, and Jack’s art is reaching thousands of new fans every day.
So, why is Jack Kirby still a secret?
As a potential answer to that conundrum, I’ve spent some time this summer with the Museum’s new volunteer assistant director Michael Cecchini scouting locations near where Jack grew up on New York City’s Lower East Side. When Kirby lived there, the Lower East Side was a hellish ghetto that he moved his family out of at the first opportunity. Now it’s one of Manhattan’s most interesting neighborhoods; there are shops, restaurants, clubs and galleries.
Our intention is to set up a temporary, or “pop-up,” brick-and-mortar location for the Jack Kirby Museum. We think the perfect opening time would be during New York Comic Con in October and have it run through the end-of-year holidays to the next January. The ideal size for this purpose is between 800-1,200-square-feet, and would feature original artwork, artifacts from Jack’s life, prominent guest speakers, educational programs and installation pieces inspired by and celebrating the unique work and life of Jack Kirby.
A space like this dedicated entirely to the life and work of Jack Kirby would be equally appealing to seasoned art patrons, pop-art connoisseurs, casual fans, tourists, and families. Successful implementation of this pop-up museum will allow us to pursue the ultimate goal of a PERMANENT space for the Museum in the near future.
Again, nothing like this has ever been attempted. And, in order to make this happen, we need funding.
This is where the Kirby fans come in. If you are a Kirby Museum member in good standing, know that your membership dues have helped us get to this point, but our trustees have required that we fund this exciting project independent of your membership fees. So, please, if you’re considering joining up, we’re happy for your support, and the same membership premiums apply. But if you’d like to help us attain this wonderful goal of giving the Jack Kirby Museum a home for a little while in the now-vibrant Lower East Side, please contribute specifically for that purpose using the “Brick and Mortar fund” button on this page (or just mention “brick and mortar” or “popup” fund in any payment).
We understand that trying to raise significant funds in such a short amount of time is ambitious. Our current estimate is that we’d need more than $30,000 to fund the real estate end of the project (rent, legal, security, insurance, etc.) for ten to twelve weeks. While this sounds like an awful lot of money (and… it is!), it’s really just a question of finding 1,000 Jack Kirby fans willing to donate more than $30 each! Simplistic? Perhaps. We prefer “optimistic”, though. We don’t underestimate Kirby fans. Naming and sponsorship opportunities for exhibits, publications and programs are still being developed; we welcome any discussion going forward.
Everyone who donates $20 or more will have free admission to the pop-up Museum. If you’re already a Museum Member, a donation of $20 or more allows you to bring a friend for free. Everyone who donates will get some Kirby Museum postcards and stickers (new postcards and stickers coming in time for New York Comic Con in October!).
If we don’t meet our goal in time to open this October, we’re going to press on, keep raising the funds and open the pop-up as soon as we can (just not in the cold of winter). We’re making this project a major focus of the Museum until further notice, as we realize now, in light of recent events, that by far the BEST way to open eyes and minds to Jack Kirby and his legacy is with a physical location. And in the event that the generosity of Kirby fans allows us to exceed our goal? Well, then we’ll just have to keep the gallery open even longer, or maybe even investigate a long-term, permanent lease.
Remember, the Jack Kirby Museum and Research Center is a registered 501(c)(3) non-profit cultural and educational organization, so please, before making a significant gift, you should consult with your financial, tax, and legal advisors for a thorough analysis of your individual situation and the tax consequences.
If you know anyone willing to help with this project, please point them our way. We’d be honored by your generosity and support.
Thanks for your consideration and support,
- Rand Hoppe
(as well as Mike Cecchini and the board; David Schwartz, Tom Kraft and John Morrow)





how’s this coming along?
I think kickstarter would be the way to go for sure… With the right tone to the video – a video full of kirby’s dynamic colourful art, with a passionate narrative calling fans of the King to action – it could really spread and grow. (could you use art with characters under license though?)
I think most of us who have been impacted his boundless creativity would fund it…and even more money could be raised if you could produce unique physical tokens to encourage higher level backers. Art cards or some other limited print collectible. a unique tshirt with kirby art. whatever images you could get rights to use.
Rand, we could also promote/conduct this fundraising effort at our Auteur Theory panel next month at the New York Comic Con’s Comics Studies Conference, on Saturday, October 15th from 12noon-1pm (Rm. 1B03):
THE AUTEUR THEORY OF COMICS—Comic book historian Arlen Schumer (The Silver Age of Comic Book Art, http://www.arlenschumer.com) and Randolph Hoppe (Director of The Jack Kirby Museum, http://www.kirbymuseum.org) present their theory that, just like a film’s director, not its screenwriter, is considered its true author (auteur in French), so should a comic book artist be considered the auteur of any comic book work done in collaboration with a writer (or a script in any verbal form), and is therefore a de facto co-creator and co-author, with the credited writer, of that work. Joining them on the panel discussion that follows will be editor/publisher John Morrow (TwoMorrows Publications), publisher J. David Spurlock (Vanguard Productions), Michael Bonesteel (The School of The Art Institute of Chicago) and others to be announced.
You should start a Kickstarter project. Probably would get this funded in no time!
Thanks for the suggestion! We have been considering using Kickstarter for specific artistic projects within the Museum itself.
Projects like the printing of a large replica of one of Kirby’s comics, or the exhibit about his life come to mind…
An interesting idea. My feeling is it would be nice to see a coordinated effort between all parties currently holding what might be called “The Kirby papers” resulting in the selection of a single university library to archive the currently fragmented collections.
At present this would involve the Kirby estate, Mark Evanier, The Museum, John Morrow, Ray Wyman, and possibly others.
We’re a Museum and a Research Center, Pat. (Although, in retrospect, perhaps “Resource” would have been a better term than “Research.”) We’d like to get to the point where we are able to archive more papers than we do currently. We have nine boxes of paper archives that an archivist with experience at the Library of Congress has examined and said they were being acceptably stored. Only a few boxes are cataloged, though and the rest have been only slightly organized. With resources and time, we know what we have to do to bring these archives to a much better state. If the Museum would grow, it would be nice to be able to devote some resources to coordinating an effort between all the parties you mention.
Fumetto’s 2010 “The House That Jack Built”, curated by Dan Nadel and Paul Gravett in Lucerne, Switzerland, is certainly an inspiration for this project. Lucerne has a building filled with Picassos, which they took down and replaced with Kirby.
The current President is a comics fan. It wonder how much he might contribute for a potential 1000 votes!
Great idea, now make up some t-shirts and handbags to hock at the shop — just in time for the holidays!
Indiegogo is similar to Kickstarter and is also a very good place to raise funds.