{"id":453,"date":"2012-08-21T13:12:44","date_gmt":"2012-08-21T17:12:44","guid":{"rendered":"\/\/kirbymuseum.org\/blogs\/effect\/?p=453"},"modified":"2013-05-09T23:58:49","modified_gmt":"2013-05-09T23:58:49","slug":"a-1950s-kirby-comic-strip-unearthed","status":"publish","type":"post","link":"https:\/\/kirbymuseum.org\/blogs\/effect\/2012\/08\/21\/a-1950s-kirby-comic-strip-unearthed\/","title":{"rendered":"A 1950s Kirby comic strip unearthed!"},"content":{"rendered":"

A two week run on the \u201cDavy Crockett, Frontiersman\u201d daily strip\u00a0was\u00a0recently discovered in a French digest.<\/em><\/p>\n

by Jean Depelley, with Bernard Joubert<\/strong><\/p>\n

\"\"<\/a>As strange as it seems, our discovery was not made in the USA,\u00a0but in France! And the info arose from two Kirby-related investigations.<\/p>\n

First,\u00a0Strange<\/em>\u00a0comic magazine<\/a>, which I hope readers are familiar with as\u00a0Strange<\/em>\u00a0has published many Kirby-related subjects and rarities, was gathering a French Kirby checklist. This checklist isn’t as huge as the American one, but it is quite big nonetheless! So, with publisher Reed Man and a couple of contributors (including Jean-Michel Ferragatti, Fran\u00e7ois Soulodre and Dominik Vallet), we had been searching for Kirby art in the enormous number of comic magazines that had come out in France since the end of World War\u00a0Two. Quite a task! But we expected that even if we made interesting finds, none would surprise the American Kirby followers.<\/p>\n

The second event leading to the discovery was the release of the documentary film,\u00a0\u201cMarvel 14: Superheroes Vs. Censorship<\/a>\u201d, which Philippe Roure and I directed, explaining why Marvel\u00a0comics were banned by Communists and Catholics in France in the early 1970s.The film features Kirby by analysing Marvel\u2019s successful style. Philippe and I were attending L\u2019Etrange Festival<\/a>, a famous movie festival where the film had been scheduled to be screened.\u00a0The producers of the festival also invited the people interviewed for the documentary, so our friend Bernard Joubert, a noted comics historian and editor, was present at the show.<\/p>\n

\"\"<\/a>

Panel with Columbia Features, Inc. copyright notice<\/p><\/div>\n

After the screening\u00a0(which went over well with the audience, thanks!), Bernard, Reed and I had a moment to chat, and, naturally, we discussed Kirby and the checklist. Bernard told us he remembered an obscure Kirby Western that came out in the late 1960s. As we weren\u2019t familiar with it, two days later Bernard sent me the exact references of the French digest \u201cZoom<\/em>\u201d #15 (October 1968, published by Jeunesse et Vacances), and its content. The Kirby piece in it was a Davy Crockett story. Naturally, I associated it with the comic book series published in Harvey\u2019s\u00a0Western Tales<\/em>\u00a0#31 and #32 (October\u00a01955 and March\u00a01956). But Joubert was not convinced: \u201cNo, I really think it was a daily strip. It reads like one\u2026 Kirby just took over someone else\u2019s strip for a while\u2026 There is a copyright to a syndicate\u00a0and some dated credit boxes.\u201d<\/p>\n

\"\"<\/a>

McArdle & Herron dated credit box<\/p><\/div>\n

\"\"<\/a>

Harvey’s Western Tales featuring Davy Crockett, 1955 & 1956<\/p><\/div>\n

\"\"<\/a>

Original art for page one of “The Legend of Davy Crockett and the Missing Bullet Hole” Western Tales 31, October 1955. Scan from the Kirby Museum’s Original Art Digital Archive<\/a>, courtesy of Vince Oliva.<\/p><\/div>\n

Next Bernard emailed me some scans of the aforementioned story and wrote: “Here are the 14 pages of Kirby art as well as pages before and after Jack\u2019s run. They are all copyright Columbia Features Inc. You\u2019ll notice the change of artists in the middle of the story and the dated credit boxes which clearly identify it as a daily strip. It seems unlikely the French publisher put a comic book story right in the middle of a continuing strip. This is certainly the US \u201cDavy Crockett, Frontiersman\u201d daily strip by McArdle.\u201d<\/p>\n

\"\"<\/a>

Zoom #15, October 1968 and Zoom Album #4,
which contained #15,
published by Jeunesse et Vacances.<\/p><\/div>\n

Finding\u00a0a copy of \u00a0Zoom<\/em>\u00a0#15\u00a0was no easy task. However, after reading it and comparing it with the Harvey\u00a0Western Tales<\/em>\u00a0stories, I had to admit Bernard was right, of course.\u00a0After a new search, here are the conclusions on this new entry to be added to the American checklist:<\/p>\n

\"\"<\/a>

House ad announcing McArdle & Herron’s “Davy Crockett, Frontiersman”, from the Spokane Daily Chronicle, courtesy of Rodrigo Baeza’s blog entry<\/a>.<\/p><\/div>\n

\u201cDavy Crockett, Frontiersman\u201d by Jim McArdle<\/a> was syndicated by Columbia Features Inc., with\u00a0writing\u00a0by France “Ed” Herron<\/a>. \u201cDavy Crockett, Frontiersman\u201d started as a daily strip in early 1955, right in the middle of the Davy Crockett craze. In fact, it premiered the same time as Harvey\u2019s\u00a0Western Tales<\/em>.\u00a0Presumably it\u00a0was cancelled in 1959, even though it is said to have been available from Columbia up to 1972.<\/p>\n

