Crime comics received a lot of undesirable attention during their heyday. It is generally acknowledged now that this criticism was pretty much unwarranted but at that time it accepted by most of the public. One criticism was that crime comics glorified the criminals. Again any modern reader would see that this clearly was not the case, at least for the great majority of crime comics and especially for those that had been produced by Simon and Kirby. But Joe and Jack were well aware of this criticism and so when they launched their own publishing company, Mainline, they included a title Police Trap where the focus was not on the criminals but rather on the police.
Mort Meskin was one of the “usual suspects” of artists that contributed frequently to Simon and Kirby productions. He not only arrived in the studio in time to provide art for some of the crime comics produced by Simon and Kirby but he also continued to supply art for the titles even after they were no longer put together by Joe and Jack (Criminal Artists, Mort Meskin). However this would be the only piece that Mort drew for Police Trap. In fact Meskin typically prolific output seems to have decreased greatly at about this time. He would continue to supply work for the Prize romances but very little for any of the Mainline titles.
“Usual suspect” Bill Draut drew and inked “Masher”. Draut is most famous for his romance art but he does a fine job on this story. This is probably the most unusual story of this issue and certainly my favorite. The main protagonist is a female police officer. On a personal note my great grandmother was one of the earliest female detective of the New York Police Department. Unfortunately I know very little about her career but among other things she was used as a decoy. She was not very tall but when it came time to apprehend someone she would hold on to them so tightly that the suspects would be unable to escape before her backup arrived to secure the arrest.
John Prentice was also a regular contributor to Simon and Kirby productions which means this issue of Police Trap has all the usual suspects. Prentice first work for Joe and Jack appeared in a May 1951 issue of Young Love and he continued to provide art up until the end of the Simon and Kirby studio. John was used primarily for romance comics but he did provide some art for Black Magic. Unfortunately Simon and Kirby were no longer producing crime titles at the time of Prentice’s first appearance but John did so some really nice work in the crime genre prior to that. So “Beer Party” marks a much appreciated return of Prentice to crime. With some nicely handled action and such beautiful art, what is not to like? I particularly love the splash panel. Nobody appears in the splash but it still is a marvelous portrait. Missing plaster and cracked walls show how run down the police station has become. If anything the minimal decorations seem make the room even more depressing. The title captions talks about a shindig but obviously this was going to be a rather small affair. But could you image having a beer party inside a police station today?
At this time Simon and Kirby were producing four Mainline and four Prize titles. Most of the titles were bimonthlies except for Young Romance and Young Love which were monthly. I suspect producing these titles and running Mainline required a lot of effort for both Joe and Jack. The amount of art that Kirby penciled seems to have dropped and his only contribution to this Police Trap issue was the cover. Further artists new to Simon and Kirby productions make their appearance. One such artist provided the art for “The Grafter”. I cannot claim to be very excited about art but he did an adequate job.
Police Trap #1 (September 1954) “The Beefer”, pencils and inks by Joaquin Albistur
I have recently discussed the part that “The Beefer” played in relationship to the pinup used in Police Trap #2 (The Police Trap Pinup). This story and two others that appeared in Young Romance and Young Love marked the first appearance of Joaquin Albistur in the Simon and Kirby studio. Most of the artist that appeared during this period made rather limited contributions to Simon and Kirby productions but Albistur would provide much work for the relatively short period that he was employed by Joe and Jack (13 months).