Please donate!
The Jack Kirby Museum is raising funds to open a "Pop-Up" Museum on the Lower East Side, near where Kirby was born and raised. Learn more here.About this Blog:
© 2006, 2007, 2008, 2009, 2010 & 2011 Harry Mendryk. Unless otherwise marked, all images are my own restorations. Further some of the images have copyrights by Joe Simon and Jack Kirby or Joe Simon alone. I am fortunate that Joe Simon has allowed me to also include some previously unpublished material. Please do not copy from this blog without permission.Pages
Categories
- 9/11 (6)
- Artists (268)
- Albistur, Jo (7)
- Avison, Al (8)
- Belfi, John (4)
- Breifer, Dick (9)
- Brewster, Ann (7)
- Burgos, Carl (1)
- Ditko, Steve (2)
- Donahue, Vic (12)
- Draut, Bill (50)
- Eadeh, Al (16)
- Gregg, George (5)
- Infantino, Carmine (6)
- Kirby, Jack (157)
- McCarty, Bob (9)
- Meskin, Mort (69)
- Morrow, Gray (1)
- Oda, Ben (1)
- Oleck, Jack (2)
- Powell, Bob (1)
- Premiani, Bruno (9)
- Prentice, John (29)
- Riley, Ken (2)
- Robinson, Jerry (10)
- Severin, John (7)
- Simon, Joe (57)
- Stallman, Manny (7)
- Starr, Leonard (13)
- Stein, Marvin (20)
- Walton, Bill (5)
- Checklist (19)
- Albistur, Joe (1)
- Brewster, Ann (1)
- Briefer, Dick (1)
- Donahue, Vic (1)
- Draut, Bill (1)
- Eadeh (1)
- Gregg, George (1)
- Infantino, Carmine (1)
- Kirby, Jack (1)
- McCarty, Bob (1)
- Premiani?, Bruno (1)
- Prentice, John (1)
- Riley, Ken (1)
- Robinson & Meskin (1)
- Severin, John (1)
- Simon, Joe (1)
- Stallman, Manny (1)
- Starr, Leonard (1)
- Stein, Marvin (1)
- Comic Checklists (20)
- All For Love (1)
- Black Magic, DC (1)
- Black Magic, Prize (1)
- Boys' Ranch (1)
- Charlie Chan (1)
- Clue (1)
- Fighting American (1)
- Foxhole (1)
- Headline (1)
- In Love (1)
- Justice Traps the Guilty (1)
- My Date (1)
- Personal Love (1)
- Prize Comics Western (1)
- Real West Romance (1)
- Western Love (1)
- Young Brides (1)
- Young Love (1)
- Young Romance (1)
- Your Dreams (1)
- Ink Checklist (1)
- Kirby, Jack (1)
- Periods (396)
- 1 Early (22)
- 2 Fox (14)
- 3 Timely (44)
- 4 DC (early) (46)
- 5 Studio (135)
- 6 Mainline (68)
- Assorted (10)
- Bullseye (8)
- Fighting American (6)
- Foxhole (13)
- In Love (16)
- Police Trap (7)
- Prize (15)
- 7 Freelance (74)
- Archie (13)
- Atlas Kirby (14)
- DC Kirby (4)
- Harvey (27)
- Prize (17)
- 8 Marvel (12)
- Assorted (6)
- Marvel Kirby (6)
- 9 DC (late) (6)
- Late (3)
- Serial Posts (139)
- Art of J. Simon (1)
- Art of Romance (41)
- Criminal Artists (4)
- Early Jack Kirby (9)
- End of S & K (1)
- Harvey Horror (3)
- It's a Crime (1)
- Kirby Austere Inking (1)
- Kirby Inkers (4)
- Little Shop of Horrors (1)
- Margin Notes (5)
- Replacing S&K (4)
- S&K Colorists (3)
- Start of S&K (12)
- Wide Angle Scream (15)
- Topic (341)
- Alternate Takes (16)
- Anthologies (6)
