{"id":463,"date":"2006-10-06T23:27:49","date_gmt":"2006-10-06T23:27:49","guid":{"rendered":"\/\/kirbymuseum.org\/blogs\/simonandkirby\/archives\/463"},"modified":"2006-10-06T23:27:49","modified_gmt":"2006-10-06T23:27:49","slug":"the-art-of-joe-simon-appendix-3-daring-mystery-comics-3","status":"publish","type":"post","link":"https:\/\/kirbymuseum.org\/blogs\/simonandkirby\/archives\/463","title":{"rendered":"The Art of Joe Simon, Appendix 3, Daring Mystery Comics #3"},"content":{"rendered":"<p><img decoding=\"async\" id=\"image461\" title=\"Daring Mystery #3\" src=\"\/\/kirbymuseum.org\/blogs\/simonandkirby\/wp-content\/uploads\/sites\/2\/2006\/10\/DaringTrojak3p01.jpg\" alt=\"Daring Mystery #3\" \/><br \/>\nDaring Mystery #3 (April 1940) Trojak by Joe Simon<\/p>\n<p>Joe Simon created the Trojak feature in <a href=\"\/\/kirbymuseum.org\/blogs\/simonandkirby\/archives\/236\">Daring Mystery #2<\/a> (February 1940) under the alias of Gregory Sykes. He continued to work on Trojak in Daring Mystery #3 (April 1940) but this time signing with his real name. Many of Joe&#8217;s mannerisms show up in this story, in particular his method of combining eyebrow and eye as a single angular form. There are differences between issues #2 and #3, particularly in the natives. The natives in DM #2 were clearly swiped, they are similar to some aliens from <a href=\"\/\/kirbymuseum.org\/blogs\/simonandkirby\/archives\/226\">Silver Streak #2<\/a> (January 1940). It is not clear if the natives in DM #3 are swipes or not. As shown in my series The Art of Joe Simon (and certainly well known by many comic historians), swiping was a common technique used by Joe. So although I cannot point out any obvious examples in this story, that does not mean swipes were not used. Joe may just have done a better job integrating them into the story. I do believe we can confidently say that the large tiger head of the splash was copied from somewhere. Still Joe did a marvelous job on it and it is another example of Joe&#8217;s fondness for oversize figures and floating heads.<\/p>\n<p><img decoding=\"async\" id=\"image462\" title=\"Daring Mystery #3\" src=\"\/\/kirbymuseum.org\/blogs\/simonandkirby\/wp-content\/uploads\/sites\/2\/2006\/10\/DaringTrojak3p10.jpg\" alt=\"Daring Mystery #3\" \/><br \/>\nDaring Mystery #3 (April 1940) Trojak by Joe Simon<\/p>\n<p>Compared to DM #2 Joe seems to be advancing in his story telling ability. DM #3 actually contains two stories; Trojak&#8217;s efforts against a giant prehistoric beast and his fight against a Nazi army. Previously I discussed the hero slugging a villain on the cover of <a href=\"\/\/kirbymuseum.org\/blogs\/simonandkirby\/archives\/261\">Champion #8<\/a> (June 1940). At that time I attributed this to the influence of Jack Kirby. It seemed a reasonable conclusion since Joe had just met Jack and Kirby became famous for this sort of slugfest. However it seems that conclusion was not correct. Take a look at panel 2 from the page above. Here Joe provides another example of a hero&#8217;s hitting with such force that the foe ends up flying. Since DM #3 has an April cover date while the Simon Fox covers start with May, it is unlikely that Joe and Jack have met. I will be providing an even earlier example in a future post.<\/p>\n<p>I have to admit that every time I look at DM #3 I wonder if was correct to conclude that Joe was not responsible for <a href=\"\/\/kirbymuseum.org\/blogs\/simonandkirby\/archives\/443\">Daring Mystery #4<\/a> (May 1940). But when I compare them side by side I always end up convinced that despite some similarities DM #3 and #4 were not done by the same artist. In general I have no problems distinguishing Joe&#8217;s penciling for this period. But I worry that Joe&#8217;s use of swipes may sometimes end up hiding his involvement. Previously I did not attribute the covers of <a href=\"\/\/kirbymuseum.org\/blogs\/simonandkirby\/archives\/372\">Champ #22<\/a> (September 1942) or <a href=\"\/\/kirbymuseum.org\/blogs\/simonandkirby\/archives\/287\">Speed #22<\/a> (September 1942) to Simon. I felt that they did not match the style of other Joe Simon covers of the period. The Gaven signature (another Simon alias) proved me wrong. Joe&#8217;s heavy reliance on swipes for these Harvey covers (particularly for Champ #22) does seem to make it difficult to find Simon traits. So I am concerned that something similar might be happening with DM #4. I plan to make a study of these early works for features other then artistic style to see if they might help to resolve this issue.<\/p>\n<p><a href=\"\/\/kirbymuseum.org\/blogs\/simonandkirby\/archives\/237\">Art by Joe Simon, Chapter 2, Footnote<\/a><\/p>\n<p><a href=\"\/\/kirbymuseum.org\/blogs\/simonandkirby\/archives\/248\">Art by Joe Simon, Chapter 3, Working for the Fox<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Daring Mystery #3 (April 1940) Trojak by Joe Simon Joe Simon created the Trojak feature in Daring Mystery #2 (February 1940) under the alias of Gregory Sykes. He continued to work on Trojak in Daring Mystery #3 (April 1940) but this time signing with his real name. Many of Joe&#8217;s mannerisms show up in this [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[74,83,38,51,73],"tags":[],"class_list":["post-463","post","type-post","status-publish","format-standard","hentry","category-1-early","category-83","category-periods","category-serial-posts","category-z-archive"],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p3uriT-7t","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/kirbymuseum.org\/blogs\/simonandkirby\/wp-json\/wp\/v2\/posts\/463","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kirbymuseum.org\/blogs\/simonandkirby\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kirbymuseum.org\/blogs\/simonandkirby\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kirbymuseum.org\/blogs\/simonandkirby\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/kirbymuseum.org\/blogs\/simonandkirby\/wp-json\/wp\/v2\/comments?post=463"}],"version-history":[{"count":0,"href":"https:\/\/kirbymuseum.org\/blogs\/simonandkirby\/wp-json\/wp\/v2\/posts\/463\/revisions"}],"wp:attachment":[{"href":"https:\/\/kirbymuseum.org\/blogs\/simonandkirby\/wp-json\/wp\/v2\/media?parent=463"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kirbymuseum.org\/blogs\/simonandkirby\/wp-json\/wp\/v2\/categories?post=463"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kirbymuseum.org\/blogs\/simonandkirby\/wp-json\/wp\/v2\/tags?post=463"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}