Ed Herron and Kirby were friends since their 1939 tenure at Fox.\u00a0Herron,\u00a0who Kirby credited as a co-creator of the Red Skull,\u00a0was writing for National (DC) as well\u00a0as the \u201cCrockett\u201d strip in 1957. Kirby started working at National again right after the 1957 Atlas Implosion. Perhaps Herron and Kirby reacquainted themselves at\u00a0National around then, which fostered Kirby getting the\u00a0\u201cDavy Crockett\u201d strip assignment.<\/p>\n

Kirby was\u00a0a trained artist in the genre, having already produced several westerns\u00a0(“Wilton of the West”, “Lone Rider”, “Western Love”, “Boys\u2019 Ranch”, “Bullseye\u201d), not to mention his recent work on “Davy Crockett” in Harvey’s Western Tales<\/em> comic book.\u00a0Jack had also already worked for syndicates\u00a0(Lincoln, Associated Features Syndicate, Fox) and knew how to handle daily strips.<\/p>\n

To sum up, starting in January 1957, Jack Kirby\u00a0\u201cghosted\u201d the \u201cDavy Crockett, Frontiersman\u201d daily strip\u00a0for less than three weeks. He started on a single strip on Thursday, 10 January\u2014probably as a try-out\u2014and went back to it for a 18 day tenure, from Monday, 14 January up to Saturday, 2 February. No evidence points to Kirby working\u00a0on the larger Sunday strips.\u00a0He inked the whole run, except the last three strips, which seem to be delineated by Roz. The strips Kirby worked on were not signed by Kirby, nor Herron, nor McArdle.<\/p>\n

\"32-34\" <\/a> <\/div> <\/div>
\"33-35\" <\/a> <\/div> <\/div>
\"37-39\" <\/a> <\/div> <\/div> <\/div>
\"44-46\" <\/a> <\/div> <\/div>
\"45-47\" <\/a> <\/div> <\/div> <\/div> <\/div>\n

When Jack left the assignment early February, the art was taken over by Jim Christiansen on the Monday, 4 February strip, who eventually signed it\u00a0with\u00a0Herron. A few months\u00a0later, Herron and Christiansen dropped the Davy Crockett strip for another Columbia Features Inc. property: the detective Nero Wolfe, whose daily strips and Sunday pages they produced between fall 1957 – early 1958. Kirby and Herron would later work together on The Challengers Of the Unknown<\/em>\u00a0for National.<\/p>\n

So here are some previously unknown Kirby pieces from the late Fifties. Even though it has been terribly mistreated by touch ups for the French magazine, it is still pure Kirby, inked by himself. Now it is up to American collectors to track down unaltered strips, so that we can rediscover them in all their glory!<\/p>\n

\n

Editor’s note: The above is a re-worked translation of the article Jean posted on bdzoom.com this past March<\/a>. I first became aware of this Kirby Davy Crockett work through collector and scholar Tom Morehouse almost a year ago (August 2011), when I scanned the Crockett pages and the cover of Tom’s copy of Marvelman 230 (L Miller, 1958) for future reference. Tom and I thought, as Jean originally did, that it was unpublished work for Harvey’s Western Tales.<\/em><\/p>\n

\"marvelman230_1-2\" <\/a> <\/div>
\"marvelman230_3-4\" <\/a> <\/div> <\/div>
\"marvelman230_cover\" <\/a> <\/div> <\/div> <\/div> <\/div>\n

In July, there was \u00a0further discussion of this work by a number of people on Comics.org’s GCD-Chat discussion group<\/a>, where it was pointed out that in 2002 Matthew Gore discovered and posted Kirby Davy Crockett work from Marvelman 231<\/a>. Rodrigo Baeza posted about it on his blog in July<\/a>.<\/em><\/p>\n

Jean and Bernard really cracked the case by sourcing it back to the daily “Davy Crockett, Frontiersman” strip syndicated by Columbia Features. As Jean ends his article above, let’s hope that unaltered US strips can be found.<\/em><\/p>\n

– Rand<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

A two week run on the \u201cDavy Crockett, Frontiersman\u201d daily strip\u00a0was\u00a0recently discovered in a French digest. by Jean Depelley, with Bernard Joubert As strange as it seems, our discovery was not made in the USA,\u00a0but in France! And the info arose from two Kirby-related investigations. First,\u00a0Strange\u00a0comic magazine, which I hope readers are familiar with as\u00a0Strange\u00a0has […]<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[],"class_list":["post-453","post","type-post","status-publish","format-standard","hentry","category-general"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/kirbymuseum.org\/blogs\/effect\/wp-json\/wp\/v2\/posts\/453","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kirbymuseum.org\/blogs\/effect\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kirbymuseum.org\/blogs\/effect\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kirbymuseum.org\/blogs\/effect\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/kirbymuseum.org\/blogs\/effect\/wp-json\/wp\/v2\/comments?post=453"}],"version-history":[{"count":1,"href":"https:\/\/kirbymuseum.org\/blogs\/effect\/wp-json\/wp\/v2\/posts\/453\/revisions"}],"predecessor-version":[{"id":1847,"href":"https:\/\/kirbymuseum.org\/blogs\/effect\/wp-json\/wp\/v2\/posts\/453\/revisions\/1847"}],"wp:attachment":[{"href":"https:\/\/kirbymuseum.org\/blogs\/effect\/wp-json\/wp\/v2\/media?parent=453"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kirbymuseum.org\/blogs\/effect\/wp-json\/wp\/v2\/categories?post=453"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kirbymuseum.org\/blogs\/effect\/wp-json\/wp\/v2\/tags?post=453"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}