- Art Editing (4)
- Best of Simon & Kirby (2)
- Captain America (5)
- Comicscope (3)
- Experts (3)
- Featured Work (64)
- First Romance (1)
- Ghosting (7)
- Harvey Covers (24)
- Kirby Inking Kirby (4)
- Kirby Krackle (3)
- Kirby Or Not (28)
- Lettering (13)
- My Two Cents (7)
- Odds & Ends (128)
- Publications (24)
- Quote (4)
- Restoration (3)
- Robots (3)
- S&K Superheroes (2)
- Swiping (8)
- Wertham & Censoring (5)
- Why Comics Declined (1)
- Uncategorized (51)
- z Archive (595)
- 2006/03 (16)
- 2006/04 (14)
- 2006/05 (15)
- 2006/06 (16)
- 2006/07 (10)
- 2006/08 (24)
- 2006/09 (11)
- 2006/10 (19)
- 2006/11 (20)
- 2006/12 (14)
- 2007/01 (16)
- 2007/02 (17)
- 2007/03 (14)
- 2007/04 (10)
- 2007/05 (12)
- 2007/06 (8)
- 2007/07 (7)
- 2007/08 (8)
- 2007/09 (6)
- 2007/10 (10)
- 2007/11 (7)
- 2007/12 (4)
- 2008/01 (4)
- 2008/02 (7)
- 2008/03 (12)
- 2008/04 (8)
- 2008/05 (8)
- 2008/06 (11)
- 2008/07 (6)
- 2008/08 (12)
- 2008/09 (7)
- 2008/10 (8)
- 2008/11 (4)
- 2008/12 (6)
- 2009/01 (10)
- 2009/02 (4)
- 2009/03 (5)
- 2009/04 (8)
- 2009/05 (6)
- 2009/06 (5)
- 2009/07 (8)
- 2009/08 (6)
- 2009/09 (5)
- 2009/10 (6)
- 2009/11 (4)
- 2009/12 (3)
- 2010/01 (6)
- 2010/02 (7)
- 2010/03 (7)
- 2010/04 (4)
- 2010/05 (7)
- 2010/06 (5)
- 2010/07 (8)
- 2010/08 (4)
- 2010/09 (6)
- 2010/10 (9)
- 2010/11 (5)
- 2010/12 (5)
- 2011/01 (4)
- 2011/02 (2)
- 2011/03 (5)
- 2011/04 (6)
- 2011/05 (3)
- 2011/06 (5)
- 2011/07 (7)
- 2011/08 (5)
- 2011/09 (4)
- 2011/10 (10)
- 2011/11 (6)
- 2011/12 (5)
- 2012/01 (3)
- 2012/02 (2)
- 2012/03 (8)
- 2012/04 (3)
- 2012/05 (2)
Comic related blogs
Groups (membership required)
Web pages
Monthly Archives: August 2007
Night Fighter, an Abandoned Superhero

Mainline Advertisement from In Love #1 (September 1954)
Simon and Kirby launched their own comic publishing company, Mainline, with Bullseye (August 1954). The first issue of Bullseye ran an advertisement for the next issue, but no mention of other titles. For the next month, September, two additional titles were released, Police Trap and In Love. Like Bullseye, Police Trap ran an ad for the second issue. However inside In Love was an advertisement for all the Mainline titles. It was a diverse lineup including western, crime, romance and war comics. At this point only the Foxhole had not been released. But it is clear from the description that S&K had already decided on the theme for their war title:
BATTLE STORIES WRITTEN AS THEY ARE LIVED BY THE MEN WHO MARCHED AND CUSSED…AND DIED! HERE IS YOUR FATHER – YOUR BROTHER – AND YOUR SON, TOUCHED BY THE HAND OF WAR!
Right above the blurb the comics title is given and it is Night Fighter instead of Foxhole. Night Fighter just does not make sense as a title for a war comic. There is nothing in the blurb to suggest the comic would only be about nighttime battles.

