Category Archives: Horror/Fantasy

A pair of Kirby stories, plus a cover, are among the things of note in this issue of the Simon&Kirby edited horror comic from Prize. The cover is for the story “The Cat People”, which opens up the book. In this 6-page story, George Gates goes to visit an old friend after a long time away in Europe, which ended in an extended hospital stay. He then freaks out when his friend’s kids are playing cat’s cradle, and tells the story of his recent time in Spain, when he got lost and was invited to stay the night in the remote cavern home of an old woman and her beautiful daughter. As you’d gather from the title, they turn out to be able to transform into cats, using a spell cast by the original version of the cat’s cradle game. He barely escapes with his life, and not untouched.

A nice little story with an especially well done bit of adventure in the chase scene. This story was reprinted, with some minor art touch-ups in DC’s BLACK MAGIC #2 [1974].

The next story isn’t Kirby, but “A Hole In His Head” is notable as being one of the first stories Steve Ditko drew. He’d go on to do some other noteworthy things.

More Kirby with the 5-page “The Merry Ghosts Of Campbell Castle”, a tale of the Scottish Highlands. Two friends go to Scotland, where one of them wants to write a book about his family, the Clan Campbell. Things spiral out of control as Campbell hears music and then later sees ghosts in the ancestral castle, eventually leading to his demise, and then his friend starts to hear the same music.

I especially like the look of the ghosts in this one, inked in a more delicate style and with far less shadow than the rest of the story (and most of Kirby’s horror work for the title), but still very detailed and expressive.

If you’re interested in BLACK MAGIC, be sure to check out the on-going series of posts on the title over on the S&K Blog, Little Shop of Horrors. Nine posts cover the first 26 issues of the title, the next one should start with this issue and the next few (here’s an earlier post from me on #28)

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I swear, Marvel’s reprint department in the 1970s, sometimes I just don’t know about them…

This issue reprints “Gorgilla Strikes Again” from TALES TO ASTONISH #18 [1961], the Kirby/Ayers sequel to the original Gorgilla story that had been then-recently reprinted in MONSTERS ON THE PROWL #9 [1971] (not “Where Monsters Prowl”, as the note on the splash page says). The story is pretty good, although not as good as the original Gorgilla story, where he got to fight dinosaurs. In this one, Gorgilla feels a kinship with the humans who had recently discovered him. For some reason this kinship doesn’t extend to the people in the port city he sneaks into, or even the people on the boat he hides out in. No, Gorgilla is holding out for his true family, the people of New York City.

On arriving in the city, like most tourists, Gorgilla is feared and hunted, but he remains oblivious to that, and takes in a Yankees game. Meanwhile, some communists decide to take advantage of the confusion and stage an elaborate attack on a visiting foreign leader. Fortunately, Gorgilla stumbles across their plan, and this somehow leads to him chasing the spy up the Statue of Liberty, where a blast from a bazooka downs him. Yeah, I’m not clear on all of it myself. It does look great though. Gorgilla at a baseball game? Beautiful.

One page is edited out somewhere, I’m sure the one that makes the whole thing logical, making this a 12-page story now.

The cover is where it really gets confusing. Originally, the cover to TtA #18 featured art from the splash page of the story. I guess that didn’t feel right in 1971, so of course they commissioned a new cover, right? Nope. They grabbed the Kirby/Ayers cover to TALES TO ASTONISH #24 [1961], featuring the Abominable Snowman. Who doesn’t look that much like Gorgilla, and the scene doesn’t make much sense for this story. And they re-letter a few bits. And to compound the confusion, even though Gorgilla is brown, and the Abominable Snowman is brown, on this cover they re-colour the character white. Someone actually sat down and made these decisions…

Published 1971

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This issue introduces Klarion, the Witchboy, one of Etrigan’s most persistent foes over the years. The story opens with Etrigan encountering a “Judge” in puritan garb who is searching for Klarion, and attacks Etrigan with a monstrous Draaga, which makes for a great two page splash. Etrigan defeats the creature but is poisoned, and collapses as Klarion and his cat Teekl appear, showing some control over his transformations by changing him back to Jason Blood.

Various hijinks then ensue in Blood’s apartment, including an attack from a Horigal.

Klarion’s people eventually capture him to put on trial, so he summons Etrigan who is able to defeat them. Klarion tries to overstep himself by controlling Etrigan, which Merlin’s Demon wont stand for.

Fun little story with some weird plot logic, but great monster images, and obviously a lot of thought behind Klarion, only some of which made it onto the page in his few Kirby written appearances.

Mike Royer inks the 20-page story and cover.

Published 1973

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Kirby concludes his three part story based on Frankenstein in this issue, as Etrigan destroys the lab of Baron von Evilstein, setting his experimental beasts free. Meanwhile, Randu and Harry manage to get the girl Janie, who has a psychic link with Evilstein’s monster, close to where the gentle creature is being tormented by a mob. Unfortunately Evilstein shows up and attacks, and the creature dies saving his only friend.

Etrigan of course takes the fight to Evilstein, and uses the Philosopher’s Stone against him.

I thought this storyline had a bit more potential than this final chapter realized, but I always do like the classic Kirby mis-understood beast archetype.

Mike Royer inks the cover and 20-page story.

Published 1973

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