Daily Archives: March 6, 2005

Rawhide Kid #84 [1971]

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A trio of Kirby reprints from RAWHIDE KID #27 (1962) in this issue. Not sure of the inking, the first two look a little different from the usual Ayers (who the Kirby checklist has inking the last story), but I’m hardly an expert on the styles, and the reprint quality makes it even harder to judge.

“When Six-Guns Roar” is a seven-page story where the Kid takes a job at a ranch to build up a grub-stake. The ranch owner’s policy is that no-one can wear guns at the ranch, and some of the other cowpokes think that gives them an advantage, but of course the Kid can take care of himself guns or no.

Rawhide Kid #84 [1971]

The no gun policy of course makes the ranch an easy mark for some bandits, with one of the Kid’s tormentors as their inside man. The Kid is able to get loose (thanks to his small hands. No, really), get to the guns that are kept locked up and lead the others in driving off the bandits. The ranch owner learns the importance of always packing heat.

“The Man Who Caught the Kid” has the Kid on the run from the law again, this time making a five-page run for the border. The sheriff leading the pursuit can’t understand why the Kid doesn’t take advantage of several easy opportunities to ambush them. Finally, almost scott free, the Kid stops to admonish a man abusing his horse. The posse catches up to him, but the sheriff lets him go, taking in the horse-beating coyote instead.

There are some great horse-riding scenes in this story, through a variety of terrains. Really just a pleasure to look at.

“The Girl, The Gunmen, and the Apaches” is a six-pager with the kid encountering a family heading west on a stage-coach when they run into an Apache raid. The daughter is taken prisoner, and the Kid pursues, taking on Red Wolf in hand-to-hand combat. The Kid wins, but Red Wolf pursues, so the Kid starts a bison stampede. The Kid then leaves the girl to return to her family, with the usual ending of both wishing they stay together but assuming the other wouldn’t be interested. Bit of a western cliche story, but some pretty art of the girl and the Apache tribe.

Published 1971

Black Magic #2 [1974]

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Four S&K reprints from various 1953 issues of the original BLACK MAGIC series in this issue.

First up is the six page story “Fool’s Paradise” #26[v4#2], the tale of a criminal on the run from the law in a park, when an old man helps him escape. The old man tells him to meet a mob boss at a certain place, where he arrives just in time to stop a hit. Working for the mob boss, he rises quickly up the ranks, and plans to take over and fools around with the boss’ girl. Eventually he ends up on the run again, back in the park, where the whole thing starts over.

“The Cat People” #27[v4#3] is a six page story about a man visiting a friend and getting creeped out by some kids playing “Cat’s Cradle”. He recounts a story about his trip to Europe, where he encountered an old woman and her daughter living in the hills, and how he witnessed them turning into giant cats in a midnight ceremony using rituals similar to a “Cat’s Cradle” game and how he barely escaped with his life.

Up next is a short but creepy three page story “Birth After Death” #20[v3#2], about a pair of grave-robbers in the 1700s who are startled when their intended victim rises from the grave. The robbers are shot, and the woman lives, apparently having been mistakenly buried in a stare resembling death. Five years later she gives birth to a baby boy (with the same doctor attending. I don’t know about you, but after a bit of malpractice like that I get a new doctor), and that boy would grow up to be Sir Walter Scott!!! Out of curiousity I did a quick search, and couldn’t find any reference to Walter Scott’s mother being buried alive. Could it be these startling true stories are in fact fabrications?

“Those Who Are About to Die” #23[v3#5] is last, a five page story about an artist who has a vision of death while eating in a restaurant.

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He takes this as a cue to ask the cashier at the restaurant to pose for him (no, that’s not creepy at all), but ends up painting another woman being pushed into a coffin by a skeleton. When he and his wife go to the restaurant the next day, the find the cashier is missing, but just out sick, but the woman in the painting is the server, who had just died of lung cancer in exactly the spot where the skeleton is touching in the painting.

This is a really fun issue. Although none of the stories are that great, mostly variations of themes that Kirby and others did better elsewhere, the art is really sharp and moody throughout, with a lot of different settings that Kirby does well.

Published 1974