Night Fighter, unpublished cover
Night Fighter was also the title used for a superhero proposal that Simon and Kirby came up with. The original art is known for two covers. The one whose image I show above was created by altering an unused Fighting American cover. This and the other Night Fighter cover can also be seen in Greg Theakston’s Jack Kirby Treasury volume 2. Both covers show a hero with special equipment, boots that allow him to walk on walls and goggles that permit him to see in the dark.
But the use of name Night Fighter in the Mainline advertisement and for the unused superhero is not a coincidence. Compare the logo from the unused Night Fighter covers with the one in the In Love advertisement. There is no question, both are the same design. The most reasonable explanation is that the superhero Night Fighter was originally planned as part of the Mainline lineup and was included in the first state of the In Love ad. Before In Love #1 was sent to the printers Simon and Kirby decided to replace the superhero entry of the Mainline comics with one from the war genre. They replaced the blurb in the advertisement with one appropriate for the new war title. Somehow S&K never got around to changing the title from Night Fighter in the ad. Perhaps they had not yet decided what to call the war comic and simply forgot to correct it in the advertisement by the time they decided to name it Foxhole.
Why did Simon and Kirby decide to drop the superhero Night Fighter from their lineup? With the part that Jack played in the creation of the Marvel universe as well as all the superheroes Simon and Kirby worked on during the war, it is easy to conclude that superheroes were important for the S&K team. However during the years after the war until the breakup of the studio superheroes only played a small part of the comics that Simon and Kirby produced. Stuntman and the Red Demon quickly failed during the comic book blot that followed the war. Captain 3D had an even shorter life when 3D comics turned out to just be a fad. Simon & Kirby had created Fighting American for Prize Comics just before starting Mainline. Fighting American #1 has a cover date of April which would indicate a calendar date for its release as February. In Love #1 with a cover date of September would have gone to the printers at a calendar date of May. Since their deal with Prize was to share the profits, it is possible S&K may have known the sales return for FA #1 in May and perhaps these were not as good as hoped. The only problem with this scenario is that when In Love #1 was sent to the printers it would be expected that some work may have already begun for the next month’s titles. Yet all the art that seems to remain for Night Fighter are the two unused covers. So it is hard to be sure whether or not sales figures for Fighting American affected the decision not to launch Night Fighter. Whether influence by sales figures for Fighting American or not, Simon and Kirby apparently decided the time was not right for launching a new superhero. Perhaps if Mainline had been a success they might have later expanded their line to include Night Fighter.
Posted in 2007/08, 6 Mainline, Assorted, Odds & Ends, Periods, Topic, z Archive
Tagged Jack Kirby, Joe Simon
Leave a comment
More Simon and Kirby Robots
I have previously written on some Simon and Kirby or just Kirby stories from the late ’50s linked by the subject of a giant humanoid robot (here and here). In the comments to the first post, Luke Blanchard pointed out Eando Binder’s pulp stories about Adam Link as likely inspirations for these S&K robot stories.

Marvel Stories v2 n2 (November 1940) “A Dictator for all Time” art by Joe Simon and Jack Kirby
I offer another image from the golden age of pulps. The table of contents list Joe Simon and Jack Kirby as the illustrators for the stories. Joe was Timely’s art editor at this time but this was before Simon and Kirby’s great success with Captain America. The illustration is a good model for the type of robot S&K would use in 1957 and 1958. Overall humanoid in shape, but blocky enough so that its mechanical nature is obvious.
Still unresolved is why robot stories became so important Simon and Kirby in the late ’50s.
Some Stories from The Final Issues of Alarming Tales
In a previous post I mentioned that some of the stories for the two final issues of Alarming Tales had an Atlas flavor to them. My understanding of Atlas comics of this period is limited so I would not want to over emphasize this similarity. I guess I should give some examples of these Atlas-like stories, but instead I want to comment on three stories that engage me one way or another when I read them.

