Category Archives: 2007/07

Year of the Robots

Generally speaking robots did not appear often in Simon and Kirby productions. But for some reason S&K produced three stories about robots over a single year towards the end of their collaboration. Actually I am doing a bit of a stretch when I say that. It is not clear that it is a robot in one story, “Gizmo”, but it sure looks like one. Another story is an early Challengers of the Unknown and although Joe Simon help create that team it is uncertain if he had anything to do with the initial stories.

SPOILER ALERT: I will be discussing stories below including their endings. so do not proceed if you have not read these yet but still want to.

Black Cat Mystic #58
Black Cat Mystic #58 (September 1956) “Gizmo” page 3, art by Jack Kirby

The sudden appearance of the large Gizmo brings terror to a small family. Neither the walls of the house or bullets will stop it. In the end the family’s baby puts an end to Gizmo’s destruction, he was only looking for someone to play with. The arrival of an even larger version showed that Gizmo was just a baby. As I discussed above, Gizmo may not really be a robot. In fact the boy describes him as a man from Mars. But clad in metal he sure looks like a robot and we do not learn he is a baby until the end of the story. After all how could a baby robot possibly grow?

Showcase #7
Showcase #7 (April 1957) “Ultivac Is Loose” page 4, art by Jack Kirby (from DC Archives)

An evil scientist creates the ultimate machine. Unfortunately for him the robot escapes. It is the Challengers of the Unknown team to the rescue! Except a beautiful scientist seems to be the one that convinces Ultivac that he need not fear humans. A meeting is arranged with the leaders of the world where Ultivac promises to help mankind solve many of their problems. But up springs the mad scientist who destroys Ultivac rather then lose his creation. Ultivac can still be used as a computer but is no longer sentient.

Alarming Tales #2
Alarming Tales #2 (November 1957) “I Want To Be a Man” page 1, art by Jack Kirby

A scientist’s advanced computer develops consciousness. To keep Fabiac happy, the scientist makes him a robotic body. This ploy works until Fabiac sees himself in a mirror and realize he never will be human. Gee you would think he would just look at his hands and see something was not right.

There seems to be a common threads to these stories. In all of them the robot is very large and only marginally human in shape. This was done to make so that their fearsome appearance would belie their true nature. In all three stories it turns out that the robot does not truly want to hurt anyone. In two of the stories the robot wants to help mankind, but that help is ultimately lost.

The robot for the last two stories have similar names; Ultivac and Fabiac. These are take-offs from the names of two very real computers. ENIAC (Electronic Numerical Integrator And Computer) was completed in 1946. UNIVAC (UNIVersal Automatic Computer) was first released in 1951. These were very significant and widely reported developments. By the time these stories appeared, UNIVAC cost about a million and a half dollars. That is a lot of money even today (50 years later) especially since the computer may only have had 60 kilobytes of memory.

I have no idea what was the source that sparked these robot stories. Part of the explanation was that S&K stories had gotten substantially more science fiction based at this time. Still it is likely that something in particular inspired this effort. I do not think it was the movies. “The Day the Earth Stood Still” (1951) had a large robot but it was not nearly as large or “roboty” as in these stories. “Forbidden Planet” (1956) had a sufficiently convincing robot but it was neither large nor threatening. I suspect the source was some science fiction pulp or book that Jack and Joe had read.

Posted in 2007/07, 7 Freelance, Harvey, Periods, Robots, Topic, z Archive | 3 Comments

Jerry Grandenetti and Sandman

Original Art
Sandman cover rough by Jerry Grandenetti

Some time ago I received an email from Kris Brownlow asking if I knew anything about a Sandman cover drawn by Jerry Grandenetti. Kris thought he remembered seeing it on eBay in the late 90′s. Unfortunately I knew nothing about the cover nor was Kris able to find anyone on various comic lists who knew anything either. When I asked Joe Simon he confirmed that Jerry was involved in the early stages of the Sandman proposal. That tantalizing state was were things remained until recently Kris stumbled on a printout that he had made, and forgotten, of the original eBay image. I would like to thank Kris not only for the scan of the printout he provided but also for his diligence in uncovering this fascinating piece of comic book history. I have done some Photoshop adjustments of the scan, but because it is a second generation copy of what was probably a poor scan to begin with, there was a limit to what I could do.

