Monthly Archives: December 2004

Black Magic #7 [1975] – “The Cloak” and “Freak!”

Posted on December 26, 2004 by Bob

More reprints from the S&K Prize horror series of the 1950s in this issue. Starting off with the cover, a reprint of the cover to the original #17 (v2#11), a moody piece with one of the classic horror set-pieces, a dark attic, with a chained freak. The 8-page story from that issue, “Freak!”, is reprinted in here, featuring art credited to Kirby/Meskin in the updated Kirby checklist. The Meskin part is heavy, which is probably why the story was missing from earlier Kirby checklists, but the Kirby parts are definitely there, especially in how some of the characters hands are posed. A decent short story, although the cover kind of gives away too much.

Also in this issue is “The Cloak”, a 7 pager from the original BM #2.
This is sort of a modern urban gothic horror story. An unemployed man in Budapest gets a chance at a job, but needs to look good for the occasion. He has one good suit left, and goes out to rent a cloak to wear for it (this is back when men wore cloaks. And hats). It gets delivered to him by a mysterious guy, it has a label “Asmodeus”, and still he doesn’t get the hint. He wears it, and it attempts to kill him several times before he ditches it, giving it to a derelict. Our man Paul then calls the tailor offering to pay for the cloak, and finds out it wasn’t from the tailor, the cloak he ordered is still waiting to be picked up. Now he looks up “Asmodeus”, realizes the guy he gave the cloak is in danger, and tries to save him. He fails, and the cloak vanishes. And that’s it. Dead vagrant, and no idea if Paul got a job.

bm7

A good, if simple, story. And the art just has to be seen. The various accidents that Paul runs into with the cloak are great, like being dragged by a train. And the backgrounds are excellent. I don’t know if Budapest actually looked like this, but it should have.

Published 1975

Posted in Genre, Horror/Fantasy | Leave a comment

Upcoming Kirby – Modern Arf

Posted on December 25, 2004 by Bob

Amazon has more details on the previously mentioned MODERN ARF from Fantagraphics. It will have a complete Kirby story. To add to the details below, it’s a 5 page story from Harvey’s ALARMING TALES #1, 1957. The bit about not being reprinted isn’t strictly true, but that was just a digest and not that easy to find. The added incentive about it being reprinted from the original art (not clear if it’ll be colour or not, I’d be happy with either) in a large 9×12 format makes this very attractive.

Modern Arf
by Craig Yoe

About the Author
Craig Yoe operates YOE! Studio from a mountaintop castle overlooking the Hudson River with his partner, Clizia Gussoni. YOE! creates toys to theme parks, animation to advertising for MTV, Nickelodeon, Cartoon Network, Microsoft, and MAD Magazine.

Product Description:
An irreverent new journal devoted to the art of the comics.

Modern Arf is the first in a series of volumes in which the award-winning artist and editor, Craig Yoe, explores the unholy marriage of Modern Art and the Funnies in a bombastic and entertaining way.

The first blast features material created just for this book as well as classic material by Rube Goldberg, Jack Kirby, Hy Mayer, Winsor McCay, and Patrick McDonnell at the zenith of their wacky, surreal, and innovative best.

Patrick McDonnell rarely draws outside popular daily strip Mutts, but for the first volume of Arf he has contributed an exclusive four page strip of of surreal comics. They’re fun, they’re cool, they’re wordless, and they’re sublime.

Jack Kirby’s story, “The Fourth Dimension is a Many Splattered Thing,” reprinted from the original art, is Kirby at his most surreal, surely informed by cubism and certainly the inspiration for Steve Ditko’s later work on the exotic 1960s comic, Dr. Strange. It is published here for the first time since its original publication in the mid 1950s.

Hy Mayer, a forgotten cartoon surrealist, is represented with an astonishing series of mind-blowing “worm’s eye views.” It’s M.C. Escher meets Charles Schulz! Antonio Rubino is an early 20th century Italian cartooning master, whose breathtaking work was infused by cubism, futurism and art deco. Modern Arf will present a rich sampling of his work, including bookplates, paintings, and comics.