Alarming Tales #5 (September 1958) “12,000 To 1″ by unidentified artist
A man sets up some sort of television or radio station deep in the jungle. He encounters an unexpected opponent to his efforts. What follows can only be described as warfare. The man uses a number of ingenious methods to defeat his enemy, but to no avail. In the end only the appearance of another target for his opponents saves the man. The hostile enemy are driver ants. The story brings to mind Alfred Hitchcock’s movie, “The Birds”. That movie was released in 1963 so there can be no relationship between this story and the film. Rather the story’s author had probably viewed a nature program about driver ants, which are also known as army ants. The writer gets some of the facts correct. The swarming of the ants and the fact that they are actually blind. The scripter does not call them army ants but he obviously must have heard the term. But the writer takes the name literally as the ants seem to act as a military unit. While reading I kept wondering if these were meant to be real army ants or whether some radioactive origin would be revealed. Would normal driver ants be expected to pause and contemplate an obstacle that the man has created? Would the male drones for the colony actually be expected to attack and destroy a radio/tv antenna? Would real ants care to reek havoc on electronic equipment? The whole story is so preposterous that it keeps you reading as you wonder what next peak of absurdity would be attempted. Because of, not despite, the peculiarities of the story I actually enjoyed it.

Alarming Tales #6 (November 1958) “King of the Ants”, art by Al Williamson
I guess one ant story was not enough, Alarming Tales #6 includes “King of the Ants”. A tropical plantation is attacked by some raiders. As a result of some gunfire our hero is accidentally showered with chemicals. He awakens to find he has shrunken to a very small size. Ants seize him, presumable for food, but after the man defeats an enemy, a beetle, the ants bring the man back to rule the colony. I wonder what the mystery food that the ants provided the man was? Perhaps it is bests not to know. Eventually the man returns to normal size while the plantation is still fighting the raiders. The hero uses a tactic he learned from the ants to defeat his human foes. The plot of a man shrinking to a small size and his encounter with an ant colony would appear in Marvel’s Tales to Astonish #27 (January 1962). The similarities of the two plots maybe significant or may just be a coincidence. Ultimately the inspiration for this plot may have been the movie “The Incredible Shrinking Man” that was released in 1957. As I remember it, that movie did not include any ants. But it was common to describe something that looked very small as ant-size so it may not have been too surprising to connect a shrunken man with ants. This story does not have any of the entertaining excesses of “12,000 To 1″ but having Al Williamson as the artist more then makes up for that.

Alarming Tales #6 (November 1958) “The Strange Power of Gary Ford” by unidentified artist
Next I want to write about “The Strange Power of Gary Ford”, another weird story. A man, Gary, finds a city in the desert where none should be. Here he discovers that he now has the ability to walk through walls and other solid structures. The man credits this to the local water, adding that the city’s citizens do not share this ability because they probably are used to the water. (I do not know what seems odder, that the man made this conclusion or that the water allows the man’s clothes to go through walls as well). The town people welcome Gary and introduce him to their ruler. Gary captures the heart of the shieks’s daughter and professes his love. But actually Gary becomes enamored with another outsider, an attractive redhead. Gary convinces her to leave with him, but not before Gary, using his power, helps himself to the ruler’s jewels. The two escape separately, Gary on his motorcycle and the lady on a horse. No sooner does Gary evade his pursuers then the city disappears and he finds the jewels have turned to sand. Gary regrets that it all was an illusion since the redhead was just the sort a girl he could have married. We next see the redhead also alone in the empty desert, also saying it was too bad it was all an illusion because she really would have liked to marry Gary. This is another of those stories so odd that you just have to shake your head go along with its goofy premise.
At the time that Alarming Tales #6 was published the Comic Code had been in operation for a few years. The Comic Code purpose was to insure that susceptible youngsters did not fall under the comic books bad influence and become delinquents. So here is “The Strange Power of Gary Ford” where the hero rewards the welcome he has received from the city’s inhabitants by leading on the sheik’s daughter and stealing a ruler’s jewels. That sounds to me like just the type of morals Comic Code was trying to protect developing minds from. Oh I forgot, the citizens of the city were Arabs, I guess that made it all right.
Posted in 2007/08, 7 Freelance, Featured Work, Harvey, Periods, Topic, z Archive
2 Comments