Both Kirby and Simon were working for DC in the early 70′s. Jack’s New Gods titles had not been as successful as hoped and DC had him doing other things such as Kamandi. Joe’s DC work was more on the lines of a creator, writer and editor. The art for Joe’s books was done by others, including Jerry Grandenetti. Since Joe’s titles would last only a few issues I would hazard a guess that his books were not big sellers. It must have seemed obvious to Carmine Infantino to try re-uniting the Simon and Kirby team. Perhaps with a bit of arm twisting, Carmine persuaded Jack. So after many years of working separately, Joe and Jack produced Sandman. The comic seemed to sell well enough but Kirby had his own personal goals which did not include turning back the clock to a long past working relationship. More issues of Sandman would follow and Jack would contribute covers and eventually some story art, but he would do so without Joe’s help.

Original Art
Unpublished Sandman cover, pencils by Jack Kirby and inks by Joe Simon.

Joe Simon inked a version of the Sandman cover drawn by Jack Kirby. Perhaps because of Joe’s use of crosshatching (which DC staff derogatorily called hay) or because of the liberties that Joe took (such as rounding off of finger tips), this cover was never published. But it does stand as an intermediate state between Jerry’s version and the final published cover. Kirby must have seen Jerry’s rough, or perhaps some other intermediate layout that we do not know about, because Jack keeps a couple figures. Most notable is the machine headed guy on the left in both versions. The pose of the legs of a scaling demon on the second state is similar to a larger figure higher up on the page in Jerry’s sketch. Jerry had a number of serpents on the left side which was reduced to a single one in the Kirby/Simon cover.

The above similarities were unchanged in the final published state. But there are other features shared between the Grandenetti and the Kirby/Simon versions that did not survive to the final cover. Both have the Sandman logo looking like it was made of stone. The logo in both sits on what looks like a swirling river. This river sweeps down from the right to the left but in Jerry’s rough, though not the Kirby/Simon art, the river turns back in to form part of the divide between the nightmare world and the sleeping boy. Both early states seem to have a mountain formation the immediate right of the end of the logo.

On the Grandenetti version the Sandman declares:

Come see what I dreamed up for you!

This was modified slightly for the Kirby/Simon art:

Come See what I’ve dreamed up for you!

The text was again altered slightly in the published cover to:

Come see what weirdies I’ve dreamed up for you!

Other features are only found in the initial Grandenetti state. Such as the text that also separates the nightmare scene from the sleeping boy. Or the hand raising up from the river holding a doll. There are other figures but with the poor quality of the scan of Grandenetti’s drawing it is hard to make out what some of them represent. The most dramatic change was made to the Sandman. In Jerry’s rough the Sandman is easy to overlook standing on the right among all the chaos. With the second state the hero becomes front and center with the exaggerated perspective that Kirby so favored.

Sandman #1
Sandman #1 (Winter 1974) art by Jack Kirby

Except for the inking, the published cover is not very different from the rejected Kirby/Simon version. The rock formation logo has been replaced with a more modern and sleek version, but otherwise keeps the overall form. The flowing water and mountain have been completely eliminated.

Since we have three versions of the Sandman cover, are there more? Joe’s collection includes two copies of the Kirby/Simon state. These copies do not differ significantly in layout from the second state and I believe they were actually made years later. The published comic has a job number of SK-2 so what was SK-1? Very likely SK-1 was the Kirby/Simon version. I have seen on a couple occasions the original art of another Sandman cover rough purportedly done by Joe Simon. On that example the drawing is very amateurish and was certainly not done by Joe. Who knows, maybe there are more Sandman covers out there?

Posted in 2007/07, 9 DC (late), Alternate Takes, Topic, z Archive | Leave a comment