Did you know Salvador Dalí drew comics? You’ll be able to see them in this first volume of Modern Arf accompanying an essay exploring his influence on comics, his animated cartoon, and examples of comic artists such as Steranko and Crepax who paid homage to the Spanish surrealist. Modern Arf is stunningly designed in an oversized format to give justice to the incredible art collected between its covers. The Arf series will delight both comic and fine art lovers. Both will be sure to exclaim, “I don’t know much about Arf, but this is what I like!” 120 pages black-and-white illustrations throughout and 48 pages in full color, 9″ x 12″.

Posted in Upcoming Kirby | 1 Comment

Buried Treasure v1#2 – “Inky” – proposed S&K strip

Posted on December 25, 2004 by Bob

In the late 1940s, while they were working on the successful line of romance comics, Simon&Kirby put together a six week proposal for a comic strip, Inky, featuring cartoonist Inky Spotts and his struggles to establish himself. The strip didn’t sell, although a few years later they did make use of parts of it for the romance comic IN LOVE #3. In 1986, Greg Theakston published BURIED TREASURE v1#2 and included the 36 strips in nine pages.

The story is incomplete, unfortunately, just the first chapter in a longer story. As it begins, Inky is an assistant to a successful older cartoonist, who dies (killing his character in the process). After that he tries to pitch his own strip, but while he’s technically good the syndicate editor says his work lacks soul. Eventually he gets suckered into working with Donna Dreame, a society columnist who plans to use him to make a fortune (in comics?), but passes off a stolen concept as her own. As the six-week sample closes, Inky has a confrontation with the editor, who knows the strip was stolen and wants to find out who’s responsible.

I’m not sure I can disagree with the syndicates for not buying, since I have trouble seeing the set-up, at least based on what was done, holding up a strip for the years that would be required for a daily strip after the initial storyline was over. How many action-filled adventures could you credibly put a cartoonist into? Still, it would have made a good extended opening story, and the art is spectacular.


Click on the panels for those full strips.

Also in this issue, a short essay with quotes from Joe Simon about the history of romance comics, plus a colour backcover with the cover of IN LOVE #3 reprinted. Non-Kirby work includes reprints of Alex Toth and Bill Ward comics.

Published 1986

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More 1970s Marvel covers

Posted on December 24, 2004 by Bob

JUNGLE ACTION #18, 1975. Klaus Janson inks, which works better than I expected (but then I’m mostly familiar with Janson from a few years later). This is shortly before Kirby would re-claim the character for his solo series.

AVENGERS, THE #148, 1976. Al Milgrom inks, and Kirby’s chance to draw the Squadron Supreme. I’m kind of disappointed they didn’t get Murphy Anderson to re-draw Hyperion’s face…

THOR #250, 1976. Joe Sinnott inks. Ah, Balder, Sif, the Warriors Three and Mangog. That’s some good stuff. Makes me very grateful that Marvel got Kirby to draw all these covers in the 1970s.



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Devil Dinosaur #1 – Devil Dinosaur and Moon-Boy

Posted on December 24, 2004 by Bob

Ah, one of Kirby’s final contributions to the Marvel Universe, Devil Dinosaur and Moonboy. The brief nine-issue run of the book, ending when Kirby left Marvel to devote his time to animation, is often maligned, mostly by those who haven’t read it. Certainly I didn’t really approach it with any expectations when I got around to getting the back issues. Turns out it’s a fun adventure comic, where Kirby was free to let his imagination roam, with some genuine heart. One of the charming things about Kirby comics is his almost complete lack of pretension and his obvious enthusiasm for the work, which manages to sell some of the wildest concepts that wouldn’t work with less.

In this debut issue, we meet Devil Dinosaur, a bright red dino, presumably a T. Rex (although Kirby wisely doesn’t use actual dino names for most of the series), and his young companion, Moon-Boy of the Small-Folk, residents of the dangerous Valley of Flame, a heavily volcanic area. After a battle with Thunder-Horn, Moon-Boy remembers how he first met Devil, when the Killer-Folk killed Devil’s family and seared his flesh, and they rescued each other. After that, Moon-Boy’s people fled in fear of Devil, while the Killer-Folk plot revenge.

This all works a lot better in comics form, of course, and later issues got even weirder, as Kirby threw in science-fiction concepts with wild abandon.


Mike Royer inks the story, Frank Giacoia inks the cover and Kirby also writes a text page introducing the series.

Published 1978

Posted in Genre, Science Fiction | 1 Comment