{"id":176,"date":"2006-11-05T11:54:07","date_gmt":"2006-11-05T11:54:07","guid":{"rendered":"\/\/kirbymuseum.org\/blog\/2006\/11\/05\/realfolks\/"},"modified":"2006-11-05T11:54:07","modified_gmt":"2006-11-05T11:54:07","slug":"realfolks","status":"publish","type":"post","link":"https:\/\/kirbymuseum.org\/blogs\/effect\/2006\/11\/05\/realfolks\/","title":{"rendered":"Kirby&#8217;s Real Folks"},"content":{"rendered":"<p><a href=\"?q=gallery&amp;g2_itemId=2214\">Click here to view the Real Folks exhibit.<img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.kirbymuseum.org\/gallery2\/main.php?g2_view=core.DownloadItem&amp;g2_itemId=6856\" width=\"98\" height=\"150\" alt=\"page 14\" title=\"page 14\" class=\"g2image_float_left\" \/><\/a><\/p>\n<p>Tom MOREHOUSE writes &#8211; <br \/>\nAs a lifelong collector of Jack Kirby&#8217;s work, one of the things that I always enjoyed is the sense of reality about the universe Jack created. His fight scenes work because as a fighter himself, Jack would think about how (if he had the skills\/powers of the protagonist) he would go about taking down his opposition. While some have a problem with how accurately he drew his handguns, Jack&#8217;s weaponry &amp; machinery always looked like it should be able to do whatever he wanted us to believe it could. Another factor in conveying a sense of reality to his stories was the inclusion of recognizable &quot;real people&quot;, whether it be a world leader or just some kids he met at a convention. Jack&#8217;s universe was peopled with real folks and that&#8217;s the focus of this exhibit\/archive; to gather and document as many examples of these as possible.<\/p>\n<p><!--break--><\/p>\n<p>\nSo start pouring through your Kirby comic collections and memory banks and send the museum scans of the primary panel\/page on which the person appears along with the issue name, date, etc.. If the illustration is from some publication other than a traditional comic book, please include scans of the entire article for reference use. Be sure to identify the figure(s) in the scans. You can contact   me at <a href=\"mailto:mohavipack@aol.com\">mohavipack@aol.com<\/a>, or Rand at <a href=\"mailto:curator@kirbymuseum.org\">curator@kirbymuseum.org<\/a>.<\/p>\n<p>To start things off I&#8217;ve gathered examples from some of the more obscure and rare items in my Kirbykrypt collection as well as a couple of examples from standard comics.<br \/>\n&#8211; Tom MOREHOUSE<\/p>\n<p>\nThis exhibit\/archive is an active, ongoing project &#8211; we&#8217;ll be adding to it as we go. Click on the Captain America page above to see the whole exhibit. So, as Tom says above, contact us with your suggestions and scans.<br \/>\n&#8211; Rand HOPPE<\/p>\n","protected":false},"excerpt":{"rendered":"<p><a href=\"?q=gallery&amp;g2_itemId=2214\">Click here to view the Real Folks exhibit.<img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.kirbymuseum.org\/gallery2\/main.php?g2_view=core.DownloadItem&amp;g2_itemId=6856\" width=\"98\" height=\"150\" alt=\"page 14\" title=\"page 14\" class=\"g2image_float_left\" \/><\/a><\/p>\n<p>Tom MOREHOUSE writes &#8211; <br \/>\nAs a lifelong collector of Jack Kirby&#8217;s work, one of the things that I always enjoyed is the sense of reality about the universe Jack created. His fight scenes work because as a fighter himself, Jack would think about how (if he had the skills\/powers of the protagonist) he would go about taking down his opposition. While some have a problem with how accurately he drew his handguns, Jack&#8217;s weaponry &amp; machinery always looked like it should be able to do whatever he wanted us to believe it could. Another factor in conveying a sense of reality to his stories was the inclusion of recognizable &quot;real people&quot;, whether it be a world leader or just some kids he met at a convention. Jack&#8217;s universe was peopled with real folks and that&#8217;s the focus of this exhibit\/archive; to gather and document as many examples of these as possible.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":["post-176","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/kirbymuseum.org\/blogs\/effect\/wp-json\/wp\/v2\/posts\/176","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kirbymuseum.org\/blogs\/effect\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kirbymuseum.org\/blogs\/effect\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kirbymuseum.org\/blogs\/effect\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kirbymuseum.org\/blogs\/effect\/wp-json\/wp\/v2\/comments?post=176"}],"version-history":[{"count":0,"href":"https:\/\/kirbymuseum.org\/blogs\/effect\/wp-json\/wp\/v2\/posts\/176\/revisions"}],"wp:attachment":[{"href":"https:\/\/kirbymuseum.org\/blogs\/effect\/wp-json\/wp\/v2\/media?parent=176"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kirbymuseum.org\/blogs\/effect\/wp-json\/wp\/v2\/categories?post=176"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kirbymuseum.org\/blogs\/effect\/wp-json\/wp\/v2\/tags?post=176"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}